Archives for category: Art

Trump can’t keep his hands off anything. In his mad dash to be king, he has decided to reshape the Smithsonian Institution. Will he close exhibits he doesn’t like? We know he’s completely ignorant of history, so whatever he does will suit his prejudices. He has put JD Vance in charge. Will he withdraw references to “the trail of tears”? Will he remove references to the brutality of slavery?

Kelsey Ables of The Washington Post reported:

The Smithsonian, a sprawling, 21-museum institution tasked with telling the story of the United States and much more, could see changes under President Donald Trump, who in a Thursday executive order set his sights on ridding the institution of ideas that he says “undermine the remarkable achievements of the United States.”

According to a White House fact sheet summarizing the order, the president has instructed the vice president “to eliminate improper, divisive, or anti-American ideology” from the institution’s entities.

Trump’s unprecedented call to influence programming at an institution that has operated largely independently for its more than 175-year history raises questions about the fate of millions of items the country holds in what’s sometimes called “the nation’s attic.”

But who runs and funds the Smithsonian and can Trump overhaul it like he is the federal government? Here’s what to know.

The Smithsonian was created by Congress in 1846 with funds from James Smithson, a British scientist who left his estate to the United States to establish an institution “for the increase and diffusion of knowledge.” Smithson never visited the United States, though his remains are now housed at the Smithsonian Institution Building, known as the Castle.

These days, the Smithsonian is about 62 percent federally funded by a combination of congressional appropriation along with federal grants and contracts. The rest comes from trust funds or nonfederal sources, which include endowments, donations and memberships, as well as revenue from magazines, restaurants, concessions and more. The institution’s federal budget for the 2024 fiscal year was more than $1 billion.

Is the Smithsonian a government agency?

No, the Smithsonian is not a federal agency but a “trust instrumentality” of the United States, tasked with carrying out the responsibilities undertaken by Congress when it accepted Smithson’s donation. It’s overseen by the secretary, currently Lonnie G. Bunch III, who is appointed by the Board of Regents — made up of the chief justice, vice president, three members of the Senate, three members of the House and nine citizens.

The Smithsonian describes itself as the “world’s largest museum, education, and research complex” and includes 21 museums — two in development — 14 education and research centers, and the National Zoo. It holds a dizzying array of objects, from fighter jets hanging from the high ceilings of the Udvar-Hazy Center all the way down to the tiny specimens at the National Museum of Natural History.

Recently, Vice President JD Vance and his wife Usha attended a concert at the Kennedy Center in D.C. When they sat down in their box seats overlooking the audience, they were loudly booed by the audience.

The audience was doubtless reacting to Trump’s takeover of the Kennedy Center, purging its leaders and replacing every Democrat on the bipartisan Board with a Republican. He named himself as chairman of the Board, thus ensuring that no artist would dare to insult him as others had done in the past. Trump complained about “woke” performances, but admitted he never attended the Kennedy Center. Several artists cancelled their performances, as did the celebrated multiracial Broadway show “Hamilton.”

Trump’s hand-picked acting Director of the Kennedy Center is Richard Grennell, who has no experience in the arts but served as Trump’s Ambassador to Germany.

When Grennell heard that VP Vance had been loudly booed, he issued a statement on Twitter.

The New York Times wrote:

Richard Grenell, whom Mr. Trump named as the center’s new president, posted on social media on Friday morning that the video showing Mr. Vance being booed “should challenge us all to commit to making the Kennedy Center a place where everyone is welcomed.”

“It troubles me to see that so many in the audience appear to be white and intolerant of diverse political views,” he wrote. “Diversity is our strength. We must do better. We must welcome EVERYONE. We will not allow the Kennedy Center to be an intolerant place.”

The Washington Post reported that Grennell sent an email to the Kennedy Center staff:

On Friday morning, Richard Grenell, an ally of President Donald Trump made interim president of the Kennedy Center by Trump’s new board of trustees, sent an email to the center’s staff, reviewed by The Washington Post, stating that he “received several messages from Kennedy Center staffers sharing their embarrassment over more than a few Symphony patrons loudly booing the Vice President and his wife last night.”

“As the premier Arts organization in the United States of America, we must work to make the Kennedy Center a place where everyone is welcomed,” Grenell wrote. “We clearly have work to do. And I hear your outrage.”

He cited the center’s diversity as a strength. “As President, I take diversity and inclusion very seriously,” he wrote. “I have met with many of you, and I love that we are Christian, Muslim, Jewish, agnostic, gay, straight, black, white, Hispanic and absolutely different.

WHAT?

Doesn’t he know that Trump banned “diversity” and “inclusion”?

Doesn’t he know that Defense Secretary Pete Hegseth removed all literature that said “Diversity is our strength”?

Why was Gremnell complaining about an audience in which “so many…appear to be white”? Many Black performers have cancelled their appearances at the Kennedy Center because of Trump’s unprecedented takeover and his harsh attacks on diversity and inclusion.

Reading this was a laugh-out-loud moment.

Trump doesn’t understand the arts. There is no evidence that he has ever been interested in the arts. He doesn’t understand that the arts by their nature are cutting-edge. They take us to imaginative worlds we knew nothing about. They expand our horizons. We can see and love Beethoven, Bach, and Shakespeare, but artists today are living in the 21st century and they express what they think and feel now. They introduce us to new worlds.

Trump took control of the Kennedy Center in D.C., one of the greatest venues for the arts in the world. He had to because every year at the awards ceremony, the artists laughed at him. They ridiculed him. They treated him as an enemy, which indeed he was.

Now that Trump appointed himself as chair of the board, he changed the composition of the board. What was once a bipartisan board, divided equally among Democrats and Republicans, is now 100% all-Trump.

The only way he could stifle those annoying artists was to make himself the chair of the board! No more laughing at Trump! With Trump in charge, no drag shows! Nothing about race or gender! Nothing transgressive! Trump has a track record of destroying whatever he touches. He may destroy the Kennedy Cenrer. Just for spite.

Trump is a vulgarian. He despises artistic freedom. He hates drag shows. He despises WOKE culture. Art is often woke. Ibsen was woke. Most artists are woke.

The President of the Kennedy Center, Deborah Rutter, saw the handwriting on the wall. She resigned, as of December 31, 2025. She will leave sooner now that Trump runs her agency.

She did not understand the tsunami about to hit the Kennedy Center.

Playbill (the Broadway publication) tells the story. If you care about artistic freedom, it’s horrifying.

President Donald Trump has been elected as chairman of the board at the Kennedy Center, after replacing board members appointed by former President Joe Biden with his own loyalists. The board members took a vote and named Trump chair in a meeting held Wednesday afternoon. In response, Kennedy Center President Deborah Rutter has announced that she is stepping down from the organization effective immediately. Rutter announced two weeks ago that she would stay in her position until the end of the year, but it seems the recent turmoil at the Washington, D.C. arts organization led to her early departure.

Trump has named loyalist Richard Grenell as interim Kennedy Center President. Grenell, currently the special presidential envoy for special missions, does not appear to have any background in the arts or arts administration. The role of president is typically tasked with the institution’s programming choices, while the chair and the board usually acts in an advisory capacity (though that will likely no longer be the case considering Trump’s strong language for what he plans for the organization).

Rutter, who had held her position since 2014, released a statement before she departed, about the importance of artistic freedom: “Much like our democracy itself, artistic expression must be nurtured, fostered, prioritized, and protected. It is not a passive endeavor; indeed, there is no clearer sign of American democracy at work than our artists, the work they produce, and audiences’ unalienable right to actively participate.”

Trump, who in previous statements vowed to ban drag shows from the venue, wrote on Wednesday on Truth Social: “It is a great honor to be chairman of The Kennedy Center, especially with this amazing Board of Trustees. We will make The Kennedy Center a very special and exciting place!” Historically, the Kennedy Center’s board had been made up of an equal number of Democrats and Republicans. The new board is made up entirely of Trump appointees—including Trump’s chief of staff, Susie Wiles and Usha Vance, the wife of Vice President JD Vance. There are 14 new members, with 31 total members.

According to CBS news, Trump also plans to ban “woke culture” from the Kennedy Center.

“Throughout our history, the Kennedy Center has enjoyed strong support from members of congress and their staffs—Republicans, Democrats, and Independents,” reads a statement from The Kennedy Center released on news of the board members’ termination last week. “Since our doors opened in 1971, we have had a collaborative relationship with every presidential administration. Since that time, the Kennedy Center has had a bi-partisan board of trustees that has supported the arts in a non-partisan fashion.”

Though it is a non-profit institution, only a small portion of the Kennedy Center’s budget comes from the federal government. As the venue’s previous statement shares, the institution “is supported by federal annual appropriations for upkeep and maintenance of the building as a federal memorial, or approximately 16% of the total operating budget.” Its artistic programming, on the other hand, is maintained through “ticket sales, donations, rental income, and other revenue sources.” 

Since his return to the White House, Trump has taken a more controlling approach to the arts. He has also eliminated the Presidential Committee on the Arts and the Humanities, a Reagan-era advisory body that had been disbanded during Trump’s first term and then restarted in 2022 by the Biden administration. Executive orders targeting the trans community and DEI efforts have also thrown federal arts funding into chaos, following updated guidelines from the NEA.

Playbill will continue to follow this story.

Deborah Rutter

You can never have too much music!

Especially on Christmas Day!

Especially when it is Bach!

From South Kitsap High School in Port Orchard, Washington, comes a sensational performance of them”Halleluia Chorus” of Handel’s “Messiah,” performed by silent monks using flashcards. This video has racked up millions of views on Facebook and YouTube.

Celine Dion sang at the closing ceremony on the opening day of the Olympics in Paris. Standing within the Eiffel Tower, surrounded by fireworks, Dion sang “Hymn to Love,” written by the great French singer Edith Piaf.

Here is a full description of this thrilling performance:

Situated on the iconic Eiffel Tower, which was adorned by the Olympic rings, the French Canadian singer serenaded the world with Édith Piaf’s “L’Hymne à l’amour” (“Hymn to Love”) after the Olympic cauldron was lit.

Dion is afflicted with a rare disease called “stiff person syndrome” that could cause her to go into a seizure at any moment. She thought it ended her career four years ago.

What courage to perform this thrilling song before an international audience of millions of people!

Born to a French-Canadian family in Quebec, Dion is the youngest of 14 children.

A few readers asked for more information about the men who spent two years building a handmade boat. Here they are.

Governor Ron DeSantis vetoed all arts funding for ALL Florida because of two performing groups that he considers “sexualized.” Six hundred groups lost $32 million in state funding, in some cases jeopardizing their survival.

The two groups that offended the prudish DeSantis offered to give up state funding so DeSantis could restore funding to the others.

Leaders of two performing arts festivals said Thursday that they would gladly give up their grants if Florida Gov. Ron DeSantis restores the $32 million in state funding he nixed for more than 600 Florida arts groups, explaining the reason for his veto as being because the two theatrical events were “a sexual festival.” 

Leaders of The Orlando Fringe and Tampa Fringe described the governor’s description as inaccurate on Thursday at a news conference, but they said it was important for the state’s arts groups to be funded because they play critical roles in their communities. The Orlando festival had been slated to get $70,500, and the Tampa festival was in line to receive $7,500 before the veto.

I recently visited the Metropolitan Museum of Art, one of the world’s finest museums, to see a memorable exhibition. It’s called “The Harlem Renaissance and Transatlantic Modernism.”

It is a spectacular collection of works by and about African-American artists. The art is drawn from museums around the country. You may never see these artworks in one space again.

The quality of the art is breath-taking. I know that many of you don’t live in or near New York City, but this is a good reason to plan a trip. The show runs through the end of July.

Here are a few of the photos I took with my cell phone. I wish I had taken more. Some of the pictures are off-center because the crowds were large, and I didn’t have a clear path.

Painted by William H. Johnson (1901-1970), “Mom and Dad, 1944.” This folk-art painting of the artist’s mother and a portrait of his late father was borrowed from the Smithsonian American Art Museum.

Painted by Allan Rohan Crite (1910-2007). It is titled “School’s Out” and was painted in 1936. It depicts children emerging from Everett Elementary School in Boston. It was lent to the exhibition by the Smithsonian American Art Museum.

Painted by Aaron Douglas (1879-1979). Titled “Building More Stately Mansions, 1944.” It is owned by the Fisk University Galleries in Nashville. According to the artist, “his objective was to spotlight the contributions of exploited Black labor to great civilizations worldwide. He thus resituated African American history in a global context, in which the sphinx of Egypt appears together with the spire of a Western cathedral, the tiers of an Asian Buddhist pagoda, and a building crane extending over American skyscrapers, emblems of modernity meant to connote growth.”

Painted by Winold Reiss (1886-1953), who emigrated from Germany to America. It is a painting of Fred Fripp, a graduate of the Penn School and a teacher, with his daughters Carol and Evelyn. The painting is owned by the Fisk University Galleries in Nashville.

The caption of the portrait says:

“The sitter looks away in introspection while his young daughters gaze outward, settled into the security of their father’s steadying embrace.

“Reiss met Fred Fripp when he traveled to South Carolina to portray the Gullah-speaking Black residents of St. Helena Island, whose ancestors were among the last enslaved West African people forcibly brought to the United States. The luminous triple portrait, its triangular composition and gold leaf background reminiscent of Renaissance madonnas, celebrates Fripp as a teacher, scholar, and parent.”

As I viewed this magnificent exhibit, I kept wondering about the African-American artists. In their wildest dreams, did they ever imagine that their paintings and sculptures would one day be shown in the nation’s premiere museum?

The exhibition is a large and rich portrayal of the artists and intellectuals of the Harlem Renaissance. If you can’t get to New York by July 28, the last day, you might consider buying the catalogue from the Met.

If you plan to visit NYC (or live in it or near it), I have some recommendations for you.

You are not allowed to visit NYC without taking in a Broadway show. Did you know that?

I saw three outstanding shows recently, which I unequivocally recommend.

The great and timeless Ibsen play “An Enemy of the People” is spectacular. It has been updated. It stars Jeremy Strong (“Succession”) and Michael Imperioli (“The Sopranos” and “White Lotus”). What a great show!

If you want to laugh a lot, see “Spamalot,” a hilarious comedy-musical that was written by Eric Idle of the Monty Python troupe. It incorporates some of their funniest skits. The final performance is April 7.

If you want to see a spectacular musical, see “Moulin Rouge.” Boy George is one of the stars. Prepare to be dazzled. Don’t bring the children! It’s very bawdy, and there is quite a lot of female flesh.

You can often get cheap seats at a website called TodayTix. It also sells advance seats. In the center of Times Square, there is a large booth called TKTS where you can buy same-day tickets at a steep discount. Some theaters have standing-room tickets. It never hurts to ask at the box office before the performance. Sold-out shows sometimes get last-minute returns from ticket brokers.

Enjoy!