Containing his discussion of the Founders’ rationale for separating church and state, Frank Brealin writes:
“There was a second reason why the Founders feared that bringing religion into politics would have a divisive effect on our young nation — the rise of political and religious opportunists, who would inflame political issues to further themselves. Religion would become both a theatrical performance and a political tool as charlatans hypocritically showboated their piety to manipulate the crowd for political gain.
“Religious hypocrites would disguise their lack of convictions by putting their finger in their mouth, holding it high in the air to determine which way the political wind was blowing, and telling their audience what it wanted to hear. These individuals well understood the art of inciting “enthusiasm” or hysteria toward some plan of action and labeling it “the Will of God.”
“The Founders would have blanched at a government official returning to constituents and pandering to their religious prejudices to gain a following or court popularity. Not that an official couldn’t take part in a religious service, but only as a private citizen and not as a member of government, lest people think that he were lending the power and prestige of his office to their church or religion….
“As experienced men of the world, the Founding Fathers also knew how some politicians or government agencies might use religion on an impressionable audience to seek power, votes, or advancement. Some of the Founders were also highly educated, even erudite, men, especially Thomas Jefferson, whose library contained a Who’s Who of great authors, one of whom was the French playwright Moliere, and one of whose plays was Tartuffe, the incarnation of religious hypocrisy.
“It is both an uproarious romp into the icy regions of a terrible inner emptiness devoid of conviction, as well as a manual for observing the bobbings and weavings of unctuous sanctimony raised to high art.
“In that great patrician school of Parisian sophistication, it was thought that the only way to effect moral reform was not by sermons, but by being laughed at, since few can survive the acid of ridicule. Many don’t mind being thought a scoundrel, but no one a fool! Castigat ridendo mores (“Comedy corrects manners”) was the essence of Moliere’s art that skewered human folly in its many guises.”