Archives for category: Literacy

Last May, I wrote about a punitive law in Texas that terrified the state’s 300 or so independent bookstores. The law, House Bill 900, required bookstores to rate every book they sold—now and in the past— to school libraries.

The bookstores sued to overturn to the law, arguing that the administrative burden of complying would put most of them out of business.

Their suit succeeded at the District Court level. Then it advanced to the very conservative Fifth Circuit Court of Appeals, and the plaintiffs were fearful. [A sign of the times: Back in the 1960s and 1970s, when the federal courts were constantly challenged to enforce the Brown decision of 1954, the Fifth Circuit was considered highly liberal in facing down segregationists.]

But to the delight of the booksellers, the Fifth Circuit sided with them.

The Texas Monthly reported:

The lawsuit, which was filed by Houston’s Blue Willow Bookshop and Austin-based BookPeople, along with a group of free speech organizations, argued that HB 900’s requirement essentially compelled the private businesses to engage in speech by requiring them to create a rating system for the materials they sold.

…the Fifth Circuit issued an uncommon ruling against the state, rejecting arguments from the Texas Education Agency—the suit’s lead defendant—that claimed that requiring booksellers to rate books was a mere administrative task. “This process is highly discretionary and is neither precise nor certain,” the court’s opinion read. “The statute requires vendors to undertake contextual analyses, weighing and balancing many factors to determine a rating for each book,” a process the opinion said was “anything but the mere disclosure of factual information.”

The plaintiffs had several issues with the law—tasking short-staffed booksellers with reading every single book any customer wanted to order would be an impossible task, for instance—but, according to Blue Willow owner Valerie Koehler, the real sticking point was being required by law to offer opinions on the contents of the books she sold. “I think common sense has prevailed,” she told Texas Monthly. “It’s not really up to the vendor to rate these books, where they’re compelling us to rate a book that they could then say, ‘No, that’s not a good rating.’ They were making us take a stand, and then were still in charge of whether our standards were right or not.”

The future of the law is still undecided—representatives from the office of the attorney general and the Texas Education Agency did not return requests for interviews—but the state would face an uphill battle with the Supreme Court after losing at the typically reliable Fifth Circuit. Koehler is accordingly optimistic—and reflective—about the struggle.

“We’ve never said, ‘We’re not going to carry that book because we don’t believe in it.’ We’ll carry it on our shelves if we think someone is going to come in and ask for it. That’s what we do as a business,” she said. “I didn’t take a stand against Greg Abbott; I took a stand as a business, for common sense, and my First Amendment rights as a bookseller.”

Several states have endorsed legislation requiring teachers to use “the science of reading” in their classrooms. Only the “science of reading.” The legislators, of course, know nothing about teaching reading but they have it on good authority (reports in the media) that there is only one correct way to teach reading, so they feel it is appropriate to mandate that way and ban other ways.

As someone living in New York City, I don’t know whether to laugh or groan. In 2002, Michael Bloomberg, the new mayor, took control of the New York City public schools. He selected attorney Joel Klein as the city’s all-powerful chancellor. A year later, after much deliberation, Klein and Bloomberg announced a single citywide curriculum in reading and mathematics. With the exception of a few high-performing schools, all teachers were required to teach Balanced Literacy. Phonics advocates howled but they were dismissed. Any teacher who taught reading during the three terms of Mayor Bloomberg was mandated to teach Balanced Literacy.

But now, Balanced Literacy is out, and phonics is in. Are there new longitudinal studies showing the success of one and the failure of the other? No, but there is a new zeitgeist, and Americans are always ready to rally around the latest cure-all.

Some states are not only mandating “the science of reading,” but banning Balanced Literacy and its practices. Louisiana banned the use of three-cuing in 2022. In North Carolina, the General Assembly also banned the use of “three-cuing.” Three-cuing is a feature of Balanced Literacy.

As of last October, three-cuing has been banned in Arkansas, Indiana, Florida, Texas, Ohio, and Kansas.

What is three-cuing? The definition in Louisiana is quoted at the end of this post.

In addition, three states have banned the program called Reading Recovery: Arkansas, Louisiana, and Indiana.

I have not seen evaluations or experimental evidence proving that students read better and comprehend better if teachers use only one instructional strategy and no other. The fourth grade scores in states that hold back third graders with low scores are proof of nothing, other than the certainty that scores go up when low-scoring students are not in the testing pool.

Suppose a first-grade reading teacher is fully onboard with phonics; suppose she does everything exactly by the book and is devoted to everything associated with “the science of reading”? This otherwise blameless teacher must take care not to show students how to use context cues! If she does so, she has broken the law! Will she be subject to prosecution and imprisonment for using the wrong method?

There has been a vigorous campaign to install phonics as the best way to teach reading. I repeat for the nth time that I’ve always been a proponent of phonics. I remember when Balanced Literacy became a national fad in the 1980s and 1990s; every publisher endorsed it (except Open Court). And I opposed it because I typically look skeptically on fads, movements, and panaceas.

The struggle between phonics and “whole word” methods has been ongoing since the 1830s. The pendulum swings back and forth. Now, everything from the big publishers will be decodable. Wherever Rudolf Fleisch may be, he is very happy (he wrote a book in the 1950s called Why Johnny Can’t Read, calling for a revival of phonics, which had been replaced by the Dick and Jane readers and the “look-say” method).

But it’s irresponsible to pass laws banning other ways of teaching! Wouldn’t it be wise to wait for some solid results before declaring that there is one and only one way to teach reading?

My view: Teachers should be prepared to teach phonics and other methods. No instructional method should be banned. Teachers should know a variety of teaching strategies and do what’s best for the children in front of them.

Three-cuing as defined in Louisiana law:

Act 517 of the 2022 Louisiana Legislative Session prohibits the use of the three-cueing system, or the MSV technique, in curriculum and instructional materials. This approach has been proven ineffective by empirical research in teaching students to read. This guidance document provides an explanation of what the three-cueing system is, what to look for when identifying these strategies in curricular materials, why it is not best for students learning to read, and what instructional strategies are proven effective for teaching students to read and comprehend.


What is the “Three-Cueing System?”


The three cueing system is an approach to foundational skills instruction that involves the use of three different types of instructional cues: semantic (gaining meaning from context and sentence-level cues), syntactic or grammatical features, and grapho-phonic (spelling patterns). When students encounter words that they cannot read automatically, they are prompted to question themselves using the following three questions: Does it look right? Does it sound right? Does it make sense?

At the earliest stages of learning to read, students are prompted to default to semantic or syntactic cues before attempting to use grapho-phonic cues. Students are encouraged to use illustrations to “guess” the meaning of words in predictably-written texts.

As part of the three-cueing system, teachers analyze student reading errors using the “MSV” technique and seek to determine if reading errors are related to “meaning, structure, or visual” issues. If students’ errors are meaning-related, the teacher will focus instructional efforts on supporting a student in using semantic cues to read passages. If the issues are related to structure, the teacher will focus on supporting students’ use of syntactic cues, and if the errors are visual, the teacher will prompt students to use grapho-phonic strategies.

As evidence mounts against the three-cueing system, many programs no longer refer to this instructional approach using this terminology, so identifying three-cueing in curricular resources requires careful observation of the strategies used to guide students as they learn to read.

When Might I See “Three-Cueing?”

The three-cueing approach is most-often found during foundational skills instruction in grades K-2. Some of the common prompts associated with this approach – “Does this make sense?” or “Look at the picture” – can be appropriate in other instructional contexts, such as when a student is encouraged to use illustrations to support deeper comprehension of stories, or when students are monitoring their own reading, but they are not effective strategies or prompts for teaching students to read words on a page. Instead of relying on multiple, varied cues, students should instead be consistently prompted to decode words using learned spelling and syllabication patterns.
As the three-cueing approach typically involves teachers prompting students to use different cues, this type of instruction is often found in small-group or individual settings.

It is a hallmark of “Balanced Literacy.”

Secretary of Education Miguel Cardona has been nearly invisible these past three years, other than lamenting test scores. Veteran educator Nancy Bailey has some suggestions about how he could help kids, schools, and teachers right now. This post was reposted by the Network for Public Education.

The secretary keeps talking about raising the bar. Nancy Bailey has some thoughts about some bars he could work on. Reposted with permission.

She writes:

Education Secretary Cardona focuses on reducing absenteeism, tutoring, and after-school programs. And he refers to raising the bar, which sounds like A Nation at Risk talk.

Yet there are so many K12 issues that Cardona and the Biden administration could address, lead, and support the states and local school districts.

Here are some educational issues Cardona should drive this new year. If you have more, please share.

1. The Arts

Poor public schools have gone without the arts for years. Cardona should push for qualified art and music teachers for every school.

The arts help students struggling with mental health difficulties, and jobs exist in the arts.

Every child in K12 should have access to a vital arts program.

2. Career Education

Career-technical education is essential, but companies pushing their agendas into high schools to get workers raises concerns.

Tax dollars should help students decide what careers they want, giving them the chance to experience high school, not creating schools for corporate preparation.

3. Class Size

Reducing class sizes would help students with disabilities in inclusion classes and is essential for student safety. Cardona must endorse lowering class sizes and showcase schools that do.

If schools can’t lower every class (classes like P.E. wouldn’t be necessary), give students access to at least one small class where they are known.

Lowering class sizes in K-3rd grade would also help children get a good start. See the STAR Study.

4. Corporal Punishment

In 2023, The Washington Post reported that 15 states still permitted corporal punishment in schools (St. George, 2023). Like Florida, which vaguely gives a nod to it. Teens who wear the wrong kind of prom dress or misunderstandings resulting in paddling are examples.

Cardona deserves praise for standing against corporal punishment last year in schools, claiming educators should favor evidence-based approaches and that there should be no spanking, hitting, or paddling.

5. Data

Cardona must study and draw attention to child privacy laws which are currently inadequate.

In 2018, the NEPC published Educating All Our Children: Your Kids, Their Data, No Privacy by Linda McSpadden McNeil.

She stated:

When children’s privacy is violated in ways that are overt, visible, and knowable, the violation is unquestioned. It is unacceptable. In most cases, it is illegal.

So why is it different when the violation is hidden, opaque, electronic, commercial, and complicated?

6. High-Stakes Standardized Testing

President Biden promised teachers and parents he’d end harmful high-stakes standardized tests. Instead, he pushed assessments even during the pandemic.

Can Cardona show the American people who want these tests reduced or eliminated what, if anything, the Biden administration will finally do to end high-stakes standardized tests?

7. Lead in School Pipes

The Biden-Harris team promised to repair the lead pipes in homes and schools. They’re to be commended for this. It would be nice, however, if Cardona presented a report.

No amount of lead is O.K. for developing children, and it can lead to learning disabilities.

8. Reading

Reading has become a volatile issue, and Cardona has been mostly silent. Many commercial programs with little independent study, but nonetheless called the Science of Reading, are being pushed into classrooms.

The subject of reading deserves a better forum than short, often hostile debates on X.

Cardona should call for a new National Reading Panel to study programs and address reading instruction. The panel should include teachers who teach reading since they were left off the last panel. This panel should consider the concerns of the last NRP member, the only educator on the panel, Joanne Yatvin (Yatvin, 2002). Parents should also be given a voice on this panel. A new NRP would allow for a better collection of the research, old and the latest findings, and a review of the work of the last NRP.

9. Recess

Every public school in the nation should give children several unstructured breaks throughout the school day, supervised, on safe, well-designed playgrounds.

Driving students to work nonstop with mindfulness training or a dozen other excuses to bypass recess should not be permitted.

10. School Buildings

Americans need to know the status of their public school buildings. How are the HVAC systems and air quality? How many school facilities are still falling apart? Are public school buildings safe?

Are new schools being built to support teachers?

11. School Choice

The Biden administration discussed regulating charter schools (Lieberman, 2022). But concerns about vouchers, educational savings account, nonprofit and for-profit charters, and religion in schools needs to be better addressed.

In addition, the Biden administration should describe what they mean by community schools (often called charter schools), partnerships, and social impact bonds and how these schools are still public.

12. School Libraries and Librarians

It’s an abomination to drill children to learn to read in poor schools, and then not provide them a school library with a qualified school librarian.

Closing school libraries has been a disaster in many school districts, see Philadelphia as an example.

13. School Safety

The gun lobby is unfortunately influential, so despite shootings in this country, don’t hold your breath for meaningful gun laws. It was thoughtful of Cardona to visit Parkland.

In the meantime, school administrators must devise creative ways to make schools safe and identify students in their schools who need mental health help. See class size above.

14. Social-Emotional Learning

Concerns about the data collected on students includes social-emotional learning. Teachers always want their students to be socially and emotionally healthy, but social-emotional learning seems more about collecting unnecessary sensitive data about students.

Who is using this information and why?

15. Special Education

Parents are in danger of losing special education services. The All Handicapped Children’s Act reauthorized to IDEA should have evolved into a more inclusive and better programs for students with exceptional needs, but instead it has been hijacked by those who don’t want to pay for it.

Cardona should look into special education and create a task force to study it and determine exactly how much special education funding schools receive and the kind of services students receive. He might start with Tammy Kolbe’s work and the National Education Policy Center report Funding Special Education: Charting a Path that Confronts Complexity and Crafts Coherence.

16. Teacher Preparation

School reform has changed teacher preparation dramatically. There needs to be more effort to oversee these mostly fast-track nonprofit or for-profit programs often connected to charter schools.

Cardona should step up here to promote fully university-prepared teachers, and he should work with university education programs to improve their coursework and degree offerings. The United States Department of Education might provide scholarships to attract young people who want to pursue a teaching career in university education programs, not unknown nonprofits or charter school preparation.

Fast-track groups like Teach for America are a concern because they turn those without real qualifications into the system with little understanding of child development or what’s needed to teach well, and Grow Your Own programs are ill-defined.

17. Technology

While technology is useful to learning, a recent Columbia University study indicates that children read better with paper print not online.

The Guardian cites MIT neuroscientist John Gabrieli, skeptical about the promises of big tech and its salesmen.

Gabrieli states:

I am impressed how educational technology has had no effect on scale, on reading outcomes, on reading difficulties, on equity issues.

Is Cardona behind teachers or for replacing them with technology? Actions matter.

18. Third-Grade Retention

Third-grade retention is unnecessary. No child should be made to feel like a failure. Children can still learn to read in third grade, can still grow and become great learners. Speaking out on this issue would help end it.

References

St. George, D. (2023, August 10). In over 15 states, schools can still paddle students as punishment. The Washington Post. Retrieved from https://www.washingtonpost.com/education/2023/08/10/school-paddling-corporal-punishment/.

Yatvin, J. (2002). Babes in the Woods: The Wanderings of the National Reading Panel. Phi Delta Kappan, 83(5), 364–369. https://doi.org/10.1177/003172170208300509

Lieberman, M (2022). Lawmakers, Education Secretary Clash Over Charter School Rules. Education Week, https://www.edweek.org/policy-politics/lawmakers-education-secretary-clash-over-charter-school-rules/2022/04

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Governor Ron DeSantis claims that Florida isn’t banning books, which may be technically true, yet demonstrably false. Librarians and school district officials are removing books from school and classroom libraries to comply with state law, until the books have been screened for any offensive sexual or racial language.

PEN America reported that more than 1,600 books have been removed from circulation until they have received approval from school officials. The big joke in Escambia County is that a dictionary is in the Escambia list of books that possibly violate the law. Actually, five dictionaries!

But many other books are on Escambia’s list that have been read by generations of students.

Is it fair to say that such lists are censorship or banning? I say yes. What do you think?

PEN America posted this statement:

It has come to this: Escambia County, Florida, schools have banned the dictionary.

Five dictionaries are on the district’s list of more than 1,600 books banned pending investigation in December 2023, along with eight different encyclopedias, The Guinness Book of World Records, and Ripley’s Believe it or Not – all due to fears they violate the state’s new laws banning materials with “sexual conduct” from schools.

Biographies of Beyoncé, Lady Gaga, Oprah Winfrey, Nicki Minaj, and Thurgood Marshallare on the list, alongside The Autobiography of Malcolm X and Black Panther comics by Ta-Nehisi Coates. The Feminism Book was banned along with The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion.

The list obtained by the Florida Freedom to Read Project also includes Anne Frank’s Diary of a Young Girl, The Adventures and the Memoirs of Sherlock Holmes and Agatha Christie’s Death on the Nile. The Princess Diaries and 14 other books by Meg Cabot have been taken from libraries, alongside books by David Baldacci, Lee Child, Michael Crichton, Carl Hiassen, Jonathan Franzen, John Green, John Grisham, Stephen King (23 of them), Dean Koontz, Cormac McCarthy, Celeste Ng, James Patterson, Jodi Picoult,and Nicholas Sparks. Conservative pundit Bill O’Reilly’s two books, Killing Jesus and Killing Reagan, were also banned pending investigation.

PEN America, Penguin Random House, and a diverse group of authors joined with parents and students in Escambia County for a first of its kind federal lawsuit alleging that an earlier set of book bans and restrictions violate their rights to free speech and equal protection under the law. A hearing in the case is scheduled for Wednesday, Jan. 10.

If you open the link, you can see the list of banned books in Escambia County.

Here are a few that caught my eye:

Books of Greek and Roman myths

Baroque and Rococo Art

Five books by Maya Angelou

James Baldwin, Go Tell It on the Mountain

Emily Brontë, Wuthering Heights

Sixteen books by Meg Cabot

Albert Camus, The Stranger

Agatha Christie, Death on the Nile

Sandra Cisneros, The House on Mango Street

Multiple books about sexually transmitted diseases

Charles Dickens, A Tale of Two Cities

Charles Dickens, David Copperfield -Adapted for Young Readers

Ralph Ellison, Invisible Man

Five novels by William Faulkner

Gustave Flaubert, Madame Bovary

Gabriel Garcia Marquez, Love in the Time of Cholera and One Hundred Years of Solitude

William Golding, Lord of the Flies

I’m stopping here. You get the drift. Scan the rest of the list and see what you think.

Leslie Postal of the Orlando Sentinel reported the list of banned books.

Please scan the list and let me know which you think should never be banned. Are there any on the list that you think should not be in any 3-8 classroom? Any that should not be available in high school?

Here is a list of the 673 books removed from teachers’ classroom shelves in Orange County for fear they might violate state law and rules on “sexual conduct:” Some might be returned to shelves after further review.

“In the Belly of the Beast,” Jack Henry Abbott
“The Pool Was Empty,” Gilles Abier
“The Poet X,” Elizabeth Acevedo
“With the Fire on High,” Elizabeth Acevedo
“Call Me By Your Name,” Andre Aciman
“Things You Shouldn’t Say Past Midnight,” Peter Ackerman
“Half of a Yellow Sun,” Chimamanda Ngozi Adichie
“Changes,” Ama Ata Aidoo
“River of Darkness,” Rennie Airth
“Say You’re One of Them,” Uwem Akpan
“Simon Vs. The Homo Sapiens Agenda,” Becky Albertalli
“The Upside of Unrequited,” Becky Albertalli
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The House of the Spirits,” Isabel Allende
“In the Midst of Winter,” Isabel Allende
“The Blood of Flowers,” Anita Amirrezvani
“Wintergirls,” Laurie Halse Anderson
“Me and Earl and the Dying Girl,” Jesse Andrews
“The Haters,” Jesse Andrews
“I Know Why The Caged Bird Sings,” Maya Angelou
“Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” Maya Angelou
“Lucy in the Sky,” Anonymous
“And Eternity,” Piers Anthony
“On a Pale Horse,” Piers Anthony
“Four Plays,” Aristophanes
“From Blood and Ash,” Jennifer L. Armentrout
“Storm and Fury,” Jennifer L. Armentrout
“City of the Lost,” Kelley Armstrong
“Mosquitoland,” David Arnold
“Damsel,” Elana K. Arnold
“Infandous,” Elana K. Arnold
“Red Hood,” Elana K. Arnold
“What Girls Are Made Of,” Elana K. Arnold
“Oryx and Crake,” Margaret Atwood
“The Handmaid’s Tale,” Margaret Atwood
“The Handmaid’s Tale: The Graphic Novel,” Margaret Atwood
“The Testaments,” Margaret Atwood
“Alias Grace,” Margaret Atwood
“Hag-Seed,” Margaret Atwood
“Madd Addam Trilogy,” Margaret Atwood
“The Blind Assassin,” Margaret Atwood
“The Clan of the Cave Bear,” Jean M. Auel
“The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters
(Earth’s Children, #1-3),” Jean M. Auel
“The Tale of John Barleycorn: From Barley to Beer,” Mary Azarian
“My Friend Dahmer,” John “Derf” Backderf
“Six of Crows,” Leigh Bardugo
“Dance Nation,” Clare Barron
“Wise Young Fool,” Sean Beaudoin
“Herzog,” Saul Bellow
“The Color Master,” Aimee Bender
“The Seven Rays,” Jessica Bendinger
“Glimpse,” Stacey Wallace Benefiel
“The History Boys,” Alan Bennett
“Mr. Darcy Takes a Wife,” Linda Berdoll

“Best in Show,” Laurien Berenson
“Dark Eye,” William Bernhardt
“Friday Night Lights: A Town A Team And A Dream,” H.G. Bissinger
“Geektastic,” Holly Black
“Red Glove,” Holly Black
“I Was a Teenage Fairy,” Francesca Lia Block
“Sex on the Brain,” Deborah Blum
“Forever…,” Judy Blume
“Midwives: A Novel,” Chris Bohjalian
“Bronxwood,” Coe Booth
“The Best American Short Stories 2015,” T.C. Boyle
“The Road to Wellville,” T.C. Boyle
“The Darkest Minds,” Alexandra Bracken
“The Dark Garden,” Eden Bradley
“The Mists of Avalon,” Marion Zimmer Bradley
“Forever in Blue: The Fourth Summer of the Sisterhood,” Ann Brashares
“The Last Summer of You and Me,” Ann Brashares
“The Sisterhood of the Traveling Pants,” Ann Brashares
“Electric Girl,” Michael Brennan
“The Demon’s Surrender,” Sarah Rees Brennan
“Monkey Man,” Steve Brewer
“Over the Edge,” Suzanne Brockmann
“Candy,” Kevin Brooks
“Angels & Demons,” Dan Brown
“The Bridges of Madison County (musical),” Jason Robert Brown
“A Secret Splendor,” Sandra Brown
“Above and Beyond,” Sandra Brown
“In a Class by Itself,” Sandra Brown
“Lethal,” Sandra Brown
“Seduction by Design,” Sandra Brown
“Send No Flowers,” Sandra Brown
“Unspeakable,” Sandra Brown
“Doing It,” Melvin Burgess
“The Neon Rain,” James Lee Burke
“The Glister,” John Burnside
“Running with Scissors,” Augusten Burroughs
“Summer and the City,” Candace Bushnell
“The Carrie Diaries,” Candace Bushnell
“Kindred,” Octavia E. Butler
“Kindred: A Graphic Novel Adaptation,” Octavia E. Butler
“El Gigante Solitario,” Mary Cappellini
“Xenocide,” Orson Scott Card
“How Beautiful the Ordinary: Twelve Stories of Identity,” Michael Cart
“The Bloody Chamber and Other Stories,” Angela Carter
“Kisses From Hell,” Kristin Cast
“Chosen,” P.C. Cast
“Marked,” P.C. Cast
“The Big Sleep,” Raymond Chandler
“The Big Sleep; The High Window; The Lady in the Lake; The Long
Goodbye; Playback; Farewell, My Lovely,” Raymond Chandler
“Stories and Early Novels: Pulp Stories / The Big Sleep / Farewell My
Lovely / The High Window,” Raymond Chandler
“The Year of Living Awkwardly,” Emma Chastain
“Pieces,” Stephen Chbosky
“The Perks of Being a Wallflower,” Stephen Chbosky
“The Perks of Being a Wallflower YA edition,” Stephen Chbosky
“The Lady and the Unicorn,” Tracy Chevalier
“My Wicked Wicked Ways,” Sandra Cisneros
“The Tesla Testament,” Eugene Ciurana
“Chain Of Iron,” Cassandra Clare
“Chain Of Thorns,” Cassandra Clare
“Queen of Air and Darkness,” Cassandra Clare
“The Red Scrolls Of Magic,” Cassandra Clare
“Little Bee,” Chris Cleave
“The Girls,” Emma Cline
“Ready Player One,” Ernest Cline
“Scooter Girl,” Chynna Clugston-Flores
“Disgrace,” J.M. Coetzee
“Naomi and Ely’s No Kiss List,” Rachel Cohn
“Nick and Norah’s Infinite Playlist,” Rachel Cohn
“Finding Yvonne,” Brandy Colbert
“The Goats,” Brock Cole
“American Gangster,” Max Allan Collins
“Brules: A Novel,” Harry Combs
“The Lords of Discipline,” Pat Conroy
“Captain Marvel,” Gerry Conway
“Coma: A Novel,” Robin Cook
“Leviathan Wakes,” James S.A. Corey
“Heroes,” Robert Cormier
“Scarpetta,” Patricia Cornwell
“Three Complete Novels: Postmortem, Body Of Evidence, All That
Remains,” Patricia Cornwell
“Postmortem,” Patricia Cornwell
“Nearly Gone,” Elle Cosimano
“A Veil Removed,” Michelle Cox
“The Bondwoman’s Narrative,” Hannah Crafts
“First Semester,” Cecil R. Cross II
“Running Loose,” Chris Crutcher
“Balzac and the Little Chinese Seamstress,” Sijie Dai
“Esperanza Rising,” Julie Danneberg
“Cendrillon,” Luc Darbois
“Sir Apropos of Nothing,” Peter David
“The Westing Game,” Beatrice G. Davis
“Never Cry Werewolf,” Heather Davis
“Corelli’s Mandolin,” Louis de Bernieres
“Gates of Paradise,” Melissa de la Cruz
“Sunset Boulevard,” Zoey Dean
“Tall Cool One,” Zoey Dean
“American Beauty,” Zoey Dean
“The Feeling of Falling in Love,” Mason Deaver
“The Girl Before,” J.P. Delaney
“The Inheritance Of Loss,” Kiran Desai
“This Lullaby,” Sarah Dessen
“The Brief Wondrous Life of Oscar Wao,” Junot Díaz
“Blade Runner (do Androids Dream of Electric Sheep),” Philip K. Dick
“Don’t Get Caught,” Kurt Dinan
“Strangers She Knows,” Christina Dodd
“These Shallow Graves,” Jennifer Donnelly
“Room,” Emma Donoghue
“The Cases that Haunt Us,” John E. Douglas
“November Blues,” Sharon M. Draper
“Panic,” Sharon M. Draper
“House of Sand and Fog,” Andre Dubus III
“A Stolen Life: A Memoir,” Jaycee Dugard
“Submarine,” Joe Dunthorne
“Paso a Paso,” José Antonio Echeverria
“The Circle,” Dave Eggers
“Perfect Chemistry,” Simone Elkeles
“The Authority,” Warren Ellis
“Invisible Man,” Ralph Ellison
“The Gathering,” Anne Enright
“The Painter from Shanghai,” Jennifer Cody Epstein
“The Round House,” Louise Erdrich
“Sophomore Undercover,” Ben Esch
“Like Water For Chocolate,” Laura Esquivel
“Middlesex,” Jefferey Eugenides
“The Horse Whisperer,” Nicholas Evans
“Sleepless,” Thomas Fahy
“Ask the Dust,” John Fante
“Bad Days In History,” Michael Farquhar
“The Comedy Writer,” Peter Farrelly
“White Oleander,” Janet Fitch
“Madame Bovary,” Gustave Flaubert
“Dark Places,” Gillian Flynn
“Sharp Objects,” Gillian Flynn
“Separation of Power,” Vince Flynn
“Extremely Loud and Incredibly Close,” Jonathan Safran Foer
“The Carnival at Bray,” Jessie Ann Foley
“The Guest List,” Lucy Foley
“The Pillars of the Earth,” Ken Follett
“World Without End,” Ken Follett
“Come Back,” Claire Fontaine
“If I Stay,” Gayle Forman
“Just One Day,” Gayle Forman
“The Jane Austen Book Club,” Karen Fowler
“Joy Special of the Day,” Elaine Fox
“You Hear Me?,” Betsy Franco
“Palo Alto,” James Franco
“Dime,” E. R. Frank
“Cold Mountain,” Charles Frazier
“The Likeness,” Tana French
“Anansi Boys,” Neil Gaiman
“The House of Bernarda Alba,” Federico García Lorca
“Chronicle of a Death Foretold,” Gabriel García Márquez
“Love in the Time of Cholera,” Gabriel García Márquez
“Annie on My Mind,” Nancy Garden
“Killjoy,” Julie Garwood
“Eat, Pray, Love,” Elizabeth Gilbert
“Howl and Other Poems,” Allen Ginsberg
“Girl in Pieces,” Kathleen Glasgow
“Fat Kid Rules the World,” Kelly L. Going
“Bee Season,” Myla Goldberg
“Kenang-Kenangan Seorang Geisha (Memoirs of a Geisha),” Arthur Golden
“Memoirs of a Geisha,” Arthur Golden
“Sister Mischief,” Laura Goode
“A Reliable Wife,” Robert Goolrick
“Forever for a Year,” B.T. Gottfred
“The Handsome Girl & Her Beautiful Boy,” B.T. Gottfred
“The Nerdy and the Dirty,” B.T. Gottfred
“Tomorrow Girls,” Eva Gray
“An Abundance of Katherines,” John Green
“Looking for Alaska,” John Green
“Will,” John Grayson
“Paper Towns,” John Green
“Sex Plus: Learning, Loving and Enjoying Your Body,” Laci Green
“The Quiet American,” Graham Greene
“None Of The Above,” I.W. Gregorio
“Changeling,” Philippa Gregory
“The Other Boleyn Girl,” Philippa Gregory
“A Time to Kill,” John Grisham
“The Firm,” John Grisham
“John Grisham Value Collection: A Time to Kill, The Firm, The Client,”
John Grisham
“From Where I Watch You,” Shannon Grogan
“Water For Elephants,” Sara Gruen
“The Freedom Writers Diary,” Erin Gruwell
“Snow Falling On Cedars,” David Guterson
“A Map of the World,” Jane Hamilton
“We’ll Always Have Summer,” Jenny Han
“The World’s Strongest Librarian,” Joshua Hanagarne
“Fly Away,” Kristin Hannah
“The Art of Fielding,” Chad Harbach
“Jude the Obscure,” Thomas Hardy
“Chocolat,” Joanne Harris
“The Lollipop Shoes,” Joanne Harris
“The Silent Wife,” A.S.A. Harrison
“Plainsong,” Kent Haruf
“The Best 100 Poems of Gwen Harwood,” Gwen Harwood
“Necropolis,” Jordan L. Hawk
“Second Skin,” John Hawkes
“The Girl on the Train,” Paula Hawkins
“Catch-22,” Joseph Heller

“The Collected Plays,” Lillian Hellman
“Demian the Story of Emil Sinclairs Youth,” Hermann Hesse
“Demian. Die Geschichte von Emil Sinclairs Jugend.,” Hermann Hesse
“Siddhartha (Dual-Language),” Hermann Hesse
“Siddhartha: A Novel,” Hermann Hesse
“Skin Tight,” Carl Hiaasen
“The Island,” Elin Hilderbrand
“Rethinking Normal: A Memoir in Transition,” Katie Rain Hill
“Here Comes Santa Claus,” Sandra Hill
“Royal Assassin,” Robin Hobb
“The Dress Lodger,” Sheri Holman
“Watch Me,” A.J. Holt
“November 9,” Colleen Hoover
“Heart Bones,” Colleen Hoover
“Hopeless,” Colleen Hoover
“It Ends With Us,” Colleen Hoover
“It Starts With Us,” Colleen Hoover
“Layla,” Colleen Hoover
“Losing Hope,” Colleen Hoover
“Regretting You,” Colleen Hoover
“Verity,” Colleen Hoover
“Confess,” Colleen Hoover
“Ugly Love,” Colleen Hoover
“Impulse,” Ellen Hopkins
“Burned,” Ellen Hopkins
“Collateral,” Ellen Hopkins
“Crank,” Ellen Hopkins
“Fallout,” Ellen Hopkins
“Identical,” Ellen Hopkins
“Love Lies Beneath,” Ellen Hopkins
“People Kill People,” Ellen Hopkins
“Perfect,” Ellen Hopkins
“Tilt,” Ellen Hopkins
“Tricks,” Ellen Hopkins
“I Never,” Laura Hopper
“The Changeling,” Kate Horsley
“The Kite Runner,” Khaled Hosseini
“A Thousand Splendid Suns,” Khaled Hosseini
“Taken at Dusk,” C.C. Hunter
“Brave New World,” Aldous Huxley
“M Butterfly,” David Henry Hwang
“Icy Sparks,” Gwyn Hyman Rubio
“A Widow for One Year: A Novel,” John Irving
“The World According to Garp,” John Irving
“Never Let Me Go,” Kazuo Ishiguro
“Bit of a Blur,” Alex James
“Fifty Shades Series,” E.L. James
“Green River Killer: A True Detective Story,” Jeff Jensen
“No One to Trust,” Iris Johansen
“All Boys Aren’t Blue,” George M. Johnson
“Truly Devious 3-Book Box Set,” Maureen Johnson
“The Graduate,” Terry Johnson
“Choice Words,” Peter H. Johnston
“The Recognition of Sakuntala,” Arthur William Ryder Kalidasa
“Scent of Danger,” Andrea Kane
“Confessions of a Not It Girl,” Melissa Kantor
“The Big Bad Wolf Tells All,” Donna Kauffman
“Milk and Honey,” Rupi Kaur
“The Sun and Her Flowers,” Rupi Kaur
“Summer in the City of Roses,” Michelle Ruiz Keil
“Street Dreams,” Faye Kellerman
“Mr. Ding’s Chicken Feet,” Gillian Kendall
“The DUFF: Designated Ugly Fat Friend,” Kody Keplinger
“YOU: A Nove,” Caroline Kepnes
“On The Road,” Jack Kerouac
“The Book of Longings,” Sue Monk Kidd
“Four Past Midnight,” Stephen King
“Dolores Claiborne,” Stephen King
“Lisey’s Story,” Stephen King
“Night Shift,” Stephen King
“The Drawing of the Three,” Stephen King
“The Wastelands,” Stephen King
“Under the Dome,” Stephen King
“Prodigal Summer: A Novel,” Barbara Kingsolver
“Confessions of a Shopaholic,” Sophie Kinsella
“Shopaholic and Baby,” Sophie Kinsella
“Fear the Hunters,” Robert Kirkman
“Miles Behind Us,” Robert Kirkman
“Don’t Say a Word,” Andrew Klavan
“Primary Colors,” Joe Klein
“Sex, Drugs, and Cocoa Puffs,” Chuck Klosterman
“Gender Queer: A Memoir,” Maia Kobabe
“City of Night,” Dean Koontz
“Twilight Eyes,” Dean Koontz
“The Bear Went Over the Mountain,” William Kotzwinkle
“Born on the Fourth of July,” Ron Kovic
“The Pirate,” Jayne Ann Krentz
“The Poppy War,” R F. Kuang
“Dark Triumph,” Robin La Fevers
“Grave Mercy,” Robin La Fevers
“The Namesake,” Jhumpa Lahiri
“I Know This Much Is True,” Wally Lamb
“Search for Safety,” Paul Langan
“Survivor,” Paul Langan
“Liar,” Justine Larbalestier
“My Sister Rosa,” Justine Larbalestier
“The Splendid and the Vile,” Erik Larson
“Recipe Box,” Sandra Lee
“Furyborn,” Claire Legrand
“Mystic River,” Dennis Lehane
“The Grass Is Singing,” Doris Lessing
“Another Day,” David Levithan
“Dexter Is Delicious,” Jeff Lindsay
“Last Night at the Telegraph Club,” Malinda Lo
“The Dirt on Sex,” Justin Lookadoo
“Character, Driven,” David Lubar
“The Bourne Identity,” Robert Ludlum
“The Robert Ludlum Value Collection: The Bourne Identity, The Bourne
Supremacy, The Bourne Ultimatum,” Robert Ludlum
“Brave New Girl,” Louisa Luna
“Game,” Barry Lyga
“I Hunt Killers,” Barry Lyga
“Boy Toy,” Barry Lyga
“A Court of Frost and Starlight,” Sarah J. Maas
“A Court of Mist and Fury,” Sarah J. Maas
“A Court of of Wings and Ruin,” Sarah J. Maas
“A Court of Silver Flames,” Sarah J. Maas
“A Court of Wings and Ruin,” Sarah J. Maas
“House of Earth and Blood,” Sarah J. Maas
“A Court of Thorns and Roses,” Sarah J. Maas
“Fall on Your Knees,” Ann-Marie MacDonald
“Easter Rising,” Michael Patrick MacDonald
“Guyaholic,” Carolyn Mackler
“The Hike,” Drew Magary
“Son of a Witch,” Gregor Maguire
“Wicked: The Life and Times of the Wicked Witch of the West,” Gregory Maguire
“Wicked: Memorias de una bruja mala,” Gregory Maguire
“The Natural,” Bernard Malamud
“Nectar in a Sieve,” Kamala Markandaya
“Slightly Single,” Wendy Markham
“Blue is the Warmest Color,” Jul Maroh
“A Game of Thrones,” George R.R. Martin
“A Dance with Dragons,” George R.R. Martin
“A Feast for Crows,” George R.R. Martin
“A Storm of Swords,” George R.R. Martin
“The Mystery Knight,” George R.R. Martin
“The Official A Game of Thrones Coloring Book,” George R.R. Martin
“A Clash of Kings,” George R.R. Martin
“Jackie “The Joke Man” Martling’s Disgustingly Dirty Joke Book,” Jackie Martling
“Paper Dollhouse,” Lisa M. Masterson
“Strange Intimacy,” Anne Mather
“Amy & Roger’s Epic Detour,” Morgan Matson
“The Secret Diary of Anne Boleyn,” Robin Maxwell
“The Good Lord Bird,” James McBride
“Perfect Fifths,” Megan McCafferty
“Second Helpings,” Megan McCafferty
“Freedom’s Choice,” Anne McCaffrey
“All the Pretty Horses,” Cormac McCarthy
“No Country for Old Men,” Cormac McCarthy
“Outer Dark,” Cormac McCarthy
“Man o’ War,” Cory McCarthy
“Sold,” Patricia McCormick
“The Revolution of Little Girls,” Blanche McCrary Boyd
“The Beauty Queen of Leenane,” Martin McDonagh
“Sophomore Switch,” Abby McDonald
“Amsterdam,” Ian McEwan
“Atonement,” Ian McEwan
“On Chesil Beach,” Ian McEwan
“Duquesa by Default,” Maura McGiveny
“Beautiful Disaster,” Jamie McGuire
“The Memory of Running,” Ron McLarty
“Lonesome Dove,” Larry McMurtry
“Everything You Want Me to Be,” Mindy Mejia
“Talking in the Dark,” Billy Merrell
“Life and Death: Twilight Reimagined,” Stephenie Meyer
“Pretty Woman,” Fern Michaels
“The Real Deal,” Fern Michaels
“The Authority,” Mark Millar
“Circe,” Madeline Miller
“The Song of Achilles: A Novel,” Madeline Miller
“Paradise Lost and Paradise Regained (The Signet Classic Poetry
Series),” John Milton
“Paradise Lost,” John Milton
“Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and
Being a Human (A Graphic Novel),” Erika Moen
“All My Friends Are Dead,” Avery Monsen
“Watchmen,” Alan Moore
“Camp Confidential,” Melissa J. Morgan
“The Year of Secret Assignments,” Jaclyn Moriarty
“The Center of Everything,” Laura Moriarty
“Seikai 1,” Hiroyuki Morioka
“The Bluest Eye,” Toni Morrison
“Beloved,” Toni Morrison
“Paradise,” Toni Morrison
“Song of Solomon,” Toni Morrison
“Kafka on the Shore,” Haruki Murakami
“Heart of Stone,” C.E. Murphy
“Dead End,” Jason Myers
“Street Love,” Walter Dean Myers
“Peace, Love, and Baby Ducks,” Lauren Myracle
“Rhymes with Witches,” Lauren Myracle
“Shine,” Lauren Myracle
“L8R G8R,” Lauren Myracle
“The Infinite Moment of Us,” Lauren Myracle
“ttfn,” Lauren Myracle
“TTYL,” Lauren Myracle
“yolo,” Lauren Myracle
“The Art of Hana-Kimi,” Hisaya Nakajo
“Skin,” Donna Jo Napoli
“Linden Hills,” Gloria Naylor
“The Men of Brewster Place,” Gloria Naylor
“The Women of Brewster Place,” Gloria Naylor
“Like a Love Story,” Abdi Nazemian
“Getting Somewhere,” Beth Neff
“On the Volcano,” James Nelson
“Suite Francaise,” Irene Nemirovsky
“The Sympathizer,” Viet Thanh Nguyen
“We Are All Made of Molecules,” Susin Nielsen-Fernlund
“Holding Up the Universe,” Jennifer Niven
“Breathless,” Jennifer Niven
“Everlasting,” Alyson Noël
“Evermore,” Alyson Noël
“Night Star,” Alyson Noël
“Where I end and You Begin,” Preston Norton
“Sweat,” Lynn Nottage
“Plague in the Mirror,” Deborah Noyes
“Back Roads,” Tawni O’Dell
“Beasts,” Joyce Carol Oates
“The Assignation: Stories,” Joyce Carol Oates
“We Were the Mulvaneys,” Joyce Carol Oates
“Panic,” Lauren Oliver
“Before I Fall,” Lauren Oliver
“When the Emperor was Divine,” Julie Otsuka
“Ars Amatoria,” Ovid
“Metamorphoses,” Ovid
“Where the Crawdads Sing,” Delia Owens
“Choke,” Chuck Palahniuk
“Invisible Monsters Remix,” Chuck Palahniuk
“Lullaby,” Chuck Palahniuk
“In Order to Live,” Yeonmi Park
“The Dogs of Babel,” Carolyn Parkhurst
“Learning Tree,” Gordon Parks
“Bel Canto,” Ann Patchett
“The Patron Saint of Liars,” Ann Patchett
“Honeymoon,” James Patterson
“Private,” James Patterson
“Sail,” James Patterson
“Sam’s Letters to Jennifer,” James Patterson
“Sideways,” Alexander Payne
“A Day No Pigs Would Die,” Robert Newton Peck
“The Leftovers,” Tom Perrotta
“Out Stealing Horses,” Per Petterson
“Prague,” Arthur Phillips
“Fishtailing,” Wendy Phillips
“A Spark of Light,” Jodi Picoult
“Handle with Care,” Jodi Picoult
“Picture Perfect,” Jodi Picoult
“The Pact: A Love Story,” Jodi Picoult
“The Storyteller,” Jodi Picoult
“The Tenth Circle,” Jodi Picoult
“Nineteen Minutes,” Jodi Picoult
“A Year and a Day,” Leslie Pietrzyk
“Thirst No. 1,” Christopher Pike
“Thirst No. 2,” Christopher Pike
“Thirst No. 4,” Christopher Pike
“Thirst No. 5,” Christopher Pike
“Into White,” Randi Pink
“It Doesn’t Have to Be Awkward: Dealing with Relationships, Consent,
and Other Hard-to-Talk-About Stuff,” Drew Pinsky
“Yes Please,” Amy Poehler
“Tinisima,” Elena Poniatowska
“Behind the Shadows,” Patricia Potter
“The Whistling Toilets,” Randy Powell
“The Cabin,” Natasha Preston
“The Cellar,” Natasha Preston
“Caves Graves,” Natalie Prior
“Jane Swann’s Way,” Marcel Proust
“La Belle Sauvage,” Philip Pullman
“Burning Glass,” Kathryn Purdie
“The Family,” Mario Puzo
“Gabi, a Girl in Pieces,” Isabel Quintero
“The Elegant Gathering of White Snows,” Kris Radish
“The Fountainhead,” Ayn Rand
“Modern Love,” Andrew Rannells
“Punkzilla,” Adam Rapp
“Beautiful,” Amy Reed
“The Cute Girl Network,” M.K. Reed
“Such a Fun Age,” Kiley Reid
“The Seven Husbands of Evelyn Hugo,” Taylor Jenkins Reid
“Stop in the Name of Pants!,” Louise Rennison
“Stone Fox,” John Reynolder
“Wide Sargasso Sea,” Jean Rhys
“The Vampire Armand,” Anne Rice
“The Witching Hour,” Anne Rice
“Life,” Keith Richards
“Juliet Takes a Breath,” Gabby Rivera
“Redeeming Love,” Francine Rivers
“The Atonement Child,” Francine Rivers
“Gulp: Adventures on the Alimentary Canal,” Mary Roach
“Birthright,” Nora Roberts
“The True and Outstanding Adventures of the Hunt Sisters,” Elisabeth Robinson
“Normal People,” Sally Rooney
“Jack of Hearts (and other parts),” L.C. Rosen
“Portnoy’s Complaint,” Philip Roth
“The Casual Vacancy,” J.K. Rowling
“The God of Small Things,” Arundhati Roy
“All of Us with Wings,” Michelle Ruiz Keil
“Elegies for Angels Punks and Raging Queens,” Bill Russell
“The Dead-Tossed Waves,” Carrie Ryan
“Leviathan Wakes,” James S.A. Corey
“And They Lived …,” Steven Salvatore
“Bait,” Alex Sanchez
“Once a King, Always a King,” Reymundo Sanchez
“Option B,” Sheryl Sandberg
“The Fool’s Run,” John Sandford
“Vampire, Interupted,” Lynsay Sands
“Push,” Sapphire
“Blindness,” José Saramago
“Jesus Land: A Memoir,” Julia Scheeres
“Uses for Boys,” Erica Lorraine Scheidt
“The Reader,” Bernard Schlink
“The Beginning of Everything,” Robyn Schneider
“Bully,” Jim Schutze
“The Invisible Life of Addie La Rue,” V.E. Schwab
“The Gift of Forgiveness,” Katherine Schwarzenegger Pratt
“Living Dead Girl: A Novel,” Elizabeth Scott
“Lucky,” Alice Sebold
“The Lovely Bones,” Alice Sebold
“Naked,” David Sedaris
“Peony in Love,” Lisa See
“Writing My Wrongs,” Shaka Senghor
“Equus,” Peter Shaffer
“Skin and Bones,” Sherry Shahan
“Demon Apocalypse,” Darren Shan
“Forbidden Knowledge,” Roger Shattuck
“Tweak,” Nic Sheff
“The Stone Diaries,” Carol Shields
“Sea Glass: A Novel,” Anita Shreve
“Alichino,” Kouyu Shurei
“The Food Chain,” Nicky Silver
“If I Was Your Girl,” Ni-Ni Simone
“Wilder,” Andrew Simonet
“The Straight Girl’s Guide to Sleeping with Chicks,” Jen Sincero
“The Silence and the Roar,” Nihad Sirees
“The Primal Blueprint,” Mark Sisson
“Prep: A Novel,” Curtis Sittenfeld
“You Think It, I’ll Say It,” Curtis Sittenfeld
“Stay In Line,” Teddy Slaterguess
“A Thousand Acres,” Jane Smiley
“The Way I used to Be,” Amber Smith
“Joy in the Morning,” Betty Smith
“Tree Grows In Brooklyn,” Betty Smith
“The Geography of Girlhood,” Kirsten Smith
“Betwixt,” Tara Bray Smith
“Anatomy of a Boyfriend,” Daria Snadowsky
“Sadar’s Keep,” Midori Snyder
“No Visible Bruises,” Rachel Louise Snyder
“MARS,” Fuyumi Soryo
“Summer on Wheels,” Gary Soto
“The Prime of Miss Jean Brodie,” Muriel Spark
“It Happened to Nancy,” Beatrice Sparks
“At First Sight,” Nicholas Sparks
“Message in a Bottle,” Nicholas Sparks
“Nights in Rodanthe,” Nicholas Sparks
“The Guardian,” Nicholas Sparks
“The Rescue,” Nicholas Sparks
“The Wedding,” Nicholas Sparks
“Small Town Girl,” Lavyrle Spencer
“Everyone likes Eggs,” Jerry Spinelli
“Star (French Edition),” Danielle Steel
“The Gift,” Danielle Steel
“East of Eden,” John Steinbeck
“Still Missing,” Chevy Stevens
“Earth (the book) A Visitors Guide to the Human Race,” Jon Stewart
“Every Last Word,” Tamara Ireland Stone
“Marcelo in the Real World,” Francisco X. Stork
“Until the Twelfth of Never,” Bella Stumbo
“Sophie’s Choice,” William Styron
“We Should Hang Out Sometime,” Josh Sundquist
“The Kitchen God’s Wife,” Amy Tan
“The Valley of Amazement,” Amy Tan
“American Colonies,” Alan Taylor
“Just Friends,” Billy Taylor
“The Spectacular Now,” Tim Tharp
“Concrete Rose,” Angie Thomas
“The Loners,” Lex Thomas
“Picking Cotton,” Jennifer Thompson-Cannino
“Blankets,” Craig Thompson
“First Time,” Meg Tilly
“Sigh, Gone,” Phuc Tran
“Milk Glass Moon,” Adriana Trigiani
“Stuck in Neutral,” Terry Trueman
“The RattleRat,” Janwillem Van de Wetering
“Red Thunder,” John Varley
“Sia Martinez and the Moonlit Beginning of Everything,” Raquel Vasquez Gilliland
“Y: The Last Man,” Brian K. Vaughan
“When We Make It,” Elisabet Velasquez
“The Covenant of Water,” Abraham Verghese
“Shojo Beat,” Viz Media
“Dicey’s Song,” Cynthia Voight
“All I Want is Everything,” Cecily Von Ziegesar
“Don’t You Forget about Me,” Cecily Von Ziegesar
“Tempted,” Cecily Von Ziegesar
“You Know You Love Me,” Cecily Von Ziegesar
“It Had To Be You,” Cecily Von Ziegesar
“Slaughterhouse-Five,” Kurt Vonnegut Jr.
“Slaughterhouse-Five: The Graphic Novel,” Kurt Vonnegut Jr.
“The Color Purple,” Alice Walker
“Black White and Jewish,” Rebecca Walker
“We All Looked Up,” Tommy Wallach
“A Thousand Country Roads: An Epilogue to The Bridges of Madison
County,” Robert James Waller
“The Bridges of Madison County,” Robert James Waller
“The Glass Castle,” Jeannette Walls
“Stargazing,” Jen Wang
“Salvage the Bones,” Jesmyn Ward
“Numbers,” Rachel Ward
“Something Worth Saving,” Sandi Ward
“The Graduate,” Charles Webb
“Girl Boy Etc,” Michael Weinreb
“Chasing Harry Winston,” Lauren Weisberger
“Little Altars Everywhere: A Novel,” Rebecca Wells
“A Certain Slant of Light,” Laura Whitcomb
“The Professor and the Madman,” Simon Winchester
“Happiness Sold Separately,” Lolly Winston
“A Man in Full,” Tom Wolfe
“The Interestings,” Meg Wolitzer
“Turkish Delight,” Jan Wolkers
“Brighter than Gold,” Cynthia Wright
“Native Son,” Richard Wright
“Blu’s Hanging,” Lois-Ann Yamanaka
“Revolutionary Road,” Richard Yates
“Armageddon Summer,” Jane Yolen
“The Sun Is Also a Star,” Nicola Yoon
“Everything, Everything,” Nicola Yoon
“Nothing But Your Ski,” Cathy Ytak

Compiled by staff writer Richard Tribou. Source: List obtained by the Florida Freedom to Read Project and confirmed by Orange County Public Schools.

Leslie Postal of the Orlando Sentinel reported the banned books list in Orange County. I haven’t read most of them, but several of the banned books that I had read were very surprising to me.

The next post will identify all the books on the list.

Postal wrote:

A total of 673 books, from classics to best-sellers, have been removed from Orange County classrooms this year for fear they violate new state rules that ban making “sexual conduct” available to public school students.

The list of rejected books, which the district began compiling during the summer, will get another review from Orange County Public Schools staff, so some could eventually be put back on shelves. But for now, teachers who had them in their classrooms have been told to take them home or put them away so students cannot access them.

The books run the gamut, from John Milton’s 17th-century epic poem “Paradise Lost” to John Grisham’s 1991 New York Times bestseller “The Firm.” John Steinbeck’s “East of Eden” and John Irving’s “The World According to Garp” made the list, too.

The list also includes popular novels by Stephen King, Sue Monk Kidd and Jodi Picoult, classics like “A Tree Grows in Brooklyn,” “Jude the Obscure,” and “Madame Bovary,” and award-winning books like “A Thousand Acres,” “Beloved,” and “Love in the Time of Cholera.”

The books that surprised me most were:

PARADISE LOST

A TREE GROWS IN BROOKLYN

MADAME BOVARY

BRAVE NEW WORLD

Do you think teenagers will rush to read Milton’s Paradise Lost or Flaubert’s Madame Bovary now that they are banned?

The next post will have the full list.

Writing in the Washington Spectator, veteran voucher researcher Josh Cowen reports that 2023 was a good year for some very bad ideas, many supported by prominent rightwingers and Dark Money, whose sources are hidden.

He finds it unsurprising that the voucher movement works closely with book banners and efforts to humiliate LGBT youth.

Cowen is a professor of education policy at Michigan State University who has studied vouchers since 2005.

He writes:

Over the past 12 months, the decades-long push to divert tax dollars toward religious education has reached new heights. As proclaimed by EdChoice—the advocacy group devoted to school vouchers—2023 has been the year these schemes reached “escape velocity.” In strictly legislative terms, seven states passed new voucher systems, and ten more expanded existing versions. Eleven states now run universal vouchers, which have no meaningful income or other restrictions.

But these numbers change quickly. As late as the last week of November, the Republican governor of Tennessee announced plans to create just such a universal voucher system.

To wit: successful new voucher and related legislation has come almost exclusively in states won by Donald Trump in 2020. And even that Right-ward bent required substantial investment—notably by heiress and former U.S. Education Secretary Betsy DeVos and the Koch network—in state legislative campaigns to oust voucher opponents. Instructively, many of those opponents were often GOP legislators representing rural districts with few private schools to benefit.

As a scholar who has studied voucher systems—including through research funded by conservative organizations—I have been watching these developments with growing concern. It can all be difficult to make sense of, so let’s walk through it.

Vouchers Hurt Kids, Defund Public Schools and Prop-Up Church Budgets

First, why are these new voucher schemes such bad public policy? To understand the answer, it’s important to know that the typical voucher-accepting school is a far cry from the kind of elite private academy you might find in a coastal city or wealthy suburban outpost. Instead, they’re usually sub-prime providers, akin to predatory lenders in the mortgage sector. These schools are either pop-ups opening to cash in on the new taxpayer subsidy, or financially distressed existing schools desperate for a bailout to stay open. Both types of financially insecure schools often close anyway, creating turnover for children who were once enrolled.

And the voucher results reflect that educational vulnerability: in terms of academic impacts, vouchers have some of the worst results in the history of education research—on par or worse than what COVID-19 did to test scores.

Those results are bad enough, but the real issue today is that they come at a cost of funding traditional public schools. As voucher systems expand, they cannibalize states’ ability to pay for their public education commitments. Arizona, which passed universal vouchers in 2022, is nearing a genuine budget crisis as a result of voucher over-spending. Six of the last seven states to pass vouchers have had to slow spending on public schools relative to investments made by non-voucher states.

That’s because most new voucher users were never in the public schools—they are new financial obligations for states. The vast majority of new voucher beneficiaries have been students who were already in private school beforehand. And for many rural students who live far from the nearest private school, vouchers are unrealistic in the first place, meaning that when states cut spending on public education, they weaken the only educational lifeline available to poorer and more remote communities in some places. That’s why even many GOP legislators representing rural districts—conservative in every other way—continue to fight against vouchers.

Vouchers do, however, benefit churches and church schools. Right-wing advocacy groups have been busy mobilizing Catholic school and other religious school parents to save their schools with new voucher funding. In new voucher states, conservatives are openly advocating for churches to startup taxpayer-funded schools. That’s why vouchers eventually become a key source of revenue for those churches, often replacing the need to rely on private donations. It’s also why many existing religious schools raise tuition almost immediately after vouchers pass.

The Right-Wing War on Public Schools

Victories for these voucher bills is nothing short of an ascendent Right-wing war on public education. And the link to religious nationalism energizes much of that attack.

Voucher bills have dovetailed almost perfectly with new victories for other priorities of the Religious Right. Alongside vouchers, anti-LGBTQ+ legislation has also increased: 508 new bills in 2023 alone, according to the American Civil Liberties Union. As has a jump in legislation restricting book access in schools and libraries, with more than half of those bans targeting books on topics related to race and racism, or containing at least one LGBTQ+ character.

It is also important to note the longstanding antipathy that Betsy DeVos, the Koch Network, and other long-term voucher backers have toward organized labor—including and especially in this case, teachers’ unions. And that in two states that passed vouchers this year—Iowa and Arkansas—the governors also signed new rollbacks to child labor protections at almost the exact same time as well.

To close the 2022 judicial session, the Supreme Court issued its latest expansion of voucher jurisprudence in Carson v. Makin, holding that states with private school voucher programs may not exclude religious providers from applying tax dollars specifically to religious education. That ruling came just 72 hours before the Court’s decision in Dobbs v. Jackson removed reproductive rights from federal constitutional protections.

To hear backers of vouchers, book bans, and policies targeting transgender students in school bathrooms tell it, such efforts represent a new movement toward so-called “parents’ rights” or “education freedom,” as Betsy DeVos describes in her 2022 memoir. But in truth this latest push was a long time coming. DeVos is only one part of the vast network of Right-wing donors, activists, and organizations devoted to conservative political activism.

That network, called the Council for National Policy, includes representatives from the Heritage Foundation, the influential Right-wing policy outfit; multiple organizations funded by Charles Koch; the Leadership Institute, which trains young conservative activists; and a number of state policy advocacy groups funded by a conservative philanthropy called the Lynde and Harry Bradley Foundation.

It was the Bradley Foundation that seeded much of the legal work in the 1990s defending early voucher programs in state and federal courts. Bradley helped to fund the Institute for Justice, a legal group co-founded by a former Clarence Thomas staffer named Clint Bolick after a personal donation from Charles Koch. The lead trial attorney for that work was none other than Kenneth Starr, who was at the time also in the middle of his infamous pursuit of President Bill Clinton.

In late 2023, the Institute for Justice and the voucher-group EdChoice announced a new formal venture, but that partnership is just a spin on an older collaboration, with the Bradley Foundation as the tie that binds. EdChoice itself, when it was called the Milton and Rose D. Friedman Foundation, helped fund the data analysis cited by Institute lawyers at no less than the Supreme Court ahead of its first decision approving vouchers in Zelman v. Simmons-Harris (2002).

From these vantage points, 2023 was a long time coming indeed.

And heading into 2024, the voucher push and its companion “parents’ rights” bills on schoolbooks and school bathrooms show no sign of weakening.

Prior to his political career, the new Speaker of the U.S. House of Representatives, Mike Johnson, was an attorney with the Alliance Defending Freedom. That group, which itself has deep ties to Betsy DeVos’s family, has led the legal charge to rollback LBGTQ+ equality initiatives. It was also involved “from the beginning,” as its website crows, in the anti-abortion effort that culminated with Dobbs.

The Heritage Foundation has created a platform called Project 2025, which serves as something of a clearinghouse for what would be the legal framework and policy agenda for a second Trump Administration. Among the advisors and funders of Project 2025 are several organizations linked to Charles Koch, Betsy DeVos, and others with ties to the Council for National Policy. The Project’s education agenda includes dismantling the U.S. Department of Education—especially its oversight authority on anti-discrimination issues—and jumpstarting federal support for voucher programs.

A dark money group called The Concord Fund has launched an entity called Free to Learn, ostensibly organized around opposition to the teaching of critical race theory in public schools. In reality, these are active players in Republican campaign attacks around a variety of education-related culture war issues. The Concord Fund is closely tied to Leonard Leo, the Federalist Society chief, Council of National Policy member, and architect of the Roe takedown. Through the Leo connection, the Concord Fund was also instrumental in confirming Donald Trump’s judicial nominations from Brett Kavanaugh on downward.

And so while the 2023 “parents’ rights” success has been largely a feature of red state legislatures, the 2022 Carson ruling and the nexus between Leonard Leo, the Alliance Defending Freedom, and the Institute for Justice itself underscore the importance of the federal judiciary to Right-wing education activism.

Long-term, the goal insofar as school privatization is concerned appears to be nothing short of a Supreme Court ruling that tax-subsidized school vouchers and homeschool options are mandatory in every state that uses public funding (as all do) to support education. The logic would be, as Betsy DeVos herself previewed before leaving office, that public spending on public schools without a religious option is a violation of Free Exercise protections.

Such a ruling, in other words, would complete the destruction of a wall between church and state when it comes to voucher jurisprudence. Earlier Court decisions have found that states may spend tax dollars on school vouchers but, as the Right’s ultimate goal, the Supreme Court would determine that states must.

Closer on the horizon, we can expect to see each of these Right-wing groups acting with new energy as the 2024 campaign season heats up. The president of the Heritage Foundation—himself yet another member of the Council for National Policy—has recently taken over the think tank’s political arm, called Heritage Action. At the start of the year, investigative reporting linked Heritage Action to earlier voter suppression initiatives, signaling potential tactics ahead.

And the money is going to flow—they have all said as much. After Heritage’s merger of its policy and political arms, Betsy DeVos’s American Federation for Children followed suit by creating the AFC Victory Fund—a new group to spearhead its own campaign activity.

Their plan includes a $10 million base commitment to ramp up heading into 2024. “Coming off our best election cycle ever,” AFC’s announcement declared, “the tectonic plates have shifted decisively in favor of educational freedom, and we’re just getting started.” And, they warned:

“If you’re a candidate or lawmaker who opposes school choice and freedom in education – you’re a target.”

In that threat lies the reality of the latest voucher push, and of this moment of so-called parents’ rights. None of this is a grassroots uprising. “Education freedom” is a top-down, big-money operation, tied to every other political priority of religious nationalism today.

But coming at the end of this past year’s legislative successes, AFC’s warnings are also a very clear statement of what is yet to come. The push to privatize American education is only just getting started.

Vouchers have turned into a campaign to subsidize the tuition of affluent parents while cutting the funding of public schools. This does not augur well for the health and future of our nation.

The National Education Policy Center at the University of Colorado posted a useful analysis of research in the field of reading and how it should inform practice.

Key Takeaway: Some research claims of the “science of reading” movement are overly simplistic, so policymakers should seek different approaches to legislating reading.

Find Documents:

Publication Announcement: https://nepc.colorado.edu/publication-announcement/2022/09/science-of-reading
NEPC Publication: https://nepc.colorado.edu/publication/science-of-reading

Contact:

Alex Molnar(480) 797-7261nepc.molnar@gmail.com
Faith Boninger(480) 390-6736fboninger@gmail.com
Paul Thomas(864) 294-3386paul.thomas@furman.edu

Learn More:

NEPC Resources on Reading Instruction

BOULDER, CO (September 13, 2022) – How students learn to read and how reading is best taught are often the focus of media, public, and political criticism. In a new NEPC policy brief, The Science of Reading Movement: The Never-Ending Debate and the Need for a Different Approach to Reading Instruction, Paul Thomas of Furman University explores the controversial history of the reading reform movement.

Throughout the decades, a striking amount of attention has sporadically been focused on how teachers teach reading—typically with a specific concern for phonics instruction. This attention has then spread to standardized test scores (including international comparisons) and a changing list of hypothetical causes for disappointing test scores (including progressivism, whole language, and balanced literacy).

Disappointing reading achievement has been sometimes attributed to how reading is taught, sometimes to social influences on students (such as technology and media), and sometimes to both. Widespread and ongoing criticism over the last 80 years has targeted a wide array of culprits:

  • State and federal reading policy;
  • The quality of teacher education and teacher professional development;
  • Theories of learning to read and reading instruction;
  • The role of phonics and other reading skills in teaching reading; and
  • The persistent gaps among classroom practices, reading policy, and the nature or application of science and research.

These discussions have not been evidence-free. In fact, scholars and literacy educators have over this time conducted extensive research into these and other issues. But the research has only limited impact on policy and practice.

Specifically, in contrast to much of the public debate and policymaking, these researchers have found reading instruction and learning to be complex, complicating the design of effective policy and classroom practice. Overall, this robust research base supports policies and approaches that acknowledge a range of individual student needs and that argue against “one-size-fits-all” prescriptions. Among literacy educators and scholars, then, important reading debates continue but do so without any identified silver-bullet solutions.

The current public debate is different. Since 2018, the phrase “science of reading” has been popularized as loosely defined shorthand for the broad and complex research base characterizing how children learn to read and how best to teach reading. Simplifying the issue for the public and for political readers, and failing to acknowledge the full complement of research findings, prominent members of the education media have used the term when framing the contemporary debate—often as pro-phonics versus no phonics. Various types of vendors have also found the shorthand term “science of reading” highly useful in branding and marketing specific phonics-oriented reading and literacy programs.

As the “science of reading” movement has grown, scholars have cautioned that advocates and commercial vendors often exaggerate and oversimplify both the problems and solutions around reading achievement and instruction. Yet these advocates have been extremely effective in lobbying for revised and new phonics-heavy reading legislation across most states in the U.S., producing rigid and ultimately harmful policy and practices. Still, in pursuing reform to address identified challenges, the movement does provide an opportunity for policymakers to investigate different approaches to reading instruction and to develop more nuanced policy.

Accordingly, Professor Thomas provides recommendations for state and local policymakers to provide teachers the flexibility and support necessary to adapt their teaching strategies to specific students’ needs.

Find The Science of Reading Movement: The Never-Ending Debate and the Need for a Different Approach to Reading Instruction, by Paul Thomas, at: https://nepc.colorado.edu/publication/science-of-reading

On Twitter (“X”), The Recount reports that the newly elected president of the Central Bucks County school board, Karen Smith, was sworn into office on a stack of banned books, not the Bible.

https://x.com/therecount/status/1732425364675203121?s=42&t=9ko2QEoKmRIlvHb1PdtjSw

The new board swept out a board of rightwing zealots.

This is the most bizarre story I have read in many a day. The Boston Globe reported on a study showing a “serious literacy crisis” among the state’s youngest children. This is strange because Massachusetts regularly performs at the top of NAEP reading assessments.

The study was conducted by WestEd, a research group based in California. Apparently the researchers assessed the literacy skills of children in kindergarten, first and second grades. It is not surprising that most children in K and 1 and even 2 can’t read. They are only beginning to read.

The story starts:

A new state-commissioned study of young elementary students found that more than half showed early signs of reading difficulties — more evidence that the state has a serious literacy crisis, despite its reputation for educational excellence.

The report, released Friday, provides a first-of-its kind look at the reading skills of the state’s youngest children, whose reading prowess is not assessed by the state until the first MCAS exam in third grade.

The results are troubling: Nearly 30 percent of students in grades K-3 were at high risk of reading failure, and as many as 20 percent showed signs of having dyslexia, a language processing disorder that must be addressed with specialized reading instruction. Low-income students, those learning English or receiving special education services, Latino students, and Black students were most likely to experience reading struggles, according to researchers with WestEd, a San Francisco-based nonprofit that conducted the analysis.

The report suggests schools are not helping most struggling readers catch up: 60 percent of students who began the school year at risk of reading difficulties ended the school year in the same concerning position. But it found that younger students are much more likely to improve with extra help than older students are, a powerful argument for early intervention…

The extent of the state’s early literacy struggles have been laid bare annually in MCAS results, which, as the Globe’s Great Divide team previously reported, regularly show tens of thousands of students advancing from grade to grade without the reading skills they need to be successful.

The Globe investigation found nearly half of the state’s school districts last school year were using a reading curriculum the state considered “low quality.” A national nonprofit ranked Massachusetts this year in the bottom half of the nation in preparing educators to teach reading.

Massachusetts has not, as other states have, required evidence-based methods of reading instruction.

The “national nonprofit” that gave low scores to teacher education programs in the state is the National Council on Teacher Quality, a conservative group created by the Thomas B. Fordham Foundation and the George W. Bush administration. Its goal is to promote phonics. When NCTQ ranks Ed schools, it doesn’t visit them; it reads their catalogues.

If Massachusetts has a “serious literacy crisis,” the rest of the nation is a dumpster fire.

On NAEP, fourth grade students in Massachusetts typically score at or near the top in the nation. The percentage of students in Massachusetts who performed at or above NAEP Proficient in 2022 was 43%.

NAEP Proficient is equivalent to an A.

The only jurisdiction with higher scores in fourth grade was the Department of Defense schools. Five states had scores that were not significantly different from Massachusetts. Those six states outperformed 45 states and jurisdictions in fourth grade.

The point of the WestEd study seems to be that the state must push through a greater emphasis on phonics in teacher education programs, and that MCAS testing in grade 3 should start sooner.

The children who need extra help are low-income, limited-English, or in need of special services, etc. This is not news.

The “serious literacy crisis” looks and smells like a manufactured crisis. This report looks like a hit job on the state’s teachers and colleges of education. If the rest of the nation’s children matched the performance of those in Massachusetts, that would be cause for a national celebration.