Archives for category: Art

I have to give up saying, “This is unbelievable,” because during the Trump era, incompetence and incoherence is the new normal.

Trump just appointed a new leader for the National Endowment for the Arts. In the past, this position has been held by arts administrators, even artists. No more. The new leader of the agency is a Florida political operative who worked for Governor Rick Scott and on Trump’s inaugural committee. She specializes in opposition research.

Why was she chosen? Her daughter attends a school for the arts, so that makes Mary Anne Carter qualified to lead the federal agency that funds the arts.

Ironically, I learned about this appointment on the same day that the New York Times published a scathing opinion piece about the total absence of any culture in the Trump White House, written by novelist Dave Eggers.

He wrote:

“This White House has been, and is likely to remain, home to the first presidency in American history that is almost completely devoid of culture. In the 17 months that Donald Trump has been in office, he has hosted only a few artists of any kind. One was the gun fetishist Ted Nugent. Another was Kid Rock. They went together (and with Sarah Palin). Neither performed.”

Be grateful for that.

“Since his inauguration in January 2017, there have been no official concerts at the White House (the Reagans had one every few weeks). No poetry readings (the Obamas regularly celebrated young poets). The Carters began a televised series, “In Performance at the White House,” which last aired in 2016, where artists as varied as Mikhail Baryshnikov and Patricia McBride performed in the East Room. The Clintons continued the series with Aretha Franklin and B. B. King, Alison Krauss and Linda Ronstadt.

“But aside from occasional performances by “The President’s Own” United States Marine Band, the White House is now virtually free of music. Never have we had a president not just indifferent to the arts, but actively oppositional to artists. Mr. Trump disparaged the play “Hamilton” and a few weeks later attacked Meryl Streep. He has said he does not have time to read books (“I read passages, I read areas, I read chapters”). Outside of recommending books by his acolytes, Mr. Trump has tweeted about only one work of literature since the beginning of his presidency: Michael Wolff’s “Fire and Fury.” It was not an endorsement.

“Every great civilization has fostered great art, while authoritarian regimes customarily see artists as either nuisances, enemies of the state or tools for the creation of propaganda. The Soviet leader Nikita Khrushchev asserted that “the highest duty of the Soviet writer, artist and composer, of every creative worker” is to “fight for the triumph of the ideas of Marxism-Leninism.”

“When John Kennedy took office, his policies reacted against both the Soviet Union’s approach to the arts and that of Joseph McCarthy, who had worked hard to create in the United States an atmosphere where artists were required to be allegiant and where dissent was called treason. Pivoting hard, Kennedy’s White House made support of the avant-garde a priority. The artists Franz Kline and Mark Rothko came to the inauguration, and at a state dinner for France’s minister of cultural affairs, André Malraux, the guests included Arthur Miller, Tennessee Williams, Robert Lowell, Geraldine Page and George Balanchine. Kennedy gave the Spanish cellist Pablo Casals, who had exiled himself to France and then Puerto Rico to protest Franco’s fascism, a forum in the East Room. Casals had performed in the White House once before, at the young age of 27. Now 84, and a man without a country, he played a mournful version of “The Song of the Birds.”

George W. Bush, he writes, was

“..was open-minded and active. He met Bono in the Oval Office. He hosted a wide range of musicians, from Itzhak Perlman to Destiny’s Child. He was an avid reader — he maintained a long-running contest with Karl Rove to see who could read more books in a year. Laura Bush has long been a crucial figure in the book world, having co-founded the Texas Book Festival and the National Book Festival in Washington, now one of the country’s largest literary gatherings.

“But perhaps no Republican could match the presidency of Ronald Reagan, whose guest list was a relentless celebration of the diversity of American culture. He and Nancy Reagan hosted Lionel Hampton. Then the Statler Brothers. Then Ella Fitzgerald. Then Benny Goodman. Then a night with Beverly Sills, Rudolf Serkin and Ida Levin. That was all in the fall of 1981. The Reagans did much to highlight uniquely American forms, especially jazz. One night in 1982, the White House hosted Dizzy Gillespie, Chick Corea and Stan Getz. When Reagan visited Mikhail Gorbachev in Moscow in 1988, he brought along the Dave Brubeck Quartet.

But that kind of thing is inconceivable now. Admittedly, at a time when Mr. Trump’s policies have forcibly separated children from their asylum-seeking parents — taking the most vulnerable children from the most vulnerable adults — the White House’s attitude toward the arts seems relatively unimportant. But with art comes empathy. It allows us to look through someone else’s eyes and know their strivings and struggles. It expands the moral imagination and makes it impossible to accept the dehumanization of others. When we are without art, we are a diminished people — myopic, unlearned and cruel.”

Face it, friends, the barbarians are inside the gates of the White House. Trump is unquestionably the most ignorant, unlettered, incurious, closed-minded person to ascend to the presidency at least in recent memory. Perhaps some one can reach back and find a president who was less educated, less aware of history and culture. I can’t. Perhaps the watchword of this administration will be “Ignorance and Indifference Are Bliss.”

Ben Chapman of the New York Daily News reports on an outrage: Someone at DeWitt Clinton High School in the Bronx ordered painters to paint over a priceless mural created during the New Deal era, in anticipation of a visit to the school by then Schools’ Chancellor Carmen Farina. Farina never made the visit, but the painting by a noted artist was “slathered over” by “high-gloss cotton-candy blue paint.”

“Constellations” by German-born painter Alfred Floegel was installed on the ceiling outside DeWitt Clinton’s library in 1940. It depicted the stars in the heavens alongside another large-scale Floegel mural called “History of the World.”

The paintings, deemed Floegel’s masterpieces, were both used in history lessons. They also appear in the Department of Education’s online art collection, “Public Art for Public Schools.”

“It is a kind of Sistine Chapel of New Deal artworks,” wrote Richard Walker, a University of California/Berkley professor who directs the Living New Deal project, which aims to preserve New Deal-era artworks.

Floegel, who was born in 1894 and died in 1976, worked on the paintings for six years, Walker wrote in 2015 on his project’s website. At the time, he was teaching night courses at DeWitt Clinton, school staffers said.

Half of his masterpiece disappeared in November, when construction workers painted over the ceiling mural to spruce up for a visit by then-schools chancellor Carmen Farina, according to school staffers.

Farina never made the visit.

Education Department officials tell a different story — they say the painting was covered over as workers repaired damage to the building.

Whatever the reason, the loss of the mural stunned students and educators.

“It was like if you went to see the Mona Lisa and someone painted it blue,” one school staffer said. “People were devastated.”

This was not a matter of taste. This is bureaucratic vandalism. And no one will admit who issued the order.

A friend recommended “Come from Away,” the story of a small town in Newfoundland that was  overwhelmed on 9/11 when diverted airplanes start landing, bringing thousands of strangers. Then I saw a tweet by James Comey, saying that he loved it.

I don’t usually make theatrical choices based on a Comey tweet, but the combination was irresistible.

I saw it today. It was wonderful.

It reminds us of what our society has lost: generosity of spirit. Kindness.

See it.

This is not just a New York play. Opportunities to see the musical are growing, with a second company now performing in Canada and a third set to launch a North American tour in Seattle in October.

The best dramas and musicals cross cultures, time, space.

This is what the writers of the play said about it.

New York audiences have included many people close to the tragedy, and to Hein and Sankoff. At a recent performance the couple attended, viewers included both their 4-year-old daughter’s teacher and a firefighter’s widow.

Having their young child accompany them through Come From Away’s progress has been especially meaningful. “The show reminds us to teach our daughter to be kind, how important that is in this world,” says Hein. Sankoff adds, “It takes a unique kind of bravery to do that, to be kind. Sometimes it’s seen as a kind of weakness, but really, one of the riskiest things to do is to open yourself up to people. To sit down and push away is easy.”

To further promote that message, the Come From Away team has done “a ton of education outreach,” Hein notes. “So many teachers have come to see it. People who weren’t born when 9/11 happened have come and been really moved.”

Imagine that: a message that kindness matters.

This is a gift for you.

Forget about test scores. Forget about DeVos and Trump.

Let your spirit luxuriate in sheer beauty.

Mozart’s Requiem.

 

 

Here are some sound, sensible wishes for students by Nancy Bailey. 

101 of them. Each one five words or less.

Imagine a world where children went to school eagerly, happily, ready to learn.

Start with this:

 

Provide children plenty of recess.

Pay attention to child development.

Cherish play for children.

Encourage teens to socialize.

Lower class sizes.

Bring back the arts.

Provide all students art instruction.

Give students credentialed art teachers.

Let children dance.

Sing-along with students.

Teach students to play instruments.

Display student art in schools.

Bring back school plays.

Showcase student writing.

End high-stakes testing.

Teach better civics.

Bring back Home Economics.

Help teens balance a checkbook.

Teach students self-care.

Provide school nurses.

Help students learn money management.

Provide 12th grade career information.

Develop good career-technical education.

Give students with disabilities services.

Make IEPs relevant and personal.

Address dyslexia.

Show students how to adapt.

Help students find alternatives.

Find student strengths.

Provide teachers special education preparation.

Value parents in educational decisions.

Quit pushing school choice.

Stop throwing money at charters.

That’s only 1/3 of Nancy’s wishes.

Read the rest and add your own.

 

 

 

 

This is my favorite classical music ever. Many years ago, I walked into a Tower music shop near NYU, one of those megastores with every kind of music, hundreds of thousands of recordings of pop, rock, blues, soul, folk, etc. From the very back of the store I heard this magnificent choral music, overpowering every other section and sound. I went back to the source and was transfixed. It was Brahms’ German Requiem. Here is a beautiful recording. Take an hour today. Treat yourself. You deserve it. Begin the year with serenity, beauty, psssion, and the joy of sublime music.

This is my way of sending you joy and thanking you for sharing your time with me.

This is my last post of the day. Just listen and share this beautiful experience.

How I love these beautiful young people, with their energy, their talent, their idealism!

Please watch.

As this article explains, there is a new kind of neuroscience that examines how the experience of art affects your brain.

https://apple.news/ApKmwwmY7TRiq_MqhOMSkdw

It’s all good.

“There is something about being in a group that stimulates your reactions. There’s something about the performance that heightens your senses.

“If you think about it, having a great time at the theater defies logic in many ways. We’re surrounded by strangers, bombarded with unusual images and often faced with a wordless language of symbols. Yet, on a good night, we generally laugh more, cry more and enjoy ourselves more at a live performance than when we’re watching TV at home. We may even lose ourselves and feel connected to something larger. How does this happen?…

“Social connection is one of the strengths of our species — it’s how we learn from others by imitation. We’re keenly attuned to the emotions and actions of people around us, because our brains are designed for this.

“If, for example, you’ve ever gone to an experimental performance-art piece where there’s hardly anyone in the audience but you, and you’ve felt a little exposed and awkward, this is why. We crave social connection. And the cues we get from those around us help our brains make sense of our surroundings. This starts from the moment we walk into a crowd….

“It helps us make sense of human behavior, a large part of which is evaluating movement and emotion within us and around us. Our brains like to share emotions with others. This is just one reason that seeing a live performance — a concert, play, opera, etc. — is a neural rush. With our brain’s capacity for emotion and empathy, even in the wordless art of dance we can begin to discover meaning — and a story.”

Open the link to see performances and understand how we react to art.

We need the arts. We need to see them, perform them, experience them, enjoy them. They are part of what makes us human.

Darren Walker is president of the Ford Foundation. He was recently honored at the Kennedy Center in Washington, D.C., and used the occasion to explain how his exposure to the arts changed his life.

He said,

“As a little boy, I lived with my mother and sister in a little shotgun house—in an African-American community in rural Liberty County, Texas. My grandmother worked as a maid in the home of a wealthy Houston family. And every month, she would bring me old art magazines and programs from arts events the family attended.

“I remember, vividly, feeling transfixed by the magic I saw on those pages—by images of worlds to which I had no other exposure. I remember flipping through those magazines and programs, and falling in love, swiftly and deeply. Those pages unlocked my capacity to imagine a world beyond my own—and to imagine my place in it.

“Simply put, the arts changed my life. They imbued me with the power to imagine, the power to dream, and the power to know I could express myself with dignity, and beauty, and grace.

“But here’s the thing: I was lucky.

“I was lucky to have the right grandmother. Lucky that she worked as a maid in the right house. Lucky that house was inhabited by the right wealthy family, who subscribed to the right magazines, and had diverse interests in the arts. Lucky that family showed their love by giving me their discarded magazines and programs.”

He then goes on to explain how important the arts are to the nation, not only as cultural enrichment but as a thriving economy. But the arts cannot be measured or valued by dollars alone.

“You see, all of us here tonight: We are all the lucky ones. Because there are children across the country growing up in circumstances not unlike those of my childhood—children who, day after day, experience in their lives the most terrible manifestations of inequality.

“For them, exposure to the arts, to imagination and ambition, remains a matter of chance or circumstance. But it shouldn’t be. It can’t be. Not in a democracy like ours.

“Everyone deserves to experience the arts. No child should need a permission slip to dream.

“Art is not a privilege. Art is the soul of our civilization; the beating heart of our humanity; a miracle to which we all should bear witness, over and over again, in every home—from the most modest and humble to the grandest and well-fashioned.

“And tonight—in this place, our national cathedral to the arts, and in this moment, these perilous and challenging times in our nation’s history—I would argue that we need the arts and humanities more than ever before.”

As an aside, I was reminded of a line attributed to Winston Churchill. Allegedly, someone said during World War 2 that the government had to spend less on the arts and more on the military. He is said to have replied, “If we don’t have the arts, then what are we fighting for?” My googling indicated that the quote is apocryphal, but it is good nonetheless.

Trump has promised to add more than $50 billion to the military budget, which will be paid for by budget cuts. Among the federal agencies on the chopping block for total elimination are the National Endowment for the Arts, the National Endowment for the Humanities, and the Corporation for Public Broadcasting.

These three small agencies underwrite programs like Ken Burns’ history of the Civil War, public television, museums, and public radio. These three agencies combined cost the taxpayers $745 million.

Watch this video to learn what that $745 million can buy for the military.

Ask yourself: would you trade all federal funding of the arts and humanities and public broadcasting for that?