Archives for category: Art

Governor Ron DeSantis wants the world to know that he’s a tough guy. He may wear white boots in heavy rain, but he is very, very tough. To demonstrate how tough he is, he’s made a very big deal out of cracking down on street art. It may be pretty, but it WON’T be tolerated!

So, he had the Florida State Department of Transportation paint over the rainbow-colored stripes on the crosswalks in front of the Pulse nightclub, where 49 people were massacred in 2016. The Pulse is a gay nightclub, and the stripes were intended as a memorial to those who died.

Nine years later, DeSantis had the memorial painted over and restored the original black and white stripes. To prove that he wasn’t picking on gays, he had the Department paint over other street art.

Some admirers of the Pulse memorial were nonetheless outraged, and a few of them restored the rainbow colors with chalk. They were arrested for criminal activity. Their lawyer said the charges were extreme because the rain washed the chalk away. No evidence, no crime. The state wants the makefactors to pay $1562 for the “damage” they inflicted on the street.

If you live in Florida, don’t let your children use chalk to create hopscotch games. It’s dangerous to them, to your pocketbook and to DeSantis’ peace of mind.

The Orlando Sentinel reported:

Gov. Ron DeSantis defended Tuesday the arrest of protesters accused of using chalk to color a crosswalk near the Pulse memorial in defiance of the state’s crackdown on street art.

“You don’t have a First Amendment right to commandeer someone else’s property,” DeSantis said at an Orlando event. “You have a First Amendment right to paint your own property. Knock yourself out if that’s what you want to do. But when you have a state crosswalk or a state road, the law in the state of Florida is now that there’s not markings.”

Tensions have reached a boiling point over the state’s decision to remove a pro-LGBTQ rainbow crosswalk near the former gay nightclub where 49 people were shot and killed in 2016. Four people were arrested over the Labor Day weekend and accused of interfering with a traffic control device.

The Florida Highway Patrol has been stationed near the crosswalk for days. Troopers were sent there after protesters used colored chalk to return the crosswalk back to its rainbow pattern. A back-and-forth battle emerged with protesters coloring the crosswalk and then state crews restoring it to its standard black-and-white pattern.

Late last week, the state put signs at the intersection instructing visitors that defacing the roadway or sidewalk was prohibited
State Attorney Monique Worrell’s office did not immediately comment Tuesday on whether she will prosecute the cases against those arrested over the weekend.

Asked about the arrests, DeSantis said state transportation officials have a duty to ensure the “roads remain clean.”

“Hang up a flag,” he said. “Do what you want on your building, your house, however you want to do it. We’re not going to be doing that on our state roadways.”

Blake Simons, an attorney representing the protesters, said the markings didn’t damage the crosswalks. He argues chalk drawings on a crosswalk are protected by the First Amendment.
“The chalk washes away,” he said. “It is not graffiti.”

Maryjane East, 25, Donavon Short, 26, and Zane Aparicio, 39, were arrested and booked by Florida Highway Patrol on Sunday night outside the Pulse memorial. The trio is accused of applying “unauthorized chalk markings to the crosswalk,” according to arrest affidavits.

The Florida Department of Transportation estimated it cost $1,562 to return the crosswalk to its “original state,” according to police records.

Simons called the state’s cost estimate to wash away water-soluble chalk an exaggeration.
Those arrests came after Orestes Sebastian Suarez was arrested Friday night by FHP on the same charge. Suarez was also released shortly after he was booked after the judge found no probable cause that he committed a crime. He was accused of putting chalk on his shoes to make markings on the crosswalk.

The Florida Department of Transportation approved the Pulse crosswalk in 2017. But earlier this summer, it launched a crackdown on street art, painting over the Pulse crosswalk late Aug. 20.

Since then, the state has removed everything from checkered-flag crosswalks near the Daytona International Speedway to swan-patterned crossings near Lake Eola Park in Orlando. It also has ordered other cities, including Delray Beach and Fort Lauderdale, to remove rainbow street art and said colorful bike lanes designed by school children as part of state-sponsored contests need to go too.

The removals came in the wake of a July 1 directive from Sean Duffy, President Donald Trump’s transportation secretary, introducing a “safety initiative” seeking consistent markings on roads.

Opponents of colorful crosswalks argue they could pose a safety hazard. But an Orlando Sentinel analysis of city traffic data shows the opposite. City data shows that decorative crosswalks and murals, such as the one near Pulse, helped reduce crashes with pedestrians despite increased foot traffic.

Simons said he views the removal of the Pulse crosswalk an attack on the LGBTQ community, and he is representing the protesters at no charge.

“I am not going to stand for our civil rights to be trampled upon,” he said.

Joe Heim of The Washington Post wrote this story about the arrival of a new and temporary sculpture on the National Mall. It has approval to remain until June 22.

An anti-Trump statue has popped up on the National Mall in Washington. (Maxine Wallace/The Washington Post)


Remember the poop statue? The curly-swirly pile of doo that sat atop a replica of former House speaker Nancy Pelosi’s (D-California) desk? The work of protest art placed on the National Mall last October in mock tribute to the Jan. 6 rioters who stormed the U.S. Capitol in an attempt to overturn the 2020 election?

Well, the artists responsible for the political poo plop appear to have struck again. This time with a work called “Dictator Approved,” an 8-foot-tall sculpture showing a gold-painted hand with a distinctive thumbs-up quashing the sea foam green crown of the Statue of Liberty. It sits at the same location on the Mall near Third Street NW as the poop statue did last fall.

The artwork’s creators intended “Dictator Approved” as a rejoinder to the June 14 military parade and authoritarianism, according to a permit issued by the National Park Service. The parade, the creators wrote in the application, “Will feature imagery similar to autocratic, oppressive regime, i.e. N. Korea, Russia, and China, marching through DC.” The purpose of the statue, they continued, is to call attention to “the praising these types of oppressive leaders have given Donald Trump.”

Plaques on the four sides of the artwork’s base include quotes from world leaders including Russian President Vladimir Putin (“President Trump is a very bright and talented man.”), Hungarian Prime Minister Viktor Orban (“The most respected, the most feared person is Donald Trump.”), former Brazilian president Jair Bolsonaro (“We do have a great deal of shared values. I admire President Trump.”) and North Korea’s Kim Jong Un (“Your Excellency.” A “special” relationship. “The extraordinary courage of President Trump.”).

“If these Democrat activists were living in a dictatorship, their eye-sore of a sculpture wouldn’t be sitting on the National Mall right now,” Abigail Jackson, a White House spokeswoman, wrote in an emailed statement. “In the United States of America you have the freedom to display your so-called ‘art,’ no matter how ugly it is.”

Mary Harris is listed as the applicant for the permit but no contact information for her was provided. The permit allows the statue to be in place from 7 a.m. June 16 until 5 p.m. June 22.
The “Dictator Approved” statue is very similar in style and materials to the poop statue and several protest artworks placed in the District, Philadelphia and Portland, Oregon, last fall.

However, no individual or group has publicly claimed responsibility for those pieces. An unidentified caller and emailer told a Washington Post reporter last year that he was part of the group that worked on the sculptures and provided information about them that only someone who had installed the projects would know, such as when the statues would appear.

His identity remains a mystery. On Wednesday he replied to a Washington Post email asking if he was involved with the new statue. “I have heard about it but not me,” he wrote. He did not respond to additional questions or a request to meet in an Arlington parking garage.

Some of the tourists and locals who stopped by the statue between downpours Wednesday afternoon expressed surprise that it was allowed to be placed where it was. And they expressed reservations about weighing in on it publicly.

“I’m amazed that whoever dreamed this up could put this here,” said Kuresa, an 80-year-old from Australia who declined to give his last name because he said as an international visitor he didn’t feel comfortable expressing his views. “It reminds me of ‘Animal Farm.’”

Plaques on the sculpture’s base include quotes from Russian President Vladimir Putin, Hungarian Prime Minister Viktor Orban, former Brazilian president Jair Bolsonaro and North Korea’s Kim Jong Un. (Maxine Wallace/The Washington Post)


District resident and retired federal employee Yvette Hatfield stopped by with her dog Max, wearing an adorable raincoat and rain hat, to get a selfie of both of them in front of the statue. Asked why she wanted a photo, Hatfield laughed. “Because of my political views and that’s all I’m going to say.”


“I actually love it,” said another District resident. He declined to give his name because he said his parents and grandparents often told him “Fools’ names, like their faces, are always seen in public places.” He wished the reporter good luck with the story.


Francesca Carlo, 20, and Abigail Martin, 21, visiting from Cleveland, happened on the statue just before it started to pour.


“At first I was confused,” Martin said, “but then I figured it out. I think it’s beautiful.”


Carlo agreed. She thought the quotes on the plaques could send a message.


“If all these authoritarian politicians approve of our president then maybe people will see a pattern recognition and see where democracy is headed,” she said.

The Daily Beast wrote with amusement that the Trump-branded Kennedy Center in D.C. has listed its coming attractions, and several of them feature drag performers. This, despite Trump denouncing the previous management for permitting anything that included drag actors.

Some shows that were originally scheduled cancel to protest the Trump takeover, including “Hamilton” and the Alvin Ailey Dance Theater.

The new schedule includes one of Trump’s favorite shows, “Les Miserables.” You have to wonder whether he knows what the show is about.

But others have men playing women! Does he know?

The Daily Beast reported:

The Kennedy Center has announced its upcoming season lineup. For a theater that has supposedly banned performers wearing drag, its shows include an awful lot of men dressed as women. 

When President Donald Trump purged the Kennedy Center’s bipartisan board of directors in February and took over as chairman of the new board, he announced an immediate ban on events featuring performers in drag.

“Just last year, the Kennedy Center featured Drag Shows specifically targeting our youth — THIS WILL STOP,” he wrote in a Truth Social post announcing a return to a “Golden Age in Arts and Culture” for the storied theater.

And yet the 2025-26 season announced Monday will include Chicago, Moulin Rouge! Mrs. Doubtfire, and Monty Python’s Spamalot, all of which typically feature performers in drag, The New York Times reported.

Mrs. Doubtfire

The entire plot of Mrs. Doubtfire revolves around a man dressing as an elderly woman in order to pose as a nanny and spend time with his children after he and his wife divorce. 

Spamalot pokes fun at the medieval practice of male actors playing female parts with a number of drag bits.

In Chicago, a character named Mary Sunshine is typically a male soprano in drag whose wig is dramatically removed to emphasize a character’s assertion that things are “not always as they appear to be.”

And Moulin Rouge! features a literal drag queen named Baby Doll who is one of the courtesans performing alongside Satine at the Moulin Rouge cabaret.

Moulin Rouge and Chicago are sexually charged.

Trump said the new program would feature “family-friendly” shows. Hahahaha. I have seen all of these shows. Some of them are definitely NOT for children.

The American Academy of Arts and Sciences is the most distinguished scholarly organization in the nation. It is dedicated to the advancement of the arts and sciences. It is decidedly nonpartisan. I was elected to membership many years ago. AAAS rarely issues a statement. Its board did so in April because of unprecedented attacks on higher education, scholarly independence, and the rule of law.

A statement from the Board of Directors of the American Academy of Arts & Sciences. 
Approved April 2025. 

Since its founding in 1780, the AmericanAcademy of Arts and Sciences has sought “to cultivate every art and science which may tend to advance the interest, honor, dignity, and happiness of a free, independent, and virtuouspeople.” We do this by celebrating excellence in every field of human endeavor and by supporting the unfettered pursuit of knowledge and its application to the common good.

The Academy fosters nonpartisan, deliberative discourse on pressing issues facing our communities in the United States and the world.Our founders were also the founders of our nation. From them, we inherit a deep commitment to the practice of democratic self-governance. Our constitutional democracy has been imperfect, but almost 250 years since its inception, it remains an inspiration to peoplenear and far. Ours is a great nation because ofour system of checks and balances, separation of powers, individual rights, and an independent judiciary — as the Academy’s founder JohnAdams put it, “a government of laws, not of men.” And we are a great nation because we haveinvested in the arts and sciences while protecting the freedom that enables them to flourish.

These values are under serious threat today.Every president of the United States has the prerogative to set new priorities and agendas; nopublic or private institution is above criticism or calls for reform; and no reasoned arguments, from the left or the right, should be silenced. But current developments, in their pace, scale, and hostility toward institutions dedicated to knowledge and the pursuit of truth, have little precedent in our modern history.

We oppose reckless funding cuts and restrictions that imperil the research enterprise of our universities, hospitals, and laboratories, which contribute enormously to our prosperity, health, and national security. We condemn efforts to censor our scholarly and cultural institutions, to curtail freedom of the press, and to purge inquiry or ideas that challenge prevailing policies. We vigorously support the independence of the judiciary and the legal profession, and opposeactions and threats intended to erode thatindependence and, in turn, the rule of law.

In this time of challenge, we cherish theseprinciples and stand resilient against efforts to undermine them. The Academy will continue to urge public support for the arts and sciences, and also work to safeguard the conditions of freedom necessary for novel discoveries, creative expression, and truth-seeking in all its forms. We join a rising chorus of organizations and individuals determined to invigorate the democratic ideals of our republic and its constitutional values, and prevent our nation from sliding toward autocracy. 

In the coming months and years, the Academy will rededicate itself to studying, building, and amplifying the practices of constitutional democracy in their local and national forms, with particular focus on its pillars of freedom of expression and the rule of law. We call on all citizens to help fortify a civic culture unwavering in its commitment to our founding principles.

Happy Easter!

Please open and listen. You will be astonished by these four young men, singing in a stairwell.

The group is called King’s Return.

For many readers, this is a holy day.

Reflect. Rest.

Think about how to take seriously Jesus’s teachings about kindness, mercy, love, compassion. Feed the hungry, comfort the afflicted, welcome the stranger.

As you know, Trump took control of The Kennedy Center and named himself chairman of the board. He kicked all Democrats off the board and named Trumpers to replace them.

Some artists cancelled, some continued to perform. Trump’s new director, Richard Grennel, canceled the national tour of a children’s show called “Finn,” because it promoted love, kindness, and tolerance.

A band called Guster was performing at The Kennedy Center on March 29, and the band leader talked about the cancellation of “Finn.” Then he invited the cast of “Finn” to join him onstage and the audience went wild.

You have to see this.

I almost cried: tears of joy.

Trump can’t keep his hands off anything. In his mad dash to be king, he has decided to reshape the Smithsonian Institution. Will he close exhibits he doesn’t like? We know he’s completely ignorant of history, so whatever he does will suit his prejudices. He has put JD Vance in charge. Will he withdraw references to “the trail of tears”? Will he remove references to the brutality of slavery?

Kelsey Ables of The Washington Post reported:

The Smithsonian, a sprawling, 21-museum institution tasked with telling the story of the United States and much more, could see changes under President Donald Trump, who in a Thursday executive order set his sights on ridding the institution of ideas that he says “undermine the remarkable achievements of the United States.”

According to a White House fact sheet summarizing the order, the president has instructed the vice president “to eliminate improper, divisive, or anti-American ideology” from the institution’s entities.

Trump’s unprecedented call to influence programming at an institution that has operated largely independently for its more than 175-year history raises questions about the fate of millions of items the country holds in what’s sometimes called “the nation’s attic.”

But who runs and funds the Smithsonian and can Trump overhaul it like he is the federal government? Here’s what to know.

The Smithsonian was created by Congress in 1846 with funds from James Smithson, a British scientist who left his estate to the United States to establish an institution “for the increase and diffusion of knowledge.” Smithson never visited the United States, though his remains are now housed at the Smithsonian Institution Building, known as the Castle.

These days, the Smithsonian is about 62 percent federally funded by a combination of congressional appropriation along with federal grants and contracts. The rest comes from trust funds or nonfederal sources, which include endowments, donations and memberships, as well as revenue from magazines, restaurants, concessions and more. The institution’s federal budget for the 2024 fiscal year was more than $1 billion.

Is the Smithsonian a government agency?

No, the Smithsonian is not a federal agency but a “trust instrumentality” of the United States, tasked with carrying out the responsibilities undertaken by Congress when it accepted Smithson’s donation. It’s overseen by the secretary, currently Lonnie G. Bunch III, who is appointed by the Board of Regents — made up of the chief justice, vice president, three members of the Senate, three members of the House and nine citizens.

The Smithsonian describes itself as the “world’s largest museum, education, and research complex” and includes 21 museums — two in development — 14 education and research centers, and the National Zoo. It holds a dizzying array of objects, from fighter jets hanging from the high ceilings of the Udvar-Hazy Center all the way down to the tiny specimens at the National Museum of Natural History.

Recently, Vice President JD Vance and his wife Usha attended a concert at the Kennedy Center in D.C. When they sat down in their box seats overlooking the audience, they were loudly booed by the audience.

The audience was doubtless reacting to Trump’s takeover of the Kennedy Center, purging its leaders and replacing every Democrat on the bipartisan Board with a Republican. He named himself as chairman of the Board, thus ensuring that no artist would dare to insult him as others had done in the past. Trump complained about “woke” performances, but admitted he never attended the Kennedy Center. Several artists cancelled their performances, as did the celebrated multiracial Broadway show “Hamilton.”

Trump’s hand-picked acting Director of the Kennedy Center is Richard Grennell, who has no experience in the arts but served as Trump’s Ambassador to Germany.

When Grennell heard that VP Vance had been loudly booed, he issued a statement on Twitter.

The New York Times wrote:

Richard Grenell, whom Mr. Trump named as the center’s new president, posted on social media on Friday morning that the video showing Mr. Vance being booed “should challenge us all to commit to making the Kennedy Center a place where everyone is welcomed.”

“It troubles me to see that so many in the audience appear to be white and intolerant of diverse political views,” he wrote. “Diversity is our strength. We must do better. We must welcome EVERYONE. We will not allow the Kennedy Center to be an intolerant place.”

The Washington Post reported that Grennell sent an email to the Kennedy Center staff:

On Friday morning, Richard Grenell, an ally of President Donald Trump made interim president of the Kennedy Center by Trump’s new board of trustees, sent an email to the center’s staff, reviewed by The Washington Post, stating that he “received several messages from Kennedy Center staffers sharing their embarrassment over more than a few Symphony patrons loudly booing the Vice President and his wife last night.”

“As the premier Arts organization in the United States of America, we must work to make the Kennedy Center a place where everyone is welcomed,” Grenell wrote. “We clearly have work to do. And I hear your outrage.”

He cited the center’s diversity as a strength. “As President, I take diversity and inclusion very seriously,” he wrote. “I have met with many of you, and I love that we are Christian, Muslim, Jewish, agnostic, gay, straight, black, white, Hispanic and absolutely different.

WHAT?

Doesn’t he know that Trump banned “diversity” and “inclusion”?

Doesn’t he know that Defense Secretary Pete Hegseth removed all literature that said “Diversity is our strength”?

Why was Gremnell complaining about an audience in which “so many…appear to be white”? Many Black performers have cancelled their appearances at the Kennedy Center because of Trump’s unprecedented takeover and his harsh attacks on diversity and inclusion.

Reading this was a laugh-out-loud moment.

Trump doesn’t understand the arts. There is no evidence that he has ever been interested in the arts. He doesn’t understand that the arts by their nature are cutting-edge. They take us to imaginative worlds we knew nothing about. They expand our horizons. We can see and love Beethoven, Bach, and Shakespeare, but artists today are living in the 21st century and they express what they think and feel now. They introduce us to new worlds.

Trump took control of the Kennedy Center in D.C., one of the greatest venues for the arts in the world. He had to because every year at the awards ceremony, the artists laughed at him. They ridiculed him. They treated him as an enemy, which indeed he was.

Now that Trump appointed himself as chair of the board, he changed the composition of the board. What was once a bipartisan board, divided equally among Democrats and Republicans, is now 100% all-Trump.

The only way he could stifle those annoying artists was to make himself the chair of the board! No more laughing at Trump! With Trump in charge, no drag shows! Nothing about race or gender! Nothing transgressive! Trump has a track record of destroying whatever he touches. He may destroy the Kennedy Cenrer. Just for spite.

Trump is a vulgarian. He despises artistic freedom. He hates drag shows. He despises WOKE culture. Art is often woke. Ibsen was woke. Most artists are woke.

The President of the Kennedy Center, Deborah Rutter, saw the handwriting on the wall. She resigned, as of December 31, 2025. She will leave sooner now that Trump runs her agency.

She did not understand the tsunami about to hit the Kennedy Center.

Playbill (the Broadway publication) tells the story. If you care about artistic freedom, it’s horrifying.

President Donald Trump has been elected as chairman of the board at the Kennedy Center, after replacing board members appointed by former President Joe Biden with his own loyalists. The board members took a vote and named Trump chair in a meeting held Wednesday afternoon. In response, Kennedy Center President Deborah Rutter has announced that she is stepping down from the organization effective immediately. Rutter announced two weeks ago that she would stay in her position until the end of the year, but it seems the recent turmoil at the Washington, D.C. arts organization led to her early departure.

Trump has named loyalist Richard Grenell as interim Kennedy Center President. Grenell, currently the special presidential envoy for special missions, does not appear to have any background in the arts or arts administration. The role of president is typically tasked with the institution’s programming choices, while the chair and the board usually acts in an advisory capacity (though that will likely no longer be the case considering Trump’s strong language for what he plans for the organization).

Rutter, who had held her position since 2014, released a statement before she departed, about the importance of artistic freedom: “Much like our democracy itself, artistic expression must be nurtured, fostered, prioritized, and protected. It is not a passive endeavor; indeed, there is no clearer sign of American democracy at work than our artists, the work they produce, and audiences’ unalienable right to actively participate.”

Trump, who in previous statements vowed to ban drag shows from the venue, wrote on Wednesday on Truth Social: “It is a great honor to be chairman of The Kennedy Center, especially with this amazing Board of Trustees. We will make The Kennedy Center a very special and exciting place!” Historically, the Kennedy Center’s board had been made up of an equal number of Democrats and Republicans. The new board is made up entirely of Trump appointees—including Trump’s chief of staff, Susie Wiles and Usha Vance, the wife of Vice President JD Vance. There are 14 new members, with 31 total members.

According to CBS news, Trump also plans to ban “woke culture” from the Kennedy Center.

“Throughout our history, the Kennedy Center has enjoyed strong support from members of congress and their staffs—Republicans, Democrats, and Independents,” reads a statement from The Kennedy Center released on news of the board members’ termination last week. “Since our doors opened in 1971, we have had a collaborative relationship with every presidential administration. Since that time, the Kennedy Center has had a bi-partisan board of trustees that has supported the arts in a non-partisan fashion.”

Though it is a non-profit institution, only a small portion of the Kennedy Center’s budget comes from the federal government. As the venue’s previous statement shares, the institution “is supported by federal annual appropriations for upkeep and maintenance of the building as a federal memorial, or approximately 16% of the total operating budget.” Its artistic programming, on the other hand, is maintained through “ticket sales, donations, rental income, and other revenue sources.” 

Since his return to the White House, Trump has taken a more controlling approach to the arts. He has also eliminated the Presidential Committee on the Arts and the Humanities, a Reagan-era advisory body that had been disbanded during Trump’s first term and then restarted in 2022 by the Biden administration. Executive orders targeting the trans community and DEI efforts have also thrown federal arts funding into chaos, following updated guidelines from the NEA.

Playbill will continue to follow this story.

Deborah Rutter

You can never have too much music!

Especially on Christmas Day!

Especially when it is Bach!