Archives for category: Freedom

In the post at 9 a.m. today, two scholars of racism and equity explained that Trump’s scrubbing of museums, national parks, and other federal facilities is an attempt to capture control of the culture and erase the place of Blacks, women, and anyone else who is not a straight white male.

But, as scholar Julian Vasquez Heilig writes here, Trump and his commissariat cannot control the popular culture. In time, we can hope, his mean-spirited efforts to revise history will become a bad joke, a cruel joke, a stupid joke. He and all those who carry out his orders will become a public laughing stock.

Vasquez Heilig writes on his blog Cloaking Inequity:

The Super Bowl has always been more than football. It is a ritual, a spectacle, a national performance. It’s where America tells the world who it thinks it is, and who it wants to be. Which is why the announcement that Bad Bunny will host the halftime show is far more significant than a musical lineup change. It’s a cultural earthquake.

I remember the first time I heard Bad Bunny. It was December 6, 2019, at La Concha Hotel in San Juan. In the downstairs lounge, the beat of reggaetón was shaking the walls, and I pulled out Shazam to figure out what it was. The song was Vete. The room was electric, filled with Puerto Ricans singing every word in Spanish, unapologetically themselves. That night, it hit me: Bad Bunny was not just making music in San Juan, he was celebrating culture. He wasn’t crossing over into the mainstream by adapting; he was dragging the mainstream toward him. He refused to translate, refused to dilute, and now he is everywhere—on playlists, on charts, SNL, in crowded places from San Juan to New York to Madrid.

That’s why his Super Bowl moment matters so much. It is not just a performance, it is the culmination of a global movement that began in places like that basement lounge in Puerto Rico. What felt local then is now universal. Bad Bunny’s rise shows how culture flows upward, from the margins to the center, from overlooked communities to the biggest stage in the world. For millions of us, this is affirmation. For the right wing, it is destabilization. Because when the halftime show belongs to Bad Bunny, it proves that America is no longer just what they imagine it to be. It is bigger, louder, and more diverse than great again nostalgia can contain.

Jay-Z, Kendrick Lamar, and the New Halftime Era

The NFL’s halftime choices haven’t shifted by accident. When the league came under fire for its treatment of Colin Kaepernick and broader criticisms about racial injustice, it needed credibility. Enter Jay-Z and Roc Nation. The NFL tapped him to advise and help curate halftime shows.

The results have been undeniable. Kendrick Lamar’s halftime performance last year was a watershed moment—unapologetically Black, politically charged, and culturally defining. That performance sparked widespread discussion, and even a blog post I wrote about it entitled “TV Off”: What Kendrick Lamar Was Really Saying at the Super Bowl drew more than 100,000 readers in just a few days. Clearly, the hunger to talk about representation and ownership of the halftime stage is real.

Now with Bad Bunny taking the baton, the NFL is making another cultural statement, whether it fully realizes it or not (I think it does). The league’s biggest platform is no longer reserved for the safe, predictable acts of yesterday. It’s becoming a stage where hip hop, reggaeton, and the voices of communities once marginalized are front and center.

Bad Bunny and the Right’s Panic

For decades, the halftime show was dominated by choices that reinforced a narrow image of America: classic rock icons, country stars, or pop acts who wouldn’t ruffle feathers but had wardrobe malfunctions. Bad Bunny shatters that mold. His performance won’t be a side act, it is the show. Spanish won’t be a novelty; it will be central.

This is exactly why the right wing panics. To them, football Sundays and Super Bowls have long been “their” cultural territory. They’ve wrapped the game in patriotic rituals, military flyovers, and moments of silence for conservative heroes. When someone like Bad Bunny steps into the spotlight, it disrupts their monopoly. It forces a new definition of America—one that is multilingual, multicultural, and undeniably Latino. That’s what makes his halftime role so radical: after focusing on the Black experience with Kendrick, this year signals that Latino identity is no longer peripheral. It’s woven into the fabric of America’s biggest stage.

Why ICE Wants to Loom Over the Moment

It might sound absurd that ICE wants to connect itself to the Super Bowl halftime show, but immigration enforcement has always thrived in the shadows of visibility. When Latino joy and success are celebrated so publicly, ICE apparently feels the need to remind America of its terrorizing power.

Bad Bunny performing at the Super Bowl is a triumph of belonging. But ICE’s assaults, raids, arrests, kangaroo courts, and deportations are constant reminders that belonging is conditional on politics. While millions watch a Puerto Rican superstar, ICE agents are throwing mothers and journalists to the ground, spraying pepper liquid into the eyes of Americans who dare to ask questions, arresting elected politicians at the behest of Washington politicians after turning off their body cameras, and authorized by the Supreme Court to detain people simply for looking Latino and poor.

The contradiction is sharp: on the world’s stage, Latino identity is being widely celebrated; on America’s streets, it’s criminalized. ICE doesn’t need to show up at the stadium—it already shows up in our daily life. Its existence ensures that even at moments of cultural triumph, there’s a purposeful shadow of fear and terroristic threats.

Danica Patrick’s Tone-Deaf Criticism

And then, inevitably, a silly critic emerges from the sidelines. This time it’s Danica Patrick, who dismissed Bad Bunny’s hosting role. Her comments were more than unhelpful, they were stupid. 

Patrick should know better. She carved her own career by getting along in a male-dominated sport, where every step forward was a battle for representation. She knows the symbolic weight of breaking barriers. For her to turn around and mock or diminish Bad Bunny’s presence is hypocritical at best, willfully ignorant at worst.

Bad Bunny isn’t there to tick a diversity box, he’s there because he is one of the most influential artists alive— maybe THE most. The incredible success of his shows that he did for his most recent album this past summer ONLY in Puerto Rico is proof that the center of American culture is shifting. Criticizing that isn’t just a matter of taste. It’s a refusal to accept reality.

The Lions, Charlie Kirk, and Who Gets Tribute

The battle over cultural ownership in America doesn’t stop at the Super Bowl. It plays out every Sunday on the NFL field. When conservative commentator Charlie Kirk was assassinated, the league encouraged teams to hold moments of silence in his honor. Most complied. But the Detroit Lions, along with a few other teams, did not.

That decision matters. It was a quiet but deliberate act of boundary-setting, a refusal to let every NFL broadcast become a political ritual sanctifying right-wing political ideology. By declining the tribute, the Lions reminded us that not every form of patriotism must come prepackaged with conservative allegiance. It wasn’t loud or defiant. It was subtle and deeply symbolic. Sometimes resistance isn’t what you do, it’s what you decline to perform and participate.

The Lions’ restraint connects to the same cultural realignment symbolized by Bad Bunny’s Super Bowl performance. Both moments reject the idea that American culture belongs to a single tribe. They push back against the notion that sports, music, or patriotism must orbit one political pole. They insist, instead, that culture belongs to everyone, not just the loudest or the angriest voices claiming to defend it.

The Double Standard of Protest

Of course, this tension between culture, power, and dissent has long been visible in the NFL. When Colin Kaepernick knelt during the national anthem to protest police brutality, he was branded a traitor by many of the same voices now demanding “respect” for Charlie Kirk. His silent, dignified act of conscience was recast as an attack on America itself.

The outrage was never really about the flag. It was about control. It was about who is allowed to define what counts as “patriotic.” Kaepernick’s kneeling was an act of moral courage, but it exposed how fragile America’s cultural gatekeepers truly are when confronted with truth. They could not tolerate a protest that revealed their own comfort with injustice and brutality.

Meanwhile, state violence continues daily without the same moral outrage from the right-wing. ICE officers violently throw mothers and journalists to the ground without cause. They pepper-spray citizens in their eyeballs for daring to ask questions in a conversation. They arrest and detain American citizens in raids not for crimes but for looking poor, brown, or foreign. These acts have not provoked right-wing primetime outrage or public boycotts. Their hypocrisy is staggering.

A man kneeling quietly for justice was vilified. Agents brutalizing families are ignored. The problem has never been the method of protest, it has always been their morality. Silence in the face of injustice is acceptable; silence against injustice is not. The Lions’ quiet refusal and Kaepernick’s quiet protest share something profound: both disrupted the script of cultural obedience. Both reminded us that resistance isn’t always loud. Sometimes it’s the refusal to play along.

The Supreme Court’s Enabling Role

And looming behind all of this is the judiciary. Recent Supreme Court rulings have expanded law enforcement’s power, narrowing protections under the Fourth Amendment and giving politicians more leeway to persecute immigrants using federal data. Justice Brett Kavanaugh has been the lead in the right-wing judicial majorities that have handed law enforcement broad authority to stop, question, and detain anyone with minimal cause. Its new rulings have created the legal cover that now makes racial profiling essentially legal. 

Racial profiling has happen illegally before and the new legal result empowered by the Supreme Court is the same: citizens living under suspicion, families living in fear, communities targeted not for what they’ve done but for how they look. The Supreme Court has enabled ICE brutality in the same way NFL owners enabled the blackballing of dissent, by creating structures that justify exclusion and violence while insisting neutrality.

The Bigger Picture: Who Owns the Stage?

So what do Bad Bunny, Kendrick Lamar, Jay-Z, Danica Patrick, ICE, the Lions, Charlie Kirk, and Brett Kavanaugh all have in common? They are all part of the “fight, fight, fight” (see new Trump $1 coin) over who gets to define American culture.

The right wing has long claimed the NFL as its territory: its rituals, its tributes, its symbols of patriotism. But culture evolves. It cannot be contained. From Detroit to San Juan to Los Angeles, new voices are shaping the narrative. Bad Bunny’s halftime show, Kendrick’s explosive performance, and even the Lions’ silent refusal all tell the same story: football does not belong exclusively to one political ideology. Neither does America.

The real question is whether we are willing to see that America’s identity is bigger than its old rituals. Are we willing to admit that inclusion is not a threat but a fact? Because culture doesn’t wait for permission. It claims the stage. And this year, that stage will belong to Bad Bunny.


Julian Vasquez Heilig is a professor, writer, and a legit lifelong Detroit Lions fan since 1981. He attended the NFC Championship in San Jose two years ago to support his Cardiac Cats and last year’s playoff loss to the Washington Commanders at Ford Field. He was also at the official Lions partners party during the NFL Draft in Detroit, where he met Robert Porcher and Jason Hanson. Over the years he’s spotted Billy Sims in Times Square, endured the heartbreak of the Lions’ 0–16 season, and treasures his personally autographed Barry Sanders helmet. Beyond education and equity, Julian dabbles in writing about sports, culture, and society.

Two scholars–Kimberlé Crenshaw and Jason Stanley–explain why Trump is censoring exhibits at the Smithsonian. He has also imposed censorship of signage and exhibits at other federal sites, including national parks. He has enlisted the U.S. Department of Educatuon to organize rightwing groups to create a “patriotic” civics course.

  • Kimberlé Crenshaw is an American civil rights advocate and a scholar of critical race theory. She is a professor at the UCLA School of Law and Columbia Law School, where she specializes in race and gender issues
  • Jason Stanley is the Bissell-Heyd Chair in American Studies in the Munk School of Global Affairs & Public Policy at the University of Toronto and the author of Erasing History: How Fascists Rewrite the Past to Control the Future

Trump and his far-right cabal are l trying to revise history and memory. Unless he abolishes or rigs future elections, all this tinhorn fascist censorship will be swept away by his successors. He will rightly be judged, when that day comes, as the closest thing this country has ever seen to having a dictator. He will be portrayed in the Smithsonian and the textbooks as a buffoon and a tyrant.

This article appeared in The Guardian. Please open the link to read the entire article.

Crenshaw and Stanley write:

In a letter sent to Smithsonian secretary, Lonnie G Bunch III, on 12 August, the Trump administration announced its plan to replace all Smithsonian exhibits deemed as “divisive” or “ideological” with descriptions deemed as “historical” and “constructive”. On 21 August, just nine days later, the White House published a list of said offending fixtures – the majority of which include exhibits, programming and artwork that highlight the Black, Latino and LGBTQ+ perspectives on the American project. Included in his bill of particulars was an exhibit that rightly depicts Benjamin Franklin as an enslaver, an art installation that acknowledges race as a social construct and a display that highlights racist voter suppression measures, among others.

The assault on the Smithsonian comes wrapped, as it were, as part of a broader attack on democracy, scenes of which we see playing out every day. The federal occupation of Washington DC, the crackdown on free speech on campus, the targeting of Trump’s political opponents, the gerrymandering of democracy – these are interwoven elements of the same structural assault. So with many fires burning across the nation, concerned citizens who are answering the call to fight the destruction of democracy may regard his attack on history and memory as a mere skirmish, a distraction from the herculean struggle against fascism unfolding in the US. But this is a mistake. Trump’s attack on American museums, education and memory, along with his weaponization of racialized resentment to package his authoritarian sympathies as mere patriotism, is a critical dimension of his fascist aims. The fight for democracy cannot avoid it, nor its racial conditions of possibility.

Fascism always has a central cultural component, because it relies on the construction of a mythic past. The mythic past is central to fascism because it enables and empowers a sense of grievance by a dominant racial or ethnic group whose consent is crucial to the sustainability of the project. In Maga world, the mythic past was pure, innocent and unsullied by women or Black leaders. In this kind of politics, the nation was once great, a byproduct of the great achievements of the men in the dominant racial group. In short, the assault on the Smithsonian and, more broadly, against truthful history and critical reflection is part of the broader fascist attack on democracy.

From this vantage point, racial equality is a threat to the story of the nation’s greatness because only the men of the dominant group can be great. To represent the nation’s founding figures as flawed, as any accurate history would do, is perceived, in this politics, as a kind of treason.

The success of the fascist dismantling of democracy is predicated on the widespread systematic failure to see the larger picture. The anti-woke assault that is a key pillar of Trumpism is part of that failure, partly due to the racial blinders and enduring ambivalence of too many in positions of leadership in the media and elsewhere. Those who sign on to the attack on “wokeness” but regard themselves as opponents of the other elements of the fascist assault are under the mistaken assumption that these projects can be disaggregated. In fact, the dismantling of democracy and of racial justice are symbiotically entangled. To support one is to give cover for the others.

It is no coincidence that this ‘proper’ ideology Trump exposes is constitutive of a more well-known strand of fascism – nazism

It is clear that the Trump administration understands this relationship and fully weaponizes racist appeals as a foundational piece of its fascist agenda. And if this was once the quiet part, it is now pronounced out loud in official government documents. In an executive order issued on 27 March 2025 titled “Restoring Truth and Sanity to American History”, Trump reveals that his mandate to ban “improper ideologies” targets core commitments repudiating a scientific racism that historically naturalized racial hierarchy thereby neutralizing resistance. According to Trump, the problem with the Smithsonian American Art Museum’s exhibit The Shape of Power: Stories of Race and American Sculpture was that it promoted the idea that “race is a human invention”.

The understanding that race is a social construct as opposed to a biological fact is perhaps the most fundamental advance in repudiating enslavement, genocide and segregation. Rejecting the idea that racial inequality is natural or pre-ordained – a claim that grounded enslavement and dispossession in America – forms the cornerstone of the modern commitment to a fully inclusive democracy. Trump’s declaration that this cornerstone is “improper” is an effort to turn the clock back, upending the entire American postwar project. It is no coincidence that this “proper” ideology Trump exposes is constitutive of a more well-known strand of fascism – nazism. How else can we understand why Maya Angelou was purged from the Naval Academy library while Adolf Hitler remains?

The fight against fascism in the US must be as robust in its embrace of racial equality as Trump’s embrace of outdated ideas about race and racism. The defense of memory, of truthful history, of telling the whole American story rather than ascribing agency in history to the deeds of “great men” is vital to the American democratic project. A pro-democratic education fosters the agency of its citizens by teaching about social movements that overturned entrenched hierarchies which blocked democratic equality and imposed racial tyranny. The story of how ordinary Americans lived and struggled and remade America is essential knowledge in developing and sustaining a multiracial democracy. The Smithsonian has been a vital institution in making this knowledge accessible to the masses. The National Museum of the American Latino and the National Museum of the American Indian, for example, provide artifacts and perspectives about the nation’s westward expansion that challenge the myth of unoccupied territory and manifest destiny. The National Museum of African American History and Culture brings forward the global scale of enslavement as well as its infusion across national institutions, culture and politics.

Someday, somehow, there will be another President of the United States, and his name won’t be Trump. That future President might well be a Democrat. That President might be in a position to exercise unchecked power, thanks to the acquiescence of the current Congress and Supreme Court, which are allowing Trump to exercise the powers of a dictator. The second and third branches of our government have willingly wiped out the separation of powers and ceded their authority to the President.

Congress has voted to give its power of the purse to King Donald. The Supreme Court (the Supine Court) has stood aside and approved of whatever the King wants, regardless of precedent. Justice Thomas said recently that precedent was irrelevant; he is no longer an originalist.

Now comes what might be considered the most important question. May the President send in troops–either the state’s National Guard, the National Guard of other states, or even the regular military–to cities that he believes need to be suppressed?

A Trump-appointed federal judge ruled that he could not. Justice Karin Immergut, appointed by Trump, ruled that Trump could not send troops to Portland, because it is not “war-ravaged,” as he claimed, or in a state of rebellion. In other words, you can’t just make sh-t up to do whatever you want, even if you are the President.

Constitutional lawyer Steve Vladeck, a scholar at the Georgetown University Law Center, noted that Trump’s advisors are claiming that the President doesn’t need approval of the courts before using the troops on American soil. He explains here why the President can’t ignore the judiciary.

Welcome back to “One First,” an (increasingly frequent) newsletter that aims to make the U.S. Supreme Court more accessible to all of us. If you’re not already a subscriber, I hope you’ll consider becoming one (and, if you already are, I hope you’ll consider upgrading to a paid subscription if your circumstances permit):

I wanted to put out a quick issue this morning in light of Judge Karin Immergut’s remarkable ruling yesterday, granting a temporary restraining order against President Trump’s federalization of members of the Oregon National Guard to quell the “violence” in “war-ravaged Portland.” That ruling has prompted a slew of claims this morning from the President’s advisers and outside supporters that federal courts, in general, lack the power to halt domestic deployments of the military.

Before this claim makes it too far, it seems worth helping to educate folks about a key early precedent that, in my view, cuts entirely in the other direction—and that provides powerful evidence, to those who care about such things, that the Founding-era understanding not only tolerated a robust judicial role in such cases, but, for a time, actually required one. That’s not to say Judge Immergut’s specific analysis in this case is correct (although I’m sympathetic); it’s to say that there is nothing categorically inappropriate about federal courts reviewing—and, where necessary, halting—domestic uses of the military while they are ongoing. Indeed, it would be striking if it were otherwise.

***

The modern-day Insurrection Act traces its lineage all the way back to a statute Congress enacted on May 2, 1792—which has often been referred to as the Calling Forth Act or First Militia Act. That statute was designed to carry into effect the Constitution’s grant of power to Congress, in Article I, Section 8, Clause 15, “[t]o provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions.” 

The idea was that Congress would identify the circumstances in which military power could be used domestically—and would thence delegate that power to the President. As Justice (Robert) Jackson would remind us in his concurring opinion in Youngstown, the Clause’s “limitation on the command power, written at a time when the militia rather than a standing army was contemplated as the military weapon of the Republic, underscores the Constitution’s policy that Congress, not the Executive, should control utilization of the war power as an instrument of domestic policy.”

But how, exactly, should that delegation work? This question was the subject of a rich debate in the Second Congress—one that culminated with the 1792 statute. I’ve summarized that debate elsewhere; for present purposes, the key point is that Congress’s principal concern was not with the last two circumstances in which it was to delegate power to the President (“to suppress Insurrections and repel Invasions”), but with the first circumstance (“to execute the Laws of the Union”). And the way Congress addressed its concerns was to delegate the authority to use the military, but with meaningful procedural checks. 

Here’s the full text of section 2 of the act, image first; block quote second, with the key provisions highlighted:

[W]henever the laws of the United States shall be opposed, or the execution thereof obstructed, in any state, by combinations too powerful to be suppressed by the ordinary course of judicial proceedings, or by the powers vested in the marshals by this act, the same being notified to the President of the United States, by an associate justice or the district judge, it shall be lawful for the President of the United States to call forth the militia of such state to suppress such combinations, and to cause the laws to be duly executed. And if the militia of a state, where such combinations may happen, shall refuse, or be insufficient to suppress the same, it shall be lawful for the President, if the legislature of the United States be not in session, to call forth and employ such numbers of the militia of any other state or states most convenient thereto, as may be necessary, and the use of militia, so to be called forth, may be continued, if necessary, until the expiration of thirty days after the commencement of the ensuing session.

In other words, unlike section 1 (which dealt with insurrections and invasions), section 2 imposed two procedural requirements on domestic use of the military to carry out the laws of the union: a district judge or Supreme Court justice had to make the requisite factual findings before the President could do anything;¹ and, if out-of-state militia were used, there was a baked-in sunset.

Even though the Congress that enacted the 1792 act was full of folks who were either at the Constitutional Convention (and helped to draft that document) or who were central in the ratification debates, my research found no evidence that members made constitutional objections to the judicial review that section 2 required. And President Washington, in putting down the Whiskey Rebellion two years later, followed the statute’s mandates to the letter—obtaining the requisite judicial determination from Supreme Court Justice James Wilson (one of the six people to sign both the Declaration of Independence and the Constitution) before he sent troops to Western Pennsylvania to restore order.

The 1792 act was written as a temporary experiment. Congress decided to delegate comparable authority on a permanent basis in 1795—and, alas, removed the ex ante judicial review requirement. But there was no suggestion at the time, and I’m unaware of any since, that the provision was eliminated for constitutional reasons—as opposed to Congress’s broader (if, alas, myopic) view that the checks weren’t needed in light of how responsibly President Washington had behaved during the Whiskey Rebellion.

Thus, although there are later examples of courts issuing injunctions against domestic uses of the military (Youngstown itself stands out as a fairly prominent example), the relevant point for present purposes is that there was no Founding-era aversion to a robust judicial role in these cases. The first statute Congress ever enacted on the subject required such a role, and there was no contemporaneous suggestion that the Constitution forbade it.

I am, as regular readers of this newsletter likely know, no great fan of “originalism” as a conclusive methodological approach to constitutional interpretation. Thus, the way that I tend to think about these things, the existence of the judicial review provision in the Calling Forth Act of 1792 is useful evidence of how the Constitution was understood at the time, but nothing more. Rather, the argument for judicial review being available to halt, where necessary, unlawful domestic uses of the military rests on a lot more, in my view, than what some folks believed more than 230 years ago.

But for those who ascribe to the view that we are, today, bound by how the Constitution was understood then, I do not see how one can reconcile the 1792 precedent with any claim that prospective judicial review is categorically precluded when it comes to domestic use of the military. And given current and recent events, such review, if anything, seems more important than ever—whatever its outcome.

Larry Ellison, founder of Oracle, has recently been contending with Elon Musk for the title of world’s richest man. Both have wealth in the neighborhood of $350-400 billion. I mean, really, who cares? I can think of so many ways they could do something good for others with all that moola-boola, but no! They are on a power trip. Instead of feeding hungry children or endowing a hospital or funding wells in African villages, they buy self-aggrandizing toys.

Elon Musk wants to build a rocket to Mars and control the world’s satellite communications systems.

Larry Ellison bought CBS. He’s a friend of Donald Trump. CBS cancelled Stephen Colbert’s show. Colbert ridicules Trump. His show will be on the air until May so he has months in which to make jokes about Trump.

But CBS was not enough now Ellison wants to buy CNN and HBO. In its headline, the New York Times calls Ellison “the Billionaire Trump Supporter Who Wants to Own the News.”

William D. Cohan writes:

Larry Ellison is already a major stakeholder in CBS and Paramount. Now CNN, HBO and a major share of TikTok are in his sights. If all goes as anticipated, this tech billionaire, already one of the richest men in the world and a founder of Oracle, is poised, at 81, to become one of the most powerful media and entertainment moguls America has ever seen.

For the rest of us, the effect of Mr. Ellison’s gambit could be every bit as consequential, if not more so, than what happened a generation ago when Rupert Murdoch brought his brand of Down Under snark and cynicism to create what has become Fox News, intensifying our political polarization.

Mr. Ellison’s expected incursion into Hollywood and Big Media, if successful, could also go well beyond what other tech moguls like Jeff Bezos and Marc Benioff have attempted through their acquisitions of The Washington Post and Time magazine, respectively. For those men, the acquisitions were more like expensive hobbies.

Mr. Ellison is up to something very different: transforming himself into a media magnate. Along with his son, David, he could soon end up controlling a powerful social media platform, an iconic Hollywood movie studio and one of the largest content streaming services, as well as two of the country’s largest news organizations. Given Mr. Ellison’s friendship with, and affinity for, Donald Trump, an increasingly emboldened president could be getting an extraordinarily powerful media ally — in other words, the very last thing our country needs right now.

This consolidation of the news media is not good for democracy. What will freedom of the press mean if billionaires control the news?

Open the link to continue reading.

Please watch. I am sorry this clip appears on Instagram. If anyone can find an independent link, please add. It is a powerful speech that reminds me what it’s like to have an intelligent, articulate national leader. That makes me sad.

https://www.instagram.com/reel/DNiok7rx5sW/?igsh=OWkyZ294NHRoM3Zs

The German data company Datapulse released a report showing the vast and growing power of billionaires in the U.S. The report confirms your and my suspicions about the rigging of our economy and our politics. Surely it’s no surprise that Trump’s Cabinet is packed with billionaires. Guess who they are looking out for? Not you.

They cheered on Elon Musk’s ignominious DOGS as they slashed vital government programs. They didn’t complain when Musk closed USAID, causing the ultimate deaths of millions of children and parents because of the halt in US food, medicine and health clinics.

They are thrilled to see Trump send in the troops to halt protests against ICE tactics.

A democracy is supposed to be of the people, for the people, by the people. We are rapidly devolving into an autocratic regime where the rich run the show.

Here is what Datapulse found:

The report, “The Rich Aren’t Just Getting Richer—They’re Running the Show” moves beyond familiar headlines to provide fresh, specific data points on wealth, power, and policy.

Key findings include:

  • The Myth of “Tax Flight”: Contrary to popular narratives, the mega-rich are not fleeing high-tax states. Our data shows that California and New York, states with progressive tax codes, are home to 40% of all U.S. billionaires.
  • Explosive Growth: The number of U.S. billionaires has nearly tripled since 2007, growing from 329 to 877 today. This trajectory is unique to America; China’s billionaire class, by comparison, is stalling.
  • The Rise of the Billionaire Political Class: In the post-Citizens United era, the top 10 political donors, all billionaires, contributed over $420 million in the 2024 cycle alone, directly translating wealth into political influence.
  • Policy for the Few: The study analyzes the direct impact of billionaire-backed policy, such as the House’s 2025 “Big Beautiful Bill,” which could see billionaires gain over $390,000 in annual after-tax income while households earning under $51,000 see their incomes shrink.
  • Concentrated Wealth: Tech and Finance now account for nearly half of all U.S. billionaires, with tech titans alone commanding 37% of total billionaire wealth.

The full study with all 10 interactive charts is available here:
https://www.datapulse.de/en/billionaires-usa/ 

This data provides a new lens through which to view the intersection of wealth and power in America.

The report was compiled by Datapulse.


https://www.datapulse.de/en/
(+49) 30-75437064

Voice of America is known worldwide for its straightforward, unbiased presentation of world news. Trump placed MAGA enthusiast Keri Lake in charge. At his behest, she just laid off most of the VOA staff. Remember when America was great? We thought we had a message for the world and that the truth would set us free.

But Trump doesn’t want to “Make America great Again.” He wants to make America a land of bitter divisions, where the rich get richer, and the poor get poorer and sicker, unable to get health insurance, medical care, good schools, or any opportunity to rise into the middle class. For that, you need unions and good jobs.

The New York Times just reported:

The Trump administration sent layoff notices on Friday to more than 600 employees at Voice of America, a federally funded news organization that provides independent reporting to countries with limited press freedom.

The layoffs, known as reductions in force, will shrink the staff count at the news organization to less than 200, around one-seventh of its head count at the beginning of 2025. They put Voice of America journalists and support staff on paid leave until they are let go on Sept. 1.

The termination notices are the latest round of the Trump administration’s attack on federally funded news networks, including Voice of America.

In March, President Trump accused the news group of spreading “anti-American” and partisan “propaganda,” calling it “the voice of radical America.” He then signed an executive order that effectively called for dismantling of the news agency and put nearly all Voice of America reporters on paid leave, ceasing its news operations for the first time since its founding in 1942.

Kari Lake, a fierce Trump ally and a senior adviser at the news organization’s oversight agency, U.S. Agency for Global Media, notified Congress earlier this month that her agency intended to eliminate most positions at Voice of America. Her letter identified fewer than 20 employees who must remain at the media organization, according to laws passed by Congress to establish and fund it. Friday’s termination notices leave around 200 employees.

Ms. Lake’s decision “spells the death of 83 years of independent journalism that upholds U.S. ideals of democracy and freedom around the world,” Patsy Widakuswara, a former Voice of America White House bureau chief who was placed on leave and is leading a lawsuit against Ms. Lake and the U.S. Agency for Global Media, said in a statement.

She encouraged Congress to intervene and to signal support for Voice of America, which was founded to combat Nazi propaganda and reported in countries that suppress independent reporting and free speech.

“Moscow, Beijing, Tehran and extremist groups are flooding the global information space with anti-America propaganda,” Ms. Widakuswara said. “Do not cede this ground by silencing America’s voice.”

Benjamin R. Cremer is pastor at the United Methodist Church in Boise, Idaho. I read his essays regularly. He is truly a Christian. He preaches love, not hate. He knows and tries to exemplify the Beatitudes.

He wrote about the meaning of this day:

On June 19, 1865—two and a half years after the Emancipation Proclamation was signed—enslaved Black Americans in Galveston, Texas were finally informed of their freedom. This day, now known as Juneteenth, marks not just the delayed enforcement of a national promise, but the resilient hope and courage of a people who endured unspeakable injustice while still holding onto the belief that liberation would come.

As Christians, we must understand that Juneteenth is not just a historical footnote—it is a call to theological clarity and moral responsibility. Scripture consistently reveals a God who hears the cries of the oppressed (Exodus 3:7), who calls for justice to “roll on like a river” (Amos 5:24), and who sets the captives free (Luke 4:18). The story of God is a story of liberation—not just personal salvation, but also the dismantling of systems that crush the image of God in others.

Juneteenth challenges us to confront a difficult truth: that much of American Christianity was complicit in slavery, and that the legacy of that sin continues in our institutions, our policies, and yes—even in some of our pulpits. But the gospel does not shy away from hard truths. It invites us to repentance. To truth-telling. And to the costly work of reconciliation and repair.

In our time when people are heard saying “Illegal is illegal,” Juneteenth invites us to remember that slavery was once legal. Harboring a fugitive enslaved person was illegal. Black freedom illegal. “Illegal is illegal” has always been used to defend injustice. Legality ≠ morality. Justice calls us higher.This is not about shame. It’s about grace. Grace that tells the truth. Grace that restores what has been broken. Grace that refuses to be silent in the face of injustice. 

Observing Juneteenth as Christians means celebrating the faith and dignity of Black Americans who have carried the gospel with courage even when the church failed to. It means honoring the day freedom was announced, and lamenting that it was so long withheld.

May we not be a people who forget. May we be a people who remember rightly, act justly, and walk humbly with our God (Micah 6:8).

If you are looking for a tangible way to get involved in communal justice work, I want to let you know about Be Love day, put on by the King Center. Be Love is a growing movement of courageous acts to achieve justice, which is based on these words from Dr. Martin Luther King, Jr.: “Justice at its best is love correcting everything that stands against love.” Be Love seeks to strategically define and unleash the true power of love to unite humanity, cultivate true peace, and create the Beloved Community. The movement is holding “Be Love Day” on July 9th. Click the link above to learn more.

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Joyce Vance is a former federal prosecutor for North Alabama. She writes an important blog called Civil Discourse, where she usually explains court decisions and legal issues. Today she turns to education.

Today I’m recovering from the graduation tour, one in Boulder and one in Boston in the last two weeks, and getting back into the groove of writing as I continue to work on my book (which I hope you’ll preorder if you haven’t already). The graduations came at a good moment. 

Watching my kids graduate, one from college and one with a master’s in science, was an emotional experience—the culmination of their years of hard work, sacrifice, and growth, all captured in a single walk across the stage. They, like their friends, my law students, and amazing students across the county, now enter society as adults. Even beyond the individual stories of hardships overcome and perseverance, witnessing these rites of passage makes me feel profoundly hopeful. The intelligence and commitment of the students—many of whom are already tackling big problems and imagining new, bold solutions—gives me a level of confidence about what comes next for our country. In a time when it’s easy to get discouraged, their commitment and idealism stands as a powerful reminder that they are ready to take on the mess we have left them. 

The kids are alright, even though they shouldn’t have to be. Talking with them makes me think they will find a way, even if it’s unfair to ask it of them and despite the fact that their path will be more difficult than it should be. Courage is contagious, and they seem to have caught it. Their educations have prepared them for the future we all find ourselves in now.

As students across the country prepared to graduate this year, Trump released his so-called “skinny budget.” If that’s how they want to frame it, then education has been put on a starvation diet—at least the kind of education that develops independent thinkers who thrive in an environment where questions are asked and answered. Trump pitches the budget as “gut[ting] a weaponized deep state while providing historic increases for defense and border security.” Defense spending would increase by 13% under his proposal.

The plan for education is titled, “Streamline K-12 Education Funding and Promote Parental Choice.”Among its provisions, the announcement focuses on the following items:

  • “The Budget continues the process of shutting down the Department of Education.” 
  • “The Budget also invests $500 million, a $60 million increase, to expand the number of high-quality charter schools, that have a proven track record of improving students’ academic achievement and giving parents more choice in the education of their children.”

As we discussed in March, none of this is a surprise. Trump is implementing the Project 2025 plan. In December of 2024, I wrote about how essential it is to dumb down the electorate if you’re someone like Donald Trump and you want to succeed. A rich discussion in our forums followed. At the time I wrote, “Voters who lack the backbone of a solid education in civics can be manipulated. That takes us to Trump’s plans for the Department of Education.” But it’s really true for the entirety of democracy.

Explaining the expanded funding for charter schools, a newly written section of the Department of Education website reads more like political propaganda than education information: “The U.S. Department of Education announced today that it has reigned [Ed: Note the word “”reigned” is misspelled] in the federal government’s influence over state Charter School Program (CSP) grant awards. The Department removed a requirement set by the Biden Administration that the U.S. Secretary of Education review information on how states approve select entities’ (e.g., private colleges and universities) authorization of charter schools in states where they are already lawful authorizers. This action returns educational authority to the states, reduces burdensome red tape, and expands school choice options for students and families.”

There are already 37 lawsuits related to Trump’s changes to education. Uncertainty is no way to educate America’s children. Cutting funding for research because you want to score political points about DEI or climate change is no way to ensure we nurture future scientists and other thinkers and doers…

I am reminded again of George Orwell’s words: “The most effective way to destroy people is to deny and obliterate their own understanding of their history.” The historians among us, and those who delve into history, will play a key role in getting us through this. Our love and understanding of history can help us stay grounded, understanding who we are, who we don’t want to become, and why the rule of law matters so damn much to all of it….

Thanks for being here with me and for supporting Civil Discourse by reading and subscribing. Your paid subscriptions make it possible for me to devote the time and resources necessary to do this work, and I am deeply grateful for them.

We’re in this together,

Joyce

The crowds were larger and more animated at the No Kings rallies than on Constitution Avenue, where Trump summoned up a parade in honor of his 79th birthday.

Yesterday evening, I saw tweets comparing the demeanor of the American service members to their parade counterparts in Russia, North Korea, and China. The soldiers in other countries marched in perfect symmetry, with not an eye or a boot out of place. The Americans seemed to be strolling. The tweets were meant to mock us. Some were posted by someone in another country. I responded, “Those Russian troops in perfect formation have not been able to beat Ukraine in three years. If they engaged American troops, our army would kick them all the way back to Moscow.”

Anand Girihadaras wrote a wonderful reflection on the same videos:

The country that invented jazz was never going to be good at putting on a military parade. It was never going to be us.

In the wake of Donald Trump’s flaccid, chaotic, lightly attended, and generally awkward military parade, a meme began doing the rounds. Its basic format was the juxtaposition of images of the kinds of parades Trump presumably wanted with the parade he actually got.

Over here, thousands of Chinese soldiers marching in perfectly synchronized lockstep; over there, a lone U.S. soldier holding up a drone. Over here, North Korean legs kicking up and coming back down with astounding precision; over there, a dozen U.S. soldiers walking somewhat purposelessly through Washington.

Trump’s biggest mistake was wanting a military parade in the first place. The United States military is not a birthday party rental company. Any therapist will tell you that no number of green tanks on the street is enough to heal the deep void left by a father’s withheld love.

But, setting aside the wisdom of wanting a military parade, there is the issue of execution. Even if you’re going to do the wrong thing, do it well. Do it with flair. With the most powerful military in history at his disposal, Trump couldn’t even pull off a decent parade.

But I’m here to say it’s not his fault alone. It’s hard to wring a military parade of the kind he dreamed of from a people free in their bones.

You see, it is a good thing not to be good at some things. The great beauty of his terrible parade is the reminder that Trump is waging a war against the American spirit, and this fight he is struggling to win.

No matter how much money and effort you throw at the parade, you cannot escape the fact that America is not the country of North Korean unity. We’re the country of Korean tacos.

The Korean-American comedian Margaret Cho once described those tacos, as made famous by the chef Roy Choi, of similar heritage, thus: “There were so many things happening: The familiarity of the iconic L.A. taco, the Korean tradition of wrapping food, the falling-apart short rib that almost tastes like barbacoa, the complementing sweetness of the corn tortilla.” Korea running into Mexico, running into North Carolina, and beyond. Today on the website of the Kogi food empire that Choi built, these are some of the recipes: a Korean barbecue pizza, a Korean Philly cheesesteak, a kimchi fried chicken sandwich, a Korean gyro, and Korean pulled pork nachos. I may be wrong, but here is my hypothesis: the kinds of places good at putting on parades like North Korea’s will never come up with food like this; and the kinds of places good at making food like this will never rival the give-me-synchronicity-or-give-me-death parades of places like North Korea.

America is not the country of perfectly synced swinging arms. It’s the country of “It Don’t Mean a Thing (If It Ain’t Got That Swing).” That song, by the legendary Duke Ellington, belongs to a genre of music that could only have been invented in America — jazz. As the documentarian Ken Burns explained, jazz was born in New Orleans when and because people from so many heritages were jammed together — the sounds of Africa and the sounds of Appalachia and the sounds of Germany and the sounds of indigenous people colliding to make something new. It was never scripted, always improvisational. Ellington himself made the connection to democracy:

Put it this way: Jazz is a good barometer of freedom…In its beginnings, the United States of America spawned certain ideals of freedom and independence through which, eventually, jazz was evolved, and the music is so free that many people say it is the only unhampered, unhindered expression of complete freedom yet produced in this country.

I may be wrong, but it seems to me societies that have the thing Trump wanted in his parade don’t got that swing, and societies that got that swing don’t have the thing he craved.

America is not a country of uniformity, even in its uniforms. It’s a big multicolored mess.

What is striking in the images of Chinese and North Korean and Iranian parades is the uniformity, right down to the uniforms themselves. The soldiers are often seen wearing the same thing. It gives the kind of picture Trump likes. But the images this weekend were not like that at all. In America, different units wear different uniforms. Images from the parade this weekend showed one uniform after another. The military is not a monolith. It is made up of units with their own histories and traditions and identities and loyalties. There are rivalries and competing slogans.

I may be wrong, but I would wager that societies that have first-rate matchy-matchy uniform aesthetics may look good but fight wars mediocrely, and societies that allow for variety and diversity may give less pleasant aerial shots during parades but fight wars better.

Today is ten years to the day since Trump came down the escalator and changed the course of the country and, in so many ways, changed us. It is a moment to think back and think of how much coarser, uglier, crueler the nation has become in the hands of an unwell man. The daily drumbeat of abductions and cuts and eviscerations and illegal actions and sadistic policy ideas slowly corrodes the heart. We are being remade in Trump’s sickness.

And yet. And yet what the parade reminded me is that Trump, in one regard, at least, faces steep odds. His project depends on turning Americans into something we are deeply not: uniform, cohesive, disciplined, in lockstep.

But we are more hotsteppers than locksteppers. We are more improvised solo than phalanx. We are more unruly than rule-following. Trump has a lot working in his favor as he seeks to build a dictatorship for his self-enrichment. But what will always push against him is this deep inner nature that has stood through time: the chaotic, colorful spontaneity of the American soul. We don’t march shoulder to shoulder. We shimmy.