“The Economist” is a highly respected British publication that is conservative in the old sense of the word (e.g. supports tradition and responsibility, opposes racism and profligate spending).

Its editorial board endorsed Joe Biden.

As the pandemic was surging in mid-April, CNN reports that Jared Kushner told Bob Woodward that Trump had “cut out” the doctors and scientists and taken control; the pandemic would soon end, and Trump would reopen the country.

https://www.cnn.com/2020/10/28/politics/woodward-kushner-coronavirus-doctors/index.html

Washington (CNN)President Donald Trump’s son-in-law and senior adviser Jared Kushner boasted in mid-April about how the President had cut out the doctors and scientists advising him on the unfolding coronavirus pandemic, comments that came as more than 40,000 Americans already had died  from the virus, which was ravaging New York City.

In a taped interview on April 18, Kushner told legendary journalist Bob Woodward that Trump was “getting the country back from the doctors” in what he called a “negotiated settlement.”

Kushner also proclaimed that the US was moving swiftly through the “panic phase” and “pain phase” of the pandemic and that the country was at the “beginning of the comeback phase.” “That doesn’t mean there’s not still a lot of pain and there won’t be pain for a while, but that basically was, we’ve now put out rules to get back to work,” Kushner said. “Trump’s now back in charge. It’s not the doctors.”

Trump would reopen the country, he said in tapes interviews.

The statement reflected a political strategy. Instead of following the health experts’ advice, Trump and Kushner were focused on what would help the President on Election Day. By their calculations, Trump would be the “open-up president.”

Kushner describes Trump’s victory over the Republican Party as a “hostile takeover.”

What a stable genius!

This notice appears in Garrison Keillor’s “The Writers’ Almanac”:

It’s the birthday of poet Sylvia Plath (books by this author), born in Boston (1932). She was an excellent student, and she went to Smith College with the help of a scholarship endowed by the writer Olive Higgins Prouty. One summer during college, she was chosen to be a guest editor for Mademoiselle magazine. She was only 20 years old, and she had already been published in Seventeen, Mademoiselle, The Christian Science Monitor, and other newspapers. Her summer started off well. She went to lots of parties and discovered that she loved vodka. But she was having trouble writing poetry and short stories, and she worried that she was a failure as a writer. Then she got notice that she had not been accepted for an advanced creative writing course at Harvard, taught by the writer Frank O’Connor. She was so depressed that she attempted suicide. Her benefactress, Olive Prouty, paid for her stay in a mental hospital and psychiatric care.

Plath returned to Smith and graduated with the highest honors in 1955. She won a Fulbright scholarship to study at Cambridge University, and there she met and married the poet Ted Hughes. In 1960, she gave birth to a daughter and published The Colossus, the only book of her poems to be published during her lifetime. It got minor reviews in various British publications. In 1961, she was excited to find an American publisher; she wrote: “After all the fiddlings and discouragements from the little publishers, it is an immense joy to have what I consider THE publisher accept my book for America with such enthusiasm. They ‘sincerely doubt a better first volume will be published this year.'” And on the date of its publication in 1962, Plath wrote to her mother: “My book officially comes out in America today. Do clip and send any reviews you see, however bad. Criticism encourages me as much as praise.” But The Colossus was even less noticed in America than in England; there were only a handful of reviews, many of them just a paragraph long.

Plath decided to write a novel based on her experience during the summer when she worked at Mademoiselle. She referred to the novel as “a pot-boiler” to family and friends, but she had high hopes for it. She won a fellowship to work on the novel, and the fellowship was connected to the publishers Harper and Row; but once she finished it, the editors there rejected it — they thought it was overwritten and immature. The Bell Jar was published in England in January of 1961 under a pseudonym, Victoria Lucas. It got good reviews, but not great. A month later, Plath committed suicide.

Many people learned about Plath only after her death, reading her poems in obituaries and news stories. In the next couple of years, her poems appeared regularly in magazines like The New Yorker and The Atlantic Monthly. In 1965, a collection of poems called Ariel was published posthumously and received major reviews in all the big papers and magazines. In Britain, Ariel sold 15,000 copies in its first 10 months, and Plath’s popularity continued to rise. The Bell Jar was finally published in the United States and stayed on the New York Times best-seller list for six months.

Sylvia Plath wrote: “Everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”