Archives for category: DeSantis

The Orlando Sentinel editorialized about the DeSantis administration’s effort to kill a voter referendum that would put reproductive rights into the state constitution. Last year, Governor DeSantis signed a highly restrictive ban on abortion—that it was prohibited after six weeks of pregnancy, when few if any women realize they are pregnant.

Let it be noted that Republican legislators in Mississippi are also trying to block a state referendum on abortion. They are afraid it will pass, and they are not willing to take that chance.

The Orlando Sentinel editorial board wrote:

Next week, Attorney General Ashley Moody will come before the state Supreme Court and argue that Floridians can’t be trusted to understand a ballot initiative that would protect abortion rights in Florida — and because of that, they should be stripped of the right to demand them.

Moody is asking the state’s high court to crush an abortion rights initiative that’s already supported by nearly 1 million Floridians (and counting). If it makes the ballot, it’s likely to pass: Most polls show that voters support abortion rights, regardless of party. Without this amendment, the Legislature has already shown it will do everything in its power to destroy those rights.

Voters in six states, including solidly conservative Kentucky and Kansas, have already voted to project abortion rights. At least a dozen other states could vote on abortion this year.

That’s why Florida voters deserve to have their say — and why Florida’s anti-reproductive-rights leaders are so desperate to make sure they don’t.

Here’s what voters will see on the ballot:

No law shall prohibit, penalize, delay, or restrict abortion before viability or when necessary to protect the patient’s health, as determined by the patient’s healthcare provider. This amendment does not change the Legislature’s constitutional authority to require notification to a parent or guardian before a minor has an abortion.

The DeSantis administration insists that voters won’t understand this amendment so should not be allowed to vote on it.

One million Floridians have already signed a petition to put it on the ballot.

The DeSantis administration is afraid that voters will understand it and pass it.

Will the conservative state Supreme Court of Florida allow the people to decide?

Florida blogger Billy Townsend was delighted to see Ron DeSantis get booted from the Republican primaries after the Iowa caucuses. DeSantis had large ambitions, thinking that the nation wanted his harsh rightwing policies. But he made the mistake of thinking he could run to the right of Trump. There’s no space there.

Billy hopes that voters saw through the hype about “the Florida Blueprint” and DeSantis’s promise to “Make America Florida.”

Before the primaries, in March 2023, he predicted that DeSantis would flounder, and he was right:

The same Florida state “government” of gangsters that destroyed the Florida state education system will invade the United States of America in 2024. Whoever wins this civil war-as-referendum — the gangsters or the country — will control the U.S. Military and federal law enforcement power.

We don’t know who will command Florida’s invasion yet — tiny Emperor Ron DeSantis (with his pseudo VP Jeb Bush) or Florida-ism’s Pope Donald Trump. But it makes no difference. Whoever wins their gross song of ice and fire will then lead Florida’s army of the dead right toward Colorado and Wisconsin and Pennsylvania.

Florida’s political and cultural invasion of the country should be laughable. The Florida “blueprint” has made us a hollowed out shell of a state — pleasantly livable for people with capital (like me) because a few big private interests team up to “govern” our warm spaces enjoyably for customers who can pay. And a few cities, like mine (Lakeland), which is blessed with a money-belching socialist power utility, create a nice and warm urban experience.

But as a state, rather than a vacation destination, retirement home, or temporary crash pad for remote workers and tech bros, we are: extremely high cost, extremely low wage, extremely corrupt, high inflation, nation’s worst education “learning rate,” bad public service, high crime, low birth rate, high and spiking abortion rate, and very very old.

If America fully grasps that Florida Blueprint by 2024, I feel quite certain that we will repulse this absurd invasion-by-mafia. The referendum on Florida should not be a close run affair.

But our worst American billionaires and mouthiest showboating sheriffs like hollowed out states; and they far prefer mafias to unions or citizens mobilized politically around public good.

Florida is their model state for decadent capital cut free from any public oversight, public good, or sense of shared citizenship. And they will try to impose that Florida on everybody else by pretending that Florida is not Florida. Anti-civic capital is often dumb. But it’s heavily armed; and it has great sway — although not total away — over what the public is told.

Crushing Florida’s invasion — explicitly rejecting the failed “Florida Blueprint” at the national level — is crucial to any effort to reform Florida at home. The Florida Blueprint must culminate, in the military sense, as an expansive political force. That’s the sine qua non of Florida’s future…

The MAGA Pope thrashed the Tiny Emperor

Well, MAGA Pope Trump’s GOP smashed the tiny emperor’s irrationally cocky army of Pushaws and private jet jockeys as easily as Trump gropes unwilling women. (Sorry Trumpers, he is who he is. I can’t make your citizenship choices for you. But you will own them. Expect no moral mercy or understanding from me this time around.)

Trump’s formally adjudicated sexual abuse and Capitol Lynch Mob leadership aside, his defenestration of DeSantis is a useful first step. It’s good for Florida and America.

Even better, when America as a whole saw the “Florida Blueprint” personified by Gov. High Heels, America as a whole rejected Gov. Pudding Fingers thoroughly and humiliatingly, with the national contempt growing almost by the moment. Watching DeSantis in the polls has been like watching the Enron stock price circa October 2001 (go Google it, youngs).

Yes, in large part, that’s because he’s personally very weird and off-putting and cruel in the way that people who torture cats are weird and off-putting and cruel.

But it was also because Florida, as a model for America, got a thorough thrashing — including by Trump himself. Of all people, Florida Man Bonesaw Jesus himself attacked the Florida Model of “governing” a week or two after I published my piece.

He sounded just like me. LOL. I’d bet a lot of money his gross people read my stuff.

The GOP primary campaign ended that day, with the Trump campaign’s unanswered dismantling of Florida as an expansive idea. A loooooonnnnnng, slow humiliation ensued, tempered only by extensive luxury travel.

In some ways Trump is now running as the ultimate Florida man — full of gross indulgence and utterly devoid of any concern for the state where he lives. Only a Florida Man would have the chutzpah to run against Florida from Florida when the party he owns has been in power here for a generation…

Anyway, ya’ll will generally share my mirth for now in laughing at DeSanctimonious. We can do that together. Trump gives you permission.

But then you’re all gonna try to convince yourselves it’s fine to line up behind a more senile version of the Zieglers writ large — the Capitol Lynch Mob leader with a terrible economic record, a jury-adjudicated sexual abuser, a criminal openly running on “retribution” and “dictatorship on Day 1,” who you all know would rape your wife and daughter and force them to have an abortion after getting rid of Roe v. Wade.

You’re going to line up meekly and pathetically behind the idol who defiled your religion and turned it against Jesus Christ Himself.

If you are enjoying the news from Florida, open the link and keep reading.

A federal judge in Florida ruled against Disney in its battle with Governor DeSantis. The Disney Corporation sued Florida Governor DeSantis for violating its right to free speech. Disney spoke out against the governor’s “Don’t Say Gay” law. DeSantis urged the legislature to dissolve Disney’s governing board and replace it with a board appointed by DeSantis.

Disney sued, claiming it was punished for exercising free speech. Disney says it will appeal.

Now that DeSantis is out of the presidential race, America’s businesses will breathe a sigh of relief. Only in Florida will businesses be punished for disagreeing with the governor.

The federal judge in the case—Alan Winsor– was appointed by Donald Trump.

Bob Shepherd is a brilliant polymath who has worked in almost every aspect of education, as editor, author, test development and classroom teacher. I invited him to review recent changes in Florida’s testing program.

He writes:

Among the many claims that Ron DeSantis made when running for Governor of Florida was that he would do away with the Common [sic] Core [sic] State [sic] Standards [sic] and their associated high-stakes testing.

Both were, for good reason, in deep disrepute. In fact, the puerile, vague, almost entirely content-free Common Core standards, which Gates and Coleman and Duncan foisted on the United States with no vetting whatsoever, were so hated that at the annual ghouls’ convention of the Conservative Political Action Committee, or CPAC, the oh-so-reverend Mike Huckabee told the assembled Repugnicans to go back home and change their name because “Common Core” had become a “tarnished brand.”

Not change the “standards,” mind you, but change their name. In other words, the good Reverend’s magisterial ministerial advice was TO LIE TO or, most charitably, TO CONFUSE people by implying falsely that the standards had been replaced with local ones like, say, the Florida Higher-than-the-Skyway-Bridge-When-We-Wrote-These Standards. And that’s just what most states did. They barely tweaked the godawful Common Core standards, or didn’t change them at all, renamed them, and then announced their “new” standards.

Hey, check out our new and improved Big Butt Burger!

This looks just like your old Ton o’ Tushy Burger.

It is. Same great burger you know and love!

So, what’s so new about it?

The name! It has a new and improved name!

Enter Ron DeSantis, stage right. Shortly after being elected, he promised to “eliminate all vestiges of the Common Core” and “to streamline the testing.” Then, when DeSantis signed an executive order replacing the Common Core State Standards (C.C.S.S.) with the new Florida B.E.S.T. standards and creating new F.A.S.T. tests to replace the Common-Core-based F.C.A.T., his Department of Education (the FDOE) posted this headline:

GOVERNOR DESANTIS ANNOUNCES END OF THE HIGH-STAKES FSA TESTING TO BECOME THE FIRST STATE IN THE NATION TO FULLY TRANSITION TO PROGRESS MONITORING

See Governor DeSantis Announces End of the High Stakes FSA Testing to Become th (fldoe.org) 

Under the Governor’s new plan, instead of the Common-Core-based F.C.A.T., given in grades 3-8 and 10 in keeping with federal requirements, Florida would now give not one end-of-year test but THREE TESTS at each grade, in each subject area, Math and English, one at the beginning of the year, one at the middle of the year, and one at the end. And far from being the low-stakes progress monitoring that the FDOE headline and the Governor’s PR campaign suggested, these tests would be high stakes as well. Students would have to pass the ELA test in 2nd grade to move on to 3rd grade, and they would have to pass the 10th-grade ELA test, in addition to other state high-stakes assessments, to graduate from high school.

So, there would be MORE, not fewer, assessments. There would be no end to the attached high stakes. And there would be no end to PRETENDING (see below) that these tests measure proficiency or mastery of the state “standards.” And then, as the cherry on top of this dish of dissembling BS served warm, Florida hired AIR, a maker of Common Core standardized state tests given across the country, to write its new F.A.S.T. tests. Same old vinegar in wine bottles with fancy new labels.   

Before I discuss the many problems with the old and new Florida testing regimes, let me just pause to congratulate the state of Florida and the people on its standards team, which, unlike the group that developed Common Core, included a lot of actual teachers and textbook developers. They did a great job with the B.E.S.T. standards. These are a VAST improvement on the idiotic Common Core. They return to grade-appropriate, developmentally appropriate math standards at the early grades. The ELA standards are also much improved. These use broader language generally, thus covering the entire curriculum, as CCSS did not, while allowing for much more flexibility with regard to curricular design than the CCSS did. A curriculum developer could easily create sound, coherent, comprehensive ELA textbook programs based on these new Florida standards as they certainly could not based on the CCSS, which instead led to vast distortions and devolution of U.S. curricula and pedagogy. The Florida B.E.S.T. standards also do not deemphasize literature and narrative writing, as Coleman so ignorantly and so boorishly did in the CCSS.

Now, here is how curriculum development is SUPPOSED to work: A textbook authorship team (or district-or school-based curriculum team) is supposed to sit down and design a coherent, grade-appropriate curriculum with the goal of imparting essential knowledge while at the same time checking the standards from time to time to make sure that those are all being covered. So, the coherence of the curriculum and the knowledge to be imparted are first, and the standards coverage is second—that is, IT COMES ABOUT INCIDENTALLY. STANDARDS ARE NOT SUPPOSED TO BE A CURRICULUM MAP. They are a list of desired educational outcomes based on teaching sequenced according to the curriculum map. So, a group might design a unit for eighth graders on The Short Story and plan to cover first its origins in folk tales and traveler’s tales and then, in turn, such short story elements as setting, character, conflict, plot structure, and theme. Throughout, they might illustrate the main ideas with examples of these elements from orature before moving on to literary examples. They might then conclude with lessons on planning and writing a folk tale and then a full-scale short story. And all along, while writing the unit, the group might examine the curriculum map in light of the standards and tweak the plan to ensure alignment.

That’s not what happened with the Common Core. Instead, because of the high stakes attached to the tests that purported to measure proficiency or mastery of the “standards,” people threw the whole notion of coherent curricula out the window. Instruction devolved into RANDOM EXERCISES BASED ON PARTICULAR STANDARDS—exercises based on the formats of questions on the now all-important tests on the standards. In other words, curricula devolved into test prep. I call this the “Monty Python and Now for Something Completely Different” approach to curriculum development. (BTW, a full monty is full-frontal nudity, so a monty python is a _____. Fill in the blank.) In other words, THE STANDARDS BECAME THE CURRICUM MAP. Every educational publisher in the country started hauling off every textbook development program by making a spreadsheet containing the standards list in the left-most column and the places where these were to be “covered” in the other columns. Having random standards rather than a coherently sequenced body of knowledge drive curricula was a disaster for K-12 education in the United States. Many experienced professionals I knew in educational publishing quit in disgust at this development. They refused to be part of the destruction of U.S. pre-college education. An English Department chairperson told me, “I do test prep until the test is given in April. Then I have a month to teach English.” Her administrators encouraged this approach.

The new Florida standards are broad enough and comprehensive enough to allow for coherent curriculum development in line with, aligned to, them. But will that happen? The high stakes still attached to them incentivize the same sort of disaster that happened with Common Core—the continued replacement of coherent curricula with exercises keyed to particular “standards.” Furthermore, because of the “progress monitoring” aspect of the new Florida program, there will be, under it, EVEN MORE INCENTIVE FOR ADMINISTRATORS TO MICROMANAGE what and how teachers teach—to insist that they do test prep every day based on the standards that students in their classes didn’t score well on.

In Robert Bolt’s play A Man for All Seasons, Sir Thomas Moore, the Chancellor of England, knows that he will lose his head if he doesn’t accede to King Henry’s appointing himself head of a new Church of England, but being a person of conscience, Moore can’t bring himself to do this. There’s an affecting scene in which Moore is taking the ferry across the river Thames and this exchange takes place:

MOORE [to boatman]: How’s your wife?

BOATMAN: She’s losing her shape, Sir.

MOORE: Aren’t we all.

That’s what results from high-stakes testing based on state standards lists. Instead of the curriculum teaching concepts from the standards, the curriculum BECOMES teaching the standards. Instead of giving a lesson on reading “Stopping by Woods on a Snowy Evening,” teachers are pressured by administrators, whose school ratings and jobs depend on the test outcomes, to teach a lesson on Standard CCSS.ELA.R.666, the text becomes incidental, and the actual purposes of reading are ignored. Any text will do as long as the student is “working on the standard,” and the text is chosen because it exemplifies it (for example, the standard deals with the multiple meanings of words and a random text is chosen because it contains two examples of words used with multiple meanings). In this way, curricular coherence is lost, teaching becomes mere test prep, and without a coherent curriculum, students fail to learn how concepts are connected, to fit them into a coherent whole, even though one of the most fundamental principles of learning is that new learning sticks in learners’ minds if it is connected to a previously existing body of knowledge in those learners’ heads. In summary, putting the cart before the horse, the standard before the content, undermines learning. People like Gates and Coleman don’t understand this. They haven’t a clue how much damage to curricula and pedagogy their standards-and-testing “reform” has done. It’s done a lot. They are like a couple drunks who have plowed their cars through a crowd of pedestrians but are so plastered as to be completely oblivious to the devastation they’ve left behind them.

BTW, when he created the egregious Common Core, Coleman made a list of almost content-free “skills” (the “standards”) and then tacked onto it a call for teachers to have students start reading substantive works of literature and nonfiction, including “foundational documents from American history” and “plays by Shakespeare.” At the time when these standards were introduced, and Coleman doesn’t seem to have known this, almost every school in the United States was using, at each grade level, a hardbound literature anthology made up of stories, poems, essays, dramas, and other “classic” works from the traditional canon—substantive works of literature, including foundational documents of American history and plays by Shakespeare. So, Coleman’s big innovation—wasn’t an innovation at all. It was like calling on Americans to start using cars instead of donkey carts for transportation. Coleman was THAT CLUELESS about what was actually going on in the nation’s classrooms. And far from leading to more teaching of substantive works, the actual standards and testing regime led to incoherent curricula and pedagogy that addressed individual standards using random and often substandard texts and deemphasized the centrality of the works read. And so the processes of reading and teaching, in our schools, lost their shape, became monstrous exercises in dull and seemingly pointless scholasticism. Despite the fact that the new B.E.S.T. standards are broader and more comprehensive and therefore allow for more coherent curricula based on them, the persistence of high stakes in the new Florida standards-and-testing plan will lead to precisely the same sort of curricular incoherence that CCSS did.

That’s a problem, but even worse, if you can imagine that, is and will be the problem of the invalidity of the tests themselves, the old ones and the new ones. The governor and the FDOE promised shorter, low-stakes, progress-monitoring tests. We have already seen that the new tests aren’t low stakes, and we’ve seen that progress monitoring means micromanagement to ensure that teachers are doing test prep. So, what about the length? You guessed it. A typical F.A.S.T. test has 30-40 multiple-choice questions. Same as the F.C.A.T.

Now consider this: There are many standards at each grade level. For example, at Grade 8, there are 24 Grade 8 B.E.S.T. ELA standards. So, each standard is “tested,” supposedly, by one or two questions. But the standards, in the cases of both the Common Core and Florida’s B.E.S.T. are VERY broad, VERY GENERAL. They cover enormous ground. For example, here’s one of the new Florida standards, a variant of which appears at each grade level:

ELA.8.C.3.1: Follow the rules of standard English grammar, punctuation, capitalization, and spelling appropriate to grade level.

Here’s an assignment for you, my reader: Write ONE or TWO short multiple-choice questions that VALIDLY measure whether a student has mastered this standard—that’s right, two short multiple-choice questions to cover the entirety of the 8th-grade curriculum in grammar, punctuation, capitalization, and spelling.

That’s impossible, of course. It’s like trying to come up with one question to judge whether a person has the knowledge of French, of French culture, of diplomacy, and of international law and trade to be a good ambassador to France.

Well, OK. Today I am going to ask you to submit to a brief examination to see if you have the knowledge to serve as our ambassador to France. Are you ready?

Ready.

Have you ever eaten gougères?

Oh, yes. Love them.

What is an au pair?

A young person from a foreign country who helps in a house in return for room and board.

Hey, hey! Great. You passed. Congratulations, Madame Ambassador!

This is a problem with the Common Core tests, and the problem ought to be obvious to anyone. In fact, it’s shocking that given the invalidity of the state tests, which I just demonstrated, that so many people—politicians, federal and state education officials, journalists, administrators, and even some teachers actually take the results from these tests seriously, that they report those results as though they were Moses reading aloud from the tablets he carried down the mountain. “This just in: state ELA scores in sharp decline due to pandemic!” Slight problem. The scores from invalid tests don’t tell you anything. They are useless.

The tests clearly, obviously, do not measure validly what they purport to be measuring. They cannot do so, given how broad the standards are and how few questions are asked about any given standard. That you could validly measure proficiency or mastery of the standards in this way is AN IMPOSSIBILITY on the level of building a perpetual motion machine or drawing a round square. And so the tests and their purveyors and supporters should have been laughed off the national stage years ago. It’s darkly (very darkly) humorous that people who claim to care about “data” are taken in by such utter pseudoscience as this state testing is. That emperor has no clothes. It’s long past time to end the occupation of our schools by high-stakes testing.

But Florida isn’t doing that. The new policy has given us the same kinds of invalid high-stakes tests by one of the standards providers of them, but now students in Florida will take EVEN MORE of those tests, thus making them EVEN MORE invasive and EVEN MORE likely to lead to EVEN MORE onerous and counterproductive micromanagement of teachers. No sane person would want to teach under such conditions of micromanagement.

DeSantis has promised to “Make America Florida.” If I were a religious person, I would say, “God help us.” Instead, I’ll just say, “Uh, no thanks.”

Scorecard

Quality of new standards: A

Quality of new tests: D

Plan for implementation of new standards and testing regime: F

Promises kept: C–

Thanks to blogger Billy Townsend, I learned about the Florida Center for Government Accountability and its publication, The Florida Trident. This organization shines a bright light on government corruption. I am sending a donation to encourage their great work.

Billy wrote:

Just when Florida’s forces of gross grift seem to enjoy total impunity, the Florida Center for Government Accountability takes down the Zieglers, beats DeSantis in court, and becomes a new sheriff.

FCGA uncovered the scandalous Ziegler family threesome, which led to Christian Ziegler being forced out as state chair of the GOP and caused some embarrassing moments for his wife Bridget, a co-founder of Moms for Liberty and an outspoken critic of gays.

FCGA recently posted about the state’s deceptive marketing to women who search for abortion providers on the Internet. If they choose an “abortion center” funded by the state, they will fall into the clutches of anti-abortion zealots, likely evangelicals, who will try to persuade them not to have an abortion.

This article appears on The Florida Trident:

An image from a state-funded anti-abortion center website.

When Abby learned she was pregnant, the first thing she did was look online for support. As a college student in a small town in northwest Florida, she thought the Internet was her best hope to find help for her unplanned pregnancy with a boyfriend who had become abusive.

Sifting through Google’s search results, she stumbled on an online-chat providing support for people in need of abortion care. The chat operator stressed the importance of a pregnancy test and referred her to a nearby pregnancy center in Deland called the Grace House.

The center’s website welcomed people like Abby who didn’t have insurance and asked to remain anonymous due to safety concerns. She scheduled a visit for the following day – a day she said she’ll never forget.

The horrific visit ended with Abby sobbing as center employees systematically pressured her to continue her pregnancy, prayed over her belly, and promised her free baby care products if she would come back for more “counseling.”

“I deserved legitimate medical care and compassion,” said Abby. “But I know in that room, they didn’t see me or my future. They just saw a positive pregnancy test.”

The staffers at Grace House were not there to help her receive abortion care, but instead to convince her and all others who enter the center for care to complete their pregnancy and be saved by Christianity in the process.

“I was fooled by this facility in a moment of vulnerability and desperation and trusting the wrong people,” Abby said.

The same “wrong people” are funded by the state’s Florida Pregnancy Support Services Program, which provides taxpayers’ money to more than 100 anti-abortion “crisis pregnancy centers (CPCs)” around the state. The stated goal of the program is to convince clients to carry their pregnancies to term rather than having abortions.

As previously reported in an ongoing Florida Trident investigative series, the centers, including Grace House, are Christian-based organizations and often identify themselves as “ministries” and “missions.” Several legal experts have said the program runs afoul of the U.S. and Florida constitutions, the latter of which expressly forbids the state from aiding religious organizations.

Despite its inherent problems, the program is now bursting at the seams in Florida. Its annual budget has ballooned from $4 million to $25 million a year, an increase written into the controversial six-week abortion ban legislation signed by Gov. Ron DeSantis in April.

Kurt Filla is leading the state’s anti-abortion ad campaign.

Included in that funding explosion is a quadrupling of the program’s advertising budget to nearly $1 million a year, according to state records, paid out via the Florida Pregnancy Care Network, the non-profit tasked with administering the program for the state.

Kurt Filla, owner of the Michigan-based company, Filla Life Media, snared the state-funded advertising contract. Filla, who didn’t respond to requests for comment, is an outspoken conspiracy theorist who has backed false QAnon and vaccine tropes on the Internet and has written that the 2020 election was stolen, that God sends him angels and he’s heard the devil talk in his head, and that “global elites” are secretly trying to make people “impotent and immobile.”

Jenifer McKenna, an activist with the Reproductive Health Accountability Fund at Hopewell, said the steep funding hike and hiring of ideologically radical companies like Filla Life are part of a trend in “abortion-hostile” states like Florida to divert tax dollars to CPCs and “ramp up targeted digital marketing to track down pregnant people, talk them out of abortion, and collect their sensitive data.”

“Researchers are calling the post-Roe landscape an ‘abortion infodemic’ with CPCs playing a leading role,” said McKenna, adding that the centers use “extensive digital strategies to intercept pregnant people seeking care, sow confusion, spread disinformation and obstruct access.”

After an initial visit, which at some clinics includes an ultrasound where individual center staffers pray for the fetus, clients are urged to return for “counseling” and parenting classes. In fact, while the state bills the centers as health care providers, a whopping 87.5% of program reimbursements go for counseling and classes, a Trident analysis of state records found. A significant portion of the new $20 million in annual spending will fund a doubling of the amount the state reimburses the centers for counseling from $75 an hour to $150 an hour, state records show.

To put the $150 hourly rate in perspective, the state reimburses registered nurses – who actually have formalized education and training for the critical work they do – only $32.07 per home health care visit, according to the Florida Agency for Health Care Administration. Home health aides, who lack the RN’s credentials, are reimbursed a scant $18.04 per visit by the state.

When told of that increase, Amy Weintraub, who serves as reproductive rights director for the non-profit Progress Florida, called it “atrocious.” She noted that the “counselors” at the centers have no training or education requirements and are often hired based largely on their Christian faith.

“The fact that [state-funded pregnancy centers] are even allowed to use the word ‘counselor’ is such an affront because … they are not trained counselors,” said Weintraub.

That’s something Abby said she found out the hard way.

“Oh, She’s Abortion-Minded”

A random online search for abortion in Fort Lauderdale turns up a website for the Hope Women’s Centers, which received $100,000 in state funding last year. Its website promises “free abortion information” and “consultations on abortion pills, surgical abortion procedures, and emergency contraceptives.”

Yet like all other state-funded pregnancy crisis centers, Hope, which is strongly aligned with the Rio Vista Church, has two goals: to dissuade clients from having an abortion and to try to save their souls. None of that is mentioned in the online material.

It was the same in Abby’s case when she went to Grace House, which recently changed its name to Coastal Choices Women’s Clinic, a moniker that belies the fact that it vehemently opposes choice and isn’t a bona fide health clinic. The Trident left a detailed message for comment with a receptionist at Coastal; a promised return call was not received prior to publication.

“There is no Planned Parenthood in my county, so I thought it was a smaller version of it,” said Abby. “And they said if you were considering abortion to come on in, so I felt that was an invitation.”

Once inside, she was given a form to fill out with questions about her faith, her intimate relationships, even what her college grades looked like. It was the first clue she was inside a Christian ministry instead of a bona fide health clinic.

“That gave me a little bit of a pause,” Abby said. “But it wasn’t until the actual counseling session that I deeply regretted walking in the doors.”

She’d written in the form that she wanted an abortion.

“I watched a group of maybe three staff or volunteers crowd around my paper,” she said. “And I hear them say something to the effect of, ‘Oh, she’s abortion-minded, I’ll take her.’”

In the counseling session that followed, which she attended with her partner, Abby took a pregnancy test that was kept hidden while staff pressed her for 40 minutes about her personal life. She said the staffers told her she was in no position to make the decision about an abortion for herself.

When her partner was out of the room, Abby confided that she was in an abusive relationship. She said the counselor advised her to stay with her partner because the baby would give her purpose and help him step up as a man, and urged him, when Abby was outside the room, to stop her from getting an abortion because the procedure could kill her.

After the test came back positive, Abby was handed her due date and a small replica of a fetus. A staffer asked her what she might name the baby. Distraught, Abby began sobbing.

“There was so much talking over me when I was clearly having a breakdown,” Abby recalled. “[One staffer] starts praying over my stomach, she’s touching my stomach the whole time, and saying that I can start right away taking their parenting classes to earn baby bucks for their boutique to get baby clothes. And all the while I’m just so terrified.”

The experience was a far cry from the online promises, a contrast Weintraub said is common. The most fundamental deception in the advertising is the centers’ posing as health clinics when they don’t actually offer comprehensive reproductive health care services, she said.

“They strip their web sites of anti-abortion lingo so that the intended victims will not realize that the place they are visiting is an anti-abortion center,” said Weintraub. “All kinds of tricky language is used to cloak their true intention.”

Now Filla Life Media, under the leadership of its extremist owner, is set to receive $1 million a year from Florida taxpayers for its marketing prowess.

Tax-Payer Funded Anti-Abortion Marketing Agencies

Filla Life Media is a member of a national network called the Pro-Life Marketing Ethics Council made up of “unified Christ-centered and holistically pro-life” companies dedicated to promoting marketing strategies “grounded in biblical principles and informed by cutting-edge best practices.”

A key strategy of the Florida program is to boost its anti-abortion clinics in Google search results and place ads on social media platforms like Facebook, Instagram and TikTok. State documents show the aim of the campaign is to “generate leads and inquiries” from pregnant people and that it uses “marketing strategies … with the goal of enabling her to carry the pregnancy to term and choose parenting or adoption.”

The new Filla Life marketing campaign is set to be the most aggressive to date, targeting women aged between 18 and 44 years old across Florida. Many of the ads specifically target teens and the uninsured.

The campaign will employ the latest in tracking technology and will leverage behavioral data—like what people are or are not doing in an app, on a website, or how they interact with campaigns—to personalize the message.

FPCN ads that appear at the top of Google searches for “unplanned pregnancy” or “pregnancy test” promise “Compassionate Counseling,” “Judgement-Free Pregnancy Support” and ”Pregnancy Pill Help.” Of 134 Google ads purchased this year by marketing companies on behalf of the state program reviewed by the Trident, only three explicitly warned the centers don’t provide abortions.

While the new ad campaign is super-charged, it’s nothing new. For years, Floridians’ tax dollars have gone to anti-abortion marketing agencies with little to no transparency. Before Filla Life, an Illinois-based company called Caledon, and its subdivision Choose Life Marketing, held the advertising contract.

The digital tactics promoted by Choose Life, alongside other anti-abortion marketing agencies, sparked a congressional investigation in 2022 that cited a number of the company’s tactics, including geofencing strategies, which use sensitive data from abortion seekers to facilitate government surveillance, harassment, intimidation and even violence. The company also featured prominently in a report issued by the Center for Countering Digital Hate, which exposed the deceptive tactics of several anti-abortion marketing agencies.

Those marketing strategies also involved so-called “right-brain research” peddled by the Vitae Foundation, an anti-abortion research organization. Vitae uses extensive interviews with previously pregnant people involving repetition and relaxation techniques to “access the emotional mind and uncover deeply seated emotional needs and barriers,” according to its promotional materials.

“By studying the right side of the brain, which controls the emotional, intuitive and creative aspects of the person, Vitae was able to focus on women’s hidden, emotional response to pregnancy, abortion and motherhood,” the foundation explained in a report.

A key finding of the foundation is that “women carry an unwanted pregnancy to term when guilt wins out over shame,” a concept used by pro-life marketing agencies to craft their messaging to “abortion-minded women.”

To continue reading the article, open the link. It’s shameful that the state of Florida spends millions to tell women that they should not get an abortion, no matter how much they want one.

Ron DeSantis likes to boast about “freedom” in Florida, but apparently you are not free unless you agree with him.

Teachers of Black history are not free to teach the truth. Librarians are not free to use their professional judgment about books. Gays and trans kids are not free to live their lives. Drag queens are not free to perform their acts.

Women in Florida are not free to make major decisions about their own lives.

Pro-choice groups in Florida have gathered enough signatures to put a referendum on the ballot in November. But the hyper-conservative state Supreme Court must give its approval before the referendum can go forward. There have already been suggestions that the measure may be stricken because it says abortion should be legal until the fetus reaches “viability,” and critics say that the term is vague. Keep watching.

Fabiola Santiago is a columnist for the Miami Herald who is expert at skewering Ron DeSantis and his hateful policies. When he tried to take a victory lap during the Republican debates, she called him out. Kids are not better off in Florida, she writes, but racists and homophobes are. It turns out that DeSantis’s war against gays, Black history, and drag queens was not enough to sustain his campaign.

Santiago wrote:

Only in Gov. Ron DeSantis’ version of Fantasyland are kids in Florida “better off” under his watch.

The presidential job-seeker’s assertion, during Wednesday’s Iowa debate with Nikki Haley, that such is the state of childhood in Florida would be laughable — Exhibit No. 1, the man is trying to ruin happy-for-all Disney World — if his anti-science children’s healthcare policiesweren’t dangerous.

Or, his lie might have played out as the self-deprecating joke of a desperate, losing candidate — if DeSantis had kept his homophobia, transphobia, and discomfort with the legacy of racism in American history, where those sordid feelings belong, in the privacy of his home and wooden heart.

But DeSantis made his fears and prejudices against people who aren’t white, straight and ultra Christian-conservative the public’s business in Florida. And what he has unleashed isn’t child-friendly at all.

He used his power to get bills passed through the lily-livered Florida Legislature, signing into law medical practices that go against the advice of respected child healthcare experts like the American Academy of Pediatrics.

This means doctors and psychiatrists in Florida are limited by law on what they can do to address our children’s gender issues, and subject to felony penalties if they deviate from GOP wishes. Doctors also have their hands tied treating mothers facing an unwanted pregnancy discovered after six weeks, which also adversely affects entire families.

And, because the anti-vaxxer governor is a friend of debunked science and quack medical opinions, he has not only campaigned against children (and adults) getting the COVID vaccine, but he’s made it difficult for Florida parents to access boosters.

Under his mandate, schools are no longer safe zones for gay and trans children.

Before DeSantis, the intersection of healthcare, identity and lifestyle was a matter between parents and their doctors. Decisions about approach and care were based on individual cases and made as a family unit.

Now, healthcare and education are in the hands of Republican ideologues — social engineers who constantly feed voters misinformation and outright lies, feeding people’s lowest human instincts to shun the reality and preferences of others.

In schools, children unable to speak to their parents about conflicting identity issues, often were able to confide in a teacher, who in consultation with supervisors, would decide if it warranted parental intervention, or if the disclosure might put the child’s life in danger from family.

No more.

Teachers can be sued, fined, and fired if they allow gender identity discussions, pushing some excellent teachers to leave Florida or the profession, worsening a teacher shortage. This isn’t good for anyone, but least of all for children.

Adults have the power of choice — and many Floridians are exercising it by moving with their trans or gay children out of state, driven by the anti-LGBTQ laws, like former Heat star Dwayne Wade, whose teenage daughter Zaya came out as transgender in 2020.

Parents aren’t going to run the risk of the state taking transgender minors away from their families for receiving gender-affirming care. Nor will they stand for the atmosphere of hate and disrespect DeSantis’ constant harangues and policies have generated.

Unfortunately, not all children have parents with the financial wherewithal to move them to a more sane and accepting state — and remain stuck in DeSantis World suffering his pathology, especially in schools, where they’re no longer free to be themselves.

Nor to read literature that reflects their reality. Nor to play sports in the team where they feel they belong.

No, children are definitely not better off in Florida, where the education system is under-performing, according to national assessments. DeSantis’ solution: Get rid of the tests and dissuade kids from going to college.

With no accountability and ways to measure, he can claim success. With kids skipping higher education, his wealthy donors can access cheaper labor.

The governor’s culture wars and their harmful effect, however, are catching up to him.

In the process of trying to convince Republican voters that he and his “Florida Blueprint” are the alternative to disgraced Donald Trump, DeSantis recast his record — the vengeful attack on Disney World and his ruthless approach to LGBTQ and transgender children — to paint a pretty picture depicting major successes.

Oh, and what a macho man he was to take on Disney!

“We took on Disney and we defeated that and we won that fight and our kids kids are better off now,” DeSantis said.

A big lie that he kept repeating. Disney continues to celebrate Pride Month with “Gay Days,” and in 2023 released its Disney Pride Collection of clothing and accessories….

His neatly-packaged arguments, an attempt to camouflage what’s clearly discrimination, fear of difference and assaults on free speech, are coming undone.

Voters do have the last word — and, apparently, no matter how much the governor travels the nation, or perhaps because they’re getting to know him — polls show voters just don’t pick him.

Even in Florida, where DeSantis thinks he’s king, voters prefer 91-count, criminally-charged Donald Trump.

Turns out the people better off in Florida are possibly a minority: homophobic, racist adults.

But definitely not our children.

Eugene Robinson, a columnist for the Washington Post, watched the Iowa debate between Ron DeSantis and Nikki Haley, sparing the rest of us of that burden. He reported on their despicable dodge about the recent killing of a sixth grade student in the school cafeteria.

He wrote:

Ron DeSantis and Nikki Haley did not just lose Wednesday night’s debate. They have lost their way.

At Perry High School in Iowa last week, 17-year-old Dylan Butler shot and killed a sixth-grader, wounded five other students and staff, and then killed himself. Surely, the Republican presidential candidates discussed the tragedy during their debate in Des Moines, right?

Wrong. Neither said a word about a school shooting that had happened just days earlier and barely 40 miles away.

Anyone still searching for a meaningful difference between today’s Democratic Party and the GOP need only take note of their very different reactions to this latest tragedy.

Deadly shootings, even in our schools, are an inevitable feature of our daily lives — according to the Republican Party. In comments and appearances before the debate, the leading GOP candidates all reacted to the Perry shooting by washing their hands of any duty to act. And, of course, by offering thoughts and prayers.

DeSantis, the Florida governor, said during an interview with NBC News and the Des Moines Register that while officials have a responsibility to guarantee safety at our schools, the federal government “is probably not going to be leading that effort.” As though to underscore the point, he later said, according to Reuters, that as president he would sign a bill eliminating the Bureau of Alcohol, Tobacco, Firearms and Explosives.

Haley posted her condolences on X, formerly known as Twitter, shortly after the shooting, saying in part that, “My heart aches for the victims of Perry, Iowa and the entire community.” Later that day, the former U.N. ambassador and South Carolina governor said that “we have to deal with the cancer that is mental health,” called for more security officers at schools and went ahead with her campaign schedule.

Meanwhile, former president Donald Trump — expected to trounce DeSantis, Haley and all other comers in Monday’s Iowa caucuses — addressed school violence during a campaign stop on Friday.

The callousness was breathtaking, even for Trump.
“I want to send our support and our deepest sympathies to the victims and families touched by the terrible school shooting yesterday in Perry, Iowa,” he said in Sioux City. “It’s just horrible, so surprising to see it here. But we have to get over it, we have to move forward.”

Get over it. Imagine the comfort that must have brought to the family of 11-year-old Ahmir Jolliff, who was killed in the shooting.

The Republican Party’s lack of empathy after a tragedy such as this gives the country a real chance to see why that matters for our country’s leadership — and what a real difference the Democrats offer.

On Thursday, the day after Republicans’ dismal debate, Vice President Harris visited a middle school in Charlotte to join a roundtable discussion on gun violence with Education Secretary Miguel Cardona. That’s where she announced the administration’s plan to invest a new round of funding ($285 million) for schools to find and train mental health professionals, per a White House official.

Harris shared her reaction to the Perry shooting on X the day it occurred, highlighting some of the proposals Democrats have been trying to pass:
“As we begin a new year, we must resolve to finally end this epidemic of gun violence that has become the leading cause of death for children in America. We know the solutions: making background checks universal, passing red flag laws, and renewing the assault weapons ban. Now, Congress and state legislators across the country must have the courage to act.”

Open the link to read the rest of the column.

Governor Ron DeSantis claims that Florida isn’t banning books, which may be technically true, yet demonstrably false. Librarians and school district officials are removing books from school and classroom libraries to comply with state law, until the books have been screened for any offensive sexual or racial language.

PEN America reported that more than 1,600 books have been removed from circulation until they have received approval from school officials. The big joke in Escambia County is that a dictionary is in the Escambia list of books that possibly violate the law. Actually, five dictionaries!

But many other books are on Escambia’s list that have been read by generations of students.

Is it fair to say that such lists are censorship or banning? I say yes. What do you think?

PEN America posted this statement:

It has come to this: Escambia County, Florida, schools have banned the dictionary.

Five dictionaries are on the district’s list of more than 1,600 books banned pending investigation in December 2023, along with eight different encyclopedias, The Guinness Book of World Records, and Ripley’s Believe it or Not – all due to fears they violate the state’s new laws banning materials with “sexual conduct” from schools.

Biographies of Beyoncé, Lady Gaga, Oprah Winfrey, Nicki Minaj, and Thurgood Marshallare on the list, alongside The Autobiography of Malcolm X and Black Panther comics by Ta-Nehisi Coates. The Feminism Book was banned along with The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion.

The list obtained by the Florida Freedom to Read Project also includes Anne Frank’s Diary of a Young Girl, The Adventures and the Memoirs of Sherlock Holmes and Agatha Christie’s Death on the Nile. The Princess Diaries and 14 other books by Meg Cabot have been taken from libraries, alongside books by David Baldacci, Lee Child, Michael Crichton, Carl Hiassen, Jonathan Franzen, John Green, John Grisham, Stephen King (23 of them), Dean Koontz, Cormac McCarthy, Celeste Ng, James Patterson, Jodi Picoult,and Nicholas Sparks. Conservative pundit Bill O’Reilly’s two books, Killing Jesus and Killing Reagan, were also banned pending investigation.

PEN America, Penguin Random House, and a diverse group of authors joined with parents and students in Escambia County for a first of its kind federal lawsuit alleging that an earlier set of book bans and restrictions violate their rights to free speech and equal protection under the law. A hearing in the case is scheduled for Wednesday, Jan. 10.

If you open the link, you can see the list of banned books in Escambia County.

Here are a few that caught my eye:

Books of Greek and Roman myths

Baroque and Rococo Art

Five books by Maya Angelou

James Baldwin, Go Tell It on the Mountain

Emily Brontë, Wuthering Heights

Sixteen books by Meg Cabot

Albert Camus, The Stranger

Agatha Christie, Death on the Nile

Sandra Cisneros, The House on Mango Street

Multiple books about sexually transmitted diseases

Charles Dickens, A Tale of Two Cities

Charles Dickens, David Copperfield -Adapted for Young Readers

Ralph Ellison, Invisible Man

Five novels by William Faulkner

Gustave Flaubert, Madame Bovary

Gabriel Garcia Marquez, Love in the Time of Cholera and One Hundred Years of Solitude

William Golding, Lord of the Flies

I’m stopping here. You get the drift. Scan the rest of the list and see what you think.

Billy Townsend is a Florida blogger who specializes in exposing grifters, especially in education. He calls his blog “Public Enemy #1.” He served on the Polk County school board and has been relentless in pursuing the scams perpetrated by Governor DeSantis and former state Commissioner of Education Richard Corcoran, now president of New College, a position for which he is uniquely unqualified. Someone on Twitter noted recently that the university presidents appointed by DeSantis won’t have to worry about plagiarism charges, because few if any of them have ever published a peer-reviewed article or book.

Chris Rufo is the attack dog of the far-right, who literally manufactured and sold a public panic attack over “critical race theory,” a concept debated in law school classes. As a result of his publicity campaign, any teaching about race and racism in American schools became suspect, enabling some states to suppress honest discussion of those subjects. Most recently, Rufo hounded Harvard’s President, Claudine Gay, until she resigned over charges of plagiarism.

Townsend writes here about Rufo’s inflated academic credentials:

In the least surprising revelation ever, Christopher Rufo does not have a Masters of Arts degree from Harvard, as he once claimed in his Manhattan Institute bio. He has, instead, a Master of Liberal Arts (MLA) from Harvard Extension School.

Indeed, this anti-woke grifter is continuing to misstate his educational credentials, even after very very quietly correcting one aspect of his misstatement — as I’ll show you in a moment.

As anyone who remotely follows Rufo knows, this is the kind of credential misstatement he would summon the New York Times to pursue if the person doing the misstating was black or a woman. And the useless NYT would dutifully obey. I’m sure they will find a way to avoid this particular misstatement.

But Rufo’s fellow trustees can and should confront him with this at the next meeting.

Rufo claims undergraduate achievement he did not earn

Harvard instructs graduates of Harvard University Extension School to spell out “Harvard University Extension School” on resumes and bios because its sees a meaningful distinction between “Harvard University Extension School” and Harvard’s traditional graduate schools…

Selectivity of admission is the core difference in these Harvard graduate programs. It’s a lot easier to get into “Harvard University Extension School” than traditional Harvard.

Thus, Rufo’s conflation of degree credentials claims a level of achievement in admission that he did not earn.

It misrepresents the quality of Rufo’s undergraduate performance, suggesting that it was strong enough to earn admission to Harvard’s highly selective graduate schools. It was not.

Rufo’s misleading claim dilutes Harvard’s brand, which is why Harvard cares about how graduates claim this credential, I suspect. I’ve posted Harvard’s direction in how to refer to the extension school below.

The “never admit” grifter admits to something

Is this a big deal? Rufo, a bombastic Bad Ken 99.9 percent of the time, seems to think so. He very very quietly acknowledged that his Manhattan Institute bio misstated his education credential by very very quietly having it altered.

In doing so, Rufo violated the #1 tenet of the modern “conservative” and “anti-woke” grifts — the #1 tenet of Rufoism: always loudly refuse to admit or acknowledge anything damaging to the grift. And yet, here Rufo is admitting….

Billy Townsend goes on to portray Rufo’s bio—before and after—on the Manhattan Institute website, where he is a senior fellow. And he shows that Rufo’s misleading claim to am MA at Harvard persists on the New College website, where DeSantis named him as a trustee as part of the governor’s plan to turn the progressive liberal arts college into the Hillsdale of the South.

Townsend writes:

Ride it while it lasts, Chris

Ironically, considering the time and effort I’ve spent on these two Rufo articles, I’m thoroughly uninterested in him. He’s just another grifter, a little farther down the grift value chain than young Austin Hurst, who I introduced you to earlier today.

But they’re essentially the same person — lazy bros trolling for rich guy money by owning the libs. Rufo’s need to overstate both undergrad and grad school credentials is a pretty good example of that.

Rufos, like Zieglers, always come and go. This one will too.

Townsend then quotes a Harvard document explaining how graduates of the Harvard Extension School should refer to their degrees, advice that Rufo ignored until he was caught.

I urge you to open the link to read the material I did not reproduce here. It’s fascinating.

Billy Townsend, by the way, is a graduate of Amherst College, whose admission standards are as rigorous as those of Harvard.

Leslie Postal of the Orlando Sentinel reported the list of banned books.

Please scan the list and let me know which you think should never be banned. Are there any on the list that you think should not be in any 3-8 classroom? Any that should not be available in high school?

Here is a list of the 673 books removed from teachers’ classroom shelves in Orange County for fear they might violate state law and rules on “sexual conduct:” Some might be returned to shelves after further review.

“In the Belly of the Beast,” Jack Henry Abbott
“The Pool Was Empty,” Gilles Abier
“The Poet X,” Elizabeth Acevedo
“With the Fire on High,” Elizabeth Acevedo
“Call Me By Your Name,” Andre Aciman
“Things You Shouldn’t Say Past Midnight,” Peter Ackerman
“Half of a Yellow Sun,” Chimamanda Ngozi Adichie
“Changes,” Ama Ata Aidoo
“River of Darkness,” Rennie Airth
“Say You’re One of Them,” Uwem Akpan
“Simon Vs. The Homo Sapiens Agenda,” Becky Albertalli
“The Upside of Unrequited,” Becky Albertalli
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The House of the Spirits,” Isabel Allende
“In the Midst of Winter,” Isabel Allende
“The Blood of Flowers,” Anita Amirrezvani
“Wintergirls,” Laurie Halse Anderson
“Me and Earl and the Dying Girl,” Jesse Andrews
“The Haters,” Jesse Andrews
“I Know Why The Caged Bird Sings,” Maya Angelou
“Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” Maya Angelou
“Lucy in the Sky,” Anonymous
“And Eternity,” Piers Anthony
“On a Pale Horse,” Piers Anthony
“Four Plays,” Aristophanes
“From Blood and Ash,” Jennifer L. Armentrout
“Storm and Fury,” Jennifer L. Armentrout
“City of the Lost,” Kelley Armstrong
“Mosquitoland,” David Arnold
“Damsel,” Elana K. Arnold
“Infandous,” Elana K. Arnold
“Red Hood,” Elana K. Arnold
“What Girls Are Made Of,” Elana K. Arnold
“Oryx and Crake,” Margaret Atwood
“The Handmaid’s Tale,” Margaret Atwood
“The Handmaid’s Tale: The Graphic Novel,” Margaret Atwood
“The Testaments,” Margaret Atwood
“Alias Grace,” Margaret Atwood
“Hag-Seed,” Margaret Atwood
“Madd Addam Trilogy,” Margaret Atwood
“The Blind Assassin,” Margaret Atwood
“The Clan of the Cave Bear,” Jean M. Auel
“The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters
(Earth’s Children, #1-3),” Jean M. Auel
“The Tale of John Barleycorn: From Barley to Beer,” Mary Azarian
“My Friend Dahmer,” John “Derf” Backderf
“Six of Crows,” Leigh Bardugo
“Dance Nation,” Clare Barron
“Wise Young Fool,” Sean Beaudoin
“Herzog,” Saul Bellow
“The Color Master,” Aimee Bender
“The Seven Rays,” Jessica Bendinger
“Glimpse,” Stacey Wallace Benefiel
“The History Boys,” Alan Bennett
“Mr. Darcy Takes a Wife,” Linda Berdoll

“Best in Show,” Laurien Berenson
“Dark Eye,” William Bernhardt
“Friday Night Lights: A Town A Team And A Dream,” H.G. Bissinger
“Geektastic,” Holly Black
“Red Glove,” Holly Black
“I Was a Teenage Fairy,” Francesca Lia Block
“Sex on the Brain,” Deborah Blum
“Forever…,” Judy Blume
“Midwives: A Novel,” Chris Bohjalian
“Bronxwood,” Coe Booth
“The Best American Short Stories 2015,” T.C. Boyle
“The Road to Wellville,” T.C. Boyle
“The Darkest Minds,” Alexandra Bracken
“The Dark Garden,” Eden Bradley
“The Mists of Avalon,” Marion Zimmer Bradley
“Forever in Blue: The Fourth Summer of the Sisterhood,” Ann Brashares
“The Last Summer of You and Me,” Ann Brashares
“The Sisterhood of the Traveling Pants,” Ann Brashares
“Electric Girl,” Michael Brennan
“The Demon’s Surrender,” Sarah Rees Brennan
“Monkey Man,” Steve Brewer
“Over the Edge,” Suzanne Brockmann
“Candy,” Kevin Brooks
“Angels & Demons,” Dan Brown
“The Bridges of Madison County (musical),” Jason Robert Brown
“A Secret Splendor,” Sandra Brown
“Above and Beyond,” Sandra Brown
“In a Class by Itself,” Sandra Brown
“Lethal,” Sandra Brown
“Seduction by Design,” Sandra Brown
“Send No Flowers,” Sandra Brown
“Unspeakable,” Sandra Brown
“Doing It,” Melvin Burgess
“The Neon Rain,” James Lee Burke
“The Glister,” John Burnside
“Running with Scissors,” Augusten Burroughs
“Summer and the City,” Candace Bushnell
“The Carrie Diaries,” Candace Bushnell
“Kindred,” Octavia E. Butler
“Kindred: A Graphic Novel Adaptation,” Octavia E. Butler
“El Gigante Solitario,” Mary Cappellini
“Xenocide,” Orson Scott Card
“How Beautiful the Ordinary: Twelve Stories of Identity,” Michael Cart
“The Bloody Chamber and Other Stories,” Angela Carter
“Kisses From Hell,” Kristin Cast
“Chosen,” P.C. Cast
“Marked,” P.C. Cast
“The Big Sleep,” Raymond Chandler
“The Big Sleep; The High Window; The Lady in the Lake; The Long
Goodbye; Playback; Farewell, My Lovely,” Raymond Chandler
“Stories and Early Novels: Pulp Stories / The Big Sleep / Farewell My
Lovely / The High Window,” Raymond Chandler
“The Year of Living Awkwardly,” Emma Chastain
“Pieces,” Stephen Chbosky
“The Perks of Being a Wallflower,” Stephen Chbosky
“The Perks of Being a Wallflower YA edition,” Stephen Chbosky
“The Lady and the Unicorn,” Tracy Chevalier
“My Wicked Wicked Ways,” Sandra Cisneros
“The Tesla Testament,” Eugene Ciurana
“Chain Of Iron,” Cassandra Clare
“Chain Of Thorns,” Cassandra Clare
“Queen of Air and Darkness,” Cassandra Clare
“The Red Scrolls Of Magic,” Cassandra Clare
“Little Bee,” Chris Cleave
“The Girls,” Emma Cline
“Ready Player One,” Ernest Cline
“Scooter Girl,” Chynna Clugston-Flores
“Disgrace,” J.M. Coetzee
“Naomi and Ely’s No Kiss List,” Rachel Cohn
“Nick and Norah’s Infinite Playlist,” Rachel Cohn
“Finding Yvonne,” Brandy Colbert
“The Goats,” Brock Cole
“American Gangster,” Max Allan Collins
“Brules: A Novel,” Harry Combs
“The Lords of Discipline,” Pat Conroy
“Captain Marvel,” Gerry Conway
“Coma: A Novel,” Robin Cook
“Leviathan Wakes,” James S.A. Corey
“Heroes,” Robert Cormier
“Scarpetta,” Patricia Cornwell
“Three Complete Novels: Postmortem, Body Of Evidence, All That
Remains,” Patricia Cornwell
“Postmortem,” Patricia Cornwell
“Nearly Gone,” Elle Cosimano
“A Veil Removed,” Michelle Cox
“The Bondwoman’s Narrative,” Hannah Crafts
“First Semester,” Cecil R. Cross II
“Running Loose,” Chris Crutcher
“Balzac and the Little Chinese Seamstress,” Sijie Dai
“Esperanza Rising,” Julie Danneberg
“Cendrillon,” Luc Darbois
“Sir Apropos of Nothing,” Peter David
“The Westing Game,” Beatrice G. Davis
“Never Cry Werewolf,” Heather Davis
“Corelli’s Mandolin,” Louis de Bernieres
“Gates of Paradise,” Melissa de la Cruz
“Sunset Boulevard,” Zoey Dean
“Tall Cool One,” Zoey Dean
“American Beauty,” Zoey Dean
“The Feeling of Falling in Love,” Mason Deaver
“The Girl Before,” J.P. Delaney
“The Inheritance Of Loss,” Kiran Desai
“This Lullaby,” Sarah Dessen
“The Brief Wondrous Life of Oscar Wao,” Junot Díaz
“Blade Runner (do Androids Dream of Electric Sheep),” Philip K. Dick
“Don’t Get Caught,” Kurt Dinan
“Strangers She Knows,” Christina Dodd
“These Shallow Graves,” Jennifer Donnelly
“Room,” Emma Donoghue
“The Cases that Haunt Us,” John E. Douglas
“November Blues,” Sharon M. Draper
“Panic,” Sharon M. Draper
“House of Sand and Fog,” Andre Dubus III
“A Stolen Life: A Memoir,” Jaycee Dugard
“Submarine,” Joe Dunthorne
“Paso a Paso,” José Antonio Echeverria
“The Circle,” Dave Eggers
“Perfect Chemistry,” Simone Elkeles
“The Authority,” Warren Ellis
“Invisible Man,” Ralph Ellison
“The Gathering,” Anne Enright
“The Painter from Shanghai,” Jennifer Cody Epstein
“The Round House,” Louise Erdrich
“Sophomore Undercover,” Ben Esch
“Like Water For Chocolate,” Laura Esquivel
“Middlesex,” Jefferey Eugenides
“The Horse Whisperer,” Nicholas Evans
“Sleepless,” Thomas Fahy
“Ask the Dust,” John Fante
“Bad Days In History,” Michael Farquhar
“The Comedy Writer,” Peter Farrelly
“White Oleander,” Janet Fitch
“Madame Bovary,” Gustave Flaubert
“Dark Places,” Gillian Flynn
“Sharp Objects,” Gillian Flynn
“Separation of Power,” Vince Flynn
“Extremely Loud and Incredibly Close,” Jonathan Safran Foer
“The Carnival at Bray,” Jessie Ann Foley
“The Guest List,” Lucy Foley
“The Pillars of the Earth,” Ken Follett
“World Without End,” Ken Follett
“Come Back,” Claire Fontaine
“If I Stay,” Gayle Forman
“Just One Day,” Gayle Forman
“The Jane Austen Book Club,” Karen Fowler
“Joy Special of the Day,” Elaine Fox
“You Hear Me?,” Betsy Franco
“Palo Alto,” James Franco
“Dime,” E. R. Frank
“Cold Mountain,” Charles Frazier
“The Likeness,” Tana French
“Anansi Boys,” Neil Gaiman
“The House of Bernarda Alba,” Federico García Lorca
“Chronicle of a Death Foretold,” Gabriel García Márquez
“Love in the Time of Cholera,” Gabriel García Márquez
“Annie on My Mind,” Nancy Garden
“Killjoy,” Julie Garwood
“Eat, Pray, Love,” Elizabeth Gilbert
“Howl and Other Poems,” Allen Ginsberg
“Girl in Pieces,” Kathleen Glasgow
“Fat Kid Rules the World,” Kelly L. Going
“Bee Season,” Myla Goldberg
“Kenang-Kenangan Seorang Geisha (Memoirs of a Geisha),” Arthur Golden
“Memoirs of a Geisha,” Arthur Golden
“Sister Mischief,” Laura Goode
“A Reliable Wife,” Robert Goolrick
“Forever for a Year,” B.T. Gottfred
“The Handsome Girl & Her Beautiful Boy,” B.T. Gottfred
“The Nerdy and the Dirty,” B.T. Gottfred
“Tomorrow Girls,” Eva Gray
“An Abundance of Katherines,” John Green
“Looking for Alaska,” John Green
“Will,” John Grayson
“Paper Towns,” John Green
“Sex Plus: Learning, Loving and Enjoying Your Body,” Laci Green
“The Quiet American,” Graham Greene
“None Of The Above,” I.W. Gregorio
“Changeling,” Philippa Gregory
“The Other Boleyn Girl,” Philippa Gregory
“A Time to Kill,” John Grisham
“The Firm,” John Grisham
“John Grisham Value Collection: A Time to Kill, The Firm, The Client,”
John Grisham
“From Where I Watch You,” Shannon Grogan
“Water For Elephants,” Sara Gruen
“The Freedom Writers Diary,” Erin Gruwell
“Snow Falling On Cedars,” David Guterson
“A Map of the World,” Jane Hamilton
“We’ll Always Have Summer,” Jenny Han
“The World’s Strongest Librarian,” Joshua Hanagarne
“Fly Away,” Kristin Hannah
“The Art of Fielding,” Chad Harbach
“Jude the Obscure,” Thomas Hardy
“Chocolat,” Joanne Harris
“The Lollipop Shoes,” Joanne Harris
“The Silent Wife,” A.S.A. Harrison
“Plainsong,” Kent Haruf
“The Best 100 Poems of Gwen Harwood,” Gwen Harwood
“Necropolis,” Jordan L. Hawk
“Second Skin,” John Hawkes
“The Girl on the Train,” Paula Hawkins
“Catch-22,” Joseph Heller

“The Collected Plays,” Lillian Hellman
“Demian the Story of Emil Sinclairs Youth,” Hermann Hesse
“Demian. Die Geschichte von Emil Sinclairs Jugend.,” Hermann Hesse
“Siddhartha (Dual-Language),” Hermann Hesse
“Siddhartha: A Novel,” Hermann Hesse
“Skin Tight,” Carl Hiaasen
“The Island,” Elin Hilderbrand
“Rethinking Normal: A Memoir in Transition,” Katie Rain Hill
“Here Comes Santa Claus,” Sandra Hill
“Royal Assassin,” Robin Hobb
“The Dress Lodger,” Sheri Holman
“Watch Me,” A.J. Holt
“November 9,” Colleen Hoover
“Heart Bones,” Colleen Hoover
“Hopeless,” Colleen Hoover
“It Ends With Us,” Colleen Hoover
“It Starts With Us,” Colleen Hoover
“Layla,” Colleen Hoover
“Losing Hope,” Colleen Hoover
“Regretting You,” Colleen Hoover
“Verity,” Colleen Hoover
“Confess,” Colleen Hoover
“Ugly Love,” Colleen Hoover
“Impulse,” Ellen Hopkins
“Burned,” Ellen Hopkins
“Collateral,” Ellen Hopkins
“Crank,” Ellen Hopkins
“Fallout,” Ellen Hopkins
“Identical,” Ellen Hopkins
“Love Lies Beneath,” Ellen Hopkins
“People Kill People,” Ellen Hopkins
“Perfect,” Ellen Hopkins
“Tilt,” Ellen Hopkins
“Tricks,” Ellen Hopkins
“I Never,” Laura Hopper
“The Changeling,” Kate Horsley
“The Kite Runner,” Khaled Hosseini
“A Thousand Splendid Suns,” Khaled Hosseini
“Taken at Dusk,” C.C. Hunter
“Brave New World,” Aldous Huxley
“M Butterfly,” David Henry Hwang
“Icy Sparks,” Gwyn Hyman Rubio
“A Widow for One Year: A Novel,” John Irving
“The World According to Garp,” John Irving
“Never Let Me Go,” Kazuo Ishiguro
“Bit of a Blur,” Alex James
“Fifty Shades Series,” E.L. James
“Green River Killer: A True Detective Story,” Jeff Jensen
“No One to Trust,” Iris Johansen
“All Boys Aren’t Blue,” George M. Johnson
“Truly Devious 3-Book Box Set,” Maureen Johnson
“The Graduate,” Terry Johnson
“Choice Words,” Peter H. Johnston
“The Recognition of Sakuntala,” Arthur William Ryder Kalidasa
“Scent of Danger,” Andrea Kane
“Confessions of a Not It Girl,” Melissa Kantor
“The Big Bad Wolf Tells All,” Donna Kauffman
“Milk and Honey,” Rupi Kaur
“The Sun and Her Flowers,” Rupi Kaur
“Summer in the City of Roses,” Michelle Ruiz Keil
“Street Dreams,” Faye Kellerman
“Mr. Ding’s Chicken Feet,” Gillian Kendall
“The DUFF: Designated Ugly Fat Friend,” Kody Keplinger
“YOU: A Nove,” Caroline Kepnes
“On The Road,” Jack Kerouac
“The Book of Longings,” Sue Monk Kidd
“Four Past Midnight,” Stephen King
“Dolores Claiborne,” Stephen King
“Lisey’s Story,” Stephen King
“Night Shift,” Stephen King
“The Drawing of the Three,” Stephen King
“The Wastelands,” Stephen King
“Under the Dome,” Stephen King
“Prodigal Summer: A Novel,” Barbara Kingsolver
“Confessions of a Shopaholic,” Sophie Kinsella
“Shopaholic and Baby,” Sophie Kinsella
“Fear the Hunters,” Robert Kirkman
“Miles Behind Us,” Robert Kirkman
“Don’t Say a Word,” Andrew Klavan
“Primary Colors,” Joe Klein
“Sex, Drugs, and Cocoa Puffs,” Chuck Klosterman
“Gender Queer: A Memoir,” Maia Kobabe
“City of Night,” Dean Koontz
“Twilight Eyes,” Dean Koontz
“The Bear Went Over the Mountain,” William Kotzwinkle
“Born on the Fourth of July,” Ron Kovic
“The Pirate,” Jayne Ann Krentz
“The Poppy War,” R F. Kuang
“Dark Triumph,” Robin La Fevers
“Grave Mercy,” Robin La Fevers
“The Namesake,” Jhumpa Lahiri
“I Know This Much Is True,” Wally Lamb
“Search for Safety,” Paul Langan
“Survivor,” Paul Langan
“Liar,” Justine Larbalestier
“My Sister Rosa,” Justine Larbalestier
“The Splendid and the Vile,” Erik Larson
“Recipe Box,” Sandra Lee
“Furyborn,” Claire Legrand
“Mystic River,” Dennis Lehane
“The Grass Is Singing,” Doris Lessing
“Another Day,” David Levithan
“Dexter Is Delicious,” Jeff Lindsay
“Last Night at the Telegraph Club,” Malinda Lo
“The Dirt on Sex,” Justin Lookadoo
“Character, Driven,” David Lubar
“The Bourne Identity,” Robert Ludlum
“The Robert Ludlum Value Collection: The Bourne Identity, The Bourne
Supremacy, The Bourne Ultimatum,” Robert Ludlum
“Brave New Girl,” Louisa Luna
“Game,” Barry Lyga
“I Hunt Killers,” Barry Lyga
“Boy Toy,” Barry Lyga
“A Court of Frost and Starlight,” Sarah J. Maas
“A Court of Mist and Fury,” Sarah J. Maas
“A Court of of Wings and Ruin,” Sarah J. Maas
“A Court of Silver Flames,” Sarah J. Maas
“A Court of Wings and Ruin,” Sarah J. Maas
“House of Earth and Blood,” Sarah J. Maas
“A Court of Thorns and Roses,” Sarah J. Maas
“Fall on Your Knees,” Ann-Marie MacDonald
“Easter Rising,” Michael Patrick MacDonald
“Guyaholic,” Carolyn Mackler
“The Hike,” Drew Magary
“Son of a Witch,” Gregor Maguire
“Wicked: The Life and Times of the Wicked Witch of the West,” Gregory Maguire
“Wicked: Memorias de una bruja mala,” Gregory Maguire
“The Natural,” Bernard Malamud
“Nectar in a Sieve,” Kamala Markandaya
“Slightly Single,” Wendy Markham
“Blue is the Warmest Color,” Jul Maroh
“A Game of Thrones,” George R.R. Martin
“A Dance with Dragons,” George R.R. Martin
“A Feast for Crows,” George R.R. Martin
“A Storm of Swords,” George R.R. Martin
“The Mystery Knight,” George R.R. Martin
“The Official A Game of Thrones Coloring Book,” George R.R. Martin
“A Clash of Kings,” George R.R. Martin
“Jackie “The Joke Man” Martling’s Disgustingly Dirty Joke Book,” Jackie Martling
“Paper Dollhouse,” Lisa M. Masterson
“Strange Intimacy,” Anne Mather
“Amy & Roger’s Epic Detour,” Morgan Matson
“The Secret Diary of Anne Boleyn,” Robin Maxwell
“The Good Lord Bird,” James McBride
“Perfect Fifths,” Megan McCafferty
“Second Helpings,” Megan McCafferty
“Freedom’s Choice,” Anne McCaffrey
“All the Pretty Horses,” Cormac McCarthy
“No Country for Old Men,” Cormac McCarthy
“Outer Dark,” Cormac McCarthy
“Man o’ War,” Cory McCarthy
“Sold,” Patricia McCormick
“The Revolution of Little Girls,” Blanche McCrary Boyd
“The Beauty Queen of Leenane,” Martin McDonagh
“Sophomore Switch,” Abby McDonald
“Amsterdam,” Ian McEwan
“Atonement,” Ian McEwan
“On Chesil Beach,” Ian McEwan
“Duquesa by Default,” Maura McGiveny
“Beautiful Disaster,” Jamie McGuire
“The Memory of Running,” Ron McLarty
“Lonesome Dove,” Larry McMurtry
“Everything You Want Me to Be,” Mindy Mejia
“Talking in the Dark,” Billy Merrell
“Life and Death: Twilight Reimagined,” Stephenie Meyer
“Pretty Woman,” Fern Michaels
“The Real Deal,” Fern Michaels
“The Authority,” Mark Millar
“Circe,” Madeline Miller
“The Song of Achilles: A Novel,” Madeline Miller
“Paradise Lost and Paradise Regained (The Signet Classic Poetry
Series),” John Milton
“Paradise Lost,” John Milton
“Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and
Being a Human (A Graphic Novel),” Erika Moen
“All My Friends Are Dead,” Avery Monsen
“Watchmen,” Alan Moore
“Camp Confidential,” Melissa J. Morgan
“The Year of Secret Assignments,” Jaclyn Moriarty
“The Center of Everything,” Laura Moriarty
“Seikai 1,” Hiroyuki Morioka
“The Bluest Eye,” Toni Morrison
“Beloved,” Toni Morrison
“Paradise,” Toni Morrison
“Song of Solomon,” Toni Morrison
“Kafka on the Shore,” Haruki Murakami
“Heart of Stone,” C.E. Murphy
“Dead End,” Jason Myers
“Street Love,” Walter Dean Myers
“Peace, Love, and Baby Ducks,” Lauren Myracle
“Rhymes with Witches,” Lauren Myracle
“Shine,” Lauren Myracle
“L8R G8R,” Lauren Myracle
“The Infinite Moment of Us,” Lauren Myracle
“ttfn,” Lauren Myracle
“TTYL,” Lauren Myracle
“yolo,” Lauren Myracle
“The Art of Hana-Kimi,” Hisaya Nakajo
“Skin,” Donna Jo Napoli
“Linden Hills,” Gloria Naylor
“The Men of Brewster Place,” Gloria Naylor
“The Women of Brewster Place,” Gloria Naylor
“Like a Love Story,” Abdi Nazemian
“Getting Somewhere,” Beth Neff
“On the Volcano,” James Nelson
“Suite Francaise,” Irene Nemirovsky
“The Sympathizer,” Viet Thanh Nguyen
“We Are All Made of Molecules,” Susin Nielsen-Fernlund
“Holding Up the Universe,” Jennifer Niven
“Breathless,” Jennifer Niven
“Everlasting,” Alyson Noël
“Evermore,” Alyson Noël
“Night Star,” Alyson Noël
“Where I end and You Begin,” Preston Norton
“Sweat,” Lynn Nottage
“Plague in the Mirror,” Deborah Noyes
“Back Roads,” Tawni O’Dell
“Beasts,” Joyce Carol Oates
“The Assignation: Stories,” Joyce Carol Oates
“We Were the Mulvaneys,” Joyce Carol Oates
“Panic,” Lauren Oliver
“Before I Fall,” Lauren Oliver
“When the Emperor was Divine,” Julie Otsuka
“Ars Amatoria,” Ovid
“Metamorphoses,” Ovid
“Where the Crawdads Sing,” Delia Owens
“Choke,” Chuck Palahniuk
“Invisible Monsters Remix,” Chuck Palahniuk
“Lullaby,” Chuck Palahniuk
“In Order to Live,” Yeonmi Park
“The Dogs of Babel,” Carolyn Parkhurst
“Learning Tree,” Gordon Parks
“Bel Canto,” Ann Patchett
“The Patron Saint of Liars,” Ann Patchett
“Honeymoon,” James Patterson
“Private,” James Patterson
“Sail,” James Patterson
“Sam’s Letters to Jennifer,” James Patterson
“Sideways,” Alexander Payne
“A Day No Pigs Would Die,” Robert Newton Peck
“The Leftovers,” Tom Perrotta
“Out Stealing Horses,” Per Petterson
“Prague,” Arthur Phillips
“Fishtailing,” Wendy Phillips
“A Spark of Light,” Jodi Picoult
“Handle with Care,” Jodi Picoult
“Picture Perfect,” Jodi Picoult
“The Pact: A Love Story,” Jodi Picoult
“The Storyteller,” Jodi Picoult
“The Tenth Circle,” Jodi Picoult
“Nineteen Minutes,” Jodi Picoult
“A Year and a Day,” Leslie Pietrzyk
“Thirst No. 1,” Christopher Pike
“Thirst No. 2,” Christopher Pike
“Thirst No. 4,” Christopher Pike
“Thirst No. 5,” Christopher Pike
“Into White,” Randi Pink
“It Doesn’t Have to Be Awkward: Dealing with Relationships, Consent,
and Other Hard-to-Talk-About Stuff,” Drew Pinsky
“Yes Please,” Amy Poehler
“Tinisima,” Elena Poniatowska
“Behind the Shadows,” Patricia Potter
“The Whistling Toilets,” Randy Powell
“The Cabin,” Natasha Preston
“The Cellar,” Natasha Preston
“Caves Graves,” Natalie Prior
“Jane Swann’s Way,” Marcel Proust
“La Belle Sauvage,” Philip Pullman
“Burning Glass,” Kathryn Purdie
“The Family,” Mario Puzo
“Gabi, a Girl in Pieces,” Isabel Quintero
“The Elegant Gathering of White Snows,” Kris Radish
“The Fountainhead,” Ayn Rand
“Modern Love,” Andrew Rannells
“Punkzilla,” Adam Rapp
“Beautiful,” Amy Reed
“The Cute Girl Network,” M.K. Reed
“Such a Fun Age,” Kiley Reid
“The Seven Husbands of Evelyn Hugo,” Taylor Jenkins Reid
“Stop in the Name of Pants!,” Louise Rennison
“Stone Fox,” John Reynolder
“Wide Sargasso Sea,” Jean Rhys
“The Vampire Armand,” Anne Rice
“The Witching Hour,” Anne Rice
“Life,” Keith Richards
“Juliet Takes a Breath,” Gabby Rivera
“Redeeming Love,” Francine Rivers
“The Atonement Child,” Francine Rivers
“Gulp: Adventures on the Alimentary Canal,” Mary Roach
“Birthright,” Nora Roberts
“The True and Outstanding Adventures of the Hunt Sisters,” Elisabeth Robinson
“Normal People,” Sally Rooney
“Jack of Hearts (and other parts),” L.C. Rosen
“Portnoy’s Complaint,” Philip Roth
“The Casual Vacancy,” J.K. Rowling
“The God of Small Things,” Arundhati Roy
“All of Us with Wings,” Michelle Ruiz Keil
“Elegies for Angels Punks and Raging Queens,” Bill Russell
“The Dead-Tossed Waves,” Carrie Ryan
“Leviathan Wakes,” James S.A. Corey
“And They Lived …,” Steven Salvatore
“Bait,” Alex Sanchez
“Once a King, Always a King,” Reymundo Sanchez
“Option B,” Sheryl Sandberg
“The Fool’s Run,” John Sandford
“Vampire, Interupted,” Lynsay Sands
“Push,” Sapphire
“Blindness,” José Saramago
“Jesus Land: A Memoir,” Julia Scheeres
“Uses for Boys,” Erica Lorraine Scheidt
“The Reader,” Bernard Schlink
“The Beginning of Everything,” Robyn Schneider
“Bully,” Jim Schutze
“The Invisible Life of Addie La Rue,” V.E. Schwab
“The Gift of Forgiveness,” Katherine Schwarzenegger Pratt
“Living Dead Girl: A Novel,” Elizabeth Scott
“Lucky,” Alice Sebold
“The Lovely Bones,” Alice Sebold
“Naked,” David Sedaris
“Peony in Love,” Lisa See
“Writing My Wrongs,” Shaka Senghor
“Equus,” Peter Shaffer
“Skin and Bones,” Sherry Shahan
“Demon Apocalypse,” Darren Shan
“Forbidden Knowledge,” Roger Shattuck
“Tweak,” Nic Sheff
“The Stone Diaries,” Carol Shields
“Sea Glass: A Novel,” Anita Shreve
“Alichino,” Kouyu Shurei
“The Food Chain,” Nicky Silver
“If I Was Your Girl,” Ni-Ni Simone
“Wilder,” Andrew Simonet
“The Straight Girl’s Guide to Sleeping with Chicks,” Jen Sincero
“The Silence and the Roar,” Nihad Sirees
“The Primal Blueprint,” Mark Sisson
“Prep: A Novel,” Curtis Sittenfeld
“You Think It, I’ll Say It,” Curtis Sittenfeld
“Stay In Line,” Teddy Slaterguess
“A Thousand Acres,” Jane Smiley
“The Way I used to Be,” Amber Smith
“Joy in the Morning,” Betty Smith
“Tree Grows In Brooklyn,” Betty Smith
“The Geography of Girlhood,” Kirsten Smith
“Betwixt,” Tara Bray Smith
“Anatomy of a Boyfriend,” Daria Snadowsky
“Sadar’s Keep,” Midori Snyder
“No Visible Bruises,” Rachel Louise Snyder
“MARS,” Fuyumi Soryo
“Summer on Wheels,” Gary Soto
“The Prime of Miss Jean Brodie,” Muriel Spark
“It Happened to Nancy,” Beatrice Sparks
“At First Sight,” Nicholas Sparks
“Message in a Bottle,” Nicholas Sparks
“Nights in Rodanthe,” Nicholas Sparks
“The Guardian,” Nicholas Sparks
“The Rescue,” Nicholas Sparks
“The Wedding,” Nicholas Sparks
“Small Town Girl,” Lavyrle Spencer
“Everyone likes Eggs,” Jerry Spinelli
“Star (French Edition),” Danielle Steel
“The Gift,” Danielle Steel
“East of Eden,” John Steinbeck
“Still Missing,” Chevy Stevens
“Earth (the book) A Visitors Guide to the Human Race,” Jon Stewart
“Every Last Word,” Tamara Ireland Stone
“Marcelo in the Real World,” Francisco X. Stork
“Until the Twelfth of Never,” Bella Stumbo
“Sophie’s Choice,” William Styron
“We Should Hang Out Sometime,” Josh Sundquist
“The Kitchen God’s Wife,” Amy Tan
“The Valley of Amazement,” Amy Tan
“American Colonies,” Alan Taylor
“Just Friends,” Billy Taylor
“The Spectacular Now,” Tim Tharp
“Concrete Rose,” Angie Thomas
“The Loners,” Lex Thomas
“Picking Cotton,” Jennifer Thompson-Cannino
“Blankets,” Craig Thompson
“First Time,” Meg Tilly
“Sigh, Gone,” Phuc Tran
“Milk Glass Moon,” Adriana Trigiani
“Stuck in Neutral,” Terry Trueman
“The RattleRat,” Janwillem Van de Wetering
“Red Thunder,” John Varley
“Sia Martinez and the Moonlit Beginning of Everything,” Raquel Vasquez Gilliland
“Y: The Last Man,” Brian K. Vaughan
“When We Make It,” Elisabet Velasquez
“The Covenant of Water,” Abraham Verghese
“Shojo Beat,” Viz Media
“Dicey’s Song,” Cynthia Voight
“All I Want is Everything,” Cecily Von Ziegesar
“Don’t You Forget about Me,” Cecily Von Ziegesar
“Tempted,” Cecily Von Ziegesar
“You Know You Love Me,” Cecily Von Ziegesar
“It Had To Be You,” Cecily Von Ziegesar
“Slaughterhouse-Five,” Kurt Vonnegut Jr.
“Slaughterhouse-Five: The Graphic Novel,” Kurt Vonnegut Jr.
“The Color Purple,” Alice Walker
“Black White and Jewish,” Rebecca Walker
“We All Looked Up,” Tommy Wallach
“A Thousand Country Roads: An Epilogue to The Bridges of Madison
County,” Robert James Waller
“The Bridges of Madison County,” Robert James Waller
“The Glass Castle,” Jeannette Walls
“Stargazing,” Jen Wang
“Salvage the Bones,” Jesmyn Ward
“Numbers,” Rachel Ward
“Something Worth Saving,” Sandi Ward
“The Graduate,” Charles Webb
“Girl Boy Etc,” Michael Weinreb
“Chasing Harry Winston,” Lauren Weisberger
“Little Altars Everywhere: A Novel,” Rebecca Wells
“A Certain Slant of Light,” Laura Whitcomb
“The Professor and the Madman,” Simon Winchester
“Happiness Sold Separately,” Lolly Winston
“A Man in Full,” Tom Wolfe
“The Interestings,” Meg Wolitzer
“Turkish Delight,” Jan Wolkers
“Brighter than Gold,” Cynthia Wright
“Native Son,” Richard Wright
“Blu’s Hanging,” Lois-Ann Yamanaka
“Revolutionary Road,” Richard Yates
“Armageddon Summer,” Jane Yolen
“The Sun Is Also a Star,” Nicola Yoon
“Everything, Everything,” Nicola Yoon
“Nothing But Your Ski,” Cathy Ytak

Compiled by staff writer Richard Tribou. Source: List obtained by the Florida Freedom to Read Project and confirmed by Orange County Public Schools.