Archives for category: Fascism
« Older Entries
Newer Entries »

Florida “Proud Boy” Sentenced for Violent Attacks on Police Officers on January 6

By dianeravitch
January 18, 2024 //
8

Well, here is another “hostage” or “patriot” for Trump to pardon if he is re-elected. A 58-year-old man from Florida who was a member of the “Proud Boys, not even a man. He beat up several police officers during an event on January 6, 2021, that Trumpers insist was “a normal tourist visit” or (as the president of the Republican National Committee put it) “legitimate political discourse.” Clearly, this is not the party of law and order.

The Miami Herald reported:

A South Florida member of the far-right Proud Boys was sentenced to five years in prison Wednesday after federal prosecutors described him as “one of the most violent January 6 rioters” who assaulted at least six police officers while attacking the U.S. Capitol three years ago.

Kenneth Bonawitz, 58, of Pompano Beach, grabbed one of the officers in a choke hold and lifted her up and injured another so badly that he was forced to retire, according to federal prosecutors.

Bonawitz, a member of the Miami chapter of the Proud Boys, was carrying an 8-inch knife in a sheath on his hip when he stormed the Capitol with a mob of Donald Trump supporters after gathering for the president’s “Stop the Steal” rally on the Ellipse before the attack.

“Police seized the knife from him in between his barrage of attacks on officers,“ Assistant U.S. Attorney Sean McCauley wrote in a sentencing memo recommending the high end of the guidelines, or nearly six years in prison. “His violent, and repeated, assaults on multiple officers are among the worst attacks that occurred that day.”

U.S. District Judge Jia Cobb in Washington DC gave Bonawitz a five-year sentence, followed by three years of supervised release. Arrested a year ago, he pleaded guilty in August to three felonies — one count of civil disorder and two counts of assaulting police.

Bonawitz arrived in DC via a chartered bus for Trump supporters.

After police confiscated his knife and released him, Bonawitz assaulted four more officers in the span of seven seconds, according to court records. He placed one of the officers in a headlock and lifted her off the ground, choking her.

“Bonawitz’s attacks did not stop until (police) officers pushed him back into the crowd for a second time and deployed chemical agent to his face,” the prosecutor wrote in the sentencing memo. More than 100 police officers were injured during the siege.

And yet the Trump people say the event was organized by the FBI or Antifa.

Read more at: https://www.miamiherald.com/news/local/article284387720.html#storylink=cpy

Categories Accountability, Elections, Extremism, Fascism, Florida, Justice, Republicans, Trump

The Media’s Worst Mistake about Trump

By dianeravitch
January 17, 2024 //
40

Jennifer Rubin is a regular columnist for the Washington Post. She was originally hired to give the view from the right, having arrived with excellent conservative credentials and a law degree. But Trump changed her political outlook, and she is a clear-eyed critic of Trump and an admirer of Biden.

She wrote recently that the biggest mistake of the media in covering Trump was treating him like a normal President or a normal candidate, rather than recognizing that he is a cult leader.

After missing the significance of the MAGA movement in 2016, innumerable mainstream outlets spent thousands of hours, gallons of ink and billions of pixels trying to understand “the Trump voter.” How had democracy failed them? What did the rest of us miss about these Americans? The journey to Rust Belt diners became a cliché amid the newfound fascination with aggrieved White working-class Americans. But the theory that such voters were economic casualties of globalization turned out to be false. Surveys and analyses generally found that racial resentment and cultural panic, not economic distress, fueled their affinity for a would-be strongman.


Unfortunately, patronizing excuses (e.g., “they feel disrespected”) for their cultlike attachment to a figure increasingly divorced from reality largely took the place of exacting reporting on the right-wing cult that swallowed a large part of the Republican Party. In an effort to maintain false equivalence and normalize Trump, many media outlets seemed to ignore that the much of the GOP left the universe of democratic (small-d) politics and was no longer a traditional democratic (again, small-d) party with an agenda, a governing philosophy, a set of beliefs. The result: Trump was normalized and a false equivalence between the parties was created.

Instead of reporting Trump’s wild assertions as legitimate arguments, media outlets should explain how Trump rallies are designed to instill anger and cultivate his hold on people who believe whatever hooey he spouts. How different are these events from what we see in grainy images of European fascist rallies in the 1930s? (When Trump apologists insist that tens of millions of people cannot be part of a cult, it’s critical to remember mass fascist movements that swept entire populations.) The appeals to emotion, the specter of a malicious enemy, the fear of societal decline, the fascination with violence and the elation just to be in the presence of the leader are telltale signs of frenetic fascist gatherings. Trump’s language (“poisoning the blood”) even mimics Hitler’s calls for racial purity.


Even as Trump shows his authoritarian colors and his rants become angrier, more unhinged and more incoherent, his followers still meekly accept inane assertions (e.g., convicted Jan. 6, 2021, rioters are “hostages,” magnets dissolve in water, wind turbines drive whales insane). More of the media should be covering this phenomenon as it would any right-wing authoritarian movement in a foreign country.


Though polls continue to show Trump’s iron grip on his followers, mainstream outlets spend far too little attention on why and how MAGA member cling to demonstrably false beliefs, excuse what should be inexcusable conduct and treat him as infallible. Outlets should routinely consult psychologists and historians to ask the vital questions: How do people abandon rationality? What drives their fury and anxiety? How does an authoritarian figure maintain his hold on followers? How do ideas of racial purity play into it? Media outlets fail news consumers when they do not explain the authoritarian playbook that Trump employs. Americans need media outlets to spell out what is happening.


“Authoritarian, not democratic dynamics, hold the key to Trump’s behavior as a candidate now and in the future,” historian Ruth Ben-Ghiat wrote. “The main goals of his campaign events are not to advance policy proposals but rather to prop up his personality cult, circulate his lies, and emotionally retrain Americans to see violence as positive and even patriotic…”

A message from a mentally sound, serious leader (President Biden) cannot be equated with the message of an authoritarian who seeks absolute power through a web of disinformation and, if need be, violence. (When the media doesn’t grasp this, we get laughable headlines such as: “Clashing Over Jan. 6, Trump and Biden Show Reality Is at Stake in 2024.”)


Instead of probing why MAGA followers, despite all evidence to the contrary, deny that Trump was an insurrectionist and a proven liar, pollsters insist on asking Trump followers which candidate they think might better handle, for example, health care. The answer for Republicans (Trump! Trump!) has nothing to do with the question (Trump never had a health-care plan, you recall), and the question has nothing to do with the campaign.


The race between an ordinary democratic candidate and an unhinged fascist is not a normal American election. At stake is whether a democracy can protect itself from a malicious candidate with narcissistic tendencies or a rational electorate can beat back a dangerous, lawless cult of personality. Unfortunately, too many media outlets have not caught on or, worse, simply feign ignorance to avoid coming down on the side of democracy, rationality and truth.

Categories Democracy, Elections, Extremism, Fascism, Fraud, History, Republicans, Trump

Dana Milbank in Iowa: Trump Owns the Republican Party

By dianeravitch
January 16, 2024 //
30

No matter how many times he is caught lying, no matter how many top-secret documents he squirreled away, no matter how lavishly he praises dictators, no matter how many porn stars he has partied with, no matter how many millions he took from foreign governments during his term, no matter how many criminal counts he faces, no matter how many times he was indicted, the base of the GOP loves him.

Trump owns the Republican Party. It used to be the party of “family values,” but that pretense has been tossed aside. Trump, a thrive-married philanderer, has never talked about family values.

Dana Milbank went to Iowa to see for himself, and he saw the devotion of the MAGA crowd.

INDIANOLA, Iowa — They lined up for hours, some of them, in the minus-38-degree wind chill to see their candidate. It was the only rally Donald Trump was giving in the state in the TV days before Monday’s caucuses, so for the MAGA faithful, this was the golden ticket.


For the lucky 500 Trump followers admitted to the event space, the Trump campaign played a video reminding voters that Trump had already come in first place in the God primary.


“And on June 14, 1946, God looked down on his planned paradise and said, ‘I need a caretaker.’ So God gave us Trump,” the narrator proclaimed.


“God said, ‘I need somebody willing to get up before dawn, fix this country, work all day, fight the Marxists, eat supper, then go to the Oval Office and stay past midnight. … So God made Trump.”
“‘I need somebody with arms strong enough to rassle the deep state and yet gentle enough to deliver his own grandchild.’ … So God gave us Trump.”


And then it came to pass, a few minutes later, that this midwife-turned-prophet took the stage in the ballroom, and he spake thus to his flock:


“We’ve got a crooked country,” run by “stupid people,” “corrupt,” “incompetent,” “the worst.”
Trump, in the gospel according to Trump, was the victim of “hoaxes,” “witch hunts,” “lies,” “fake indictments,” “fake trials,” judges who “are animals,” a “rigged election,” “rigged indictments,” and a “rigged Department of Justice where we have radical left, bad people, lunatics.”


The nation’s capital, Washington, D.C., “is a rat-infested, graffiti-infested shithole,” he said, with swastikas all over the national monuments.

His opponents, the prophet Trump continued, are “Marxists,” “communists,” “fascists,” “liars, cheaters, thugs, perverts, frauds, crooks, freaks, creeps,” “warmongers” and “globalists.”
Immigrants are like a “vicious snake,” whose “bite is poisonous,” he told them, and there is an “invasion” at the border by “terrorists,” “jailbirds” and “drug lords.”


“Our country is dying,” he informed them. And, by the way, “You’re very close to World War III.”
Have a nice day!


It was, in short, a slightly updated version of the rage, paranoia, victimhood, lies and demonization that propelled Trump’s popularity over the past eight years. Yet there was something else Trump said in his appearance here at Simpson College, south of Des Moines, that, I’m sorry to say, seems reasonably accurate.


“MAGA is taking over,” he told his chilled but enraptured supporters. “On the fake news, they say MAGA represents 44 percent of the Republicans. No, no. MAGA represents 95 percent of the Republican Party.”


His numbers might be off, but the observation is true. Iowa’s Republican presidential caucuses Monday night were an overwhelming triumph for Trump, who in early results was more than 30 points ahead of his nearest competitor and getting more votes than the rest of the field combined. The voters had shown that there essentially is no Republican other than a MAGA Republican…

Nikki Haley points out that she polls better against Biden than the others, and it’s true. Were she the nominee, Republicans would likely win the presidency in a landslide. But this Republican electorate wants something different.


They want a guy who talks about being a “dictator” on day one, echoes Hitler in his rhetoric about ethnic minorities, demands absolute immunity from legal liability and threatens “bedlam” if he’s prosecuted.


They want a guy who, after all these years, still derides “Barack Hussein Obama” and “Pocahontas” Elizabeth Warren, as he did in Indianola on Sunday. They want a guy who threatens, as president, to “direct a completely overhauled DOJ to investigate every radical, out-of-control prosecutor because of their illegal, racist … enforcement of the law.”

And they want a man who promises: “We will demolish the deep state. We will expel the warmonger … We will drive out the globalists. We will cast out the communists, Marxists and fascists. We will throw off the sick political class that truly hates our country. We will rout the fake news media. And we will evict Crooked Joe Biden from the White House.” The crowd, in their MAGA caps and Trump 47 jerseys, cheered their candidate and broke into spontaneous chants of “Trump!” and “USA!”

Let there be no more excuses made that Republican voters haven’t been given an alternative. They had a choice — and they chose Trump.

Iowa is an atypical state. It is overwhelmingly white and has a large number of evangelicals. Let’s see how other states vote.

Despite his paranoia, despite his character—or because of them— Trump swept 51% of the vote in Iowa.

However. CBS News reported that less than 15% of registered Republicans turned out in the bitter cold to cast a vote.

Categories Bigotry, Character, Corruption, Cruelty, Democracy, Disruption, Elections, Ethics, Evil, Extremism, Fascism, Insane, Iowa, Racism, Republicans, Trump

Thom Hartmann: The Fascists Start with Threats of Violence

By dianeravitch
January 11, 2024 //
68

I am a fan girl of Thom Hartmann. I don’t know how he manages to produce deeply thoughtful, deeply researched articles at a fast clip. This is another great one, about the use of threats, intimidation and violence to achieve rightwing goals.

He writes:

How would you react if one day you were sitting at home and the phone rang and when you picked it up you heard a man shout:

“Kill yourself now so we can save ammo!”

Moments later, an email arrives that says:

“I hope the Federal government hangs you and your daughter from the Capitol dome, you treasonous piece of shit! I pray that I will be sitting close enough to hear your necks snap.”

This is what happened to “Shaye” Moss and Ruby Freeman when Trump and Giuliani decided to blame Trump’s loss in Georgia on them, incorrectly claiming they were stuffing ballots for Biden. Just a few hours later, a mob with torches and a bullhorn showed up at Freeman’s house, although she’d already left after being warned by the FBI that she was on the “kill list” of a January 6th defendant they’d just arrested.

Mitt Romney, speaking with writer McKay Coppins for his book “Romney: A Reckoning,” told him the story of multiple Republican senators who were so terrified of violence at the hands of Trump’s fascist followers that they set aside their consciences and voted against convicting him of trying to blackmail Zelenskyy and, later, trying to overthrow the government of the United States.

“One Republican congressman confided to Romney that he wanted to vote for Trump’s second impeachment, but chose not to out of fear for his family’s safety. The congressman reasoned that Trump would be impeached by House Democrats with or without him — why put his wife and children at risk if it wouldn’t change the outcome?

“Later, during the Senate trial, Romney heard the same calculation while talking with a small group of Republican colleagues. When one senator, a member of leadership, said he was leaning toward voting to convict, the others urged him to reconsider. You can’t do that, Romney recalled someone saying. Think of your personal safety, said another. Think of your children. The senator eventually decided they were right.”

I know liberals and regular reporters in the media who are quite happy trash-talking Biden but are frankly terrified of the possibility that Trump or one of his high-profile followers might sic Trump’s fascist fan boys on them. As a result, they self-censor.

Similarly, multiple judges in the past few months have been given the chance to take Trump off the ticket because of his clear violation of the Constitution’s 14th Amendment by inciting and supporting an insurrection. Each one whiffed, and their legal logic was so thin it’s reasonable to conclude they’re also unwilling to have their families suffer the death threats and harassment that comes with being an “enemy of Trump.”

When the justices on the Colorado Supreme Court finally found the spine to vote him off the ballot, within hours the threats began. Now they’re having to pay for security for themselves and their family members, and go to sleep every night dreading the possibility that a lone wolf Trump supporter — like the one who broke into Paul Pelosi’s home and attacked him with a hammer — may be looking for them, too.

As NBC News reported, Trump’s followers reacted to the Colorado justices with predictable ferocity:

“’This ends when we kill these f–kers,’ a user wrote on a pro-Trump forum that was used by several Jan. 6 rioters.

“’Kill judges. Behead judges. Roundhouse kick a judge into the concrete,’ read a post on a fringe website. ‘Slam dunk a judge’s baby into the trashcan.’”

NBC’s Ryan Reilly added:

“The threats fit into a predictable and familiar pattern, seen time and time again after legal developments against Trump.” 

Thus, Jack Smith was unable to find even four Supreme Court justices who were willing to grant cert to hear his challenge to Trump’s claim of absolute immunity from prosecution; terrified, they left the case with the DC Circuit Court of Appeals in the hope those judges will draw Trump’s ire — and his followers’ fire — thus diluting their own risk.

This is how fascism takes over a nation from within: with violence and the fear of violence.

I’ve been doing what is now the nation’s largest progressive radio/TV show for 20 years, reaching an estimated audience of 6 million a week. My writings here on HartmannReport.com are frequently reprinted by other progressive media. 

The result is that I regularly get threats, although this is not a phenomenon shared by my rightwing colleagues. When I asked a couple of rightwing radio hosts I’ve known for years if they get threats of violence or death, each said, “No.”

There is no movement advocating political violence on either the American left or in the center. It is entirely confined to the American right, and the media needs to admit that and the FBI needs to recalibrate their efforts.

As fascism expert and historian Emilio Gentile noted about how fascist movements start and gain power:

“In the beginning there was violence.”

Violence and the threats of violence are the key to understanding fascists like Trump and the movements they inspire.

As any professional interrogator can tell you, deep down inside, all of us humans are really just scared little kids. The more we’re broken down by the circumstances of life or government policy, the less secure we feel, the harder it is to get by in life, and the more scared we become.

And, for many people, out of that fear comes the willingness — hell, the enthusiasm — to embrace “big daddy” in the form of a tough guy leader who promises to “restore” those who feel the fear back to their previous (or imagined future) positions of power, wealth, and authority.

This becomes particularly easy for fascist leaders when their followers are convinced that the nation’s government has become hopelessly corrupt, a project rightwing fossil fuel billionaires, rightwing media, and Republican politicians have been promoting here in the US for decades.

Ever since the Reagan Revolution, in their zeal to cut their own taxes and stop regulation of the fossil fuel and other polluting industries, they’ve been hammering the message that our government has been seized by “deep state socialists” bent on destroying our country. 

Republicans and the billionaires who own them have repeated this conspiracy theory so often for the last few decades that an entire religion, Qanon, as arisen around it.

This belief, that much of what our government does is illegitimate or even malicious, makes it easy for low-information voters to bind themselves to a fascist “reform movement” that promises better times ahead.

As fascist followers act out their violent threats against their leaders’ perceived enemies, they get an inner sense of strength and the feeling that they’ve joined a community: that diminishes their own fear for a short while. 

The more an “other” — political enemies; racial, religious, and gender minorities; women — are blamed for the ills of the nation, the more vigilante-style violence against them is justified and the more violent the future becomes.

When the state pushes back against that violence, as America did after January 6th, the calls for increased violence become even louder. Trump is practically shouting “kill them!” with a bullhorn and even our court system is afraid to stop him by throwing him into jail as they would have any other common criminal who encouraged such violence against judges, juries, witnesses, court officials, and their families.

Calling people to violence by denouncing those being scapegoated is central to fascist politics. 

Mussolini used to feature Italian “whistleblowers” who, like Joe McCarthy here back in the day, would call out “corrupt” government officials whose only real crime was not supporting him. Hitler had every radio station in Germany play phone calls from local citizens who denounced their neighbors for sympathizing with Jews, socialists, or trade union organizers.

Once publicly targeted in these ways, mobs or lone-wolf assassins would descend on these people’s homes. After a few well-publicized beatings and killings, everybody from media figures to politicians to judges backed away from trying to stop fascists or even hold them accountable.

When he was rising to power in Hungary, for example, Victor Orbàn’s right-hand-man led a torchlight march into a Budapest Roma neighborhood threatening to burn the “gypsies” — who fled in terror — out of their homes. More recently, Orbán started arresting people who “defamed” him on social media.

Soon, nobody in or out of the government is willing to stand up to the fascists; it’s too dangerous and too exhausting. Being the object of regular threats of violence or death is not something anybody would volunteer for unless they saw the stakes as being very, very important.

This is what Trump and the GOP he’s captured are working toward: the silencing of dissent and accountability, replacing them with fear and a guilty complicity. Just take a look at the state of social media today, particularly Xitter and Facebook, which have dialed back on their content moderation and thus loosed the fascists on anybody who dares criticize Trump or the GOP.

As Michael Ebner wrote in his book “Ordinary Violence in Mussolini’s Italy”:

“The Fascist state ruled Italy violently, projecting its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination and other quotidian forms of coercion. 

“Moreover, by promoting denunciatory practices, the regime cemented the loyalties of ‘upstanding’ citizens while suppressing opponents, dissenters and social outsiders.”

Trump is telling us right up right now that he intends to rule as a fascist if he’s able to either win or seize power through other means in 2024. Informally, his militia followers will be showing up at polling places next fall to intimidate voters; they see themselves as the shock troops of the new GOP. 

Formally, he’s planning on ending your and my protections against state-sponsored police violence, which he openly intends to deploy against anybody who opposes him and his regime:

“I am also going to indemnify our police officers. This is a big thing, and it’s a brand-new thing, and I think it’s so important. I’m going to indemnify, through the federal government, all police officers and law enforcement officials throughout the United States from being destroyed by the radical left for taking strong actions against crime.”

When Trump says “crime,” of course, he’s using the same fascist-speak that Hitler, Mussolini, Putin, and Orbán use that means “minorities” and “political enemies.”

And his followers are listening and acting. 

The Anti-Defamation League published a report finding there have been more than 170 murders committed by rightwing (and, I’d add, therefore probably Trump-aligned) extremists over the past five years; only 3 deaths could be attributed to people “on the left.” None of the victims were “criminals.”

So, how does a nation deal with an epidemic of violent rhetoric and actual violent attempts?

Fascists are always a minority when they rise to power in a country. They’re experts at manipulating democratic systems — particularly through things like voter suppression, gerrymandering, voter roll purges, and voter intimidation — to seize power, and then corrupting the existing systems and laws in ways that keep them in power.

At the moment, the fascist movement in the US is very much confined within the GOP and aligned with fringe militia and fundamentalist religious factions.

Merrick Garland should have come down on them hard as soon as he assumed his job as Attorney General; because he dithered for two full years until he was shamed into appointing Jack Smith by the January 6th Committee, Trump’s fascist followers have gained considerable momentum.

By continuing to refuse to investigate or prosecute the people who are still in power and conspired with Trump to overthrow our government, Garland further empowers America’s homegrown fascist movement. This must stop, and news that the FBI has finally acquired some of the content of Congressman Scott Perry’s phone is a positive sign, albeit too little and too late.

But the ultimate victory over fascism in America has to be in the ballot box rather than the courthouse. Americans who believe in democracy and reject strongman oligarchy must turn out next November in overwhelming numbers and so shatter the GOP that the party will be forced to reinvent itself in a way that includes purging itself of its fascist-supporting members.

And we damn well better succeed, because fascists never give you a second chance to defeat them or hold them to account. If we try to stop them and fail, Trump has already told us he’ll have a nice cold cell waiting for you and me in the concentration camps he promises to build to hold “millions.”

There is pretty much nothing more important now than waking up our friends and neighbors to this threat…

Categories Bigotry, Corruption, Cruelty, Disruption, Elections, Evil, Extremism, Fascism, Trump

Florida Resort Cancels Marjorie Taylor Greene Event

By dianeravitch
January 5, 2024 //
52

A resort in Kissimmee, Florida, was booked to host a book signing by Marjorie Taylor Greene. She was going to sell signed books for $45 and to offer a personal meeting for $1,000.

But the resort canceled the event when it discovered that it was also a celebration of the sacking of the U.S. Capitol on January 6, 2021.

The event organizers neglected to tell the resort owners that MJT planned to commemorate the siege of the Capitol.

A fundraiser and book signing at a sprawling Central Florida resort featuring U.S. Rep. Marjorie Taylor Greene has been canceled after the resort’s owners discovered the event was also a commemoration of the third anniversary of the Jan. 6 riot at the U.S. Capitol.

“Please be advised that Westgate was not made aware of the purpose of this event when we were approached to host a book signing,” Westgate Vacation Villas Resorts said. “This event has been canceled and is no longer taking place at our resort.”

Requests for further comment were not immediately answered.

First reported by NBC News, the event hosted by the Republican Party of Osceola County invited residents to meet Greene, a Republican from Georgia, Trump supporter and self-described “firebrand,” and get a signed copy of her memoir, “MTG” at the Westgate Convention Center in Kissimmee.

Categories Accountability, Democracy, Elections, Evil, Extremism, Fascism, Shame, Trump

Documented: The Secret Plot to Destroy Public Education, Revealed

By dianeravitch
January 2, 2024 //
28

The Network for Public Education has worked recently with “Documented,” an organization that defends democracy. Its executive director Nick Surgey led a panel at our 10th conference in D.C. in October. Nick and his colleagues described their very well documented work to expose the plot to destroy public education. As I left the room, David Berliner said to me, “That was a terrifying hour.”

Here is the video. Please take the time to watch.

Nick is an expert on the extremist Alliance Defending Freedom, which has led attacks on public schools and on abortion rights. The Speaker of the House Mike Johnson was a lawyer for ADF.

Please read the Documented brief describing their work.

It will open your eyes to a well-funded plot to destroy our public schools.

Categories Accountability, Corruption, Dark Money, Democracy, Disruption, Education Industry, Evil, Extremism, Fascism, Privatization, Propaganda, School Choice, Vouchers

Heather Cox Richardson: Nikki Haley and the Death of the Republican Party

By dianeravitch
December 30, 2023 //
139

Heather Cox Richardson sees something more ominous in Nikki Haley’s failure to mention slavery as “a cause” or “the cause” of the Civil War. She sees the death of what were once Republican Party ideals and the emergence of new style of authoritarianism, closely linked to parties that have effectively squelched the rights of their people.

She writes:

When asked at a town hall on Wednesday to identify the cause of the United States Civil War, presidential candidate and former governor of South Carolina Nikki Haley answered that the cause “was basically how government was going to run, the freedoms, and what people could and couldn’t do…. I think it always comes down to the role of government and what the rights of the people are…. And I will always stand by the fact that, I think, government was intended to secure the rights and freedoms of the people.”

Haley has correctly been lambasted for her rewriting of history. The vice president of the Confederacy, Alexander Stephens of Georgia, was quite clear about the cause of the Civil War. Stephens explicitly rejected the idea embraced by U.S. politicians from the revolutionary period onward that human enslavement was “wrong in principle, socially, morally, and politically.” Instead, he declared: “Our new government is founded upon…the great truth, that the negro is not equal to the white man; that slavery—subordination to the superior race—is his natural and normal condition.” 

President Joe Biden put the cause of the Civil War even more succinctly: “It was about slavery.” 

Haley has been backpedaling ever since—as well as suggesting that the question was somehow a “gotcha” question from a Democrat, as if it was a difficult question to answer—but her answer was not simply bad history or an unwillingness to offend potential voters, as some have suggested. It was the death knell of the Republican Party.

That party formed in the 1850s to stand against what was known as the Slave Power, a small group of elite enslavers who had come to dominate first the Democratic Party and then, through it, the presidency, Supreme Court, and Senate. When northern Democrats in the House of Representatives caved to pressure to allow enslavement into western lands from which it had been prohibited since 1820, northerners of all political stripes recognized that it was only a question of time until elite enslavers took over the West, joined with lawmakers from southern slave states, overwhelmed the northern free states in the House of Representatives, and made enslavement national. 

So in 1854, after Congress passed the Kansas-Nebraska Act that allowed the spread of enslavement into previously protected western lands, northerners abandoned their old parties and came together first as “anti-Nebraska” coalitions and then, by 1856, as the Republican Party. 

At first their only goal was to stop the Slave Power, but in 1859, Illinois lawyer Abraham Lincoln articulated an ideology for the new party. In contrast to southern Democrats, who insisted that a successful society required leaders to dominate workers and that the government must limit itself to defending those leaders because its only domestic role was the protection of property, Lincoln envisioned a new kind of government, based on a new economy.

Lincoln saw a society that moved forward thanks not to rich people, but to the innovation of men just starting out. Such men produced more than they and their families could consume, and their accumulated capital would employ shoemakers and storekeepers. Those businessmen, in turn, would support a few industrialists, who would begin the cycle again by hiring other men just starting out. Rather than remaining small and simply protecting property, Lincoln and his fellow Republicans argued, the government should clear the way for those at the bottom of the economy, making sure they had access to resources, education, and the internal improvements that would enable them to reach markets. 

When the leaders of the Confederacy seceded to start their own nation based in their own hierarchical society, the Republicans in charge of the United States government were free to put their theory into practice. For a nominal fee, they sold farmers land that the government in the past would have sold to speculators; created state colleges, railroads, national money, and income taxes; and promoted immigration. 

Finally, with the Civil War over and the Union restored on their terms, in 1865 they ended the institution of human enslavement except as punishment for crime (an important exception) and in 1868 they added the Fourteenth Amendment to the Constitution to make clear that the federal government had power to override state laws that enforced inequality among different Americans. In 1870 they created the Department of Justice to ensure that all American citizens enjoyed the equal protection of the laws.

In the years after the Civil War, the Republican vision of a harmony of economic interest among all Americans quickly swung toward the idea of protecting those at the top of society, with the argument that industrial leaders were the ones who created jobs for urban workers. Ever since, the party has alternated  between Lincoln’s theory that the government must work for those at the bottom and the theory of the so-called robber barons, who echoed the elite enslavers’ idea that the government must protect the wealthy. 

During the Progressive Era, Theodore Roosevelt reclaimed Lincoln’s philosophy and argued for a strong government to rein in the industrialists and financiers who dominated society; a half-century later, Dwight Eisenhower followed the lead of Democrat Franklin Delano Roosevelt and used the government to regulate business, provide a basic social safety net, promote infrastructure, and protect civil rights. 

After each progressive president, the party swung toward protecting property. In the modern era the swing begun under Richard Nixon gained momentum with the election of Ronald Reagan in 1980. Since then the party has focused on deregulation, tax cuts, privatization, and taking power away from the federal government and turning it back over to the states, while maintaining that market forces, rather than government policies, should drive society. 

But those ideas were not generally popular, so to win elections, the party welcomed white evangelical Christians into a coalition, promising them legislation that would restore traditional society, relegating women and people of color back to the subservience the law enforced before the 1950s. But it seems they never really intended for that party base to gain control.

The small-government idea was the party’s philosophy when Donald Trump came down the escalator in June 2015 to announce he was running for president, and his 2017 tax cuts for corporations and the wealthy indicated he would follow in that vein. But his presidency quickly turned the Republican base into a right-wing movement loyal to Trump himself, and he was both eager to get away from legal trouble and impeachments and determined to exact revenge on those who did not do his bidding. The power in the party shifted from those trying to protect wealthy Americans to Trump, who increasingly aligned with foreign autocrats.

That realignment has taken off since Trump left office in 2021 and his base wrested power from the party’s former leaders. Leaders in Trump’s right-wing movement have increasingly embraced the concept of “illiberal democracy” or “Christian democracy” as articulated by Russian autocrat Vladimir Putin or Hungary’s prime minister Viktor Orbán, who has demolished Hungary’s democracy and replaced it with a dictatorship. On the campaign trail lately, Trump has taken to echoing Putin and Orbán directly.

Those leaders insist that the equality at the heart of democracy destroys a nation by welcoming immigrants, which undermines national purity, and by treating women, minorities, and LGBTQ+ people as equal to white, heteronormative men. Their focus on what they call “traditional values” has won staunch supporters among the right-wing white evangelical community in the U.S.

Ironically, MAGA Republicans, whose name comes from Trump’s promise to “Make America Great Again,” want the United States of America, one of the world’s great superpowers, to sign onto the program of a landlocked country of fewer than 10 million people in central Europe.

MAGA’s determination to impose white Christian nationalism on the United States of America is a rejection of the ideology of the Republican Party in all its phases. Rather than either an active government that defends equal rights and opportunity or a small government that protects property and relies on market forces, which Republicans stood for as recently as eight years ago, today’s Republicans advocate a strong government that imposes religious rules on society. 

They back strict abortion bans, book bans, and attacks on minorities and LGBTQ+ people. Last year, Florida governor Ron DeSantis directly used the state government to threaten Disney into complying with his anti-LGBTQ+ stance rather than reacting to popular support for LGBTQ+ rights. Missouri attorney general Andrew Bailey early this month used the government to go after political opposition, launching an investigation into Media Matters for America after the watchdog organization reported that the social media platform X was placing advertising next to antisemitic content. “I’m fighting to ensure progressive tyrants masquerading as news outlets cannot manipulate the marketplace in order to wipe out free speech,” Bailey said. 

Domestically, the new ideology of MAGA means forcing the majority to live under the rules of a small minority; internationally, it means support for a global authoritarian movement. MAGA Republicans’ current refusal to fund Ukraine’s war against Russian aggression until the administration agrees to draconian immigration laws—which they are also refusing to participate in crafting—is not only a gift to Putin. It also suggests to any foreign government that U.S. foreign policy is changeable so long as a foreign government succeeds in influencing U.S. lawmakers. Under this system, American global leadership will no longer be viable.

When Nikki Haley said the cause of the Civil War “was how government was going to run, the freedoms, and what people could and couldn’t do,” she did more than avoid the word “slavery” to pander to MAGA Republicans who refuse to recognize the role of race in shaping our history. She rejected the long and once grand history of the Republican Party and announced its death to the world. 

—

Categories Bigotry, Billionaires, Censorship, Civil Rights, Democracy, Elections, Fascism, Republicans

Here Are the Books Removed from Classroom Shelves in Orange County, Florida

By dianeravitch
December 28, 2023 //
49

Leslie Postal of the Orlando Sentinel reported the list of banned books.

Please scan the list and let me know which you think should never be banned. Are there any on the list that you think should not be in any 3-8 classroom? Any that should not be available in high school?

Here is a list of the 673 books removed from teachers’ classroom shelves in Orange County for fear they might violate state law and rules on “sexual conduct:” Some might be returned to shelves after further review.

“In the Belly of the Beast,” Jack Henry Abbott
“The Pool Was Empty,” Gilles Abier
“The Poet X,” Elizabeth Acevedo
“With the Fire on High,” Elizabeth Acevedo
“Call Me By Your Name,” Andre Aciman
“Things You Shouldn’t Say Past Midnight,” Peter Ackerman
“Half of a Yellow Sun,” Chimamanda Ngozi Adichie
“Changes,” Ama Ata Aidoo
“River of Darkness,” Rennie Airth
“Say You’re One of Them,” Uwem Akpan
“Simon Vs. The Homo Sapiens Agenda,” Becky Albertalli
“The Upside of Unrequited,” Becky Albertalli
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The House of the Spirits,” Isabel Allende
“In the Midst of Winter,” Isabel Allende
“The Blood of Flowers,” Anita Amirrezvani
“Wintergirls,” Laurie Halse Anderson
“Me and Earl and the Dying Girl,” Jesse Andrews
“The Haters,” Jesse Andrews
“I Know Why The Caged Bird Sings,” Maya Angelou
“Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” Maya Angelou
“Lucy in the Sky,” Anonymous
“And Eternity,” Piers Anthony
“On a Pale Horse,” Piers Anthony
“Four Plays,” Aristophanes
“From Blood and Ash,” Jennifer L. Armentrout
“Storm and Fury,” Jennifer L. Armentrout
“City of the Lost,” Kelley Armstrong
“Mosquitoland,” David Arnold
“Damsel,” Elana K. Arnold
“Infandous,” Elana K. Arnold
“Red Hood,” Elana K. Arnold
“What Girls Are Made Of,” Elana K. Arnold
“Oryx and Crake,” Margaret Atwood
“The Handmaid’s Tale,” Margaret Atwood
“The Handmaid’s Tale: The Graphic Novel,” Margaret Atwood
“The Testaments,” Margaret Atwood
“Alias Grace,” Margaret Atwood
“Hag-Seed,” Margaret Atwood
“Madd Addam Trilogy,” Margaret Atwood
“The Blind Assassin,” Margaret Atwood
“The Clan of the Cave Bear,” Jean M. Auel
“The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters
(Earth’s Children, #1-3),” Jean M. Auel
“The Tale of John Barleycorn: From Barley to Beer,” Mary Azarian
“My Friend Dahmer,” John “Derf” Backderf
“Six of Crows,” Leigh Bardugo
“Dance Nation,” Clare Barron
“Wise Young Fool,” Sean Beaudoin
“Herzog,” Saul Bellow
“The Color Master,” Aimee Bender
“The Seven Rays,” Jessica Bendinger
“Glimpse,” Stacey Wallace Benefiel
“The History Boys,” Alan Bennett
“Mr. Darcy Takes a Wife,” Linda Berdoll

“Best in Show,” Laurien Berenson
“Dark Eye,” William Bernhardt
“Friday Night Lights: A Town A Team And A Dream,” H.G. Bissinger
“Geektastic,” Holly Black
“Red Glove,” Holly Black
“I Was a Teenage Fairy,” Francesca Lia Block
“Sex on the Brain,” Deborah Blum
“Forever…,” Judy Blume
“Midwives: A Novel,” Chris Bohjalian
“Bronxwood,” Coe Booth
“The Best American Short Stories 2015,” T.C. Boyle
“The Road to Wellville,” T.C. Boyle
“The Darkest Minds,” Alexandra Bracken
“The Dark Garden,” Eden Bradley
“The Mists of Avalon,” Marion Zimmer Bradley
“Forever in Blue: The Fourth Summer of the Sisterhood,” Ann Brashares
“The Last Summer of You and Me,” Ann Brashares
“The Sisterhood of the Traveling Pants,” Ann Brashares
“Electric Girl,” Michael Brennan
“The Demon’s Surrender,” Sarah Rees Brennan
“Monkey Man,” Steve Brewer
“Over the Edge,” Suzanne Brockmann
“Candy,” Kevin Brooks
“Angels & Demons,” Dan Brown
“The Bridges of Madison County (musical),” Jason Robert Brown
“A Secret Splendor,” Sandra Brown
“Above and Beyond,” Sandra Brown
“In a Class by Itself,” Sandra Brown
“Lethal,” Sandra Brown
“Seduction by Design,” Sandra Brown
“Send No Flowers,” Sandra Brown
“Unspeakable,” Sandra Brown
“Doing It,” Melvin Burgess
“The Neon Rain,” James Lee Burke
“The Glister,” John Burnside
“Running with Scissors,” Augusten Burroughs
“Summer and the City,” Candace Bushnell
“The Carrie Diaries,” Candace Bushnell
“Kindred,” Octavia E. Butler
“Kindred: A Graphic Novel Adaptation,” Octavia E. Butler
“El Gigante Solitario,” Mary Cappellini
“Xenocide,” Orson Scott Card
“How Beautiful the Ordinary: Twelve Stories of Identity,” Michael Cart
“The Bloody Chamber and Other Stories,” Angela Carter
“Kisses From Hell,” Kristin Cast
“Chosen,” P.C. Cast
“Marked,” P.C. Cast
“The Big Sleep,” Raymond Chandler
“The Big Sleep; The High Window; The Lady in the Lake; The Long
Goodbye; Playback; Farewell, My Lovely,” Raymond Chandler
“Stories and Early Novels: Pulp Stories / The Big Sleep / Farewell My
Lovely / The High Window,” Raymond Chandler
“The Year of Living Awkwardly,” Emma Chastain
“Pieces,” Stephen Chbosky
“The Perks of Being a Wallflower,” Stephen Chbosky
“The Perks of Being a Wallflower YA edition,” Stephen Chbosky
“The Lady and the Unicorn,” Tracy Chevalier
“My Wicked Wicked Ways,” Sandra Cisneros
“The Tesla Testament,” Eugene Ciurana
“Chain Of Iron,” Cassandra Clare
“Chain Of Thorns,” Cassandra Clare
“Queen of Air and Darkness,” Cassandra Clare
“The Red Scrolls Of Magic,” Cassandra Clare
“Little Bee,” Chris Cleave
“The Girls,” Emma Cline
“Ready Player One,” Ernest Cline
“Scooter Girl,” Chynna Clugston-Flores
“Disgrace,” J.M. Coetzee
“Naomi and Ely’s No Kiss List,” Rachel Cohn
“Nick and Norah’s Infinite Playlist,” Rachel Cohn
“Finding Yvonne,” Brandy Colbert
“The Goats,” Brock Cole
“American Gangster,” Max Allan Collins
“Brules: A Novel,” Harry Combs
“The Lords of Discipline,” Pat Conroy
“Captain Marvel,” Gerry Conway
“Coma: A Novel,” Robin Cook
“Leviathan Wakes,” James S.A. Corey
“Heroes,” Robert Cormier
“Scarpetta,” Patricia Cornwell
“Three Complete Novels: Postmortem, Body Of Evidence, All That
Remains,” Patricia Cornwell
“Postmortem,” Patricia Cornwell
“Nearly Gone,” Elle Cosimano
“A Veil Removed,” Michelle Cox
“The Bondwoman’s Narrative,” Hannah Crafts
“First Semester,” Cecil R. Cross II
“Running Loose,” Chris Crutcher
“Balzac and the Little Chinese Seamstress,” Sijie Dai
“Esperanza Rising,” Julie Danneberg
“Cendrillon,” Luc Darbois
“Sir Apropos of Nothing,” Peter David
“The Westing Game,” Beatrice G. Davis
“Never Cry Werewolf,” Heather Davis
“Corelli’s Mandolin,” Louis de Bernieres
“Gates of Paradise,” Melissa de la Cruz
“Sunset Boulevard,” Zoey Dean
“Tall Cool One,” Zoey Dean
“American Beauty,” Zoey Dean
“The Feeling of Falling in Love,” Mason Deaver
“The Girl Before,” J.P. Delaney
“The Inheritance Of Loss,” Kiran Desai
“This Lullaby,” Sarah Dessen
“The Brief Wondrous Life of Oscar Wao,” Junot Díaz
“Blade Runner (do Androids Dream of Electric Sheep),” Philip K. Dick
“Don’t Get Caught,” Kurt Dinan
“Strangers She Knows,” Christina Dodd
“These Shallow Graves,” Jennifer Donnelly
“Room,” Emma Donoghue
“The Cases that Haunt Us,” John E. Douglas
“November Blues,” Sharon M. Draper
“Panic,” Sharon M. Draper
“House of Sand and Fog,” Andre Dubus III
“A Stolen Life: A Memoir,” Jaycee Dugard
“Submarine,” Joe Dunthorne
“Paso a Paso,” José Antonio Echeverria
“The Circle,” Dave Eggers
“Perfect Chemistry,” Simone Elkeles
“The Authority,” Warren Ellis
“Invisible Man,” Ralph Ellison
“The Gathering,” Anne Enright
“The Painter from Shanghai,” Jennifer Cody Epstein
“The Round House,” Louise Erdrich
“Sophomore Undercover,” Ben Esch
“Like Water For Chocolate,” Laura Esquivel
“Middlesex,” Jefferey Eugenides
“The Horse Whisperer,” Nicholas Evans
“Sleepless,” Thomas Fahy
“Ask the Dust,” John Fante
“Bad Days In History,” Michael Farquhar
“The Comedy Writer,” Peter Farrelly
“White Oleander,” Janet Fitch
“Madame Bovary,” Gustave Flaubert
“Dark Places,” Gillian Flynn
“Sharp Objects,” Gillian Flynn
“Separation of Power,” Vince Flynn
“Extremely Loud and Incredibly Close,” Jonathan Safran Foer
“The Carnival at Bray,” Jessie Ann Foley
“The Guest List,” Lucy Foley
“The Pillars of the Earth,” Ken Follett
“World Without End,” Ken Follett
“Come Back,” Claire Fontaine
“If I Stay,” Gayle Forman
“Just One Day,” Gayle Forman
“The Jane Austen Book Club,” Karen Fowler
“Joy Special of the Day,” Elaine Fox
“You Hear Me?,” Betsy Franco
“Palo Alto,” James Franco
“Dime,” E. R. Frank
“Cold Mountain,” Charles Frazier
“The Likeness,” Tana French
“Anansi Boys,” Neil Gaiman
“The House of Bernarda Alba,” Federico García Lorca
“Chronicle of a Death Foretold,” Gabriel García Márquez
“Love in the Time of Cholera,” Gabriel García Márquez
“Annie on My Mind,” Nancy Garden
“Killjoy,” Julie Garwood
“Eat, Pray, Love,” Elizabeth Gilbert
“Howl and Other Poems,” Allen Ginsberg
“Girl in Pieces,” Kathleen Glasgow
“Fat Kid Rules the World,” Kelly L. Going
“Bee Season,” Myla Goldberg
“Kenang-Kenangan Seorang Geisha (Memoirs of a Geisha),” Arthur Golden
“Memoirs of a Geisha,” Arthur Golden
“Sister Mischief,” Laura Goode
“A Reliable Wife,” Robert Goolrick
“Forever for a Year,” B.T. Gottfred
“The Handsome Girl & Her Beautiful Boy,” B.T. Gottfred
“The Nerdy and the Dirty,” B.T. Gottfred
“Tomorrow Girls,” Eva Gray
“An Abundance of Katherines,” John Green
“Looking for Alaska,” John Green
“Will,” John Grayson
“Paper Towns,” John Green
“Sex Plus: Learning, Loving and Enjoying Your Body,” Laci Green
“The Quiet American,” Graham Greene
“None Of The Above,” I.W. Gregorio
“Changeling,” Philippa Gregory
“The Other Boleyn Girl,” Philippa Gregory
“A Time to Kill,” John Grisham
“The Firm,” John Grisham
“John Grisham Value Collection: A Time to Kill, The Firm, The Client,”
John Grisham
“From Where I Watch You,” Shannon Grogan
“Water For Elephants,” Sara Gruen
“The Freedom Writers Diary,” Erin Gruwell
“Snow Falling On Cedars,” David Guterson
“A Map of the World,” Jane Hamilton
“We’ll Always Have Summer,” Jenny Han
“The World’s Strongest Librarian,” Joshua Hanagarne
“Fly Away,” Kristin Hannah
“The Art of Fielding,” Chad Harbach
“Jude the Obscure,” Thomas Hardy
“Chocolat,” Joanne Harris
“The Lollipop Shoes,” Joanne Harris
“The Silent Wife,” A.S.A. Harrison
“Plainsong,” Kent Haruf
“The Best 100 Poems of Gwen Harwood,” Gwen Harwood
“Necropolis,” Jordan L. Hawk
“Second Skin,” John Hawkes
“The Girl on the Train,” Paula Hawkins
“Catch-22,” Joseph Heller

“The Collected Plays,” Lillian Hellman
“Demian the Story of Emil Sinclairs Youth,” Hermann Hesse
“Demian. Die Geschichte von Emil Sinclairs Jugend.,” Hermann Hesse
“Siddhartha (Dual-Language),” Hermann Hesse
“Siddhartha: A Novel,” Hermann Hesse
“Skin Tight,” Carl Hiaasen
“The Island,” Elin Hilderbrand
“Rethinking Normal: A Memoir in Transition,” Katie Rain Hill
“Here Comes Santa Claus,” Sandra Hill
“Royal Assassin,” Robin Hobb
“The Dress Lodger,” Sheri Holman
“Watch Me,” A.J. Holt
“November 9,” Colleen Hoover
“Heart Bones,” Colleen Hoover
“Hopeless,” Colleen Hoover
“It Ends With Us,” Colleen Hoover
“It Starts With Us,” Colleen Hoover
“Layla,” Colleen Hoover
“Losing Hope,” Colleen Hoover
“Regretting You,” Colleen Hoover
“Verity,” Colleen Hoover
“Confess,” Colleen Hoover
“Ugly Love,” Colleen Hoover
“Impulse,” Ellen Hopkins
“Burned,” Ellen Hopkins
“Collateral,” Ellen Hopkins
“Crank,” Ellen Hopkins
“Fallout,” Ellen Hopkins
“Identical,” Ellen Hopkins
“Love Lies Beneath,” Ellen Hopkins
“People Kill People,” Ellen Hopkins
“Perfect,” Ellen Hopkins
“Tilt,” Ellen Hopkins
“Tricks,” Ellen Hopkins
“I Never,” Laura Hopper
“The Changeling,” Kate Horsley
“The Kite Runner,” Khaled Hosseini
“A Thousand Splendid Suns,” Khaled Hosseini
“Taken at Dusk,” C.C. Hunter
“Brave New World,” Aldous Huxley
“M Butterfly,” David Henry Hwang
“Icy Sparks,” Gwyn Hyman Rubio
“A Widow for One Year: A Novel,” John Irving
“The World According to Garp,” John Irving
“Never Let Me Go,” Kazuo Ishiguro
“Bit of a Blur,” Alex James
“Fifty Shades Series,” E.L. James
“Green River Killer: A True Detective Story,” Jeff Jensen
“No One to Trust,” Iris Johansen
“All Boys Aren’t Blue,” George M. Johnson
“Truly Devious 3-Book Box Set,” Maureen Johnson
“The Graduate,” Terry Johnson
“Choice Words,” Peter H. Johnston
“The Recognition of Sakuntala,” Arthur William Ryder Kalidasa
“Scent of Danger,” Andrea Kane
“Confessions of a Not It Girl,” Melissa Kantor
“The Big Bad Wolf Tells All,” Donna Kauffman
“Milk and Honey,” Rupi Kaur
“The Sun and Her Flowers,” Rupi Kaur
“Summer in the City of Roses,” Michelle Ruiz Keil
“Street Dreams,” Faye Kellerman
“Mr. Ding’s Chicken Feet,” Gillian Kendall
“The DUFF: Designated Ugly Fat Friend,” Kody Keplinger
“YOU: A Nove,” Caroline Kepnes
“On The Road,” Jack Kerouac
“The Book of Longings,” Sue Monk Kidd
“Four Past Midnight,” Stephen King
“Dolores Claiborne,” Stephen King
“Lisey’s Story,” Stephen King
“Night Shift,” Stephen King
“The Drawing of the Three,” Stephen King
“The Wastelands,” Stephen King
“Under the Dome,” Stephen King
“Prodigal Summer: A Novel,” Barbara Kingsolver
“Confessions of a Shopaholic,” Sophie Kinsella
“Shopaholic and Baby,” Sophie Kinsella
“Fear the Hunters,” Robert Kirkman
“Miles Behind Us,” Robert Kirkman
“Don’t Say a Word,” Andrew Klavan
“Primary Colors,” Joe Klein
“Sex, Drugs, and Cocoa Puffs,” Chuck Klosterman
“Gender Queer: A Memoir,” Maia Kobabe
“City of Night,” Dean Koontz
“Twilight Eyes,” Dean Koontz
“The Bear Went Over the Mountain,” William Kotzwinkle
“Born on the Fourth of July,” Ron Kovic
“The Pirate,” Jayne Ann Krentz
“The Poppy War,” R F. Kuang
“Dark Triumph,” Robin La Fevers
“Grave Mercy,” Robin La Fevers
“The Namesake,” Jhumpa Lahiri
“I Know This Much Is True,” Wally Lamb
“Search for Safety,” Paul Langan
“Survivor,” Paul Langan
“Liar,” Justine Larbalestier
“My Sister Rosa,” Justine Larbalestier
“The Splendid and the Vile,” Erik Larson
“Recipe Box,” Sandra Lee
“Furyborn,” Claire Legrand
“Mystic River,” Dennis Lehane
“The Grass Is Singing,” Doris Lessing
“Another Day,” David Levithan
“Dexter Is Delicious,” Jeff Lindsay
“Last Night at the Telegraph Club,” Malinda Lo
“The Dirt on Sex,” Justin Lookadoo
“Character, Driven,” David Lubar
“The Bourne Identity,” Robert Ludlum
“The Robert Ludlum Value Collection: The Bourne Identity, The Bourne
Supremacy, The Bourne Ultimatum,” Robert Ludlum
“Brave New Girl,” Louisa Luna
“Game,” Barry Lyga
“I Hunt Killers,” Barry Lyga
“Boy Toy,” Barry Lyga
“A Court of Frost and Starlight,” Sarah J. Maas
“A Court of Mist and Fury,” Sarah J. Maas
“A Court of of Wings and Ruin,” Sarah J. Maas
“A Court of Silver Flames,” Sarah J. Maas
“A Court of Wings and Ruin,” Sarah J. Maas
“House of Earth and Blood,” Sarah J. Maas
“A Court of Thorns and Roses,” Sarah J. Maas
“Fall on Your Knees,” Ann-Marie MacDonald
“Easter Rising,” Michael Patrick MacDonald
“Guyaholic,” Carolyn Mackler
“The Hike,” Drew Magary
“Son of a Witch,” Gregor Maguire
“Wicked: The Life and Times of the Wicked Witch of the West,” Gregory Maguire
“Wicked: Memorias de una bruja mala,” Gregory Maguire
“The Natural,” Bernard Malamud
“Nectar in a Sieve,” Kamala Markandaya
“Slightly Single,” Wendy Markham
“Blue is the Warmest Color,” Jul Maroh
“A Game of Thrones,” George R.R. Martin
“A Dance with Dragons,” George R.R. Martin
“A Feast for Crows,” George R.R. Martin
“A Storm of Swords,” George R.R. Martin
“The Mystery Knight,” George R.R. Martin
“The Official A Game of Thrones Coloring Book,” George R.R. Martin
“A Clash of Kings,” George R.R. Martin
“Jackie “The Joke Man” Martling’s Disgustingly Dirty Joke Book,” Jackie Martling
“Paper Dollhouse,” Lisa M. Masterson
“Strange Intimacy,” Anne Mather
“Amy & Roger’s Epic Detour,” Morgan Matson
“The Secret Diary of Anne Boleyn,” Robin Maxwell
“The Good Lord Bird,” James McBride
“Perfect Fifths,” Megan McCafferty
“Second Helpings,” Megan McCafferty
“Freedom’s Choice,” Anne McCaffrey
“All the Pretty Horses,” Cormac McCarthy
“No Country for Old Men,” Cormac McCarthy
“Outer Dark,” Cormac McCarthy
“Man o’ War,” Cory McCarthy
“Sold,” Patricia McCormick
“The Revolution of Little Girls,” Blanche McCrary Boyd
“The Beauty Queen of Leenane,” Martin McDonagh
“Sophomore Switch,” Abby McDonald
“Amsterdam,” Ian McEwan
“Atonement,” Ian McEwan
“On Chesil Beach,” Ian McEwan
“Duquesa by Default,” Maura McGiveny
“Beautiful Disaster,” Jamie McGuire
“The Memory of Running,” Ron McLarty
“Lonesome Dove,” Larry McMurtry
“Everything You Want Me to Be,” Mindy Mejia
“Talking in the Dark,” Billy Merrell
“Life and Death: Twilight Reimagined,” Stephenie Meyer
“Pretty Woman,” Fern Michaels
“The Real Deal,” Fern Michaels
“The Authority,” Mark Millar
“Circe,” Madeline Miller
“The Song of Achilles: A Novel,” Madeline Miller
“Paradise Lost and Paradise Regained (The Signet Classic Poetry
Series),” John Milton
“Paradise Lost,” John Milton
“Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and
Being a Human (A Graphic Novel),” Erika Moen
“All My Friends Are Dead,” Avery Monsen
“Watchmen,” Alan Moore
“Camp Confidential,” Melissa J. Morgan
“The Year of Secret Assignments,” Jaclyn Moriarty
“The Center of Everything,” Laura Moriarty
“Seikai 1,” Hiroyuki Morioka
“The Bluest Eye,” Toni Morrison
“Beloved,” Toni Morrison
“Paradise,” Toni Morrison
“Song of Solomon,” Toni Morrison
“Kafka on the Shore,” Haruki Murakami
“Heart of Stone,” C.E. Murphy
“Dead End,” Jason Myers
“Street Love,” Walter Dean Myers
“Peace, Love, and Baby Ducks,” Lauren Myracle
“Rhymes with Witches,” Lauren Myracle
“Shine,” Lauren Myracle
“L8R G8R,” Lauren Myracle
“The Infinite Moment of Us,” Lauren Myracle
“ttfn,” Lauren Myracle
“TTYL,” Lauren Myracle
“yolo,” Lauren Myracle
“The Art of Hana-Kimi,” Hisaya Nakajo
“Skin,” Donna Jo Napoli
“Linden Hills,” Gloria Naylor
“The Men of Brewster Place,” Gloria Naylor
“The Women of Brewster Place,” Gloria Naylor
“Like a Love Story,” Abdi Nazemian
“Getting Somewhere,” Beth Neff
“On the Volcano,” James Nelson
“Suite Francaise,” Irene Nemirovsky
“The Sympathizer,” Viet Thanh Nguyen
“We Are All Made of Molecules,” Susin Nielsen-Fernlund
“Holding Up the Universe,” Jennifer Niven
“Breathless,” Jennifer Niven
“Everlasting,” Alyson Noël
“Evermore,” Alyson Noël
“Night Star,” Alyson Noël
“Where I end and You Begin,” Preston Norton
“Sweat,” Lynn Nottage
“Plague in the Mirror,” Deborah Noyes
“Back Roads,” Tawni O’Dell
“Beasts,” Joyce Carol Oates
“The Assignation: Stories,” Joyce Carol Oates
“We Were the Mulvaneys,” Joyce Carol Oates
“Panic,” Lauren Oliver
“Before I Fall,” Lauren Oliver
“When the Emperor was Divine,” Julie Otsuka
“Ars Amatoria,” Ovid
“Metamorphoses,” Ovid
“Where the Crawdads Sing,” Delia Owens
“Choke,” Chuck Palahniuk
“Invisible Monsters Remix,” Chuck Palahniuk
“Lullaby,” Chuck Palahniuk
“In Order to Live,” Yeonmi Park
“The Dogs of Babel,” Carolyn Parkhurst
“Learning Tree,” Gordon Parks
“Bel Canto,” Ann Patchett
“The Patron Saint of Liars,” Ann Patchett
“Honeymoon,” James Patterson
“Private,” James Patterson
“Sail,” James Patterson
“Sam’s Letters to Jennifer,” James Patterson
“Sideways,” Alexander Payne
“A Day No Pigs Would Die,” Robert Newton Peck
“The Leftovers,” Tom Perrotta
“Out Stealing Horses,” Per Petterson
“Prague,” Arthur Phillips
“Fishtailing,” Wendy Phillips
“A Spark of Light,” Jodi Picoult
“Handle with Care,” Jodi Picoult
“Picture Perfect,” Jodi Picoult
“The Pact: A Love Story,” Jodi Picoult
“The Storyteller,” Jodi Picoult
“The Tenth Circle,” Jodi Picoult
“Nineteen Minutes,” Jodi Picoult
“A Year and a Day,” Leslie Pietrzyk
“Thirst No. 1,” Christopher Pike
“Thirst No. 2,” Christopher Pike
“Thirst No. 4,” Christopher Pike
“Thirst No. 5,” Christopher Pike
“Into White,” Randi Pink
“It Doesn’t Have to Be Awkward: Dealing with Relationships, Consent,
and Other Hard-to-Talk-About Stuff,” Drew Pinsky
“Yes Please,” Amy Poehler
“Tinisima,” Elena Poniatowska
“Behind the Shadows,” Patricia Potter
“The Whistling Toilets,” Randy Powell
“The Cabin,” Natasha Preston
“The Cellar,” Natasha Preston
“Caves Graves,” Natalie Prior
“Jane Swann’s Way,” Marcel Proust
“La Belle Sauvage,” Philip Pullman
“Burning Glass,” Kathryn Purdie
“The Family,” Mario Puzo
“Gabi, a Girl in Pieces,” Isabel Quintero
“The Elegant Gathering of White Snows,” Kris Radish
“The Fountainhead,” Ayn Rand
“Modern Love,” Andrew Rannells
“Punkzilla,” Adam Rapp
“Beautiful,” Amy Reed
“The Cute Girl Network,” M.K. Reed
“Such a Fun Age,” Kiley Reid
“The Seven Husbands of Evelyn Hugo,” Taylor Jenkins Reid
“Stop in the Name of Pants!,” Louise Rennison
“Stone Fox,” John Reynolder
“Wide Sargasso Sea,” Jean Rhys
“The Vampire Armand,” Anne Rice
“The Witching Hour,” Anne Rice
“Life,” Keith Richards
“Juliet Takes a Breath,” Gabby Rivera
“Redeeming Love,” Francine Rivers
“The Atonement Child,” Francine Rivers
“Gulp: Adventures on the Alimentary Canal,” Mary Roach
“Birthright,” Nora Roberts
“The True and Outstanding Adventures of the Hunt Sisters,” Elisabeth Robinson
“Normal People,” Sally Rooney
“Jack of Hearts (and other parts),” L.C. Rosen
“Portnoy’s Complaint,” Philip Roth
“The Casual Vacancy,” J.K. Rowling
“The God of Small Things,” Arundhati Roy
“All of Us with Wings,” Michelle Ruiz Keil
“Elegies for Angels Punks and Raging Queens,” Bill Russell
“The Dead-Tossed Waves,” Carrie Ryan
“Leviathan Wakes,” James S.A. Corey
“And They Lived …,” Steven Salvatore
“Bait,” Alex Sanchez
“Once a King, Always a King,” Reymundo Sanchez
“Option B,” Sheryl Sandberg
“The Fool’s Run,” John Sandford
“Vampire, Interupted,” Lynsay Sands
“Push,” Sapphire
“Blindness,” José Saramago
“Jesus Land: A Memoir,” Julia Scheeres
“Uses for Boys,” Erica Lorraine Scheidt
“The Reader,” Bernard Schlink
“The Beginning of Everything,” Robyn Schneider
“Bully,” Jim Schutze
“The Invisible Life of Addie La Rue,” V.E. Schwab
“The Gift of Forgiveness,” Katherine Schwarzenegger Pratt
“Living Dead Girl: A Novel,” Elizabeth Scott
“Lucky,” Alice Sebold
“The Lovely Bones,” Alice Sebold
“Naked,” David Sedaris
“Peony in Love,” Lisa See
“Writing My Wrongs,” Shaka Senghor
“Equus,” Peter Shaffer
“Skin and Bones,” Sherry Shahan
“Demon Apocalypse,” Darren Shan
“Forbidden Knowledge,” Roger Shattuck
“Tweak,” Nic Sheff
“The Stone Diaries,” Carol Shields
“Sea Glass: A Novel,” Anita Shreve
“Alichino,” Kouyu Shurei
“The Food Chain,” Nicky Silver
“If I Was Your Girl,” Ni-Ni Simone
“Wilder,” Andrew Simonet
“The Straight Girl’s Guide to Sleeping with Chicks,” Jen Sincero
“The Silence and the Roar,” Nihad Sirees
“The Primal Blueprint,” Mark Sisson
“Prep: A Novel,” Curtis Sittenfeld
“You Think It, I’ll Say It,” Curtis Sittenfeld
“Stay In Line,” Teddy Slaterguess
“A Thousand Acres,” Jane Smiley
“The Way I used to Be,” Amber Smith
“Joy in the Morning,” Betty Smith
“Tree Grows In Brooklyn,” Betty Smith
“The Geography of Girlhood,” Kirsten Smith
“Betwixt,” Tara Bray Smith
“Anatomy of a Boyfriend,” Daria Snadowsky
“Sadar’s Keep,” Midori Snyder
“No Visible Bruises,” Rachel Louise Snyder
“MARS,” Fuyumi Soryo
“Summer on Wheels,” Gary Soto
“The Prime of Miss Jean Brodie,” Muriel Spark
“It Happened to Nancy,” Beatrice Sparks
“At First Sight,” Nicholas Sparks
“Message in a Bottle,” Nicholas Sparks
“Nights in Rodanthe,” Nicholas Sparks
“The Guardian,” Nicholas Sparks
“The Rescue,” Nicholas Sparks
“The Wedding,” Nicholas Sparks
“Small Town Girl,” Lavyrle Spencer
“Everyone likes Eggs,” Jerry Spinelli
“Star (French Edition),” Danielle Steel
“The Gift,” Danielle Steel
“East of Eden,” John Steinbeck
“Still Missing,” Chevy Stevens
“Earth (the book) A Visitors Guide to the Human Race,” Jon Stewart
“Every Last Word,” Tamara Ireland Stone
“Marcelo in the Real World,” Francisco X. Stork
“Until the Twelfth of Never,” Bella Stumbo
“Sophie’s Choice,” William Styron
“We Should Hang Out Sometime,” Josh Sundquist
“The Kitchen God’s Wife,” Amy Tan
“The Valley of Amazement,” Amy Tan
“American Colonies,” Alan Taylor
“Just Friends,” Billy Taylor
“The Spectacular Now,” Tim Tharp
“Concrete Rose,” Angie Thomas
“The Loners,” Lex Thomas
“Picking Cotton,” Jennifer Thompson-Cannino
“Blankets,” Craig Thompson
“First Time,” Meg Tilly
“Sigh, Gone,” Phuc Tran
“Milk Glass Moon,” Adriana Trigiani
“Stuck in Neutral,” Terry Trueman
“The RattleRat,” Janwillem Van de Wetering
“Red Thunder,” John Varley
“Sia Martinez and the Moonlit Beginning of Everything,” Raquel Vasquez Gilliland
“Y: The Last Man,” Brian K. Vaughan
“When We Make It,” Elisabet Velasquez
“The Covenant of Water,” Abraham Verghese
“Shojo Beat,” Viz Media
“Dicey’s Song,” Cynthia Voight
“All I Want is Everything,” Cecily Von Ziegesar
“Don’t You Forget about Me,” Cecily Von Ziegesar
“Tempted,” Cecily Von Ziegesar
“You Know You Love Me,” Cecily Von Ziegesar
“It Had To Be You,” Cecily Von Ziegesar
“Slaughterhouse-Five,” Kurt Vonnegut Jr.
“Slaughterhouse-Five: The Graphic Novel,” Kurt Vonnegut Jr.
“The Color Purple,” Alice Walker
“Black White and Jewish,” Rebecca Walker
“We All Looked Up,” Tommy Wallach
“A Thousand Country Roads: An Epilogue to The Bridges of Madison
County,” Robert James Waller
“The Bridges of Madison County,” Robert James Waller
“The Glass Castle,” Jeannette Walls
“Stargazing,” Jen Wang
“Salvage the Bones,” Jesmyn Ward
“Numbers,” Rachel Ward
“Something Worth Saving,” Sandi Ward
“The Graduate,” Charles Webb
“Girl Boy Etc,” Michael Weinreb
“Chasing Harry Winston,” Lauren Weisberger
“Little Altars Everywhere: A Novel,” Rebecca Wells
“A Certain Slant of Light,” Laura Whitcomb
“The Professor and the Madman,” Simon Winchester
“Happiness Sold Separately,” Lolly Winston
“A Man in Full,” Tom Wolfe
“The Interestings,” Meg Wolitzer
“Turkish Delight,” Jan Wolkers
“Brighter than Gold,” Cynthia Wright
“Native Son,” Richard Wright
“Blu’s Hanging,” Lois-Ann Yamanaka
“Revolutionary Road,” Richard Yates
“Armageddon Summer,” Jane Yolen
“The Sun Is Also a Star,” Nicola Yoon
“Everything, Everything,” Nicola Yoon
“Nothing But Your Ski,” Cathy Ytak

Compiled by staff writer Richard Tribou. Source: List obtained by the Florida Freedom to Read Project and confirmed by Orange County Public Schools.

Categories Academic Freedom, Accountability, Censorship, DeSantis, Extremism, Fascism, Florida, Freedom to Read, Literacy, Literature

Robert Hubbell: Two Heroes of Democracy: “They Stood Their Ground”

By dianeravitch
December 18, 2023 //
18

Robert Hubbell wrote about two women who refused to be intimidated by the MAGA cult: Ruby Freeman and her daughter Shaye Moss. Despite death threats and harassments, they stood their ground. Guiliani will appeal the verdict.

He writes:

Jury Awards Ruby Freemen and Shaye Moss $148 million in damages against Rudy Giuliani for defamation.

The damages award of $148 million against Rudy Giuliani encapsulates the madness, frustration, and perseverance that define the lives of millions of activists during the American era of The Big Lie. It is tempting to characterize Giuliani’s defamation of Ruby Freeman and Shaye Moss and their hard-won victory as a metaphor for Trump’s political arc over the last seven years.

But what happened to Freeman and Moss is not a metaphor. It is the cold, hard reality that slaps each of us in the face every day as we are assaulted by lies heaped upon lies. Not everyone is a direct victim of the lies like Freeman and Moss, but we are all victims, nonetheless.

The point of the lies is not (only) to injure Trump’s enemies, it is to erode trust in the system until there are no guardrails left—hoping to create chaos in which the most depraved believe they have an advantage over those still ruled by conscience, decency, and fealty to the rule of law.

Trump and his enablers tell outlandish lies because they know that media outlets will dutifully repeat the lies in headlines and news alerts, reserving tepid skepticism for paragraphs buried deep in their coverage. 

Direct victims like Freeman and Moss are viewed as expendable collateral damage. Their names and addresses are shared in dark corners of the web so Trump’s followers can make threats even he dares not voice (in public).

The full weight of Trump’s malevolent organization was directed at Freeman and Moss. But they did not buckle. Two women who were motivated to help fellow Georgians vote in a free and fair election stood their ground. 

Their reputations were smeared by the sitting President of the United States, the Georgia legislature, Fox News, One America Network, Steve Bannon, Rudy Giuliani, and millions of users on Twitter, Facebook, and other social media platforms. 

A preacher and a rap star’s publicist teamed up to urge them to falsely confess to non-existent crimes—saying it was the only way to stop the ugly death threats. The FBI’s unhelpful response was to advise them to “Move out of your homes.”Despite tens of thousands of vile threats, no one was arrested, investigated, charged with crimes, or sued for defamation.

At least not at first.

But the guardrails held. Because Ruby Freeman and Shaye Moss stood their ground. 

Because they stood their ground, Democrats on the January 6 Committee allowed them to tell their story to the nation.

Because they stood their ground, the rap star’s publicist and the preacher were indicted in Fulton County, Georgia for “solicitation of false statements and influencing witnesses.”

Because they stood their ground, the former president was indicted for lying about the 2020 election. The indictment specifically alleged that the former president was responsible for the campaign to smear Freeman and Moss—lies that were part of his conspiracy to defraud the United States. (See indictment, ¶ 26.)

Then, Freeman and Moss sued Rudy Giuliani for defamation. He did his best to derail and delegitimize the civil claim for damages. But he failed. The guardrails held. All because Ruby Freeman and Shaye Moss stood their ground.

Two women who wanted to help people vote in Georgia stood their ground against fancy lawyers and paid liars, a depraved president and corrupt legislators, and a news ecosystem determined to sell as much soap for as long as possible by repeating the baseless claims about Freeman and Moss.

Two women who stood their ground. That is all it took for the guardrails to hold.

It was not easy. Their stance took courage and faith. They suffered mightily. But they persevered. They are heroes of American democracy.

There can be nothing more hopeful than their example—and their victory—to remind us of the power within each of us to maintain the guardrails of democracy. Those who sow chaos in the hope that the most depraved among us will win by brute force are wrong.

People are drawn to those who promote conscience, decency, and fealty to the rule of law—especially during times of turbulence and distress.

Ruby Freeman and Shaye Moss prevailed over Giuliani (and Trump) the moment they reported for work on November 3, 2020—because they joined tens of thousands of other Americans in becoming the guardrails of democracy that ensured a free and fair election.

Concluding Thoughts.

Every American who is taking action to defend democracy is like Ruby Freeman and Shaye Moss. The work may not seem glamorous. But counting ballots in Georgia on November 3, 2020, was tedious work—until it became a nation-defining moment that tipped the balance of a contested election.

We will never know which letter, text, door knock, or donation will become a tipping point. But some of them surely will. Indeed, because a tipping point always sits atop every action that preceded it, every letter, text, door knock, or donation contributes to the tipping point. Like Ruby Freeman and Shaye Moss, you are part of the guardrails of democracy.

S

Categories Accountability, Courage, Cruelty, Democracy, Disruption, Elections, Fascism, Fraud, Lies, Trump

Censoring Books is a Betrayal of the Right to Read, Learn, and Teach

By dianeravitch
December 17, 2023 //
13

Maureen Downey of the Atlanta Journal-Constitution posted an article on her blog “Get Schooled” about the dangers of book banning and censorship and the advantages of learning about the real world. It was written by Becky Pringle, president of the NEA, and authors Caroline Tung Richmond and Ellen Oh.

They wrote:

Books that once lined the shelves of the library in a Jacksonville, Florida, elementary school are now stored in boxes. The school librarian spends her days vetting titles to comply with new censorship laws passed by the state.

In Spotsylvania County, Virginia, educators spent up to 40 hours a week reviewing titles after a mother of two students single-handedly challenged over 70 books in her school district. In one Utah district, 199 of 205 challenges were tracked to one married couple. Areview of those titles took 10,000 hours of staff time at a cost that exceeded $100,000. None of the educators will receive compensation for the extra work.

In Niles, Michigan, the school board recently blocked the circulation of nearly 200 diverse children’s titles that the nonprofit We Need Diverse Books donated. The donation included an illustrated version of the beloved Langston Hughes poem “I, Too, Am America,” with art by Bryan Collier, and the picture book “Grandma’s Purse” by Vanessa Brantley-Newton, about a young Black girl who playfully looks through her grandmother’s handbag. Although district teachers selected the texts, the school board — most of whom received backing from the conservative We the Parents political organization — refuses to release the books to school libraries.

These stories are not unique. Nationwide, educators continue to face an unprecedented number of book challenges — a figure that was 33% higher last school year than the year before.

While there is no doubt that Florida and Texas lead the country when it comes to banning books, the epidemic isn’t isolated to traditionally red states. In the midst of a climate that is hostile to books that contain diverse characters and storylines that don’t match some people’s view of the world, educators nationwide are overwhelmed and afraid. They are self-censoring their classroom bookshelves, and forgoing lessons focused on Pride Month or Black History Month. Some educators fear for their safety and livelihoods. In fact, 1 out of 4 school librarians have reported being harassed about books or displays in their library.

Extremist politicians and pundits stoke this fear mongering under the guise of “parental rights” while cultivating ties with far-right organizations, like those who attacked our democracy on Jan. 6, 2021. Despite clear proof from some polling that 75% of Americans oppose book bans, which voters heartily indicated by standing with pro-public education candidates in the 2022 midterm elections, the use of book bans to whitewash our nation’s history —– to mount.

Precious district resources continue to go to waste, along with taxpayer money. And our students are robbed of material that encourages them to develop critical thinking skills by learning to understand the world that surrounds them.

We know the intended target of these bans. According to PEN America, 30% of banned titles feature LGBTQ+ characters or themes, while 30% feature BIPOC characters or contain themes related to race. Further, the top four most-challenged books in 2022 were all written by diverse authors and featureddiverse protagonists. Make no mistake, this is a concerted effort to erase diverse books from public schools and suppress marginalized voices.

At NEA and We Need Diverse Books, we recognize the power of a diverse bookshelf. The simple act of reading allows students to gaze into mirrors and see themselves, and through windows that allow them to see others.

A Washington and Lee University study offers proof. After participants read a 3,000-word excerpt of the novel “Saffron Dreams” by Pakistani American author Shaila Abdullah, their bias toward the Muslim community decreased. The study offers what educators already know to be true: When students have access to diverse books, they collectively read at least four more hours a week.

When access to these titles is lost, our students also lose the opportunity to build empathy toward others who might not look, or live, like them. Every student deserves to see themselves in the books they read. It is how they learn that their stories and their lives matter.

This nation’s founding documents contain one powerful phrase: “We the people.” That means all of us, across race, place, gender and religion. All educators deserve the freedom to teach. All students deserve the freedom to learn this nation’s history in its entirety so they can fully participate in creating its bright future.

We must defend these rights for every student. We must make our voices heard at school board meetings, and support educators who demand honesty in education. And we must run for school board positions ourselves. In 2022, extreme right organizations endorsed and funded over 500 candidates for local school boards. While that number is small compared to the 71% of pro-public education candidates who won over culture war candidates, unless we rise up to challenge them, these new members will continue the practice of whitewashing our history by taking books from our students, as they march toward their ultimate goal: the destruction of our democracy.

To fight these book bans, we must continue to, in a multiracial coalition, promote, protect, and strengthen public education. No matter how long it takes, we must continue to fight to put books where they belong: in the hands of our students.

Middle school teacher Becky Pringle is president of the National Education Association. Caroline Tung Richmond is executive director of We Need Diverse Books and an award-winning author of young adult historical fiction including “The Only Thing to Fear,” “Live In Infamy” and “The Great Destroyers.” Ellen Oh is a founding member, president and CEO of We Need Diverse Books. She is the author of several middle school and young adult books, including the “Prophecy” trilogy, as well as “A Thousand Beginnings and Endings” and “You Are Here: Connecting Flights.”

Categories Censorship, Extremism, Fascism, Freedom to Read
« Older Entries
Newer Entries »