Archives for category: Freedom to Read

Ryan Walters, State Superintendent of Oklahoma, decided that he needed some out-of-state assistance in banning books from school libraries, so he appointed Chaya Raichik, who runs a far-right social media group, to help him.

NBC News reported:

A far-right influencer who was accused of instigating bomb threats against a school library in Tulsa, Oklahoma, last year has been named an adviser to a state library committee, the head of the state Education Department announced Tuesday.

Chaya Raichik, who runs the incendiary Libs of TikTok social media accounts and is not an Oklahoma resident, was appointed to the Education Department’s Library Media Advisory Committee.

“Chaya is on the front lines showing the world exactly what the radical left is all about — lowering standards, porn in schools, and pushing woke indoctrination on our kids,” state Superintendent Ryan Walters said in a statement. “Because of her work, families across the country know just what is going on in schools around the country.”

Raichik’s Libs of TikTok accounts have more than 3 million combined followers on X and Instagram. Its content — which is often laced with bigoted rhetoric — generally singles out LGBTQ people, drag queens and their employers, and it criticizes them for promoting diversity, inclusion and equity efforts.

In addition to last year’s scare in Tulsa, posts by the account have preceded several bomb threats to schools, libraries and hospitalsacross the country in recent years.

Raichik did not respond to a set of questions. The Libs of TikTok account replied to a request for comment on X with a compilation of drawings seemingly from young adult novels that depict sexual encounters and asked: “Do you think this is appropriate for kids in school?”

Walters said in a statement, “Chaya Raichik and I have developed a strong working relationship to rid schools of liberal, woke values.”

In August, Union Public Schools, a school district that covers parts of Tulsa and some of its suburbs, said it received bomb threats for six consecutive days. The threats came after Raichik shared a critical video about one of its school librarians.

The video Raichik posted showed a school librarian walking next to a bookshelf, and it was captioned: “POV: teachers in your state are dropping like flies but you are still just not quite finished pushing your woke agenda at the public school.” The video replaced the librarian’s original caption, which read: “My radical liberal agenda is teaching kids to love books and be kind — hbu??”

Regular readers of this blog may have noticed (or not) that I never mention artificial intelligence. I think it’s ominous. I don’t like simulations of real people. I don’t like technology that can write even better than most humans. I prefer to deal directly with humans, not fakes.

Artifial intelligence may be deployed as a deceptive weapon in the upcoming elections.

2024 is a crucial year in our politics. On the ballot in the primaries and in the general election will be candidates who are offering theocracy, dictatorship, or democracy. They will use AI to woo and confuse voters.

New Hampshire blogger and former state senator Jeanne Dietsch has posted a warning about deep fake videos. The video she posts is titled “This Is Not Morgan Freeman.” The face is Morgan Freeman, the voice is Morgan Freeman. But it is not Morgan Freeman.

She also offers a warning about the three factions that are competing in New Hampshire.

She writes:

Elected officials no longer act as individuals. They vote as teams. In NH we have three types of teams:

  • “LIBERTY” CANDIDATES who do not believe in majority rule or public services. They want to privatize education, public lands and government services. They believe the only behaviors that should be illegal are theft and bodily harm. People may make fentanyl, pollute the water supply, sell body parts, or do anything else on their private property. That includes corporations that want to buy up state forests to lumber or entire swaths of housing to rent.
  • FASCIST & THEOCRATIC CANDIDATES also want to replace democracy with minority rule. Unlike liberty candidates, they want stricter laws set by a dictator or by religious leaders. Their goal is to control society, as in Putin’s Russia or a Christian version of Iran.
  • PRO-DEMOCRACY CANDIDATES may disagree on how large government should be and many other issues. However, they will stand up against those who support lawlessness or dictatorship. They will ensure we regularly hold fair elections. They believe in the rule of law.

Political parties no longer define the teams in this state. Undeclared voters outnumber either party by a third. In 2020, the “liberty” team temporarily took over the NH House Republican Caucus. Even though they were a minority of the 400 House members, they controlled the agenda. Pro-democracy legislators in both parties were powerless.

The story in DC is similar. The functions of the American republic are being held hostage by a small minority.

Will we fall for the deep fakes? Will we be deceived by AI? Or will we protect our democracy?

Governor Ron DeSantis claims that Florida isn’t banning books, which may be technically true, yet demonstrably false. Librarians and school district officials are removing books from school and classroom libraries to comply with state law, until the books have been screened for any offensive sexual or racial language.

PEN America reported that more than 1,600 books have been removed from circulation until they have received approval from school officials. The big joke in Escambia County is that a dictionary is in the Escambia list of books that possibly violate the law. Actually, five dictionaries!

But many other books are on Escambia’s list that have been read by generations of students.

Is it fair to say that such lists are censorship or banning? I say yes. What do you think?

PEN America posted this statement:

It has come to this: Escambia County, Florida, schools have banned the dictionary.

Five dictionaries are on the district’s list of more than 1,600 books banned pending investigation in December 2023, along with eight different encyclopedias, The Guinness Book of World Records, and Ripley’s Believe it or Not – all due to fears they violate the state’s new laws banning materials with “sexual conduct” from schools.

Biographies of Beyoncé, Lady Gaga, Oprah Winfrey, Nicki Minaj, and Thurgood Marshallare on the list, alongside The Autobiography of Malcolm X and Black Panther comics by Ta-Nehisi Coates. The Feminism Book was banned along with The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion.

The list obtained by the Florida Freedom to Read Project also includes Anne Frank’s Diary of a Young Girl, The Adventures and the Memoirs of Sherlock Holmes and Agatha Christie’s Death on the Nile. The Princess Diaries and 14 other books by Meg Cabot have been taken from libraries, alongside books by David Baldacci, Lee Child, Michael Crichton, Carl Hiassen, Jonathan Franzen, John Green, John Grisham, Stephen King (23 of them), Dean Koontz, Cormac McCarthy, Celeste Ng, James Patterson, Jodi Picoult,and Nicholas Sparks. Conservative pundit Bill O’Reilly’s two books, Killing Jesus and Killing Reagan, were also banned pending investigation.

PEN America, Penguin Random House, and a diverse group of authors joined with parents and students in Escambia County for a first of its kind federal lawsuit alleging that an earlier set of book bans and restrictions violate their rights to free speech and equal protection under the law. A hearing in the case is scheduled for Wednesday, Jan. 10.

If you open the link, you can see the list of banned books in Escambia County.

Here are a few that caught my eye:

Books of Greek and Roman myths

Baroque and Rococo Art

Five books by Maya Angelou

James Baldwin, Go Tell It on the Mountain

Emily Brontë, Wuthering Heights

Sixteen books by Meg Cabot

Albert Camus, The Stranger

Agatha Christie, Death on the Nile

Sandra Cisneros, The House on Mango Street

Multiple books about sexually transmitted diseases

Charles Dickens, A Tale of Two Cities

Charles Dickens, David Copperfield -Adapted for Young Readers

Ralph Ellison, Invisible Man

Five novels by William Faulkner

Gustave Flaubert, Madame Bovary

Gabriel Garcia Marquez, Love in the Time of Cholera and One Hundred Years of Solitude

William Golding, Lord of the Flies

I’m stopping here. You get the drift. Scan the rest of the list and see what you think.

Leslie Postal of the Orlando Sentinel reported the list of banned books.

Please scan the list and let me know which you think should never be banned. Are there any on the list that you think should not be in any 3-8 classroom? Any that should not be available in high school?

Here is a list of the 673 books removed from teachers’ classroom shelves in Orange County for fear they might violate state law and rules on “sexual conduct:” Some might be returned to shelves after further review.

“In the Belly of the Beast,” Jack Henry Abbott
“The Pool Was Empty,” Gilles Abier
“The Poet X,” Elizabeth Acevedo
“With the Fire on High,” Elizabeth Acevedo
“Call Me By Your Name,” Andre Aciman
“Things You Shouldn’t Say Past Midnight,” Peter Ackerman
“Half of a Yellow Sun,” Chimamanda Ngozi Adichie
“Changes,” Ama Ata Aidoo
“River of Darkness,” Rennie Airth
“Say You’re One of Them,” Uwem Akpan
“Simon Vs. The Homo Sapiens Agenda,” Becky Albertalli
“The Upside of Unrequited,” Becky Albertalli
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The House of the Spirits,” Isabel Allende
“In the Midst of Winter,” Isabel Allende
“The Blood of Flowers,” Anita Amirrezvani
“Wintergirls,” Laurie Halse Anderson
“Me and Earl and the Dying Girl,” Jesse Andrews
“The Haters,” Jesse Andrews
“I Know Why The Caged Bird Sings,” Maya Angelou
“Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” Maya Angelou
“Lucy in the Sky,” Anonymous
“And Eternity,” Piers Anthony
“On a Pale Horse,” Piers Anthony
“Four Plays,” Aristophanes
“From Blood and Ash,” Jennifer L. Armentrout
“Storm and Fury,” Jennifer L. Armentrout
“City of the Lost,” Kelley Armstrong
“Mosquitoland,” David Arnold
“Damsel,” Elana K. Arnold
“Infandous,” Elana K. Arnold
“Red Hood,” Elana K. Arnold
“What Girls Are Made Of,” Elana K. Arnold
“Oryx and Crake,” Margaret Atwood
“The Handmaid’s Tale,” Margaret Atwood
“The Handmaid’s Tale: The Graphic Novel,” Margaret Atwood
“The Testaments,” Margaret Atwood
“Alias Grace,” Margaret Atwood
“Hag-Seed,” Margaret Atwood
“Madd Addam Trilogy,” Margaret Atwood
“The Blind Assassin,” Margaret Atwood
“The Clan of the Cave Bear,” Jean M. Auel
“The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters
(Earth’s Children, #1-3),” Jean M. Auel
“The Tale of John Barleycorn: From Barley to Beer,” Mary Azarian
“My Friend Dahmer,” John “Derf” Backderf
“Six of Crows,” Leigh Bardugo
“Dance Nation,” Clare Barron
“Wise Young Fool,” Sean Beaudoin
“Herzog,” Saul Bellow
“The Color Master,” Aimee Bender
“The Seven Rays,” Jessica Bendinger
“Glimpse,” Stacey Wallace Benefiel
“The History Boys,” Alan Bennett
“Mr. Darcy Takes a Wife,” Linda Berdoll

“Best in Show,” Laurien Berenson
“Dark Eye,” William Bernhardt
“Friday Night Lights: A Town A Team And A Dream,” H.G. Bissinger
“Geektastic,” Holly Black
“Red Glove,” Holly Black
“I Was a Teenage Fairy,” Francesca Lia Block
“Sex on the Brain,” Deborah Blum
“Forever…,” Judy Blume
“Midwives: A Novel,” Chris Bohjalian
“Bronxwood,” Coe Booth
“The Best American Short Stories 2015,” T.C. Boyle
“The Road to Wellville,” T.C. Boyle
“The Darkest Minds,” Alexandra Bracken
“The Dark Garden,” Eden Bradley
“The Mists of Avalon,” Marion Zimmer Bradley
“Forever in Blue: The Fourth Summer of the Sisterhood,” Ann Brashares
“The Last Summer of You and Me,” Ann Brashares
“The Sisterhood of the Traveling Pants,” Ann Brashares
“Electric Girl,” Michael Brennan
“The Demon’s Surrender,” Sarah Rees Brennan
“Monkey Man,” Steve Brewer
“Over the Edge,” Suzanne Brockmann
“Candy,” Kevin Brooks
“Angels & Demons,” Dan Brown
“The Bridges of Madison County (musical),” Jason Robert Brown
“A Secret Splendor,” Sandra Brown
“Above and Beyond,” Sandra Brown
“In a Class by Itself,” Sandra Brown
“Lethal,” Sandra Brown
“Seduction by Design,” Sandra Brown
“Send No Flowers,” Sandra Brown
“Unspeakable,” Sandra Brown
“Doing It,” Melvin Burgess
“The Neon Rain,” James Lee Burke
“The Glister,” John Burnside
“Running with Scissors,” Augusten Burroughs
“Summer and the City,” Candace Bushnell
“The Carrie Diaries,” Candace Bushnell
“Kindred,” Octavia E. Butler
“Kindred: A Graphic Novel Adaptation,” Octavia E. Butler
“El Gigante Solitario,” Mary Cappellini
“Xenocide,” Orson Scott Card
“How Beautiful the Ordinary: Twelve Stories of Identity,” Michael Cart
“The Bloody Chamber and Other Stories,” Angela Carter
“Kisses From Hell,” Kristin Cast
“Chosen,” P.C. Cast
“Marked,” P.C. Cast
“The Big Sleep,” Raymond Chandler
“The Big Sleep; The High Window; The Lady in the Lake; The Long
Goodbye; Playback; Farewell, My Lovely,” Raymond Chandler
“Stories and Early Novels: Pulp Stories / The Big Sleep / Farewell My
Lovely / The High Window,” Raymond Chandler
“The Year of Living Awkwardly,” Emma Chastain
“Pieces,” Stephen Chbosky
“The Perks of Being a Wallflower,” Stephen Chbosky
“The Perks of Being a Wallflower YA edition,” Stephen Chbosky
“The Lady and the Unicorn,” Tracy Chevalier
“My Wicked Wicked Ways,” Sandra Cisneros
“The Tesla Testament,” Eugene Ciurana
“Chain Of Iron,” Cassandra Clare
“Chain Of Thorns,” Cassandra Clare
“Queen of Air and Darkness,” Cassandra Clare
“The Red Scrolls Of Magic,” Cassandra Clare
“Little Bee,” Chris Cleave
“The Girls,” Emma Cline
“Ready Player One,” Ernest Cline
“Scooter Girl,” Chynna Clugston-Flores
“Disgrace,” J.M. Coetzee
“Naomi and Ely’s No Kiss List,” Rachel Cohn
“Nick and Norah’s Infinite Playlist,” Rachel Cohn
“Finding Yvonne,” Brandy Colbert
“The Goats,” Brock Cole
“American Gangster,” Max Allan Collins
“Brules: A Novel,” Harry Combs
“The Lords of Discipline,” Pat Conroy
“Captain Marvel,” Gerry Conway
“Coma: A Novel,” Robin Cook
“Leviathan Wakes,” James S.A. Corey
“Heroes,” Robert Cormier
“Scarpetta,” Patricia Cornwell
“Three Complete Novels: Postmortem, Body Of Evidence, All That
Remains,” Patricia Cornwell
“Postmortem,” Patricia Cornwell
“Nearly Gone,” Elle Cosimano
“A Veil Removed,” Michelle Cox
“The Bondwoman’s Narrative,” Hannah Crafts
“First Semester,” Cecil R. Cross II
“Running Loose,” Chris Crutcher
“Balzac and the Little Chinese Seamstress,” Sijie Dai
“Esperanza Rising,” Julie Danneberg
“Cendrillon,” Luc Darbois
“Sir Apropos of Nothing,” Peter David
“The Westing Game,” Beatrice G. Davis
“Never Cry Werewolf,” Heather Davis
“Corelli’s Mandolin,” Louis de Bernieres
“Gates of Paradise,” Melissa de la Cruz
“Sunset Boulevard,” Zoey Dean
“Tall Cool One,” Zoey Dean
“American Beauty,” Zoey Dean
“The Feeling of Falling in Love,” Mason Deaver
“The Girl Before,” J.P. Delaney
“The Inheritance Of Loss,” Kiran Desai
“This Lullaby,” Sarah Dessen
“The Brief Wondrous Life of Oscar Wao,” Junot Díaz
“Blade Runner (do Androids Dream of Electric Sheep),” Philip K. Dick
“Don’t Get Caught,” Kurt Dinan
“Strangers She Knows,” Christina Dodd
“These Shallow Graves,” Jennifer Donnelly
“Room,” Emma Donoghue
“The Cases that Haunt Us,” John E. Douglas
“November Blues,” Sharon M. Draper
“Panic,” Sharon M. Draper
“House of Sand and Fog,” Andre Dubus III
“A Stolen Life: A Memoir,” Jaycee Dugard
“Submarine,” Joe Dunthorne
“Paso a Paso,” José Antonio Echeverria
“The Circle,” Dave Eggers
“Perfect Chemistry,” Simone Elkeles
“The Authority,” Warren Ellis
“Invisible Man,” Ralph Ellison
“The Gathering,” Anne Enright
“The Painter from Shanghai,” Jennifer Cody Epstein
“The Round House,” Louise Erdrich
“Sophomore Undercover,” Ben Esch
“Like Water For Chocolate,” Laura Esquivel
“Middlesex,” Jefferey Eugenides
“The Horse Whisperer,” Nicholas Evans
“Sleepless,” Thomas Fahy
“Ask the Dust,” John Fante
“Bad Days In History,” Michael Farquhar
“The Comedy Writer,” Peter Farrelly
“White Oleander,” Janet Fitch
“Madame Bovary,” Gustave Flaubert
“Dark Places,” Gillian Flynn
“Sharp Objects,” Gillian Flynn
“Separation of Power,” Vince Flynn
“Extremely Loud and Incredibly Close,” Jonathan Safran Foer
“The Carnival at Bray,” Jessie Ann Foley
“The Guest List,” Lucy Foley
“The Pillars of the Earth,” Ken Follett
“World Without End,” Ken Follett
“Come Back,” Claire Fontaine
“If I Stay,” Gayle Forman
“Just One Day,” Gayle Forman
“The Jane Austen Book Club,” Karen Fowler
“Joy Special of the Day,” Elaine Fox
“You Hear Me?,” Betsy Franco
“Palo Alto,” James Franco
“Dime,” E. R. Frank
“Cold Mountain,” Charles Frazier
“The Likeness,” Tana French
“Anansi Boys,” Neil Gaiman
“The House of Bernarda Alba,” Federico García Lorca
“Chronicle of a Death Foretold,” Gabriel García Márquez
“Love in the Time of Cholera,” Gabriel García Márquez
“Annie on My Mind,” Nancy Garden
“Killjoy,” Julie Garwood
“Eat, Pray, Love,” Elizabeth Gilbert
“Howl and Other Poems,” Allen Ginsberg
“Girl in Pieces,” Kathleen Glasgow
“Fat Kid Rules the World,” Kelly L. Going
“Bee Season,” Myla Goldberg
“Kenang-Kenangan Seorang Geisha (Memoirs of a Geisha),” Arthur Golden
“Memoirs of a Geisha,” Arthur Golden
“Sister Mischief,” Laura Goode
“A Reliable Wife,” Robert Goolrick
“Forever for a Year,” B.T. Gottfred
“The Handsome Girl & Her Beautiful Boy,” B.T. Gottfred
“The Nerdy and the Dirty,” B.T. Gottfred
“Tomorrow Girls,” Eva Gray
“An Abundance of Katherines,” John Green
“Looking for Alaska,” John Green
“Will,” John Grayson
“Paper Towns,” John Green
“Sex Plus: Learning, Loving and Enjoying Your Body,” Laci Green
“The Quiet American,” Graham Greene
“None Of The Above,” I.W. Gregorio
“Changeling,” Philippa Gregory
“The Other Boleyn Girl,” Philippa Gregory
“A Time to Kill,” John Grisham
“The Firm,” John Grisham
“John Grisham Value Collection: A Time to Kill, The Firm, The Client,”
John Grisham
“From Where I Watch You,” Shannon Grogan
“Water For Elephants,” Sara Gruen
“The Freedom Writers Diary,” Erin Gruwell
“Snow Falling On Cedars,” David Guterson
“A Map of the World,” Jane Hamilton
“We’ll Always Have Summer,” Jenny Han
“The World’s Strongest Librarian,” Joshua Hanagarne
“Fly Away,” Kristin Hannah
“The Art of Fielding,” Chad Harbach
“Jude the Obscure,” Thomas Hardy
“Chocolat,” Joanne Harris
“The Lollipop Shoes,” Joanne Harris
“The Silent Wife,” A.S.A. Harrison
“Plainsong,” Kent Haruf
“The Best 100 Poems of Gwen Harwood,” Gwen Harwood
“Necropolis,” Jordan L. Hawk
“Second Skin,” John Hawkes
“The Girl on the Train,” Paula Hawkins
“Catch-22,” Joseph Heller

“The Collected Plays,” Lillian Hellman
“Demian the Story of Emil Sinclairs Youth,” Hermann Hesse
“Demian. Die Geschichte von Emil Sinclairs Jugend.,” Hermann Hesse
“Siddhartha (Dual-Language),” Hermann Hesse
“Siddhartha: A Novel,” Hermann Hesse
“Skin Tight,” Carl Hiaasen
“The Island,” Elin Hilderbrand
“Rethinking Normal: A Memoir in Transition,” Katie Rain Hill
“Here Comes Santa Claus,” Sandra Hill
“Royal Assassin,” Robin Hobb
“The Dress Lodger,” Sheri Holman
“Watch Me,” A.J. Holt
“November 9,” Colleen Hoover
“Heart Bones,” Colleen Hoover
“Hopeless,” Colleen Hoover
“It Ends With Us,” Colleen Hoover
“It Starts With Us,” Colleen Hoover
“Layla,” Colleen Hoover
“Losing Hope,” Colleen Hoover
“Regretting You,” Colleen Hoover
“Verity,” Colleen Hoover
“Confess,” Colleen Hoover
“Ugly Love,” Colleen Hoover
“Impulse,” Ellen Hopkins
“Burned,” Ellen Hopkins
“Collateral,” Ellen Hopkins
“Crank,” Ellen Hopkins
“Fallout,” Ellen Hopkins
“Identical,” Ellen Hopkins
“Love Lies Beneath,” Ellen Hopkins
“People Kill People,” Ellen Hopkins
“Perfect,” Ellen Hopkins
“Tilt,” Ellen Hopkins
“Tricks,” Ellen Hopkins
“I Never,” Laura Hopper
“The Changeling,” Kate Horsley
“The Kite Runner,” Khaled Hosseini
“A Thousand Splendid Suns,” Khaled Hosseini
“Taken at Dusk,” C.C. Hunter
“Brave New World,” Aldous Huxley
“M Butterfly,” David Henry Hwang
“Icy Sparks,” Gwyn Hyman Rubio
“A Widow for One Year: A Novel,” John Irving
“The World According to Garp,” John Irving
“Never Let Me Go,” Kazuo Ishiguro
“Bit of a Blur,” Alex James
“Fifty Shades Series,” E.L. James
“Green River Killer: A True Detective Story,” Jeff Jensen
“No One to Trust,” Iris Johansen
“All Boys Aren’t Blue,” George M. Johnson
“Truly Devious 3-Book Box Set,” Maureen Johnson
“The Graduate,” Terry Johnson
“Choice Words,” Peter H. Johnston
“The Recognition of Sakuntala,” Arthur William Ryder Kalidasa
“Scent of Danger,” Andrea Kane
“Confessions of a Not It Girl,” Melissa Kantor
“The Big Bad Wolf Tells All,” Donna Kauffman
“Milk and Honey,” Rupi Kaur
“The Sun and Her Flowers,” Rupi Kaur
“Summer in the City of Roses,” Michelle Ruiz Keil
“Street Dreams,” Faye Kellerman
“Mr. Ding’s Chicken Feet,” Gillian Kendall
“The DUFF: Designated Ugly Fat Friend,” Kody Keplinger
“YOU: A Nove,” Caroline Kepnes
“On The Road,” Jack Kerouac
“The Book of Longings,” Sue Monk Kidd
“Four Past Midnight,” Stephen King
“Dolores Claiborne,” Stephen King
“Lisey’s Story,” Stephen King
“Night Shift,” Stephen King
“The Drawing of the Three,” Stephen King
“The Wastelands,” Stephen King
“Under the Dome,” Stephen King
“Prodigal Summer: A Novel,” Barbara Kingsolver
“Confessions of a Shopaholic,” Sophie Kinsella
“Shopaholic and Baby,” Sophie Kinsella
“Fear the Hunters,” Robert Kirkman
“Miles Behind Us,” Robert Kirkman
“Don’t Say a Word,” Andrew Klavan
“Primary Colors,” Joe Klein
“Sex, Drugs, and Cocoa Puffs,” Chuck Klosterman
“Gender Queer: A Memoir,” Maia Kobabe
“City of Night,” Dean Koontz
“Twilight Eyes,” Dean Koontz
“The Bear Went Over the Mountain,” William Kotzwinkle
“Born on the Fourth of July,” Ron Kovic
“The Pirate,” Jayne Ann Krentz
“The Poppy War,” R F. Kuang
“Dark Triumph,” Robin La Fevers
“Grave Mercy,” Robin La Fevers
“The Namesake,” Jhumpa Lahiri
“I Know This Much Is True,” Wally Lamb
“Search for Safety,” Paul Langan
“Survivor,” Paul Langan
“Liar,” Justine Larbalestier
“My Sister Rosa,” Justine Larbalestier
“The Splendid and the Vile,” Erik Larson
“Recipe Box,” Sandra Lee
“Furyborn,” Claire Legrand
“Mystic River,” Dennis Lehane
“The Grass Is Singing,” Doris Lessing
“Another Day,” David Levithan
“Dexter Is Delicious,” Jeff Lindsay
“Last Night at the Telegraph Club,” Malinda Lo
“The Dirt on Sex,” Justin Lookadoo
“Character, Driven,” David Lubar
“The Bourne Identity,” Robert Ludlum
“The Robert Ludlum Value Collection: The Bourne Identity, The Bourne
Supremacy, The Bourne Ultimatum,” Robert Ludlum
“Brave New Girl,” Louisa Luna
“Game,” Barry Lyga
“I Hunt Killers,” Barry Lyga
“Boy Toy,” Barry Lyga
“A Court of Frost and Starlight,” Sarah J. Maas
“A Court of Mist and Fury,” Sarah J. Maas
“A Court of of Wings and Ruin,” Sarah J. Maas
“A Court of Silver Flames,” Sarah J. Maas
“A Court of Wings and Ruin,” Sarah J. Maas
“House of Earth and Blood,” Sarah J. Maas
“A Court of Thorns and Roses,” Sarah J. Maas
“Fall on Your Knees,” Ann-Marie MacDonald
“Easter Rising,” Michael Patrick MacDonald
“Guyaholic,” Carolyn Mackler
“The Hike,” Drew Magary
“Son of a Witch,” Gregor Maguire
“Wicked: The Life and Times of the Wicked Witch of the West,” Gregory Maguire
“Wicked: Memorias de una bruja mala,” Gregory Maguire
“The Natural,” Bernard Malamud
“Nectar in a Sieve,” Kamala Markandaya
“Slightly Single,” Wendy Markham
“Blue is the Warmest Color,” Jul Maroh
“A Game of Thrones,” George R.R. Martin
“A Dance with Dragons,” George R.R. Martin
“A Feast for Crows,” George R.R. Martin
“A Storm of Swords,” George R.R. Martin
“The Mystery Knight,” George R.R. Martin
“The Official A Game of Thrones Coloring Book,” George R.R. Martin
“A Clash of Kings,” George R.R. Martin
“Jackie “The Joke Man” Martling’s Disgustingly Dirty Joke Book,” Jackie Martling
“Paper Dollhouse,” Lisa M. Masterson
“Strange Intimacy,” Anne Mather
“Amy & Roger’s Epic Detour,” Morgan Matson
“The Secret Diary of Anne Boleyn,” Robin Maxwell
“The Good Lord Bird,” James McBride
“Perfect Fifths,” Megan McCafferty
“Second Helpings,” Megan McCafferty
“Freedom’s Choice,” Anne McCaffrey
“All the Pretty Horses,” Cormac McCarthy
“No Country for Old Men,” Cormac McCarthy
“Outer Dark,” Cormac McCarthy
“Man o’ War,” Cory McCarthy
“Sold,” Patricia McCormick
“The Revolution of Little Girls,” Blanche McCrary Boyd
“The Beauty Queen of Leenane,” Martin McDonagh
“Sophomore Switch,” Abby McDonald
“Amsterdam,” Ian McEwan
“Atonement,” Ian McEwan
“On Chesil Beach,” Ian McEwan
“Duquesa by Default,” Maura McGiveny
“Beautiful Disaster,” Jamie McGuire
“The Memory of Running,” Ron McLarty
“Lonesome Dove,” Larry McMurtry
“Everything You Want Me to Be,” Mindy Mejia
“Talking in the Dark,” Billy Merrell
“Life and Death: Twilight Reimagined,” Stephenie Meyer
“Pretty Woman,” Fern Michaels
“The Real Deal,” Fern Michaels
“The Authority,” Mark Millar
“Circe,” Madeline Miller
“The Song of Achilles: A Novel,” Madeline Miller
“Paradise Lost and Paradise Regained (The Signet Classic Poetry
Series),” John Milton
“Paradise Lost,” John Milton
“Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and
Being a Human (A Graphic Novel),” Erika Moen
“All My Friends Are Dead,” Avery Monsen
“Watchmen,” Alan Moore
“Camp Confidential,” Melissa J. Morgan
“The Year of Secret Assignments,” Jaclyn Moriarty
“The Center of Everything,” Laura Moriarty
“Seikai 1,” Hiroyuki Morioka
“The Bluest Eye,” Toni Morrison
“Beloved,” Toni Morrison
“Paradise,” Toni Morrison
“Song of Solomon,” Toni Morrison
“Kafka on the Shore,” Haruki Murakami
“Heart of Stone,” C.E. Murphy
“Dead End,” Jason Myers
“Street Love,” Walter Dean Myers
“Peace, Love, and Baby Ducks,” Lauren Myracle
“Rhymes with Witches,” Lauren Myracle
“Shine,” Lauren Myracle
“L8R G8R,” Lauren Myracle
“The Infinite Moment of Us,” Lauren Myracle
“ttfn,” Lauren Myracle
“TTYL,” Lauren Myracle
“yolo,” Lauren Myracle
“The Art of Hana-Kimi,” Hisaya Nakajo
“Skin,” Donna Jo Napoli
“Linden Hills,” Gloria Naylor
“The Men of Brewster Place,” Gloria Naylor
“The Women of Brewster Place,” Gloria Naylor
“Like a Love Story,” Abdi Nazemian
“Getting Somewhere,” Beth Neff
“On the Volcano,” James Nelson
“Suite Francaise,” Irene Nemirovsky
“The Sympathizer,” Viet Thanh Nguyen
“We Are All Made of Molecules,” Susin Nielsen-Fernlund
“Holding Up the Universe,” Jennifer Niven
“Breathless,” Jennifer Niven
“Everlasting,” Alyson Noël
“Evermore,” Alyson Noël
“Night Star,” Alyson Noël
“Where I end and You Begin,” Preston Norton
“Sweat,” Lynn Nottage
“Plague in the Mirror,” Deborah Noyes
“Back Roads,” Tawni O’Dell
“Beasts,” Joyce Carol Oates
“The Assignation: Stories,” Joyce Carol Oates
“We Were the Mulvaneys,” Joyce Carol Oates
“Panic,” Lauren Oliver
“Before I Fall,” Lauren Oliver
“When the Emperor was Divine,” Julie Otsuka
“Ars Amatoria,” Ovid
“Metamorphoses,” Ovid
“Where the Crawdads Sing,” Delia Owens
“Choke,” Chuck Palahniuk
“Invisible Monsters Remix,” Chuck Palahniuk
“Lullaby,” Chuck Palahniuk
“In Order to Live,” Yeonmi Park
“The Dogs of Babel,” Carolyn Parkhurst
“Learning Tree,” Gordon Parks
“Bel Canto,” Ann Patchett
“The Patron Saint of Liars,” Ann Patchett
“Honeymoon,” James Patterson
“Private,” James Patterson
“Sail,” James Patterson
“Sam’s Letters to Jennifer,” James Patterson
“Sideways,” Alexander Payne
“A Day No Pigs Would Die,” Robert Newton Peck
“The Leftovers,” Tom Perrotta
“Out Stealing Horses,” Per Petterson
“Prague,” Arthur Phillips
“Fishtailing,” Wendy Phillips
“A Spark of Light,” Jodi Picoult
“Handle with Care,” Jodi Picoult
“Picture Perfect,” Jodi Picoult
“The Pact: A Love Story,” Jodi Picoult
“The Storyteller,” Jodi Picoult
“The Tenth Circle,” Jodi Picoult
“Nineteen Minutes,” Jodi Picoult
“A Year and a Day,” Leslie Pietrzyk
“Thirst No. 1,” Christopher Pike
“Thirst No. 2,” Christopher Pike
“Thirst No. 4,” Christopher Pike
“Thirst No. 5,” Christopher Pike
“Into White,” Randi Pink
“It Doesn’t Have to Be Awkward: Dealing with Relationships, Consent,
and Other Hard-to-Talk-About Stuff,” Drew Pinsky
“Yes Please,” Amy Poehler
“Tinisima,” Elena Poniatowska
“Behind the Shadows,” Patricia Potter
“The Whistling Toilets,” Randy Powell
“The Cabin,” Natasha Preston
“The Cellar,” Natasha Preston
“Caves Graves,” Natalie Prior
“Jane Swann’s Way,” Marcel Proust
“La Belle Sauvage,” Philip Pullman
“Burning Glass,” Kathryn Purdie
“The Family,” Mario Puzo
“Gabi, a Girl in Pieces,” Isabel Quintero
“The Elegant Gathering of White Snows,” Kris Radish
“The Fountainhead,” Ayn Rand
“Modern Love,” Andrew Rannells
“Punkzilla,” Adam Rapp
“Beautiful,” Amy Reed
“The Cute Girl Network,” M.K. Reed
“Such a Fun Age,” Kiley Reid
“The Seven Husbands of Evelyn Hugo,” Taylor Jenkins Reid
“Stop in the Name of Pants!,” Louise Rennison
“Stone Fox,” John Reynolder
“Wide Sargasso Sea,” Jean Rhys
“The Vampire Armand,” Anne Rice
“The Witching Hour,” Anne Rice
“Life,” Keith Richards
“Juliet Takes a Breath,” Gabby Rivera
“Redeeming Love,” Francine Rivers
“The Atonement Child,” Francine Rivers
“Gulp: Adventures on the Alimentary Canal,” Mary Roach
“Birthright,” Nora Roberts
“The True and Outstanding Adventures of the Hunt Sisters,” Elisabeth Robinson
“Normal People,” Sally Rooney
“Jack of Hearts (and other parts),” L.C. Rosen
“Portnoy’s Complaint,” Philip Roth
“The Casual Vacancy,” J.K. Rowling
“The God of Small Things,” Arundhati Roy
“All of Us with Wings,” Michelle Ruiz Keil
“Elegies for Angels Punks and Raging Queens,” Bill Russell
“The Dead-Tossed Waves,” Carrie Ryan
“Leviathan Wakes,” James S.A. Corey
“And They Lived …,” Steven Salvatore
“Bait,” Alex Sanchez
“Once a King, Always a King,” Reymundo Sanchez
“Option B,” Sheryl Sandberg
“The Fool’s Run,” John Sandford
“Vampire, Interupted,” Lynsay Sands
“Push,” Sapphire
“Blindness,” José Saramago
“Jesus Land: A Memoir,” Julia Scheeres
“Uses for Boys,” Erica Lorraine Scheidt
“The Reader,” Bernard Schlink
“The Beginning of Everything,” Robyn Schneider
“Bully,” Jim Schutze
“The Invisible Life of Addie La Rue,” V.E. Schwab
“The Gift of Forgiveness,” Katherine Schwarzenegger Pratt
“Living Dead Girl: A Novel,” Elizabeth Scott
“Lucky,” Alice Sebold
“The Lovely Bones,” Alice Sebold
“Naked,” David Sedaris
“Peony in Love,” Lisa See
“Writing My Wrongs,” Shaka Senghor
“Equus,” Peter Shaffer
“Skin and Bones,” Sherry Shahan
“Demon Apocalypse,” Darren Shan
“Forbidden Knowledge,” Roger Shattuck
“Tweak,” Nic Sheff
“The Stone Diaries,” Carol Shields
“Sea Glass: A Novel,” Anita Shreve
“Alichino,” Kouyu Shurei
“The Food Chain,” Nicky Silver
“If I Was Your Girl,” Ni-Ni Simone
“Wilder,” Andrew Simonet
“The Straight Girl’s Guide to Sleeping with Chicks,” Jen Sincero
“The Silence and the Roar,” Nihad Sirees
“The Primal Blueprint,” Mark Sisson
“Prep: A Novel,” Curtis Sittenfeld
“You Think It, I’ll Say It,” Curtis Sittenfeld
“Stay In Line,” Teddy Slaterguess
“A Thousand Acres,” Jane Smiley
“The Way I used to Be,” Amber Smith
“Joy in the Morning,” Betty Smith
“Tree Grows In Brooklyn,” Betty Smith
“The Geography of Girlhood,” Kirsten Smith
“Betwixt,” Tara Bray Smith
“Anatomy of a Boyfriend,” Daria Snadowsky
“Sadar’s Keep,” Midori Snyder
“No Visible Bruises,” Rachel Louise Snyder
“MARS,” Fuyumi Soryo
“Summer on Wheels,” Gary Soto
“The Prime of Miss Jean Brodie,” Muriel Spark
“It Happened to Nancy,” Beatrice Sparks
“At First Sight,” Nicholas Sparks
“Message in a Bottle,” Nicholas Sparks
“Nights in Rodanthe,” Nicholas Sparks
“The Guardian,” Nicholas Sparks
“The Rescue,” Nicholas Sparks
“The Wedding,” Nicholas Sparks
“Small Town Girl,” Lavyrle Spencer
“Everyone likes Eggs,” Jerry Spinelli
“Star (French Edition),” Danielle Steel
“The Gift,” Danielle Steel
“East of Eden,” John Steinbeck
“Still Missing,” Chevy Stevens
“Earth (the book) A Visitors Guide to the Human Race,” Jon Stewart
“Every Last Word,” Tamara Ireland Stone
“Marcelo in the Real World,” Francisco X. Stork
“Until the Twelfth of Never,” Bella Stumbo
“Sophie’s Choice,” William Styron
“We Should Hang Out Sometime,” Josh Sundquist
“The Kitchen God’s Wife,” Amy Tan
“The Valley of Amazement,” Amy Tan
“American Colonies,” Alan Taylor
“Just Friends,” Billy Taylor
“The Spectacular Now,” Tim Tharp
“Concrete Rose,” Angie Thomas
“The Loners,” Lex Thomas
“Picking Cotton,” Jennifer Thompson-Cannino
“Blankets,” Craig Thompson
“First Time,” Meg Tilly
“Sigh, Gone,” Phuc Tran
“Milk Glass Moon,” Adriana Trigiani
“Stuck in Neutral,” Terry Trueman
“The RattleRat,” Janwillem Van de Wetering
“Red Thunder,” John Varley
“Sia Martinez and the Moonlit Beginning of Everything,” Raquel Vasquez Gilliland
“Y: The Last Man,” Brian K. Vaughan
“When We Make It,” Elisabet Velasquez
“The Covenant of Water,” Abraham Verghese
“Shojo Beat,” Viz Media
“Dicey’s Song,” Cynthia Voight
“All I Want is Everything,” Cecily Von Ziegesar
“Don’t You Forget about Me,” Cecily Von Ziegesar
“Tempted,” Cecily Von Ziegesar
“You Know You Love Me,” Cecily Von Ziegesar
“It Had To Be You,” Cecily Von Ziegesar
“Slaughterhouse-Five,” Kurt Vonnegut Jr.
“Slaughterhouse-Five: The Graphic Novel,” Kurt Vonnegut Jr.
“The Color Purple,” Alice Walker
“Black White and Jewish,” Rebecca Walker
“We All Looked Up,” Tommy Wallach
“A Thousand Country Roads: An Epilogue to The Bridges of Madison
County,” Robert James Waller
“The Bridges of Madison County,” Robert James Waller
“The Glass Castle,” Jeannette Walls
“Stargazing,” Jen Wang
“Salvage the Bones,” Jesmyn Ward
“Numbers,” Rachel Ward
“Something Worth Saving,” Sandi Ward
“The Graduate,” Charles Webb
“Girl Boy Etc,” Michael Weinreb
“Chasing Harry Winston,” Lauren Weisberger
“Little Altars Everywhere: A Novel,” Rebecca Wells
“A Certain Slant of Light,” Laura Whitcomb
“The Professor and the Madman,” Simon Winchester
“Happiness Sold Separately,” Lolly Winston
“A Man in Full,” Tom Wolfe
“The Interestings,” Meg Wolitzer
“Turkish Delight,” Jan Wolkers
“Brighter than Gold,” Cynthia Wright
“Native Son,” Richard Wright
“Blu’s Hanging,” Lois-Ann Yamanaka
“Revolutionary Road,” Richard Yates
“Armageddon Summer,” Jane Yolen
“The Sun Is Also a Star,” Nicola Yoon
“Everything, Everything,” Nicola Yoon
“Nothing But Your Ski,” Cathy Ytak

Compiled by staff writer Richard Tribou. Source: List obtained by the Florida Freedom to Read Project and confirmed by Orange County Public Schools.

Maurice Cunningham, a retired professor who is a specialist in dark money in education politics, surveys the meteoric rise and fall of the rightwing group Moms for Liberty in The Progressive. First, the recently formed organization gathered plenty of publicity as a fearsome force censoring books, accusing teachers of “indoctrinating” students, attacking anything in the schools that acknowledged the existence of gay students or families, and opposing teachers unions. The Moms launched with a big budget, more than anyone could gather at a bake sale. But came the school board elections of 2023, and their candidates took a shellacking. Recently came news that one of their prominent co-founders, Bridget Ziegler, was caught in a sex scandal—a threesome—and the organization was publicly humiliated.

Maurice Cunningham wonders how this checkered organization will survive.

He writes:

On June 30, 2023, a Washington Post headline declared “Moms for Liberty didn’t exist three years ago. Now it’s a GOP kingmaker.” On November 10, 2023, after a raft of school board elections across the country, the Post ran another headline: “Voters drub Moms for Liberty ‘parental rights’ candidates at the ballot.” Moms for Liberty (M4L) not only didn’t make any kings, it didn’t even make many school board members. What happened?

The pre-election headline reflected the messaging skills that M4L has carefully honed to make itself more palatable. By November, however, the reality on the ground became clear.

To learn the origins and context of this group, open the link and read on. The article doesn’t mention the Ziegler sex scandal. Cunningham wrote about that in an article in the Tampa Bay Tribune, but it’s behind a paywall. The Moms are on a downhill slide as a result of their election losses, followed by Bridget’s bisexual tryst. Her ex-friends removed her name from the Moms website.

Writing in the Washington Spectator, veteran voucher researcher Josh Cowen reports that 2023 was a good year for some very bad ideas, many supported by prominent rightwingers and Dark Money, whose sources are hidden.

He finds it unsurprising that the voucher movement works closely with book banners and efforts to humiliate LGBT youth.

Cowen is a professor of education policy at Michigan State University who has studied vouchers since 2005.

He writes:

Over the past 12 months, the decades-long push to divert tax dollars toward religious education has reached new heights. As proclaimed by EdChoice—the advocacy group devoted to school vouchers—2023 has been the year these schemes reached “escape velocity.” In strictly legislative terms, seven states passed new voucher systems, and ten more expanded existing versions. Eleven states now run universal vouchers, which have no meaningful income or other restrictions.

But these numbers change quickly. As late as the last week of November, the Republican governor of Tennessee announced plans to create just such a universal voucher system.

To wit: successful new voucher and related legislation has come almost exclusively in states won by Donald Trump in 2020. And even that Right-ward bent required substantial investment—notably by heiress and former U.S. Education Secretary Betsy DeVos and the Koch network—in state legislative campaigns to oust voucher opponents. Instructively, many of those opponents were often GOP legislators representing rural districts with few private schools to benefit.

As a scholar who has studied voucher systems—including through research funded by conservative organizations—I have been watching these developments with growing concern. It can all be difficult to make sense of, so let’s walk through it.

Vouchers Hurt Kids, Defund Public Schools and Prop-Up Church Budgets

First, why are these new voucher schemes such bad public policy? To understand the answer, it’s important to know that the typical voucher-accepting school is a far cry from the kind of elite private academy you might find in a coastal city or wealthy suburban outpost. Instead, they’re usually sub-prime providers, akin to predatory lenders in the mortgage sector. These schools are either pop-ups opening to cash in on the new taxpayer subsidy, or financially distressed existing schools desperate for a bailout to stay open. Both types of financially insecure schools often close anyway, creating turnover for children who were once enrolled.

And the voucher results reflect that educational vulnerability: in terms of academic impacts, vouchers have some of the worst results in the history of education research—on par or worse than what COVID-19 did to test scores.

Those results are bad enough, but the real issue today is that they come at a cost of funding traditional public schools. As voucher systems expand, they cannibalize states’ ability to pay for their public education commitments. Arizona, which passed universal vouchers in 2022, is nearing a genuine budget crisis as a result of voucher over-spending. Six of the last seven states to pass vouchers have had to slow spending on public schools relative to investments made by non-voucher states.

That’s because most new voucher users were never in the public schools—they are new financial obligations for states. The vast majority of new voucher beneficiaries have been students who were already in private school beforehand. And for many rural students who live far from the nearest private school, vouchers are unrealistic in the first place, meaning that when states cut spending on public education, they weaken the only educational lifeline available to poorer and more remote communities in some places. That’s why even many GOP legislators representing rural districts—conservative in every other way—continue to fight against vouchers.

Vouchers do, however, benefit churches and church schools. Right-wing advocacy groups have been busy mobilizing Catholic school and other religious school parents to save their schools with new voucher funding. In new voucher states, conservatives are openly advocating for churches to startup taxpayer-funded schools. That’s why vouchers eventually become a key source of revenue for those churches, often replacing the need to rely on private donations. It’s also why many existing religious schools raise tuition almost immediately after vouchers pass.

The Right-Wing War on Public Schools

Victories for these voucher bills is nothing short of an ascendent Right-wing war on public education. And the link to religious nationalism energizes much of that attack.

Voucher bills have dovetailed almost perfectly with new victories for other priorities of the Religious Right. Alongside vouchers, anti-LGBTQ+ legislation has also increased: 508 new bills in 2023 alone, according to the American Civil Liberties Union. As has a jump in legislation restricting book access in schools and libraries, with more than half of those bans targeting books on topics related to race and racism, or containing at least one LGBTQ+ character.

It is also important to note the longstanding antipathy that Betsy DeVos, the Koch Network, and other long-term voucher backers have toward organized labor—including and especially in this case, teachers’ unions. And that in two states that passed vouchers this year—Iowa and Arkansas—the governors also signed new rollbacks to child labor protections at almost the exact same time as well.

To close the 2022 judicial session, the Supreme Court issued its latest expansion of voucher jurisprudence in Carson v. Makin, holding that states with private school voucher programs may not exclude religious providers from applying tax dollars specifically to religious education. That ruling came just 72 hours before the Court’s decision in Dobbs v. Jackson removed reproductive rights from federal constitutional protections.

To hear backers of vouchers, book bans, and policies targeting transgender students in school bathrooms tell it, such efforts represent a new movement toward so-called “parents’ rights” or “education freedom,” as Betsy DeVos describes in her 2022 memoir. But in truth this latest push was a long time coming. DeVos is only one part of the vast network of Right-wing donors, activists, and organizations devoted to conservative political activism.

That network, called the Council for National Policy, includes representatives from the Heritage Foundation, the influential Right-wing policy outfit; multiple organizations funded by Charles Koch; the Leadership Institute, which trains young conservative activists; and a number of state policy advocacy groups funded by a conservative philanthropy called the Lynde and Harry Bradley Foundation.

It was the Bradley Foundation that seeded much of the legal work in the 1990s defending early voucher programs in state and federal courts. Bradley helped to fund the Institute for Justice, a legal group co-founded by a former Clarence Thomas staffer named Clint Bolick after a personal donation from Charles Koch. The lead trial attorney for that work was none other than Kenneth Starr, who was at the time also in the middle of his infamous pursuit of President Bill Clinton.

In late 2023, the Institute for Justice and the voucher-group EdChoice announced a new formal venture, but that partnership is just a spin on an older collaboration, with the Bradley Foundation as the tie that binds. EdChoice itself, when it was called the Milton and Rose D. Friedman Foundation, helped fund the data analysis cited by Institute lawyers at no less than the Supreme Court ahead of its first decision approving vouchers in Zelman v. Simmons-Harris (2002).

From these vantage points, 2023 was a long time coming indeed.

And heading into 2024, the voucher push and its companion “parents’ rights” bills on schoolbooks and school bathrooms show no sign of weakening.

Prior to his political career, the new Speaker of the U.S. House of Representatives, Mike Johnson, was an attorney with the Alliance Defending Freedom. That group, which itself has deep ties to Betsy DeVos’s family, has led the legal charge to rollback LBGTQ+ equality initiatives. It was also involved “from the beginning,” as its website crows, in the anti-abortion effort that culminated with Dobbs.

The Heritage Foundation has created a platform called Project 2025, which serves as something of a clearinghouse for what would be the legal framework and policy agenda for a second Trump Administration. Among the advisors and funders of Project 2025 are several organizations linked to Charles Koch, Betsy DeVos, and others with ties to the Council for National Policy. The Project’s education agenda includes dismantling the U.S. Department of Education—especially its oversight authority on anti-discrimination issues—and jumpstarting federal support for voucher programs.

A dark money group called The Concord Fund has launched an entity called Free to Learn, ostensibly organized around opposition to the teaching of critical race theory in public schools. In reality, these are active players in Republican campaign attacks around a variety of education-related culture war issues. The Concord Fund is closely tied to Leonard Leo, the Federalist Society chief, Council of National Policy member, and architect of the Roe takedown. Through the Leo connection, the Concord Fund was also instrumental in confirming Donald Trump’s judicial nominations from Brett Kavanaugh on downward.

And so while the 2023 “parents’ rights” success has been largely a feature of red state legislatures, the 2022 Carson ruling and the nexus between Leonard Leo, the Alliance Defending Freedom, and the Institute for Justice itself underscore the importance of the federal judiciary to Right-wing education activism.

Long-term, the goal insofar as school privatization is concerned appears to be nothing short of a Supreme Court ruling that tax-subsidized school vouchers and homeschool options are mandatory in every state that uses public funding (as all do) to support education. The logic would be, as Betsy DeVos herself previewed before leaving office, that public spending on public schools without a religious option is a violation of Free Exercise protections.

Such a ruling, in other words, would complete the destruction of a wall between church and state when it comes to voucher jurisprudence. Earlier Court decisions have found that states may spend tax dollars on school vouchers but, as the Right’s ultimate goal, the Supreme Court would determine that states must.

Closer on the horizon, we can expect to see each of these Right-wing groups acting with new energy as the 2024 campaign season heats up. The president of the Heritage Foundation—himself yet another member of the Council for National Policy—has recently taken over the think tank’s political arm, called Heritage Action. At the start of the year, investigative reporting linked Heritage Action to earlier voter suppression initiatives, signaling potential tactics ahead.

And the money is going to flow—they have all said as much. After Heritage’s merger of its policy and political arms, Betsy DeVos’s American Federation for Children followed suit by creating the AFC Victory Fund—a new group to spearhead its own campaign activity.

Their plan includes a $10 million base commitment to ramp up heading into 2024. “Coming off our best election cycle ever,” AFC’s announcement declared, “the tectonic plates have shifted decisively in favor of educational freedom, and we’re just getting started.” And, they warned:

“If you’re a candidate or lawmaker who opposes school choice and freedom in education – you’re a target.”

In that threat lies the reality of the latest voucher push, and of this moment of so-called parents’ rights. None of this is a grassroots uprising. “Education freedom” is a top-down, big-money operation, tied to every other political priority of religious nationalism today.

But coming at the end of this past year’s legislative successes, AFC’s warnings are also a very clear statement of what is yet to come. The push to privatize American education is only just getting started.

Vouchers have turned into a campaign to subsidize the tuition of affluent parents while cutting the funding of public schools. This does not augur well for the health and future of our nation.

Maureen Downey of the Atlanta Journal-Constitution posted an article on her blog “Get Schooled” about the dangers of book banning and censorship and the advantages of learning about the real world. It was written by Becky Pringle, president of the NEA, and authors Caroline Tung Richmond and Ellen Oh.

They wrote:

Books that once lined the shelves of the library in a Jacksonville, Florida, elementary school are now stored in boxes. The school librarian spends her days vetting titles to comply with new censorship laws passed by the state.

In Spotsylvania County, Virginia, educators spent up to 40 hours a week reviewing titles after a mother of two students single-handedly challenged over 70 books in her school district. In one Utah district, 199 of 205 challenges were tracked to one married couple. Areview of those titles took 10,000 hours of staff time at a cost that exceeded $100,000. None of the educators will receive compensation for the extra work.

In Niles, Michigan, the school board recently blocked the circulation of nearly 200 diverse children’s titles that the nonprofit We Need Diverse Books donated. The donation included an illustrated version of the beloved Langston Hughes poem “I, Too, Am America,” with art by Bryan Collier, and the picture book “Grandma’s Purse” by Vanessa Brantley-Newton, about a young Black girl who playfully looks through her grandmother’s handbag. Although district teachers selected the texts, the school board — most of whom received backing from the conservative We the Parents political organization — refuses to release the books to school libraries.

These stories are not unique. Nationwide, educators continue to face an unprecedented number of book challenges — a figure that was 33% higher last school year than the year before.

While there is no doubt that Florida and Texas lead the country when it comes to banning books, the epidemic isn’t isolated to traditionally red states. In the midst of a climate that is hostile to books that contain diverse characters and storylines that don’t match some people’s view of the world, educators nationwide are overwhelmed and afraid. They are self-censoring their classroom bookshelves, and forgoing lessons focused on Pride Month or Black History Month. Some educators fear for their safety and livelihoods. In fact, 1 out of 4 school librarians have reported being harassed about books or displays in their library.

Extremist politicians and pundits stoke this fear mongering under the guise of “parental rights” while cultivating ties with far-right organizations, like those who attacked our democracy on Jan. 6, 2021. Despite clear proof from some polling that 75% of Americans oppose book bans, which voters heartily indicated by standing with pro-public education candidates in the 2022 midterm elections, the use of book bans to whitewash our nation’s history —– to mount.

Precious district resources continue to go to waste, along with taxpayer money. And our students are robbed of material that encourages them to develop critical thinking skills by learning to understand the world that surrounds them.

We know the intended target of these bans. According to PEN America, 30% of banned titles feature LGBTQ+ characters or themes, while 30% feature BIPOC characters or contain themes related to race. Further, the top four most-challenged books in 2022 were all written by diverse authors and featureddiverse protagonists. Make no mistake, this is a concerted effort to erase diverse books from public schools and suppress marginalized voices.

At NEA and We Need Diverse Books, we recognize the power of a diverse bookshelf. The simple act of reading allows students to gaze into mirrors and see themselves, and through windows that allow them to see others.

A Washington and Lee University study offers proof. After participants read a 3,000-word excerpt of the novel “Saffron Dreams” by Pakistani American author Shaila Abdullah, their bias toward the Muslim community decreased. The study offers what educators already know to be true: When students have access to diverse books, they collectively read at least four more hours a week.

When access to these titles is lost, our students also lose the opportunity to build empathy toward others who might not look, or live, like them. Every student deserves to see themselves in the books they read. It is how they learn that their stories and their lives matter.

This nation’s founding documents contain one powerful phrase: “We the people.” That means all of us, across race, place, gender and religion. All educators deserve the freedom to teach. All students deserve the freedom to learn this nation’s history in its entirety so they can fully participate in creating its bright future.

We must defend these rights for every student. We must make our voices heard at school board meetings, and support educators who demand honesty in education. And we must run for school board positions ourselves. In 2022, extreme right organizations endorsed and funded over 500 candidates for local school boards. While that number is small compared to the 71% of pro-public education candidates who won over culture war candidates, unless we rise up to challenge them, these new members will continue the practice of whitewashing our history by taking books from our students, as they march toward their ultimate goal: the destruction of our democracy.

To fight these book bans, we must continue to, in a multiracial coalition, promote, protect, and strengthen public education. No matter how long it takes, we must continue to fight to put books where they belong: in the hands of our students.

Middle school teacher Becky Pringle is president of the National Education Association. Caroline Tung Richmond is executive director of We Need Diverse Books and an award-winning author of young adult historical fiction including “The Only Thing to Fear,” “Live In Infamy” and “The Great Destroyers.” Ellen Oh is a founding member, president and CEO of We Need Diverse Books. She is the author of several middle school and young adult books, including the “Prophecy” trilogy, as well as “A Thousand Beginnings and Endings” and “You Are Here: Connecting Flights.”

Jason Garcia is an investigative journalist who persistently exposes Florida Governor Ron DeSantis’s attacks on the Constitution and dubious dealings.

In this post, he details DeSantis’s determined efforts to silence those who disagree with him.

“Don’t Say Gay” is the centerpiece of his attack on the First Amendment, but the attack radiates out to anyone who takes issue with DeSantis, like the Disney Corporation, which had the temerity to defend its free speech rights. The result: DeSantis took control of the entity that runs Disney World and engaged in a public battle with the state’s biggest employer.

This may impress some voters but it must frighten other corporations. Imagine an elected official empowered to take charge of your business because you disagreed with his extremist policies.

DeSantis’s war on the Disney Corporation should frighten every big corporation. How dare he?

Florida is the state where freedom of speech goes to die.

On Twitter (“X”), The Recount reports that the newly elected president of the Central Bucks County school board, Karen Smith, was sworn into office on a stack of banned books, not the Bible.

https://x.com/therecount/status/1732425364675203121?s=42&t=9ko2QEoKmRIlvHb1PdtjSw

The new board swept out a board of rightwing zealots.

In Bucks County, Pennsylvania, voters elected a new school board pledged to reverse the policies of their Moms-for-Liberty style predecessors. That meant ending censorship of library books and ending the ban on gay-friendly displays, among other things. The old school board gave the retiring superintendent a $700,000 going-away gift; the new one is trying to recover the gift.

The Philadelphia Inquirer reported:

The new Democrat-controlled Central Bucks school board moved quickly Monday to roll back some of its GOP-led predecessors’ most controversial actions — from suspending policies restricting library books to authorizing potential legal action into the former superintendent’s $700,000 payout.

What shape the new board’s actions will ultimately take isn’t yet clear. The board’s new solicitor, for instance, said earlier Monday that he needed to learn more about the separation agreement reached between the prior board and now-resigned superintendent Abram Lucabaugh before pursuing a lawsuit.

But the crowd that lined up outside the Central Bucks administrative building to witness the swearing-in of new members Monday was ready to celebrate regardless — cheering new leadership after what numerous speakers described as two years of “chaos,” bookended by highly contentious, big-money elections.

Republicans who cemented their majority in 2021 enacted bans on teacher “advocacy” in classrooms — including the display of Pride flags — and “sexualized content” in library books, and faced a federal complaint alleging the district had discriminated against LGBTQ students.

But Democrats swept the Nov. 7 school board elections — as they did in a number of area districts where culture-war issues had dominated debate.

“Two years ago, I stood in this room a broken woman,” said Silvi Haldepur, a district parent. But “this community banded together and stood up against the hate.”

Keith Willard, a social studies teacher, told the board it was “incredibly difficult” to work for the district when the previous board had “actively marginalized people” and pushed the “belief that staff are indoctrinating kids.”

“What I ask of this board is that you help steer the ship… and return the stewardship to the people that do the real work every day” — teachers and staff, said Willard, who drew a standing ovation.

The room again broke into applause as the board voted to suspend the library and advocacy policies,as well as a policy banning transgender students from participating in sports aligned with their gender identities — a measure the former board passed at its final meeting in the wake of last month’s elections.