Julian Vasquez Heilig is a scholar of equity. Until recently, he was provost at Western Michigan Hniversity. He stepped back to his role as a scholar, and he now speaks his mind freely and forcefully.
He wrote on his blog “Cloaking Inequity” about the choice facing the leaders of higher education: either stand up for academic freedom or hide in fear. His post is about “The White Flag of Cowardice.”
Trump signed an Executive Order threatening to cut off federal funding from schools that “indoctrinate” students on issues related to race and gender. The order is titled “Ending Radical Indoctrination in K-12 Schooling.”
Let’s start by acknowledging that this order is in direct violation of a law that was passed in 1970 to prevent the federal government from imposing any curriculum on the nation’s schools. This provision has been repeatedly renewed. Neither party wanted the other to impose its views on the schools, which is what Trump seeks to do.
The law says:
“No provision of any applicable program shall be construed to authorize any department, agency, officer, or employee of the United States to exercise any direction, supervision, or control over the curriculum, program of instruction, [or] administration…of any educational institution…or over the selection of library resources, textbooks, or other printed or published instructional materials.” P.L. 103-33, General Education Provisions Act, Section 432.
What Trump ordered is illegal.
Trump is expressing the views of far-right extremist groups, like “Moms for Liberty,” who hate public schools for teaching honest accurate history about racism. They want teachers to say that there was racism long, long ago, but not any more. They vehemently oppose any discussion of systemic racism (they call such discussion “critical race theory,” which of course must never be mentioned).
Any discussion of the reality of racism is forbidden by this order.
Even more threatening to the extremists is what they call “radical gender ideology.” That would be any discussion that acknowledges that LGBT+ people exist. They believe that just talking about the existence of such people–widespread on television, movies, and the Internet–makes children turn gay or even transgender.
Trump’s executive order threatens to withhold federal funding from any school where yea gets “indoctrinate” their students to consider the existence of systemic racism or sexuality.
It is Trump’s hope that with the actions he take, non- binary people–that is, LGTB+–will cease to exist.
Trump’s friend Elon Musk posted yesterday a graphic showing that in the distant past, there were two genders; in the recent past there were “73 genders.” Starting in 2025, his post said, there will be only two genders. Musk is the father of a transgender daughter, who was originally named Xavier. With his gleeful tweet, he seems to be trying to erase his daughter.
After months of heated controversy over the war in Gaza, Harvard University has adopted a policy of “institutional neutrality,” asserting that the core function of the university is to protect free speech and debate and to advance learning, not to take sides. Other universities are considering following Harvard’s lead.
I personally think that this is the proper path for institutions of higher education. They should be places where debates about public policy may occur without intimidation by students or wealthy donors.
After months of controversies tied to the Israel-Hamas war, Harvard University said Tuesday that its administration would no longer issue official statements about public matters that “do not directly affect the university’s core function.”
The school made the announcement more than a month after an Institutional Voice Working Group was established to consider the matter. It come as conversations around the country debate whether to issue public statements on divisive issues of the day.
“The integrity and credibility of the institution are compromised when the university speaks officially on matters outside its institutional area of expertise,” the working group said in a report, which was accepted by Harvard’s administration….
Harvard was engulfed last fall in controversies over what to say about the Israel-Hamas war. A growing chorus of professors and administrators proposed a simple solution: silence.
At Harvard and other universities, momentum has been building for “institutional neutrality,” the principle that university leaders should refrain from taking positions on weighty social and political matters. That idea was, until recently, a fairly obscure concept debated within the academy.
But after the Oct. 7 Hamas attack on Israel plunged many American universities into turmoil, and thrust their leaders into debates over an intractable conflict, schools from Cambridge to California are considering adopting institutional neutrality as a matter of official policy.
Interim Harvard president Alan Garber assembled the working group to study the matter. Columbia’s University Senate recently adopted institutional neutrality in a unanimous vote. Faculty groups at the University of Pennsylvaniaand Yale University are pushing their leaders to do the same.
Proponents argue that adopting neutrality will make universities more governable and protect their mission of fostering open inquiry. Universities, they say, should be forums for debates, not participants in them. But critics say the idea of a neutral university is a chimera. Endowments invest in fossil fuel stocks and some schools accept donations from representatives of autocratic regimes. Neutrality, critics say, is a way to deflect scrutiny and avoid taking morally correct but inconvenient stands…
However, in its report, the Harvard working group said that “the university is not a neutral institution.”
“It values open inquiry, expertise, and diverse points of view, for these are the means through which it pursues truth,” read the report. “The policy of speaking officially only on matters directly related to the university’s core function, not beyond, serves those values.”
From the beginning of the pro-Palestinian campus protests, I have objected to the students’ one-sided support of one side—Hamas. Their chant of “from the river to the sea” implicitly endorses Hamas’ demand to eliminate the state of Israel and to “Islamicize” all the land that includes Israel. With a better knowledge of history, the students would have condemned Hamas’ terrorism and Israel’s Prime Minister Netanyahu, who has launched a campaign of intimidation and terror against the civilian population of Gaza, who have been victims of not only mass bombing but famine.
The Washington Post reported that the campus protests have failed to win the support of the American public. Perhaps they remember 9/11 or the USS Cole or any number of other terrorist attacks where the victims were Americans.
Multiple polls in recent weeks have shown relatively little sympathy for the protesters or approval of their actions. And notably, large numbers of Americans have attached the “antisemitic” label to them.
The most recent data on this come in the form of a striking poll in New York, a hotbed of the protests at Columbia University, in particular.
The Siena College poll shows residents even of that blue-leaning state — Democrats tend to sympathize more with the Palestinian cause — agreed 70 percent to 22 percent that the protests “went too far, and I support the police being called in to shut them down.”
Public sentiment has encouraged Republicans to politicize the issue by harassing university presidents for their failure to close down the student protests. There is something richly ironic about the new-found Republican interest in anti-Semitism. If they really cared about Jew-hatred, they would ask Trump to testify about his relationships to known anti-Semites and neo-Nazis.
But no. Their audiences want to see them pillory the presidents of elite universities, to please their base. The most aggressive of the questioners, Rep. Elise Stefanik, is a graduate of Harvard University. Her low tactics are a disgrace to her university.
Yesterday, members of Congress, mostly Republicans, harangued three university presidents for ignoring anti-Semitism displayed by campus protestors who support Palestinians, and in some cases, the terrorist group Hamas.
Three university leaders were accused on Thursday, during a congressional hearing, of turning a blind eye to antisemitism on their campuses, while capitulating to “pro-Hamas” and “pro-terror” student groups.
During more than three hours of grueling questioning, Northwestern University President Michael Schill, Rutgers University Jonathan Holloway and UCLA Chancellor Gene Block were often bullied and taunted by members of the House Committee on Education & the Workforce for not cracking down more forcefully on anti-Israel protesters who had set up unauthorized encampments on their campuses.
“Each of you should be ashamed of your decisions that allowed antisemitic encampments to endanger Jewish students,” said Chairwoman Virginia Foxx, a Republican from North Carolina.
Schill and Holloway bore the brunt of the wrath of the Republican-controlled committee for also cutting deals with the protesters rather than calling in police to clear the encampments. Seven Jewish members of a committee tasked with fighting antisemitism at Northwestern resigned in protest at the concessions made by their university president to the protesters.
Neither university agreed to an academic boycott of Israel, but they promised to hold discussions in the future on the possibility of divesting from companies with ties to Israel. As part of its agreement, Northwestern also promised to take in students from Gaza displaced by the war, while Rutgers agreed to form a partnership with Birzeit University in the West Bank.
“I think your performance here has been very embarrassing to your school,” U.S. Representative Jim Banks, a Republican from Indiana, told Schill after the president of Northwestern refused to answer questions about a journalism professor at his university who had participated in the protests and scuffled with police.
When asked by Banks whether he allows professors at Northwestern to praise Hamas, Schill, who is Jewish, responded: “They have all the rights of free speech.”
Banks retorted: “Four billion dollars have gone to your university. We should not give you another taxpayers’ dollar for the joke your university has become.”
Elise Stefanik, the Republican congresswoman from New York, was especially hostile, accusing Schill of “unilateral capitulation to the pro-Hamas, anti-Israel, antisemitic encampment.“
When he tried to clarify a point, Stefanik – who has been fashioning herself as a leading voice against the pro-Palestinian student protests – cut him off. “I’m asking the questions here,” she said angrily.
When asked by Stefanik if it was true that he had asked the director of the Hillel chapter at Northwestern whether it was possible to hire an ant-Zionist rabbi as university chaplain, Schill responded emphatically that he had never made such an inquiry.
“That’s not true according to the whistleblowers who’ve come forth to this committee,” retorted Stefanik.
Holloway was interrogated by Congressman Bob Good, a Republican from Virginia, about a think tank at Rutgers that has referred to Israel’s government as genocidal, among other anti-Israel statements it has issued in recent months. When asked, Holloway said he had no intention of closing down this Center for Security, Race and Rights.
Good: “Do you think Israel’s government is genocidal?“
Holloway: “Sir, I don’t have an opinion about Israel in terms of that phrase.”
Good: “You do not have an opinion as to whether or not Israel’s government is genocidal?”
Holloway: “No, sir. I think Israel has a right to exist and protect itself.”
Good: “Do you think Israel’s government is genocidal?”
Holloway: “I think Israel has a right to exist and protect itself, sir.”
Good: “But you will not say that Israel’s government is not genocidal? You can’t say that?”
Holloway: “Sir, I believe the government . . . “
Good: “Are you in a position to answer any questions? Do you have an opinion on anything?
Later on in the hearing, Holloway was given a second chance to address the question, phrased somewhat differently. When asked by Congressman Eric Burlison, a Republican from Missouri, whether they believed Israel was genocidal, all three university leaders responded that they did not.
The American Civil Liberties Union issued a statement to advise college and university presidents about responding to student protests.
We write in response to the recent protests that have spread across our nation’s university and college campuses, and the disturbing arrests that have followed. We understand that as leaders of your campus communities, it can be extraordinarily difficult to navigate the pressures you face from politicians, donors, and faculty and students alike. You also have legal obligations to combat discrimination and a responsibility to maintain order. But as you fashion responses to the activism of your students (and faculty and staff), it is essential that you not sacrifice principles of academic freedom and free speech that are core to the educational mission of your respected institution…The American Civil Liberties Union released a statement describing how universities should react to demonstrations on campus.
The statement begins:
These protections extend to both students and faculty, and to speech that supports either side of the conflict. Outside the classroom, including on social media, students and professors must be free to express even the most controversial political opinions without fear of discipline or censure. Inside the classroom, speech can be and always has been subject to more restrictive rules to ensure civil dialogue and a robust learning environment. But such rules have no place in a public forum like a campus green. Preserving physical safety on campuses is paramount; but “safety” from ideas or views that one finds offensive is anathema to the very enterprise of the university.
First, university administrators must not single out particular viewpoints — however offensive they may be to some members of the community — for censorship, discipline, or disproportionate punishment. Viewpoint neutrality is essential. Harassment directed at individuals because of their race, ethnicity, or religion is not, of course, permissible. But general calls for a Palestinian state “from the river to the sea,” or defenses of Israel’s assault on Gaza, even if many listeners find these messages deeply offensive, cannot be prohibited or punished by a university that respects free speech principles.
Second, both public and private universities are bound by civil rights laws that guarantee all students equal access to education, including Title VI of the Civil Rights Act. This means that schools can, and indeed must, protect students from discriminatory harassment on the basis of race or national origin, which has been interpreted to include discrimination on the basis of “shared ancestry or ethnic characteristics,” or “citizenship or residency in a country with a dominant religion or distinct religious identity.”
So, while offensive and even racist speech is constitutionally protected, shouting an epithet at a particular student or pinning an offensive sign to their dorm room door can constitute impermissible harassment, not free speech. Antisemitic or anti-Palestinian speech targeted at individuals because of their ethnicity or national origin constitutes invidious discrimination, and cannot be tolerated. Physically intimidating students by blocking their movements or pursuing them aggressively is unprotected conduct, not protected speech. It should go without saying that violence is never an acceptable protest tactic.
Speech that is not targeted at an individual or individuals because of their ethnicity or national origin but merely expresses impassioned views about Israel or Palestine is not discrimination and should be protected. The only exception for such untargeted speech is where it is so severe or pervasive that it denies students equal access to an education — an extremely demanding standard that has almost never been met by pure speech. One can criticize Israel’s actions, even in vituperative terms, without being antisemitic. And by the same token, one can support Israel’s actions in Gaza and condemn Hamas without being anti-Muslim. Administrators must resist the tendency to equate criticism with discrimination. Speech condoning violence can be condemned, to be sure. But it cannot be the basis for punishment, without more.
Third, universities can announce and enforce reasonable time, place, or manner restrictions on protest activity to ensure that essential college functions can continue. Such restrictions must be content neutral, meaning that they do not depend on the substance of what is being communicated, but rather where, when, or how it is being communicated. Protests can be limited to certain areas of campus and certain times of the day, for example. These policies must, however, leave ample room for students to speak to and to be heard by other members of the community. And the rules must not only be content neutral on their face; they must also be applied in a content-neutral manner. If a university has routinely tolerated violations of its rules, and suddenly enforces them harshly in a specific context, singling out particular views for punishment, the fact that the policy is formally neutral on its face does not make viewpoint-based enforcement permissible.
Open the link to finish reading the statement.
I recently visited Wellesley College to attend the lecture of lawyer-scholar Patricia Williams, who spoke about book banning, censorship and critical race theory. She was brilliant. Her lecture will be posted as soon as Wellesley releases the tape. She spoke as part of the annual lecture series that I endowed.
At the end of her lecture, a student asked a question. The student said that she had sent out a notice to all the others in her dorm denouncing genocide. Now she wanted Professor Williams to advise her on how to respond to an older alumna about genocide in a manner that was respectful and would lead to further discussion.
Professor Williams responded, and I paraphrase, “If you really want to have an honest exchange, don’t use the word ‘genocide.’ It’s a conversation stopper. Genocide has a specific legal definition, and it’s not the right word to use if you really want a discussion.”
Later, I had dinner with Professor Williams and Wellesley President Paula Johnson. Dr. Johnson described what happened when Hillary Clinton, the College’s most distinguished alumna, spoke recently on campus. Students disrupted her speech and denounced her as a war criminal. When her car pulled away from the President’s house, students surrounded the car, shouting obscenities and exercising their middle finger.
Frankly, I was appalled. Colleges and universities must protect free speech, but there are limits. You can’t yell “fire” in a crowded theater. There must be other limits. The purpose of a college education is to teach critical thinking, to exemplify the value of reasoned debate, to maintain civility when there are strong disagreements, to be open to learning.
This morning, Columbia University announced that it is offering online classes because the campus is unsafe for learning, especially for Jewish students. This is outrageous. Campuses must be safe places for all students and faculty. Civility matters.
Colleges and universities should, in my opinion, establish clear rules about the speech that stifles others from speaking, about speech that diminishes freedom of discussion, about speech that threatens the physical safety of others, about speech that undermines free speech and civility. And most certainly for behavior that makes the campus unsafe for students and faculty.
Pro-Palestinian students should argue their cause without shutting down discussion and threatening Jewish students. Closing down debate, antagonizing those who disagree, creating a climate in which “academic freedom” is used to negate academic freedom is simply wrong.
There must be clear guidelines about the kind of conduct that is not permitted because it destroys the fundamental purpose of higher education, which is the freedom to teach, to learn, and to debate.
We have heard repeatedly since October 7 that expressions and behavior that are anti-Israel are not anti-Semitic. But the widespread harassment of Jewish students, even Jewish faculty, gives the lie to this claim. Such harassment is anti-Semitic.
I deplore the barbarism of October 7. I deplore the brutality of the war in Gaza and the deaths of thousands of innocent civilians. I hope that peace negotiations bring about two states and a just peace.
I deplore the surge of Jew-hatred on American campuses. Jewish students and all other students, as well as Jewish faculty and all faculty, should be able to learn and teach without fearing for their safety.
Colleges and universities must establish rules that promote and protect civility. Students who harass and endanger others cancel the purpose of higher education. They should be warned and if they persist, they should be suspended, and if they continue in their actions, expelled.
Republicans have grown frustrated by their inability to get their views represented on college campuses, so they have grown more assertive in passing laws to ban ideas they don’t like (such as “critical race theory” or gender studies or diversity/equity/inclusion or “divisive concepts).
Indiana is imposing a different approach. Instead of banning what it does not like, the Legislature is requiring professors to teach different points of view.
A new law in Indiana requires professors in public universities to foster a culture of “intellectual diversity” or face disciplinary actions, including termination for even those with tenure, the latest in an effort by Republicans to assert more control over what is taught in classrooms.
The law connects the job status of faculty members, regardless of whether they are tenured, to whether, in the eyes of a university’s board of trustees, they promote “free inquiry” and “free expression.” State Senator Spencer Deery, who sponsored the bill, made clear in a statement that this would entail the inclusion of more conservative viewpoints on campus.
The backlash to the legislation, which Gov. Eric Holcomb, a Republican, signed March 13, has been substantial. Hundreds wrote letters or testified at hearings, and faculty senates atmultiple institutions had urged the legislature to reject the bill, condemning it as government overreach and a blow to academic free speech.
“The whole point of tenure is to protect academic freedom,” said Irene Mulvey, the president of the American Association of University Professors, who described the law as “thought policing.”
Under the Indiana law, which goes into effect in July, university trustees may not grant tenure or a promotion to faculty members who are deemed “unlikely” to promote “intellectual diversity” or to expose students to works from a range of political views. Trustees also may withhold tenure or promotion from those who are found “likely” to bring unrelated political views into the courses they are teaching.
Faculty members who already have tenure would be subject to regular reviews to determine if they are meeting all of these criteria, and if the board concludes they are not, they could be demoted or fired. The law also requires colleges to set up a procedure for students or other employees to file complaints about faculty members considered to be falling short on these requirements.
Boards are not, under the law, allowed to penalize faculty for criticizing the institution or engaging in political activity outside of their teaching duties. The restrictions do not apply to private university faculty members.
Will professors of science be allowed to teach about climate change or evolution without giving equal time to “the other side?”
Will professors of American history be allowed to teach about the horrors of slavery and Jim Crow and institutional racism without introducing the Confederate point of view?
This law is a serious attack on academic freedom.
Leslie Postal of the Orlando Sentinel reported the list of banned books.
Please scan the list and let me know which you think should never be banned. Are there any on the list that you think should not be in any 3-8 classroom? Any that should not be available in high school?
Here is a list of the 673 books removed from teachers’ classroom shelves in Orange County for fear they might violate state law and rules on “sexual conduct:” Some might be returned to shelves after further review.
“In the Belly of the Beast,” Jack Henry Abbott
“The Pool Was Empty,” Gilles Abier
“The Poet X,” Elizabeth Acevedo
“With the Fire on High,” Elizabeth Acevedo
“Call Me By Your Name,” Andre Aciman
“Things You Shouldn’t Say Past Midnight,” Peter Ackerman
“Half of a Yellow Sun,” Chimamanda Ngozi Adichie
“Changes,” Ama Ata Aidoo
“River of Darkness,” Rennie Airth
“Say You’re One of Them,” Uwem Akpan
“Simon Vs. The Homo Sapiens Agenda,” Becky Albertalli
“The Upside of Unrequited,” Becky Albertalli
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The House of the Spirits,” Isabel Allende
“In the Midst of Winter,” Isabel Allende
“The Blood of Flowers,” Anita Amirrezvani
“Wintergirls,” Laurie Halse Anderson
“Me and Earl and the Dying Girl,” Jesse Andrews
“The Haters,” Jesse Andrews
“I Know Why The Caged Bird Sings,” Maya Angelou
“Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” Maya Angelou
“Lucy in the Sky,” Anonymous
“And Eternity,” Piers Anthony
“On a Pale Horse,” Piers Anthony
“Four Plays,” Aristophanes
“From Blood and Ash,” Jennifer L. Armentrout
“Storm and Fury,” Jennifer L. Armentrout
“City of the Lost,” Kelley Armstrong
“Mosquitoland,” David Arnold
“Damsel,” Elana K. Arnold
“Infandous,” Elana K. Arnold
“Red Hood,” Elana K. Arnold
“What Girls Are Made Of,” Elana K. Arnold
“Oryx and Crake,” Margaret Atwood
“The Handmaid’s Tale,” Margaret Atwood
“The Handmaid’s Tale: The Graphic Novel,” Margaret Atwood
“The Testaments,” Margaret Atwood
“Alias Grace,” Margaret Atwood
“Hag-Seed,” Margaret Atwood
“Madd Addam Trilogy,” Margaret Atwood
“The Blind Assassin,” Margaret Atwood
“The Clan of the Cave Bear,” Jean M. Auel
“The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters
(Earth’s Children, #1-3),” Jean M. Auel
“The Tale of John Barleycorn: From Barley to Beer,” Mary Azarian
“My Friend Dahmer,” John “Derf” Backderf
“Six of Crows,” Leigh Bardugo
“Dance Nation,” Clare Barron
“Wise Young Fool,” Sean Beaudoin
“Herzog,” Saul Bellow
“The Color Master,” Aimee Bender
“The Seven Rays,” Jessica Bendinger
“Glimpse,” Stacey Wallace Benefiel
“The History Boys,” Alan Bennett
“Mr. Darcy Takes a Wife,” Linda Berdoll
“Best in Show,” Laurien Berenson
“Dark Eye,” William Bernhardt
“Friday Night Lights: A Town A Team And A Dream,” H.G. Bissinger
“Geektastic,” Holly Black
“Red Glove,” Holly Black
“I Was a Teenage Fairy,” Francesca Lia Block
“Sex on the Brain,” Deborah Blum
“Forever…,” Judy Blume
“Midwives: A Novel,” Chris Bohjalian
“Bronxwood,” Coe Booth
“The Best American Short Stories 2015,” T.C. Boyle
“The Road to Wellville,” T.C. Boyle
“The Darkest Minds,” Alexandra Bracken
“The Dark Garden,” Eden Bradley
“The Mists of Avalon,” Marion Zimmer Bradley
“Forever in Blue: The Fourth Summer of the Sisterhood,” Ann Brashares
“The Last Summer of You and Me,” Ann Brashares
“The Sisterhood of the Traveling Pants,” Ann Brashares
“Electric Girl,” Michael Brennan
“The Demon’s Surrender,” Sarah Rees Brennan
“Monkey Man,” Steve Brewer
“Over the Edge,” Suzanne Brockmann
“Candy,” Kevin Brooks
“Angels & Demons,” Dan Brown
“The Bridges of Madison County (musical),” Jason Robert Brown
“A Secret Splendor,” Sandra Brown
“Above and Beyond,” Sandra Brown
“In a Class by Itself,” Sandra Brown
“Lethal,” Sandra Brown
“Seduction by Design,” Sandra Brown
“Send No Flowers,” Sandra Brown
“Unspeakable,” Sandra Brown
“Doing It,” Melvin Burgess
“The Neon Rain,” James Lee Burke
“The Glister,” John Burnside
“Running with Scissors,” Augusten Burroughs
“Summer and the City,” Candace Bushnell
“The Carrie Diaries,” Candace Bushnell
“Kindred,” Octavia E. Butler
“Kindred: A Graphic Novel Adaptation,” Octavia E. Butler
“El Gigante Solitario,” Mary Cappellini
“Xenocide,” Orson Scott Card
“How Beautiful the Ordinary: Twelve Stories of Identity,” Michael Cart
“The Bloody Chamber and Other Stories,” Angela Carter
“Kisses From Hell,” Kristin Cast
“Chosen,” P.C. Cast
“Marked,” P.C. Cast
“The Big Sleep,” Raymond Chandler
“The Big Sleep; The High Window; The Lady in the Lake; The Long
Goodbye; Playback; Farewell, My Lovely,” Raymond Chandler
“Stories and Early Novels: Pulp Stories / The Big Sleep / Farewell My
Lovely / The High Window,” Raymond Chandler
“The Year of Living Awkwardly,” Emma Chastain
“Pieces,” Stephen Chbosky
“The Perks of Being a Wallflower,” Stephen Chbosky
“The Perks of Being a Wallflower YA edition,” Stephen Chbosky
“The Lady and the Unicorn,” Tracy Chevalier
“My Wicked Wicked Ways,” Sandra Cisneros
“The Tesla Testament,” Eugene Ciurana
“Chain Of Iron,” Cassandra Clare
“Chain Of Thorns,” Cassandra Clare
“Queen of Air and Darkness,” Cassandra Clare
“The Red Scrolls Of Magic,” Cassandra Clare
“Little Bee,” Chris Cleave
“The Girls,” Emma Cline
“Ready Player One,” Ernest Cline
“Scooter Girl,” Chynna Clugston-Flores
“Disgrace,” J.M. Coetzee
“Naomi and Ely’s No Kiss List,” Rachel Cohn
“Nick and Norah’s Infinite Playlist,” Rachel Cohn
“Finding Yvonne,” Brandy Colbert
“The Goats,” Brock Cole
“American Gangster,” Max Allan Collins
“Brules: A Novel,” Harry Combs
“The Lords of Discipline,” Pat Conroy
“Captain Marvel,” Gerry Conway
“Coma: A Novel,” Robin Cook
“Leviathan Wakes,” James S.A. Corey
“Heroes,” Robert Cormier
“Scarpetta,” Patricia Cornwell
“Three Complete Novels: Postmortem, Body Of Evidence, All That
Remains,” Patricia Cornwell
“Postmortem,” Patricia Cornwell
“Nearly Gone,” Elle Cosimano
“A Veil Removed,” Michelle Cox
“The Bondwoman’s Narrative,” Hannah Crafts
“First Semester,” Cecil R. Cross II
“Running Loose,” Chris Crutcher
“Balzac and the Little Chinese Seamstress,” Sijie Dai
“Esperanza Rising,” Julie Danneberg
“Cendrillon,” Luc Darbois
“Sir Apropos of Nothing,” Peter David
“The Westing Game,” Beatrice G. Davis
“Never Cry Werewolf,” Heather Davis
“Corelli’s Mandolin,” Louis de Bernieres
“Gates of Paradise,” Melissa de la Cruz
“Sunset Boulevard,” Zoey Dean
“Tall Cool One,” Zoey Dean
“American Beauty,” Zoey Dean
“The Feeling of Falling in Love,” Mason Deaver
“The Girl Before,” J.P. Delaney
“The Inheritance Of Loss,” Kiran Desai
“This Lullaby,” Sarah Dessen
“The Brief Wondrous Life of Oscar Wao,” Junot Díaz
“Blade Runner (do Androids Dream of Electric Sheep),” Philip K. Dick
“Don’t Get Caught,” Kurt Dinan
“Strangers She Knows,” Christina Dodd
“These Shallow Graves,” Jennifer Donnelly
“Room,” Emma Donoghue
“The Cases that Haunt Us,” John E. Douglas
“November Blues,” Sharon M. Draper
“Panic,” Sharon M. Draper
“House of Sand and Fog,” Andre Dubus III
“A Stolen Life: A Memoir,” Jaycee Dugard
“Submarine,” Joe Dunthorne
“Paso a Paso,” José Antonio Echeverria
“The Circle,” Dave Eggers
“Perfect Chemistry,” Simone Elkeles
“The Authority,” Warren Ellis
“Invisible Man,” Ralph Ellison
“The Gathering,” Anne Enright
“The Painter from Shanghai,” Jennifer Cody Epstein
“The Round House,” Louise Erdrich
“Sophomore Undercover,” Ben Esch
“Like Water For Chocolate,” Laura Esquivel
“Middlesex,” Jefferey Eugenides
“The Horse Whisperer,” Nicholas Evans
“Sleepless,” Thomas Fahy
“Ask the Dust,” John Fante
“Bad Days In History,” Michael Farquhar
“The Comedy Writer,” Peter Farrelly
“White Oleander,” Janet Fitch
“Madame Bovary,” Gustave Flaubert
“Dark Places,” Gillian Flynn
“Sharp Objects,” Gillian Flynn
“Separation of Power,” Vince Flynn
“Extremely Loud and Incredibly Close,” Jonathan Safran Foer
“The Carnival at Bray,” Jessie Ann Foley
“The Guest List,” Lucy Foley
“The Pillars of the Earth,” Ken Follett
“World Without End,” Ken Follett
“Come Back,” Claire Fontaine
“If I Stay,” Gayle Forman
“Just One Day,” Gayle Forman
“The Jane Austen Book Club,” Karen Fowler
“Joy Special of the Day,” Elaine Fox
“You Hear Me?,” Betsy Franco
“Palo Alto,” James Franco
“Dime,” E. R. Frank
“Cold Mountain,” Charles Frazier
“The Likeness,” Tana French
“Anansi Boys,” Neil Gaiman
“The House of Bernarda Alba,” Federico García Lorca
“Chronicle of a Death Foretold,” Gabriel García Márquez
“Love in the Time of Cholera,” Gabriel García Márquez
“Annie on My Mind,” Nancy Garden
“Killjoy,” Julie Garwood
“Eat, Pray, Love,” Elizabeth Gilbert
“Howl and Other Poems,” Allen Ginsberg
“Girl in Pieces,” Kathleen Glasgow
“Fat Kid Rules the World,” Kelly L. Going
“Bee Season,” Myla Goldberg
“Kenang-Kenangan Seorang Geisha (Memoirs of a Geisha),” Arthur Golden
“Memoirs of a Geisha,” Arthur Golden
“Sister Mischief,” Laura Goode
“A Reliable Wife,” Robert Goolrick
“Forever for a Year,” B.T. Gottfred
“The Handsome Girl & Her Beautiful Boy,” B.T. Gottfred
“The Nerdy and the Dirty,” B.T. Gottfred
“Tomorrow Girls,” Eva Gray
“An Abundance of Katherines,” John Green
“Looking for Alaska,” John Green
“Will,” John Grayson
“Paper Towns,” John Green
“Sex Plus: Learning, Loving and Enjoying Your Body,” Laci Green
“The Quiet American,” Graham Greene
“None Of The Above,” I.W. Gregorio
“Changeling,” Philippa Gregory
“The Other Boleyn Girl,” Philippa Gregory
“A Time to Kill,” John Grisham
“The Firm,” John Grisham
“John Grisham Value Collection: A Time to Kill, The Firm, The Client,”
John Grisham
“From Where I Watch You,” Shannon Grogan
“Water For Elephants,” Sara Gruen
“The Freedom Writers Diary,” Erin Gruwell
“Snow Falling On Cedars,” David Guterson
“A Map of the World,” Jane Hamilton
“We’ll Always Have Summer,” Jenny Han
“The World’s Strongest Librarian,” Joshua Hanagarne
“Fly Away,” Kristin Hannah
“The Art of Fielding,” Chad Harbach
“Jude the Obscure,” Thomas Hardy
“Chocolat,” Joanne Harris
“The Lollipop Shoes,” Joanne Harris
“The Silent Wife,” A.S.A. Harrison
“Plainsong,” Kent Haruf
“The Best 100 Poems of Gwen Harwood,” Gwen Harwood
“Necropolis,” Jordan L. Hawk
“Second Skin,” John Hawkes
“The Girl on the Train,” Paula Hawkins
“Catch-22,” Joseph Heller
“The Collected Plays,” Lillian Hellman
“Demian the Story of Emil Sinclairs Youth,” Hermann Hesse
“Demian. Die Geschichte von Emil Sinclairs Jugend.,” Hermann Hesse
“Siddhartha (Dual-Language),” Hermann Hesse
“Siddhartha: A Novel,” Hermann Hesse
“Skin Tight,” Carl Hiaasen
“The Island,” Elin Hilderbrand
“Rethinking Normal: A Memoir in Transition,” Katie Rain Hill
“Here Comes Santa Claus,” Sandra Hill
“Royal Assassin,” Robin Hobb
“The Dress Lodger,” Sheri Holman
“Watch Me,” A.J. Holt
“November 9,” Colleen Hoover
“Heart Bones,” Colleen Hoover
“Hopeless,” Colleen Hoover
“It Ends With Us,” Colleen Hoover
“It Starts With Us,” Colleen Hoover
“Layla,” Colleen Hoover
“Losing Hope,” Colleen Hoover
“Regretting You,” Colleen Hoover
“Verity,” Colleen Hoover
“Confess,” Colleen Hoover
“Ugly Love,” Colleen Hoover
“Impulse,” Ellen Hopkins
“Burned,” Ellen Hopkins
“Collateral,” Ellen Hopkins
“Crank,” Ellen Hopkins
“Fallout,” Ellen Hopkins
“Identical,” Ellen Hopkins
“Love Lies Beneath,” Ellen Hopkins
“People Kill People,” Ellen Hopkins
“Perfect,” Ellen Hopkins
“Tilt,” Ellen Hopkins
“Tricks,” Ellen Hopkins
“I Never,” Laura Hopper
“The Changeling,” Kate Horsley
“The Kite Runner,” Khaled Hosseini
“A Thousand Splendid Suns,” Khaled Hosseini
“Taken at Dusk,” C.C. Hunter
“Brave New World,” Aldous Huxley
“M Butterfly,” David Henry Hwang
“Icy Sparks,” Gwyn Hyman Rubio
“A Widow for One Year: A Novel,” John Irving
“The World According to Garp,” John Irving
“Never Let Me Go,” Kazuo Ishiguro
“Bit of a Blur,” Alex James
“Fifty Shades Series,” E.L. James
“Green River Killer: A True Detective Story,” Jeff Jensen
“No One to Trust,” Iris Johansen
“All Boys Aren’t Blue,” George M. Johnson
“Truly Devious 3-Book Box Set,” Maureen Johnson
“The Graduate,” Terry Johnson
“Choice Words,” Peter H. Johnston
“The Recognition of Sakuntala,” Arthur William Ryder Kalidasa
“Scent of Danger,” Andrea Kane
“Confessions of a Not It Girl,” Melissa Kantor
“The Big Bad Wolf Tells All,” Donna Kauffman
“Milk and Honey,” Rupi Kaur
“The Sun and Her Flowers,” Rupi Kaur
“Summer in the City of Roses,” Michelle Ruiz Keil
“Street Dreams,” Faye Kellerman
“Mr. Ding’s Chicken Feet,” Gillian Kendall
“The DUFF: Designated Ugly Fat Friend,” Kody Keplinger
“YOU: A Nove,” Caroline Kepnes
“On The Road,” Jack Kerouac
“The Book of Longings,” Sue Monk Kidd
“Four Past Midnight,” Stephen King
“Dolores Claiborne,” Stephen King
“Lisey’s Story,” Stephen King
“Night Shift,” Stephen King
“The Drawing of the Three,” Stephen King
“The Wastelands,” Stephen King
“Under the Dome,” Stephen King
“Prodigal Summer: A Novel,” Barbara Kingsolver
“Confessions of a Shopaholic,” Sophie Kinsella
“Shopaholic and Baby,” Sophie Kinsella
“Fear the Hunters,” Robert Kirkman
“Miles Behind Us,” Robert Kirkman
“Don’t Say a Word,” Andrew Klavan
“Primary Colors,” Joe Klein
“Sex, Drugs, and Cocoa Puffs,” Chuck Klosterman
“Gender Queer: A Memoir,” Maia Kobabe
“City of Night,” Dean Koontz
“Twilight Eyes,” Dean Koontz
“The Bear Went Over the Mountain,” William Kotzwinkle
“Born on the Fourth of July,” Ron Kovic
“The Pirate,” Jayne Ann Krentz
“The Poppy War,” R F. Kuang
“Dark Triumph,” Robin La Fevers
“Grave Mercy,” Robin La Fevers
“The Namesake,” Jhumpa Lahiri
“I Know This Much Is True,” Wally Lamb
“Search for Safety,” Paul Langan
“Survivor,” Paul Langan
“Liar,” Justine Larbalestier
“My Sister Rosa,” Justine Larbalestier
“The Splendid and the Vile,” Erik Larson
“Recipe Box,” Sandra Lee
“Furyborn,” Claire Legrand
“Mystic River,” Dennis Lehane
“The Grass Is Singing,” Doris Lessing
“Another Day,” David Levithan
“Dexter Is Delicious,” Jeff Lindsay
“Last Night at the Telegraph Club,” Malinda Lo
“The Dirt on Sex,” Justin Lookadoo
“Character, Driven,” David Lubar
“The Bourne Identity,” Robert Ludlum
“The Robert Ludlum Value Collection: The Bourne Identity, The Bourne
Supremacy, The Bourne Ultimatum,” Robert Ludlum
“Brave New Girl,” Louisa Luna
“Game,” Barry Lyga
“I Hunt Killers,” Barry Lyga
“Boy Toy,” Barry Lyga
“A Court of Frost and Starlight,” Sarah J. Maas
“A Court of Mist and Fury,” Sarah J. Maas
“A Court of of Wings and Ruin,” Sarah J. Maas
“A Court of Silver Flames,” Sarah J. Maas
“A Court of Wings and Ruin,” Sarah J. Maas
“House of Earth and Blood,” Sarah J. Maas
“A Court of Thorns and Roses,” Sarah J. Maas
“Fall on Your Knees,” Ann-Marie MacDonald
“Easter Rising,” Michael Patrick MacDonald
“Guyaholic,” Carolyn Mackler
“The Hike,” Drew Magary
“Son of a Witch,” Gregor Maguire
“Wicked: The Life and Times of the Wicked Witch of the West,” Gregory Maguire
“Wicked: Memorias de una bruja mala,” Gregory Maguire
“The Natural,” Bernard Malamud
“Nectar in a Sieve,” Kamala Markandaya
“Slightly Single,” Wendy Markham
“Blue is the Warmest Color,” Jul Maroh
“A Game of Thrones,” George R.R. Martin
“A Dance with Dragons,” George R.R. Martin
“A Feast for Crows,” George R.R. Martin
“A Storm of Swords,” George R.R. Martin
“The Mystery Knight,” George R.R. Martin
“The Official A Game of Thrones Coloring Book,” George R.R. Martin
“A Clash of Kings,” George R.R. Martin
“Jackie “The Joke Man” Martling’s Disgustingly Dirty Joke Book,” Jackie Martling
“Paper Dollhouse,” Lisa M. Masterson
“Strange Intimacy,” Anne Mather
“Amy & Roger’s Epic Detour,” Morgan Matson
“The Secret Diary of Anne Boleyn,” Robin Maxwell
“The Good Lord Bird,” James McBride
“Perfect Fifths,” Megan McCafferty
“Second Helpings,” Megan McCafferty
“Freedom’s Choice,” Anne McCaffrey
“All the Pretty Horses,” Cormac McCarthy
“No Country for Old Men,” Cormac McCarthy
“Outer Dark,” Cormac McCarthy
“Man o’ War,” Cory McCarthy
“Sold,” Patricia McCormick
“The Revolution of Little Girls,” Blanche McCrary Boyd
“The Beauty Queen of Leenane,” Martin McDonagh
“Sophomore Switch,” Abby McDonald
“Amsterdam,” Ian McEwan
“Atonement,” Ian McEwan
“On Chesil Beach,” Ian McEwan
“Duquesa by Default,” Maura McGiveny
“Beautiful Disaster,” Jamie McGuire
“The Memory of Running,” Ron McLarty
“Lonesome Dove,” Larry McMurtry
“Everything You Want Me to Be,” Mindy Mejia
“Talking in the Dark,” Billy Merrell
“Life and Death: Twilight Reimagined,” Stephenie Meyer
“Pretty Woman,” Fern Michaels
“The Real Deal,” Fern Michaels
“The Authority,” Mark Millar
“Circe,” Madeline Miller
“The Song of Achilles: A Novel,” Madeline Miller
“Paradise Lost and Paradise Regained (The Signet Classic Poetry
Series),” John Milton
“Paradise Lost,” John Milton
“Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and
Being a Human (A Graphic Novel),” Erika Moen
“All My Friends Are Dead,” Avery Monsen
“Watchmen,” Alan Moore
“Camp Confidential,” Melissa J. Morgan
“The Year of Secret Assignments,” Jaclyn Moriarty
“The Center of Everything,” Laura Moriarty
“Seikai 1,” Hiroyuki Morioka
“The Bluest Eye,” Toni Morrison
“Beloved,” Toni Morrison
“Paradise,” Toni Morrison
“Song of Solomon,” Toni Morrison
“Kafka on the Shore,” Haruki Murakami
“Heart of Stone,” C.E. Murphy
“Dead End,” Jason Myers
“Street Love,” Walter Dean Myers
“Peace, Love, and Baby Ducks,” Lauren Myracle
“Rhymes with Witches,” Lauren Myracle
“Shine,” Lauren Myracle
“L8R G8R,” Lauren Myracle
“The Infinite Moment of Us,” Lauren Myracle
“ttfn,” Lauren Myracle
“TTYL,” Lauren Myracle
“yolo,” Lauren Myracle
“The Art of Hana-Kimi,” Hisaya Nakajo
“Skin,” Donna Jo Napoli
“Linden Hills,” Gloria Naylor
“The Men of Brewster Place,” Gloria Naylor
“The Women of Brewster Place,” Gloria Naylor
“Like a Love Story,” Abdi Nazemian
“Getting Somewhere,” Beth Neff
“On the Volcano,” James Nelson
“Suite Francaise,” Irene Nemirovsky
“The Sympathizer,” Viet Thanh Nguyen
“We Are All Made of Molecules,” Susin Nielsen-Fernlund
“Holding Up the Universe,” Jennifer Niven
“Breathless,” Jennifer Niven
“Everlasting,” Alyson Noël
“Evermore,” Alyson Noël
“Night Star,” Alyson Noël
“Where I end and You Begin,” Preston Norton
“Sweat,” Lynn Nottage
“Plague in the Mirror,” Deborah Noyes
“Back Roads,” Tawni O’Dell
“Beasts,” Joyce Carol Oates
“The Assignation: Stories,” Joyce Carol Oates
“We Were the Mulvaneys,” Joyce Carol Oates
“Panic,” Lauren Oliver
“Before I Fall,” Lauren Oliver
“When the Emperor was Divine,” Julie Otsuka
“Ars Amatoria,” Ovid
“Metamorphoses,” Ovid
“Where the Crawdads Sing,” Delia Owens
“Choke,” Chuck Palahniuk
“Invisible Monsters Remix,” Chuck Palahniuk
“Lullaby,” Chuck Palahniuk
“In Order to Live,” Yeonmi Park
“The Dogs of Babel,” Carolyn Parkhurst
“Learning Tree,” Gordon Parks
“Bel Canto,” Ann Patchett
“The Patron Saint of Liars,” Ann Patchett
“Honeymoon,” James Patterson
“Private,” James Patterson
“Sail,” James Patterson
“Sam’s Letters to Jennifer,” James Patterson
“Sideways,” Alexander Payne
“A Day No Pigs Would Die,” Robert Newton Peck
“The Leftovers,” Tom Perrotta
“Out Stealing Horses,” Per Petterson
“Prague,” Arthur Phillips
“Fishtailing,” Wendy Phillips
“A Spark of Light,” Jodi Picoult
“Handle with Care,” Jodi Picoult
“Picture Perfect,” Jodi Picoult
“The Pact: A Love Story,” Jodi Picoult
“The Storyteller,” Jodi Picoult
“The Tenth Circle,” Jodi Picoult
“Nineteen Minutes,” Jodi Picoult
“A Year and a Day,” Leslie Pietrzyk
“Thirst No. 1,” Christopher Pike
“Thirst No. 2,” Christopher Pike
“Thirst No. 4,” Christopher Pike
“Thirst No. 5,” Christopher Pike
“Into White,” Randi Pink
“It Doesn’t Have to Be Awkward: Dealing with Relationships, Consent,
and Other Hard-to-Talk-About Stuff,” Drew Pinsky
“Yes Please,” Amy Poehler
“Tinisima,” Elena Poniatowska
“Behind the Shadows,” Patricia Potter
“The Whistling Toilets,” Randy Powell
“The Cabin,” Natasha Preston
“The Cellar,” Natasha Preston
“Caves Graves,” Natalie Prior
“Jane Swann’s Way,” Marcel Proust
“La Belle Sauvage,” Philip Pullman
“Burning Glass,” Kathryn Purdie
“The Family,” Mario Puzo
“Gabi, a Girl in Pieces,” Isabel Quintero
“The Elegant Gathering of White Snows,” Kris Radish
“The Fountainhead,” Ayn Rand
“Modern Love,” Andrew Rannells
“Punkzilla,” Adam Rapp
“Beautiful,” Amy Reed
“The Cute Girl Network,” M.K. Reed
“Such a Fun Age,” Kiley Reid
“The Seven Husbands of Evelyn Hugo,” Taylor Jenkins Reid
“Stop in the Name of Pants!,” Louise Rennison
“Stone Fox,” John Reynolder
“Wide Sargasso Sea,” Jean Rhys
“The Vampire Armand,” Anne Rice
“The Witching Hour,” Anne Rice
“Life,” Keith Richards
“Juliet Takes a Breath,” Gabby Rivera
“Redeeming Love,” Francine Rivers
“The Atonement Child,” Francine Rivers
“Gulp: Adventures on the Alimentary Canal,” Mary Roach
“Birthright,” Nora Roberts
“The True and Outstanding Adventures of the Hunt Sisters,” Elisabeth Robinson
“Normal People,” Sally Rooney
“Jack of Hearts (and other parts),” L.C. Rosen
“Portnoy’s Complaint,” Philip Roth
“The Casual Vacancy,” J.K. Rowling
“The God of Small Things,” Arundhati Roy
“All of Us with Wings,” Michelle Ruiz Keil
“Elegies for Angels Punks and Raging Queens,” Bill Russell
“The Dead-Tossed Waves,” Carrie Ryan
“Leviathan Wakes,” James S.A. Corey
“And They Lived …,” Steven Salvatore
“Bait,” Alex Sanchez
“Once a King, Always a King,” Reymundo Sanchez
“Option B,” Sheryl Sandberg
“The Fool’s Run,” John Sandford
“Vampire, Interupted,” Lynsay Sands
“Push,” Sapphire
“Blindness,” José Saramago
“Jesus Land: A Memoir,” Julia Scheeres
“Uses for Boys,” Erica Lorraine Scheidt
“The Reader,” Bernard Schlink
“The Beginning of Everything,” Robyn Schneider
“Bully,” Jim Schutze
“The Invisible Life of Addie La Rue,” V.E. Schwab
“The Gift of Forgiveness,” Katherine Schwarzenegger Pratt
“Living Dead Girl: A Novel,” Elizabeth Scott
“Lucky,” Alice Sebold
“The Lovely Bones,” Alice Sebold
“Naked,” David Sedaris
“Peony in Love,” Lisa See
“Writing My Wrongs,” Shaka Senghor
“Equus,” Peter Shaffer
“Skin and Bones,” Sherry Shahan
“Demon Apocalypse,” Darren Shan
“Forbidden Knowledge,” Roger Shattuck
“Tweak,” Nic Sheff
“The Stone Diaries,” Carol Shields
“Sea Glass: A Novel,” Anita Shreve
“Alichino,” Kouyu Shurei
“The Food Chain,” Nicky Silver
“If I Was Your Girl,” Ni-Ni Simone
“Wilder,” Andrew Simonet
“The Straight Girl’s Guide to Sleeping with Chicks,” Jen Sincero
“The Silence and the Roar,” Nihad Sirees
“The Primal Blueprint,” Mark Sisson
“Prep: A Novel,” Curtis Sittenfeld
“You Think It, I’ll Say It,” Curtis Sittenfeld
“Stay In Line,” Teddy Slaterguess
“A Thousand Acres,” Jane Smiley
“The Way I used to Be,” Amber Smith
“Joy in the Morning,” Betty Smith
“Tree Grows In Brooklyn,” Betty Smith
“The Geography of Girlhood,” Kirsten Smith
“Betwixt,” Tara Bray Smith
“Anatomy of a Boyfriend,” Daria Snadowsky
“Sadar’s Keep,” Midori Snyder
“No Visible Bruises,” Rachel Louise Snyder
“MARS,” Fuyumi Soryo
“Summer on Wheels,” Gary Soto
“The Prime of Miss Jean Brodie,” Muriel Spark
“It Happened to Nancy,” Beatrice Sparks
“At First Sight,” Nicholas Sparks
“Message in a Bottle,” Nicholas Sparks
“Nights in Rodanthe,” Nicholas Sparks
“The Guardian,” Nicholas Sparks
“The Rescue,” Nicholas Sparks
“The Wedding,” Nicholas Sparks
“Small Town Girl,” Lavyrle Spencer
“Everyone likes Eggs,” Jerry Spinelli
“Star (French Edition),” Danielle Steel
“The Gift,” Danielle Steel
“East of Eden,” John Steinbeck
“Still Missing,” Chevy Stevens
“Earth (the book) A Visitors Guide to the Human Race,” Jon Stewart
“Every Last Word,” Tamara Ireland Stone
“Marcelo in the Real World,” Francisco X. Stork
“Until the Twelfth of Never,” Bella Stumbo
“Sophie’s Choice,” William Styron
“We Should Hang Out Sometime,” Josh Sundquist
“The Kitchen God’s Wife,” Amy Tan
“The Valley of Amazement,” Amy Tan
“American Colonies,” Alan Taylor
“Just Friends,” Billy Taylor
“The Spectacular Now,” Tim Tharp
“Concrete Rose,” Angie Thomas
“The Loners,” Lex Thomas
“Picking Cotton,” Jennifer Thompson-Cannino
“Blankets,” Craig Thompson
“First Time,” Meg Tilly
“Sigh, Gone,” Phuc Tran
“Milk Glass Moon,” Adriana Trigiani
“Stuck in Neutral,” Terry Trueman
“The RattleRat,” Janwillem Van de Wetering
“Red Thunder,” John Varley
“Sia Martinez and the Moonlit Beginning of Everything,” Raquel Vasquez Gilliland
“Y: The Last Man,” Brian K. Vaughan
“When We Make It,” Elisabet Velasquez
“The Covenant of Water,” Abraham Verghese
“Shojo Beat,” Viz Media
“Dicey’s Song,” Cynthia Voight
“All I Want is Everything,” Cecily Von Ziegesar
“Don’t You Forget about Me,” Cecily Von Ziegesar
“Tempted,” Cecily Von Ziegesar
“You Know You Love Me,” Cecily Von Ziegesar
“It Had To Be You,” Cecily Von Ziegesar
“Slaughterhouse-Five,” Kurt Vonnegut Jr.
“Slaughterhouse-Five: The Graphic Novel,” Kurt Vonnegut Jr.
“The Color Purple,” Alice Walker
“Black White and Jewish,” Rebecca Walker
“We All Looked Up,” Tommy Wallach
“A Thousand Country Roads: An Epilogue to The Bridges of Madison
County,” Robert James Waller
“The Bridges of Madison County,” Robert James Waller
“The Glass Castle,” Jeannette Walls
“Stargazing,” Jen Wang
“Salvage the Bones,” Jesmyn Ward
“Numbers,” Rachel Ward
“Something Worth Saving,” Sandi Ward
“The Graduate,” Charles Webb
“Girl Boy Etc,” Michael Weinreb
“Chasing Harry Winston,” Lauren Weisberger
“Little Altars Everywhere: A Novel,” Rebecca Wells
“A Certain Slant of Light,” Laura Whitcomb
“The Professor and the Madman,” Simon Winchester
“Happiness Sold Separately,” Lolly Winston
“A Man in Full,” Tom Wolfe
“The Interestings,” Meg Wolitzer
“Turkish Delight,” Jan Wolkers
“Brighter than Gold,” Cynthia Wright
“Native Son,” Richard Wright
“Blu’s Hanging,” Lois-Ann Yamanaka
“Revolutionary Road,” Richard Yates
“Armageddon Summer,” Jane Yolen
“The Sun Is Also a Star,” Nicola Yoon
“Everything, Everything,” Nicola Yoon
“Nothing But Your Ski,” Cathy Ytak
Compiled by staff writer Richard Tribou. Source: List obtained by the Florida Freedom to Read Project and confirmed by Orange County Public Schools.
Since the infamous day when a hostile Congressional committee grilled three female university presidents about anti-Semitism on their campuses, one of the three (from the University of Pennsylvania) resigned, and pressure has been building to force out Harvard’s President Claudine Gay.
The three were asked by a pugnacious Rep. Elise Stefanik if a call for genocide against Jews on their campus would violate college policy against bullying and harassment. They all answered that it depended on the context.
Rep. Stefanik and her fellow Republicans were appalled and treated their responses as an outrage. The three women tried to backtrack, but they faced a disastrous backlash, as though they endorsed genocide against Jews.
Stefanik tweeted her triumph over the three presidents of prestigious universities:
“One down. Two to go,” Stefanik wrote in a post on X after Magill announced her resignation.
“@Harvard and @MIT, do the right thing,” Stefanik added. “The world is watching.”
Now the rightwing hate machine has trained its guns on Claudine Gay, Harvard’s president. Led by the infamous Chris Rufo, who knows how to manufacture crises and smear campaigns, the effort to oust President Gay has focused on allegations of plagiarism in her 1997 dissertation and her published articles.
Apparently the House Committee will now investigate Dr. Gay for plagiarism. I truly don’t understand how the question of plagiarism became a fit subject for a Congressional investigation.
The charges thus far have come from Rufo, the rightwing Washington Free Beacon, and Rupert Murdoch’s New York Post. The Washington Free Beacon gave concrete examples from her work, but without putting them into context (I.e., did she name the authors whose work she was citing in the body of the text?).
Having reviewed the allegations, I concluded that they were surely embarrassing to Gay, but none was so egregious as to destroy her career. In a few instances, she cited the authors of a paper, then took a quote from the cited work without inserting quotation marks. She is making corrections and adding quotation marks.
The campaign against Claudine Gay shows rightwing cancel culture at its zenith.
My view: any decision about Dr. Gay should be made by the Harvard Corporation, not by a rightwing lynch mob and not by a vengeful Congressional committee. Rufo and his friends would like nothing better than to claim victory over America’s most prestigious institution of higher education.
If I were a member of the Harvard Corporation, I would vote to support her.
PEN America has published a state-by-state study of gag orders in education.
Has your state passed gag orders banning books or topics? Check the PEN listing.
PEN wrote:
Over the past three years, state legislators have launched an onslaught of educational gag orders—state legislative and policy efforts to restrict teaching about topics such as race, gender, American history, and LGBTQ+ identities in educational settings.1 PEN America tracks these bills in our Index of Educational Gag Orders.
During the 2023 state legislative sessions, 110 bills that PEN America defines as educational gag orders were introduced, and 10 became law. Four more gag orders were imposed via executive order or state or system regulation: two in Florida, and one each in Arkansas and California. These developments bring the number of educational gag orders that have become law or policy to a total of 40 across 21 states as of November 1, 2023.
While it is difficult to guess the total number of educators affected by these laws and policies, a conservative estimate would put the number at approximately 1.3 million public school teachers and 100,000 public college and university faculty.2 The students who have been directly affected—through canceled classes, censored teachers, and decimated school library collections—likely number in the millions. The chilling effect on public education across the country is certainly much larger.
In this report, we analyze the educational gag orders introduced and passed in the 2023 legislative sessions, as well as the impact of laws passed in 2022 and 2021. We find the following trends:
