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Recently, Vice President JD Vance and his wife Usha attended a concert at the Kennedy Center in D.C. When they sat down in their box seats overlooking the audience, they were loudly booed by the audience.

The audience was doubtless reacting to Trump’s takeover of the Kennedy Center, purging its leaders and replacing every Democrat on the bipartisan Board with a Republican. He named himself as chairman of the Board, thus ensuring that no artist would dare to insult him as others had done in the past. Trump complained about “woke” performances, but admitted he never attended the Kennedy Center. Several artists cancelled their performances, as did the celebrated multiracial Broadway show “Hamilton.”

Trump’s hand-picked acting Director of the Kennedy Center is Richard Grennell, who has no experience in the arts but served as Trump’s Ambassador to Germany.

When Grennell heard that VP Vance had been loudly booed, he issued a statement on Twitter.

The New York Times wrote:

Richard Grenell, whom Mr. Trump named as the center’s new president, posted on social media on Friday morning that the video showing Mr. Vance being booed “should challenge us all to commit to making the Kennedy Center a place where everyone is welcomed.”

“It troubles me to see that so many in the audience appear to be white and intolerant of diverse political views,” he wrote. “Diversity is our strength. We must do better. We must welcome EVERYONE. We will not allow the Kennedy Center to be an intolerant place.”

The Washington Post reported that Grennell sent an email to the Kennedy Center staff:

On Friday morning, Richard Grenell, an ally of President Donald Trump made interim president of the Kennedy Center by Trump’s new board of trustees, sent an email to the center’s staff, reviewed by The Washington Post, stating that he “received several messages from Kennedy Center staffers sharing their embarrassment over more than a few Symphony patrons loudly booing the Vice President and his wife last night.”

“As the premier Arts organization in the United States of America, we must work to make the Kennedy Center a place where everyone is welcomed,” Grenell wrote. “We clearly have work to do. And I hear your outrage.”

He cited the center’s diversity as a strength. “As President, I take diversity and inclusion very seriously,” he wrote. “I have met with many of you, and I love that we are Christian, Muslim, Jewish, agnostic, gay, straight, black, white, Hispanic and absolutely different.

WHAT?

Doesn’t he know that Trump banned “diversity” and “inclusion”?

Doesn’t he know that Defense Secretary Pete Hegseth removed all literature that said “Diversity is our strength”?

Why was Gremnell complaining about an audience in which “so many…appear to be white”? Many Black performers have cancelled their appearances at the Kennedy Center because of Trump’s unprecedented takeover and his harsh attacks on diversity and inclusion.

Reading this was a laugh-out-loud moment.

Trump doesn’t understand the arts. There is no evidence that he has ever been interested in the arts. He doesn’t understand that the arts by their nature are cutting-edge. They take us to imaginative worlds we knew nothing about. They expand our horizons. We can see and love Beethoven, Bach, and Shakespeare, but artists today are living in the 21st century and they express what they think and feel now. They introduce us to new worlds.

Trump took control of the Kennedy Center in D.C., one of the greatest venues for the arts in the world. He had to because every year at the awards ceremony, the artists laughed at him. They ridiculed him. They treated him as an enemy, which indeed he was.

Now that Trump appointed himself as chair of the board, he changed the composition of the board. What was once a bipartisan board, divided equally among Democrats and Republicans, is now 100% all-Trump.

The only way he could stifle those annoying artists was to make himself the chair of the board! No more laughing at Trump! With Trump in charge, no drag shows! Nothing about race or gender! Nothing transgressive! Trump has a track record of destroying whatever he touches. He may destroy the Kennedy Cenrer. Just for spite.

Trump is a vulgarian. He despises artistic freedom. He hates drag shows. He despises WOKE culture. Art is often woke. Ibsen was woke. Most artists are woke.

The President of the Kennedy Center, Deborah Rutter, saw the handwriting on the wall. She resigned, as of December 31, 2025. She will leave sooner now that Trump runs her agency.

She did not understand the tsunami about to hit the Kennedy Center.

Playbill (the Broadway publication) tells the story. If you care about artistic freedom, it’s horrifying.

President Donald Trump has been elected as chairman of the board at the Kennedy Center, after replacing board members appointed by former President Joe Biden with his own loyalists. The board members took a vote and named Trump chair in a meeting held Wednesday afternoon. In response, Kennedy Center President Deborah Rutter has announced that she is stepping down from the organization effective immediately. Rutter announced two weeks ago that she would stay in her position until the end of the year, but it seems the recent turmoil at the Washington, D.C. arts organization led to her early departure.

Trump has named loyalist Richard Grenell as interim Kennedy Center President. Grenell, currently the special presidential envoy for special missions, does not appear to have any background in the arts or arts administration. The role of president is typically tasked with the institution’s programming choices, while the chair and the board usually acts in an advisory capacity (though that will likely no longer be the case considering Trump’s strong language for what he plans for the organization).

Rutter, who had held her position since 2014, released a statement before she departed, about the importance of artistic freedom: “Much like our democracy itself, artistic expression must be nurtured, fostered, prioritized, and protected. It is not a passive endeavor; indeed, there is no clearer sign of American democracy at work than our artists, the work they produce, and audiences’ unalienable right to actively participate.”

Trump, who in previous statements vowed to ban drag shows from the venue, wrote on Wednesday on Truth Social: “It is a great honor to be chairman of The Kennedy Center, especially with this amazing Board of Trustees. We will make The Kennedy Center a very special and exciting place!” Historically, the Kennedy Center’s board had been made up of an equal number of Democrats and Republicans. The new board is made up entirely of Trump appointees—including Trump’s chief of staff, Susie Wiles and Usha Vance, the wife of Vice President JD Vance. There are 14 new members, with 31 total members.

According to CBS news, Trump also plans to ban “woke culture” from the Kennedy Center.

“Throughout our history, the Kennedy Center has enjoyed strong support from members of congress and their staffs—Republicans, Democrats, and Independents,” reads a statement from The Kennedy Center released on news of the board members’ termination last week. “Since our doors opened in 1971, we have had a collaborative relationship with every presidential administration. Since that time, the Kennedy Center has had a bi-partisan board of trustees that has supported the arts in a non-partisan fashion.”

Though it is a non-profit institution, only a small portion of the Kennedy Center’s budget comes from the federal government. As the venue’s previous statement shares, the institution “is supported by federal annual appropriations for upkeep and maintenance of the building as a federal memorial, or approximately 16% of the total operating budget.” Its artistic programming, on the other hand, is maintained through “ticket sales, donations, rental income, and other revenue sources.” 

Since his return to the White House, Trump has taken a more controlling approach to the arts. He has also eliminated the Presidential Committee on the Arts and the Humanities, a Reagan-era advisory body that had been disbanded during Trump’s first term and then restarted in 2022 by the Biden administration. Executive orders targeting the trans community and DEI efforts have also thrown federal arts funding into chaos, following updated guidelines from the NEA.

Playbill will continue to follow this story.

Deborah Rutter

You can never have too much music!

Especially on Christmas Day!

Especially when it is Bach!

From South Kitsap High School in Port Orchard, Washington, comes a sensational performance of them”Halleluia Chorus” of Handel’s “Messiah,” performed by silent monks using flashcards. This video has racked up millions of views on Facebook and YouTube.

Celine Dion sang at the closing ceremony on the opening day of the Olympics in Paris. Standing within the Eiffel Tower, surrounded by fireworks, Dion sang “Hymn to Love,” written by the great French singer Edith Piaf.

Here is a full description of this thrilling performance:

Situated on the iconic Eiffel Tower, which was adorned by the Olympic rings, the French Canadian singer serenaded the world with Édith Piaf’s “L’Hymne à l’amour” (“Hymn to Love”) after the Olympic cauldron was lit.

Dion is afflicted with a rare disease called “stiff person syndrome” that could cause her to go into a seizure at any moment. She thought it ended her career four years ago.

What courage to perform this thrilling song before an international audience of millions of people!

Born to a French-Canadian family in Quebec, Dion is the youngest of 14 children.

A few readers asked for more information about the men who spent two years building a handmade boat. Here they are.

Governor Ron DeSantis vetoed all arts funding for ALL Florida because of two performing groups that he considers “sexualized.” Six hundred groups lost $32 million in state funding, in some cases jeopardizing their survival.

The two groups that offended the prudish DeSantis offered to give up state funding so DeSantis could restore funding to the others.

Leaders of two performing arts festivals said Thursday that they would gladly give up their grants if Florida Gov. Ron DeSantis restores the $32 million in state funding he nixed for more than 600 Florida arts groups, explaining the reason for his veto as being because the two theatrical events were “a sexual festival.” 

Leaders of The Orlando Fringe and Tampa Fringe described the governor’s description as inaccurate on Thursday at a news conference, but they said it was important for the state’s arts groups to be funded because they play critical roles in their communities. The Orlando festival had been slated to get $70,500, and the Tampa festival was in line to receive $7,500 before the veto.

I recently visited the Metropolitan Museum of Art, one of the world’s finest museums, to see a memorable exhibition. It’s called “The Harlem Renaissance and Transatlantic Modernism.”

It is a spectacular collection of works by and about African-American artists. The art is drawn from museums around the country. You may never see these artworks in one space again.

The quality of the art is breath-taking. I know that many of you don’t live in or near New York City, but this is a good reason to plan a trip. The show runs through the end of July.

Here are a few of the photos I took with my cell phone. I wish I had taken more. Some of the pictures are off-center because the crowds were large, and I didn’t have a clear path.

Painted by William H. Johnson (1901-1970), “Mom and Dad, 1944.” This folk-art painting of the artist’s mother and a portrait of his late father was borrowed from the Smithsonian American Art Museum.

Painted by Allan Rohan Crite (1910-2007). It is titled “School’s Out” and was painted in 1936. It depicts children emerging from Everett Elementary School in Boston. It was lent to the exhibition by the Smithsonian American Art Museum.

Painted by Aaron Douglas (1879-1979). Titled “Building More Stately Mansions, 1944.” It is owned by the Fisk University Galleries in Nashville. According to the artist, “his objective was to spotlight the contributions of exploited Black labor to great civilizations worldwide. He thus resituated African American history in a global context, in which the sphinx of Egypt appears together with the spire of a Western cathedral, the tiers of an Asian Buddhist pagoda, and a building crane extending over American skyscrapers, emblems of modernity meant to connote growth.”

Painted by Winold Reiss (1886-1953), who emigrated from Germany to America. It is a painting of Fred Fripp, a graduate of the Penn School and a teacher, with his daughters Carol and Evelyn. The painting is owned by the Fisk University Galleries in Nashville.

The caption of the portrait says:

“The sitter looks away in introspection while his young daughters gaze outward, settled into the security of their father’s steadying embrace.

“Reiss met Fred Fripp when he traveled to South Carolina to portray the Gullah-speaking Black residents of St. Helena Island, whose ancestors were among the last enslaved West African people forcibly brought to the United States. The luminous triple portrait, its triangular composition and gold leaf background reminiscent of Renaissance madonnas, celebrates Fripp as a teacher, scholar, and parent.”

As I viewed this magnificent exhibit, I kept wondering about the African-American artists. In their wildest dreams, did they ever imagine that their paintings and sculptures would one day be shown in the nation’s premiere museum?

The exhibition is a large and rich portrayal of the artists and intellectuals of the Harlem Renaissance. If you can’t get to New York by July 28, the last day, you might consider buying the catalogue from the Met.

If you plan to visit NYC (or live in it or near it), I have some recommendations for you.

You are not allowed to visit NYC without taking in a Broadway show. Did you know that?

I saw three outstanding shows recently, which I unequivocally recommend.

The great and timeless Ibsen play “An Enemy of the People” is spectacular. It has been updated. It stars Jeremy Strong (“Succession”) and Michael Imperioli (“The Sopranos” and “White Lotus”). What a great show!

If you want to laugh a lot, see “Spamalot,” a hilarious comedy-musical that was written by Eric Idle of the Monty Python troupe. It incorporates some of their funniest skits. The final performance is April 7.

If you want to see a spectacular musical, see “Moulin Rouge.” Boy George is one of the stars. Prepare to be dazzled. Don’t bring the children! It’s very bawdy, and there is quite a lot of female flesh.

You can often get cheap seats at a website called TodayTix. It also sells advance seats. In the center of Times Square, there is a large booth called TKTS where you can buy same-day tickets at a steep discount. Some theaters have standing-room tickets. It never hurts to ask at the box office before the performance. Sold-out shows sometimes get last-minute returns from ticket brokers.

Enjoy!

Secretary of Education Miguel Cardona has been nearly invisible these past three years, other than lamenting test scores. Veteran educator Nancy Bailey has some suggestions about how he could help kids, schools, and teachers right now. This post was reposted by the Network for Public Education.

The secretary keeps talking about raising the bar. Nancy Bailey has some thoughts about some bars he could work on. Reposted with permission.

She writes:

Education Secretary Cardona focuses on reducing absenteeism, tutoring, and after-school programs. And he refers to raising the bar, which sounds like A Nation at Risk talk.

Yet there are so many K12 issues that Cardona and the Biden administration could address, lead, and support the states and local school districts.

Here are some educational issues Cardona should drive this new year. If you have more, please share.

1. The Arts

Poor public schools have gone without the arts for years. Cardona should push for qualified art and music teachers for every school.

The arts help students struggling with mental health difficulties, and jobs exist in the arts.

Every child in K12 should have access to a vital arts program.

2. Career Education

Career-technical education is essential, but companies pushing their agendas into high schools to get workers raises concerns.

Tax dollars should help students decide what careers they want, giving them the chance to experience high school, not creating schools for corporate preparation.

3. Class Size

Reducing class sizes would help students with disabilities in inclusion classes and is essential for student safety. Cardona must endorse lowering class sizes and showcase schools that do.

If schools can’t lower every class (classes like P.E. wouldn’t be necessary), give students access to at least one small class where they are known.

Lowering class sizes in K-3rd grade would also help children get a good start. See the STAR Study.

4. Corporal Punishment

In 2023, The Washington Post reported that 15 states still permitted corporal punishment in schools (St. George, 2023). Like Florida, which vaguely gives a nod to it. Teens who wear the wrong kind of prom dress or misunderstandings resulting in paddling are examples.

Cardona deserves praise for standing against corporal punishment last year in schools, claiming educators should favor evidence-based approaches and that there should be no spanking, hitting, or paddling.

5. Data

Cardona must study and draw attention to child privacy laws which are currently inadequate.

In 2018, the NEPC published Educating All Our Children: Your Kids, Their Data, No Privacy by Linda McSpadden McNeil.

She stated:

When children’s privacy is violated in ways that are overt, visible, and knowable, the violation is unquestioned. It is unacceptable. In most cases, it is illegal.

So why is it different when the violation is hidden, opaque, electronic, commercial, and complicated?

6. High-Stakes Standardized Testing

President Biden promised teachers and parents he’d end harmful high-stakes standardized tests. Instead, he pushed assessments even during the pandemic.

Can Cardona show the American people who want these tests reduced or eliminated what, if anything, the Biden administration will finally do to end high-stakes standardized tests?

7. Lead in School Pipes

The Biden-Harris team promised to repair the lead pipes in homes and schools. They’re to be commended for this. It would be nice, however, if Cardona presented a report.

No amount of lead is O.K. for developing children, and it can lead to learning disabilities.

8. Reading

Reading has become a volatile issue, and Cardona has been mostly silent. Many commercial programs with little independent study, but nonetheless called the Science of Reading, are being pushed into classrooms.

The subject of reading deserves a better forum than short, often hostile debates on X.

Cardona should call for a new National Reading Panel to study programs and address reading instruction. The panel should include teachers who teach reading since they were left off the last panel. This panel should consider the concerns of the last NRP member, the only educator on the panel, Joanne Yatvin (Yatvin, 2002). Parents should also be given a voice on this panel. A new NRP would allow for a better collection of the research, old and the latest findings, and a review of the work of the last NRP.

9. Recess

Every public school in the nation should give children several unstructured breaks throughout the school day, supervised, on safe, well-designed playgrounds.

Driving students to work nonstop with mindfulness training or a dozen other excuses to bypass recess should not be permitted.

10. School Buildings

Americans need to know the status of their public school buildings. How are the HVAC systems and air quality? How many school facilities are still falling apart? Are public school buildings safe?

Are new schools being built to support teachers?

11. School Choice

The Biden administration discussed regulating charter schools (Lieberman, 2022). But concerns about vouchers, educational savings account, nonprofit and for-profit charters, and religion in schools needs to be better addressed.

In addition, the Biden administration should describe what they mean by community schools (often called charter schools), partnerships, and social impact bonds and how these schools are still public.

12. School Libraries and Librarians

It’s an abomination to drill children to learn to read in poor schools, and then not provide them a school library with a qualified school librarian.

Closing school libraries has been a disaster in many school districts, see Philadelphia as an example.

13. School Safety

The gun lobby is unfortunately influential, so despite shootings in this country, don’t hold your breath for meaningful gun laws. It was thoughtful of Cardona to visit Parkland.

In the meantime, school administrators must devise creative ways to make schools safe and identify students in their schools who need mental health help. See class size above.

14. Social-Emotional Learning

Concerns about the data collected on students includes social-emotional learning. Teachers always want their students to be socially and emotionally healthy, but social-emotional learning seems more about collecting unnecessary sensitive data about students.

Who is using this information and why?

15. Special Education

Parents are in danger of losing special education services. The All Handicapped Children’s Act reauthorized to IDEA should have evolved into a more inclusive and better programs for students with exceptional needs, but instead it has been hijacked by those who don’t want to pay for it.

Cardona should look into special education and create a task force to study it and determine exactly how much special education funding schools receive and the kind of services students receive. He might start with Tammy Kolbe’s work and the National Education Policy Center report Funding Special Education: Charting a Path that Confronts Complexity and Crafts Coherence.

16. Teacher Preparation

School reform has changed teacher preparation dramatically. There needs to be more effort to oversee these mostly fast-track nonprofit or for-profit programs often connected to charter schools.

Cardona should step up here to promote fully university-prepared teachers, and he should work with university education programs to improve their coursework and degree offerings. The United States Department of Education might provide scholarships to attract young people who want to pursue a teaching career in university education programs, not unknown nonprofits or charter school preparation.

Fast-track groups like Teach for America are a concern because they turn those without real qualifications into the system with little understanding of child development or what’s needed to teach well, and Grow Your Own programs are ill-defined.

17. Technology

While technology is useful to learning, a recent Columbia University study indicates that children read better with paper print not online.

The Guardian cites MIT neuroscientist John Gabrieli, skeptical about the promises of big tech and its salesmen.

Gabrieli states:

I am impressed how educational technology has had no effect on scale, on reading outcomes, on reading difficulties, on equity issues.

Is Cardona behind teachers or for replacing them with technology? Actions matter.

18. Third-Grade Retention

Third-grade retention is unnecessary. No child should be made to feel like a failure. Children can still learn to read in third grade, can still grow and become great learners. Speaking out on this issue would help end it.

References

St. George, D. (2023, August 10). In over 15 states, schools can still paddle students as punishment. The Washington Post. Retrieved from https://www.washingtonpost.com/education/2023/08/10/school-paddling-corporal-punishment/.

Yatvin, J. (2002). Babes in the Woods: The Wanderings of the National Reading Panel. Phi Delta Kappan, 83(5), 364–369. https://doi.org/10.1177/003172170208300509

Lieberman, M (2022). Lawmakers, Education Secretary Clash Over Charter School Rules. Education Week, https://www.edweek.org/policy-politics/lawmakers-education-secretary-clash-over-charter-school-rules/2022/04

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