The blogger known as “JoJo from Jerz” has an incredible, frightening story to tell. She has a large following on social media, and she uses it to say what she thinks about Donald and Melania Trump. She doesn’t like them.
Not long ago, she got a letter from a government attorney threatening to sue her for defamation. This is, of course, an outrage because the First Amendment protects her right to criticize the President, his policies, and his very public wife.
But the threat was clear. A lawsuit would bankrupt her, cause her to lose her home, and ruin her life. The federal government has unlimited resources; it can destroy your life simply by engaging in litigation. At some point, the ordinary citizen runs out of money.
I learned about the situation while reading Dean Obeidallah’s post, where he gave the background and explained that JoJo is Joanne Carducci, a single mother of two children.
Dean wrote:
I wasn’t surprised to hear that Donald and Melania have been threatening lawsuits against Joanne Carducci—better known as JoJoFromJerz—in an effort to silence her criticism. Carducci has millions of followers between X, Facebook, Threads, Substack and more. But what the Trump crime family didn’t count on is the type of fighter JoJo is and how people would rally to support her!
I spoke to JoJo about her ordeal that she only went public with in her Substack post on September 26, 2026, titled, “Be Best. Be Quiet. Or Be Bankrupted.” It was jaw-dropping to read how the Trumps—apparently led by Melania—had their lawyers send letters to JoJo threatening to sue her for criticizing Donald and the so-called “First Lady.” (In Trump’s case, Melania is far from the first lady—she’s more like the 100th!)
Having read Dean’s introduction, I then opened JoJo’s September 26, 2026, post, where she described the nightmare of being threatened by the Trumps, but most especially by Melania.
Jojo wrote:
For the first half of this year, Melania Trump was doing everything in her power to get me to shut up.

I wasn’t sure I wanted to talk about this. I didn’t know how to talk about it. And if I’m being fucking honest, I’m scared to talk about it right now.
But I’m sick and tired of carrying it around, and I need to put it down.
And watching my fucking feed turn into a propaganda pageant for that self-anointed patron saint of women has exhausted whatever restraint I had left.
If you’ve followed me for a while, you know something was happening earlier this year. I was trying to keep doing my work while worrying about my children, our home, my livelihood, and whether telling you what was happening could cost us everything.
Here’s what I didn’t tell you.
The president and the first lady of the United States of America were threatening to sue me.
Me. A single mother of two in New Jersey.
At first, the letters were about things I’d said about both of them, although mostly her, but over the next several months it became entirely about Melania. She wanted me to retract what I’d said and apologize, and when I wouldn’t, another letter would come, another accusation of defamation, another demand for money I didn’t have, until this woman’s wounded feelings had become something I had to consider every time I thought about my family’s future.
A prominent attorney who wasn’t able to help me told me I should do everything they asked because otherwise they would ruin me.
They would take my home.
And I don’t know how to explain what those words do to you when you’ve already had to rebuild your life from scratch, when the home somebody is telling you to be afraid of losing is the place you made out of everything you managed to save of yourself. There wasn’t some other fortune underneath us. There was this house, my work, and two children who depended on me to make it enough.
I cried every day for months, but I kept going because I had to keep going, because I didn’t have a choice, because my kids need me and their lives don’t stop to indulge two petulant narcissists who can’t stomach being criticized. There’s still dinner and soccer and baseball and laundry and life—the life I’ve worked so hard to make ordinary for them. They get to have that. They get to need things and forget things and go on being children without having to make room for whatever the first lady thinks she’s entitled to take out of their mother.
And I never told them. They still don’t know.
I didn’t want to scare them, didn’t want to give them a reason to look around their own home and wonder whether they would get to keep it, so I kept it from them, even as this constant background noise ran underneath everything else: two of the most powerful people in the world, with all their money and lawyers and access to the levers of power, had targeted me.
My livelihood. My family. The life I was right there in the middle of trying to live. And I couldn’t make the enormity of that fit with how ordinary we were, how little we had to spare, how much damage they could do without it costing them anything they would miss.

She was swinging a fucking wrecking ball at a mosquito, and my children lived in the building.
For months, I told only the people closest to me and some incredible, heroic human beings—elected officials, people you might recognize from television—who showed up when I needed help. I sat on the rest because I was scared, and I hate that for me, but I fucking hate it for my country, too. I was afraid to tell you what the president and first lady were doing because I didn’t know what telling you might make them do next.
She never had to set foot in our house to make her presence felt in every room.
That’s the brutal, grotesque, fucking disgraceful truth.
And let’s be clear about what I do: I have never intentionally lied about her. When I’m talking about what these people say and do, I’m working from my understanding of the truth, what I can see with my own eyes and hear with my own ears. But a hell of a lot of my work is mockery and ridicule, because I’m a satirist and they’re public figures, and I have a right to point at the ridiculous fucking spectacle they’re making of this country and laugh.
They don’t have to like it. That couture-clad, cash-cushioned control freak was trying to turn free speech into a luxury item and price me out of my own fucking voice.
I don’t need to make shit up. With these two, the problem has never been a shortage of material.

Matt Platkin, New Jersey’s former attorney general, helped me for free, spending hours on the phone with me, giving his time and expertise at considerable personal cost, shepherding me through something I could never have begun to navigate alone. And he listened to me. He advised, explained, helped me understand what I was facing, but the decisions stayed mine. I still cry when I think about the sheer luck of somebody that good showing up in the middle of something that ugly, when I needed help I couldn’t afford and didn’t know how to find.
He’s an extraordinary fucking human being, and I owe him in ways I’ll never be able to adequately express, let alone repay.
Having him beside me felt like somebody putting a hand beneath a box I’d been holding so long my arms had started to shake. I still had to decide where to go with it, but I could finally take a breath without being afraid I’d drop everything. I kept returning to Timothy Snyder’s first lesson in On Tyranny: “Do not obey in advance.”
This is the beginning of her post. Please open and read it all.
It shows how thin-skinned the Trumps are, how ruthless they are, and what true courage looks like.

Jojo is awesome. I’ve been following her for a long while. She has gotten me through some rough tRump days. She has my utmost admiration.
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Sounds like something for the ACLU or a similar nonprofit that aims to protect free speech — especially if DOJ gets involved.
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Hi Diane,
I’m sorry to post an unrelated comment, but I’m working with the filmmakers of “Reading the World,” a documentary streaming at PBS about the transformative work of Paulo Freire in bringing literacy and civic engagement to the poor of Brazil, and eventually, across the world. Is there a way I can email a link to the film? Was wondering if you’d consider writing about it ahead of the midterms. Chris
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Chris, send a link to the film.
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Hi Diane,
Here it is, below – I’ve pasted the press release below as well. Thanks!Chris
https://www.pbs.org/show/reading-the-world/
READING THE WORLD is a documentary that offers a rare glimpse into a little-known chapter in the life of internationally acclaimed Brazilian philosopher Paulo Freire, best known for his seminal work Pedagogy of the Oppressed. The film highlights the creation and impact of his ambitious literacy program, carried out through what he called “Culture Circles.”
In 1963, Freire led an experimental initiative in Brazil that successfully taught hundreds of rural farmers to read, write, and vote through an intensive 40-hour program. Rooted in participants’ lived experiences, these “Culture Circles” encouraged educators to draw from everyday surroundings to build vocabulary and construct meaning, linking literacy directly to civic participation.
The documentary weaves together the collective memory of these circles through the voices of those who participated in them, alongside rare archival footage of mid-twentieth century Brazil that was recovered after being buried for decades.
As a result of the program, thousands of Brazilians became literate and gained the right to vote, expanding a fragile democracy. But following a U.S.-backed coup d’état, the farmers’ notebooks were burned, and Freire was imprisoned and forced into exile for over a decade. During this time, his unique educational approach spread across the globe, leaving a lasting impact on education and democratic thought that continues to resonate today.
The documentary situates Paulo Freire’s early work within the social movements of the 1960s and the 1964 military coup, echoing the historical backdrop of recent award-winning Brazilian films such as The Secret Agent and I’m Still Here.
At a time when the U.S. Department of Education faces significant restructuring, and debate over the role of public education intensifies, READING THE WORLD offers a timely reflection on the purpose of literacy and its connection to democracy.
Literacy remains one of the most pressing civil rights issues today, disproportionately affecting communities of color: According to a 2021 study by the National Center for Educational Statistics, an estimated 21% of U.S. adults struggle with literacy. UNESCO estimates approximately 739 million adults worldwide remain illiterate. By revisiting Paulo Freire’s radical vision of education as a tool for empowerment, the film invites audiences to reconsider what is at stake in how—and for whom—we teach.
READING THE WORLD is streaming at https://www.pbs.org/show/reading-the-world/
Press kit here.
###
ADDITIONAL INFORMATION:
READING THE WORLD is a film by Catherine Murphy and Iris de Oliveira. Murphy is the founder and director of Maestra Productions, a collaborative production house that makes documentary films that center on arts, education, and social justice movements. De Oliveira has been editing films for over twenty years, focusing on Black, experimental, and documentary cinema.
READING THE WORLD won the Golden Kikito for Best Documentary Feature at its World Premiere in Gramado, Brazil in 2025, the Corazon Feliz Award at the Festival de Nuevo Cine Latinoamericano, Best Documentary at the Defense of Democracy Film Festival, Best Film and Best Director Jury Awards at the Festival de Cinema in Santos, Brazil, and an Honorable Mention from the Jury at Citronela Doc Festival in Brazil.
PRESS
“The film makes the viewer a privileged witness… transported to that vibrant experience in Angicos.”
– Terra
“More than portraying a figure, “Reading the World” constructs a historical portrait of the tensions and contradictions of the time, showing how learning was a two-way street: educators and students learning together, in an experience of social transformation.”
– JWave
* * *
SYNOPSIS:
READING THE WORLD (71 mins, 2025)
In 1963, global icon Paulo Freire led an experimental project teaching hundreds of rural farmers to read, write and vote in Brazil, until he was arrested and forced into exile during a U.S.-backed coup d’etat. Told through the collective memories of those who participated in the “Culture Circles,” learning to read in 40 hours, the film contains rare archival footage of mid-twentieth century Brazil that was recently recovered after being buried for decades. Their innovative method allowed educators to use their surroundings to teach vocabulary and construct meaning. Thousands of Brazilians became literate and were allowed to vote as a consequence, strengthening the blossoming democracy. After a shocking coup d’état, the farmers’ notebooks were set on fire, and Freire was eventually forced into exile for 16 years, spreading his pedagogy around the globe and impacting democracy and education until today.
Directed by Catherine Murphy and Iris de Oliveira
Produced by Micaela Ovelar, Rachel Dickson and Carina Aparecida
Executive Producers Petra Costa, Kit Miller, and T.M. Scruggs
http://www.readingtheworldfilm.com
*Won the Golden Kikito for Best Documentary Feature at its World Premiere at the Festival de Cine de Gramadol in 2025, the Corazon Feliz Award at the Festival de Nuevo Cine Latinoamericano, Best Documentary at the Defense of Democracy Film Festival, Best Film and Best Director Jury Awards at the Festival de Cinema de Santos in Brazil, and an Honorable Mention from the Jury at Citronela Doc Festival in Brazil.*
Festivals:
Festival de Cine de Gramado (World premiere)
Fest Aruanda 2025
Festival de Nuevo Cine Latinoamericano
Washington DC International Film Fest
Blackstar Film Festival
EcoFalante Festival
Citronela Doc Festival
Festival de Cinema de Santos
Defense of Democracy Film Festival
Markets:
IDFA
Visions du Reel
Ventana Sur
Visual Assets
● Key Photo (main image)
● Film Stills
● Film Poster
● Press Kit
ABOUT Maestra Productions
Maestra Productions is a collaborative international production house that creates documentaries centered on art, education, and social justice movements.
MAESTRA, the company’s first short film, was released in 2011. The film, which chronicles the story of the Cuban Literacy Campaign of 1961, is distributed by Women Make Movies, has been translated into six languages, and received several international awards.
* * *
Website: http://maestraproductions.org
Facebook: /Maestra Productions
Instagram: @reading.the.world.film and @Maestra Productions
Press Contact:
Chris Kelly
Fifth House PR
617-510-2333
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Melania’s eye is on the sparrow. Our money pays for this nonsense.
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I lost respect for Melania when she accepted $28 million for her ‘documentary’ and does nothing to help people.
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I lost respect for her when I found out she was married to that man.
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