Archives for category: Art

A friend recommended “Come from Away,” the story of a small town in Newfoundland that was  overwhelmed on 9/11 when diverted airplanes start landing, bringing thousands of strangers. Then I saw a tweet by James Comey, saying that he loved it.

I don’t usually make theatrical choices based on a Comey tweet, but the combination was irresistible.

I saw it today. It was wonderful.

It reminds us of what our society has lost: generosity of spirit. Kindness.

See it.

This is not just a New York play. Opportunities to see the musical are growing, with a second company now performing in Canada and a third set to launch a North American tour in Seattle in October.

The best dramas and musicals cross cultures, time, space.

This is what the writers of the play said about it.

New York audiences have included many people close to the tragedy, and to Hein and Sankoff. At a recent performance the couple attended, viewers included both their 4-year-old daughter’s teacher and a firefighter’s widow.

Having their young child accompany them through Come From Away’s progress has been especially meaningful. “The show reminds us to teach our daughter to be kind, how important that is in this world,” says Hein. Sankoff adds, “It takes a unique kind of bravery to do that, to be kind. Sometimes it’s seen as a kind of weakness, but really, one of the riskiest things to do is to open yourself up to people. To sit down and push away is easy.”

To further promote that message, the Come From Away team has done “a ton of education outreach,” Hein notes. “So many teachers have come to see it. People who weren’t born when 9/11 happened have come and been really moved.”

Imagine that: a message that kindness matters.

This is a gift for you.

Forget about test scores. Forget about DeVos and Trump.

Let your spirit luxuriate in sheer beauty.

Mozart’s Requiem.

 

 

Here are some sound, sensible wishes for students by Nancy Bailey. 

101 of them. Each one five words or less.

Imagine a world where children went to school eagerly, happily, ready to learn.

Start with this:

 

Provide children plenty of recess.

Pay attention to child development.

Cherish play for children.

Encourage teens to socialize.

Lower class sizes.

Bring back the arts.

Provide all students art instruction.

Give students credentialed art teachers.

Let children dance.

Sing-along with students.

Teach students to play instruments.

Display student art in schools.

Bring back school plays.

Showcase student writing.

End high-stakes testing.

Teach better civics.

Bring back Home Economics.

Help teens balance a checkbook.

Teach students self-care.

Provide school nurses.

Help students learn money management.

Provide 12th grade career information.

Develop good career-technical education.

Give students with disabilities services.

Make IEPs relevant and personal.

Address dyslexia.

Show students how to adapt.

Help students find alternatives.

Find student strengths.

Provide teachers special education preparation.

Value parents in educational decisions.

Quit pushing school choice.

Stop throwing money at charters.

That’s only 1/3 of Nancy’s wishes.

Read the rest and add your own.

 

 

 

 

This is my favorite classical music ever. Many years ago, I walked into a Tower music shop near NYU, one of those megastores with every kind of music, hundreds of thousands of recordings of pop, rock, blues, soul, folk, etc. From the very back of the store I heard this magnificent choral music, overpowering every other section and sound. I went back to the source and was transfixed. It was Brahms’ German Requiem. Here is a beautiful recording. Take an hour today. Treat yourself. You deserve it. Begin the year with serenity, beauty, psssion, and the joy of sublime music.

This is my way of sending you joy and thanking you for sharing your time with me.

This is my last post of the day. Just listen and share this beautiful experience.

How I love these beautiful young people, with their energy, their talent, their idealism!

Please watch.

As this article explains, there is a new kind of neuroscience that examines how the experience of art affects your brain.

https://apple.news/ApKmwwmY7TRiq_MqhOMSkdw

It’s all good.

“There is something about being in a group that stimulates your reactions. There’s something about the performance that heightens your senses.

“If you think about it, having a great time at the theater defies logic in many ways. We’re surrounded by strangers, bombarded with unusual images and often faced with a wordless language of symbols. Yet, on a good night, we generally laugh more, cry more and enjoy ourselves more at a live performance than when we’re watching TV at home. We may even lose ourselves and feel connected to something larger. How does this happen?…

“Social connection is one of the strengths of our species — it’s how we learn from others by imitation. We’re keenly attuned to the emotions and actions of people around us, because our brains are designed for this.

“If, for example, you’ve ever gone to an experimental performance-art piece where there’s hardly anyone in the audience but you, and you’ve felt a little exposed and awkward, this is why. We crave social connection. And the cues we get from those around us help our brains make sense of our surroundings. This starts from the moment we walk into a crowd….

“It helps us make sense of human behavior, a large part of which is evaluating movement and emotion within us and around us. Our brains like to share emotions with others. This is just one reason that seeing a live performance — a concert, play, opera, etc. — is a neural rush. With our brain’s capacity for emotion and empathy, even in the wordless art of dance we can begin to discover meaning — and a story.”

Open the link to see performances and understand how we react to art.

We need the arts. We need to see them, perform them, experience them, enjoy them. They are part of what makes us human.

Darren Walker is president of the Ford Foundation. He was recently honored at the Kennedy Center in Washington, D.C., and used the occasion to explain how his exposure to the arts changed his life.

He said,

“As a little boy, I lived with my mother and sister in a little shotgun house—in an African-American community in rural Liberty County, Texas. My grandmother worked as a maid in the home of a wealthy Houston family. And every month, she would bring me old art magazines and programs from arts events the family attended.

“I remember, vividly, feeling transfixed by the magic I saw on those pages—by images of worlds to which I had no other exposure. I remember flipping through those magazines and programs, and falling in love, swiftly and deeply. Those pages unlocked my capacity to imagine a world beyond my own—and to imagine my place in it.

“Simply put, the arts changed my life. They imbued me with the power to imagine, the power to dream, and the power to know I could express myself with dignity, and beauty, and grace.

“But here’s the thing: I was lucky.

“I was lucky to have the right grandmother. Lucky that she worked as a maid in the right house. Lucky that house was inhabited by the right wealthy family, who subscribed to the right magazines, and had diverse interests in the arts. Lucky that family showed their love by giving me their discarded magazines and programs.”

He then goes on to explain how important the arts are to the nation, not only as cultural enrichment but as a thriving economy. But the arts cannot be measured or valued by dollars alone.

“You see, all of us here tonight: We are all the lucky ones. Because there are children across the country growing up in circumstances not unlike those of my childhood—children who, day after day, experience in their lives the most terrible manifestations of inequality.

“For them, exposure to the arts, to imagination and ambition, remains a matter of chance or circumstance. But it shouldn’t be. It can’t be. Not in a democracy like ours.

“Everyone deserves to experience the arts. No child should need a permission slip to dream.

“Art is not a privilege. Art is the soul of our civilization; the beating heart of our humanity; a miracle to which we all should bear witness, over and over again, in every home—from the most modest and humble to the grandest and well-fashioned.

“And tonight—in this place, our national cathedral to the arts, and in this moment, these perilous and challenging times in our nation’s history—I would argue that we need the arts and humanities more than ever before.”

As an aside, I was reminded of a line attributed to Winston Churchill. Allegedly, someone said during World War 2 that the government had to spend less on the arts and more on the military. He is said to have replied, “If we don’t have the arts, then what are we fighting for?” My googling indicated that the quote is apocryphal, but it is good nonetheless.

Trump has promised to add more than $50 billion to the military budget, which will be paid for by budget cuts. Among the federal agencies on the chopping block for total elimination are the National Endowment for the Arts, the National Endowment for the Humanities, and the Corporation for Public Broadcasting.

These three small agencies underwrite programs like Ken Burns’ history of the Civil War, public television, museums, and public radio. These three agencies combined cost the taxpayers $745 million.

Watch this video to learn what that $745 million can buy for the military.

Ask yourself: would you trade all federal funding of the arts and humanities and public broadcasting for that?

The Trump administration proves what some of us long feared and suspected: the crackpot fringe of the right wants to dumb down the populace by eliminating funding for the Corporation for Public Broadcasting, the National Endowment for the Arts, and the National Endowment for the Humanities.

These Yahoos hate education. They want the public to be raised in ignorance of science, history, and art. They want to eliminate funding for programs that educate the public. As long as you have a Bible, what more do you need?

Arts organizations across the country are rallying to save the meager amounts of federal funds that is available to supports the arts, humanities, and culture.

“As the news spread that the White House budget office had included the Corporation for Public Broadcasting and the National Endowments for the Arts and the Humanities on a list of programs it was considering trying to eliminate, arts leaders at large and small organizations around the nation reacted with alarm — and began making plans to fight for their survival.

“The federal government plays a very small role in funding the arts, especially compared with other affluent countries. Together, the three programs that may be targeted account for less than one-tenth of 1 percent of annual federal spending. But even if the arts get only crumbs, administrators said, they are crumbs worth fighting for: much-needed money that supports community projects, new works and making the arts accessible to people in different parts of the country and to those who are not wealthy.

“And after years of culture-war debates in which conservatives took aim at the programs, questioning the value of some of the art that was publicly funded, arts groups are pressing the case that the federal money they receive supports organizations — and jobs — in all 50 states, both red and blue.

“The N.E.A. has a big impact in the middle of country — even more so, I suspect, than in urban areas where funding is more diversified,” said Martin Miller, the executive director of TheatreSquared, a regional theater in Fayetteville, Ark., that bills itself as the northwest part of the state’s only year-round professional theater.

“Losing the N.E.A. would mean that many smaller, mid-American arts companies couldn’t weather a recession,” he said, noting that the endowment supports both state and regional arts councils. “Losing these companies would mean fewer jobs, a lower quality of life and less local spending in the small towns that need it most.”

“Many arts officials said they were gravely concerned that the programs were back on the chopping block.
“It’s another example of our democracy being threatened,” the actor Robert Redford, the president and founder of the Sundance Institute, which helps filmmakers, said in a telephone interview. “Arts are essential. They describe and critique our society.”

“President Trump is already facing pressure from some of his allies to preserve the programs. Daryl Roth, a prominent Broadway producer (“Kinky Boots,” “Indecent”) whose husband, Steven Roth, is a Trump adviser, said that she opposed eliminating the programs and that she had expressed her view to the Trump administration and would continue to do so.
“The concept of ending federal funding to the N.E.A. and to the many nonprofit arts organizations, artists, writers, cultural institutions, museums and all recipients that would be affected is of course of grave concern to me,” Ms. Roth wrote in an email. “Arts education in the schools, theater groups, music and dance programs help revitalize local communities, both spiritually and economically, across the country.”

“The fate of the three organizations is still far from clear: An internal memo that circulated within the Office of Management and Budget last week, which was obtained by The New York Times, noted that the list of programs targeted for elimination could still change. Officials at both of the endowments said they had not received any official word from the White House. But the programs have long been in the cross-hairs of conservatives.

“Romina Boccia, a fellow at the Heritage Foundation, a conservative think tank, said Congress should eliminate federal arts grants altogether. “The minuscule portion of art funding that comes from the federal government does not support the arts in any meaningful way; rather, it distorts the art market toward what is politically acceptable,” she said. She also questioned the need for the federal government to support public broadcasting.

“But arts administrators around the nation said in interviews that culture had enjoyed bipartisan support in recent years, and that they were hopeful their elected officials could be persuaded to keep the programs. They began making plans last month to make the case for the arts to their audiences, their well-connected board members and Congress.”

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