Archives for category: Arts Education

Hannah Natanson of the Washington Post reports that high schools are canceling productions of plays that might offend parents and members of the community. The “culture wars” have watered down which topics are permissible in 2023. Once again, we see how fear of offending anyone restricts freedom.

She writes:

The crew had built most of the set. Choreographers had blocked out almost all the dances. The students were halfway through rehearsals.


Then in late January, musical director Vanessa Allen called an emergency meeting. She told the cast and crew of 21 teens that their show — the musical “The 25th Annual Putnam County Spelling Bee” — was off.

Board members in Ohio’s Cardinal Local Schools disliked some features of “Spelling Bee,” Allen explained, including a song about erections, the appearance of Jesus Christ and the fact that one character has two fathers.


Sobs broke out across the room, said Riley Matchinga, 18, who was slated to play one of the leads: Logainne Schwartzandgrubenierre, the character whose fathers are gay. “Everyone’s faces just fell,” she said. “I could see everyone’s hearts melting, because we had worked so hard.”


Following a record-setting surge in efforts to change curriculums and ban books at schools nationwide, the education culture war has now reached the stage. The controversy in Cardinal is one of a number of recent instances in which school administrators have intervened to nix or alter school theatrical productions deemed objectionable — often because they feature LGBTQ characters or deal with issues of race and racism.

In Florida’s Duval County Public Schools this January, administrators stopped a production of the play “Indecent,” which details a love affair between two women, due to its “mature content.” In February, Indiana’s Northwest Allen County Schools pulled the plug on a production of the play “Marian” after adults raised the alarm over its depiction of a same-sex couple and a nonbinary character. And in March, Iowa’s South Tama County Community School District halted a performance of the play “August: Osage County” over fears that its treatment of suicide, addiction and racism was inappropriate for school-aged children.

Censorship of K-12 student productions has been happening for years, said Howard Sherman, managing director of the performing arts center at New York’s Baruch College. Since 2011, Sherman has tracked and fought efforts to end or edit school theater, assisting with roughly four dozen such cases, many of which never became public.


Still, this most recent wave of opposition seems more intense and organized than in past years, Sherman said, and more tightly focused on plays and musicals with LGBTQ content.


“Something that was being dealt with community by community has now, for some people, become a cause, ” he said. “You see politicians and officials enacting rules and laws which are incredibly onerous and designed to enforce a very narrow view of what students can see, read, learn or act on stage.”

The logic: if high school students see a play with gay characters, they might think being gay is normal, and they too might be gay. Counter-logic: the same students are far more likely to see movies, TV, and plays where people are not gay.

Robert Pondiscio of the American Enterprise Institute, a conservative think tank, defended censorship:

“You have to be mindful of local values,” Pondiscio said. “School has always existed to signal to children what is worth knowing and valuable, what we praise and condemn, and you have to apply that to musicals as well.”

In North Lebanon School District in Pennsylvania, the school board voted down a proposed performance of “The Addams Family,” which is the most frequently performed high school musical. The board thought it was too gloomy.

In Ohio, the students won a minor victory:

In Ohio’s Cardinal schools, Matchinga and her peers were determined to put on “Spelling Bee.” They bombarded the school board with emails questioning the cancellation.


Musical director Allen began revising the script to erase lines board members dubbed inappropriate — eliminating profanity, a line about “[beating] up” kids and replacing the phrase “fake mom” with “step mom,” according to school documents obtained by The Washington Post. She was assisted by Rachel Sheinkin, one of the writers of the 2005 Broadway musical. Ultimately, after requesting more than two dozen edits and receiving 12, the school board voted to let “Spelling Bee” proceed.

Alterations to Matchinga’s lines included replacing “and I’ve heard she is pro-choice/though still a virgin” with “but she will not make her choice/til she is certain.”


“I don’t think that really made a big effect on the story, and the show was still really funny and we got a ton of laughs,” Matchinga said. “Overall, I think it was okay.”

But in the future, the school board will have veto power on which plays may be staged.

Let’s see, “Mary Poppins” should pass muster. What else?

Governor Kevin Stitt of Oklahoma vetoed state funding for PBS, accusing the public television network of

Gov. Kevin Stitt, R-Okla., recently vetoed a bill that would continue funding for the statewide PBS station, claiming that the national network has been indoctrinating young children with LGBTQ propaganda.

During a press conference last week, the Republican lawmaker defended his decision to veto ongoing funding for the Oklahoma Educational Television Authority (OETA), the state network of public broadcasting service affiliates.

OETA broadcasts PBS, which now includes LGBTQ content in some of its programming. The governor pointed to that as the main reason he signed the veto last Wednesday.

Conservative Hillsdale College in Michigan has a chain of charter schools that use its “classical” curriculum. One of its affiliate schools, the Tallahassee Classical Charter School, made headlines last week when the principal was fired after a teacher showed the statue of Michelangelo’s “David” to an art class.

Apparently Hillsdale was appalled, it severed its connection to the school. Even super-conservative Hillsdale was mortified by the prudery of DeSantisland.

A Michigan college has ended its relationship with the Florida charter school whose principal was pressured to resign after parents complained that her Renaissance art syllabus, which included a picture of Michelangelo’s David, was inappropriate for sixth-graders.

The Tallahassee Classical School, which was licensed to use Hillsdale College’s classical education curriculum, is no longer affiliated with the small, Christian college, Hillsdale spokesperson Emily Stack Davis said in a statement to MLive.com.

“This drama around teaching Michelangelo’s David sculpture, one of the most important works of art in existence, has become a distraction from, and a parody of, the actual aims of classical education,” Davis said. “Of course, Hillsdale’s K-12 art curriculum includes Michelangelo’s Davidand other works of art that depict the human form.”

The chair of the board of the school explained that children should see only parts of the statue, depending on their age.

“Showing the entire statue of David is appropriate at some age,” said Bishop.

“We’re going to figure out when that is,” he added. “And you don’t have to show the whole statue! Maybe to kindergartners we only show the head. You can appreciate that. You can show the hands, the arms, the muscles, the beautiful work Michelangelo did in marble, without showing the whole thing.”

Yahoos are gonna yahoo.

Pensacola Christian College canceled a six-man group of a capella singers because it had reason to believe that one of the singers was gay. The concert was cancelled two hours before it was scheduled to begin. An audience of more than 5,000 people was expected. The group had performed there in the past. Actually, the group acknowledged that two singers were gay. Why the College found it objectionable to hear a gay man (or two) singing in an ensemble is not clear. Did college officials worry that the sound of his voice might turn students gay? It seems likely that the bigoted Governor DeSantis has lowered the standards of civility across the state.

Javier C. Hernandez wrote in The New York Times:

The King’s Singers, a renowned British a cappella ensemble, looked forward to its appearance last week at Pensacola Christian College in Florida, the final stop on the group’s four-city tour of the United States.

Instead, the college informed the ensemble two hours before the concert was to begin on Saturday that it was being canceled because of concerns about what it called the lifestyle of a singer, who is gay. Students, parents and staff members had complained to the administration, saying that hosting the group would run counter to the college’s Baptist values.

The school’s decision has drawn backlash, with artists, gay rights activists and the ensemble’s fans denouncing the college for homophobia and discrimination. The King’s Singers issued a statement on Monday expressing hope that “any conversations that follow might encourage a greater sense of love, acceptance and inclusion.”

In an interview on Tuesday, Jonathan Howard, a member of the six-person group, called the cancellation “really shocking” and “hurtful.” The singers led a workshop for Pensacola students on Saturday and had started rehearsing for the concert — a crowd of more than 5,000 was expected — when they were pulled aside by college officials and informed of the cancellation, he said.

Howard said it was the first time in the group’s 55-year history that an engagement had been canceled for reasons other than bad weather, war or the coronavirus pandemic. He also said the group had performed at Pensacola before….

Two members of the ensemble are gay, Howard said, though a statement by Pensacola Christian College made reference to only one. The statement provided by the school said it had canceled the concert after learning that one of the singers “openly maintained a lifestyle that contradicts Scripture.” It said it had treated the artists with “dignity and respect,” and that they were paid for the performance.

A section in the school’s articles of faith that refers to several verses in the New Testament says the community believes that “Scripture forbids any form of sexual immorality including adultery, fornication, homosexuality, bestiality, incest, and use of pornography.”

Will future performers on the Pensacola Christian College campus be screened to see whether any of them have committed adultery, fornication, bestiality, incest, or used pornography? Give them a lie detector test, and while they are at it, they should screen the college’s administrators, faculty, staff, and students.

Thanks to Christine Langhoff for sharing this horrifying video.

It shows parents at Grant Middle School in Grant, Michigan, demanding the removal of a mural painted by a high school student. The mural was meant to make all students feel welcome.

But parents saw frightening symbols in it, such as a T-shirt that was a trans symbol, another that was a gay symbol, others graphics that were allegedly demonic or Satanic.

This country needs mental health services for adults who think that their children’s lives will be changed by seeing anything that offends parents. Do they object to textbooks showing the swastika? Really, there are many symbols to at could be interpreted in many ways.

Don’t they understand that children are shaped above all by their home environment?

New York City Mayor Eric Adams is imposing budget cuts on the public schools, and teachers of the arts are getting laid off first. Cutting the arts is incredibly stupid. Many students are motivated to attend school because of their involvement with the arts. Anyone who cuts the arts cuts joy, cuts creativity, cuts love of learning. Is Mayor Adams trying to drive students to charter schools to satisfy the billionaire hedge funders who supported his election?

On June 13, Paul Trust was called into the principal’s office at the PS 39 elementary school in Park Slope, Brooklyn, where he had taught music for over a decade.

In the meeting, the school’s administration told Trust that his job was in jeopardy and letting him go was the “worst-case scenario.” But after the principal met with the Borough Central Office to discuss her 2023 budget, that scenario became the reality: Trust would be “excessed,” or laid off from his position. And the school told its only other music teacher Nick Deutsch, who had been there for six years, the same thing, effectively eliminating its music department.

PS 39 was forced to decrease spending by 14%, one of approximately 1,200 district schools in New York — 77% of the city’s total — that were told to cut their budget by a specific dollar amount after Mayor Eric Adams slashed school funding by over $200 million. The cuts are tied to enrollment declines, which the majority of NYC schools experienced over the course of the pandemic. Budget decisions are at the discretion of the schools’ principals, and arts departments, already under-funded despite representing a “core academic subject,” are not protected…

In NYC, there are no allocations or guidelines mandating arts funding in schools. Reversing a 1997 initiative that earmarked arts spending per student, Mayor Mike Bloomberg eliminated mandates for the 2007 school year, allowing school principals to use previously allocated arts funding on anythingthey chose. The impact was immediate: That year, the percentage of schools without a certified art teacher rose from 20% to 30%, and spending on art supplies fell by 63%. …

The 2023 budget cuts could shrink NYC arts education programs even further, threatening the careers of public school arts teachers and leaving them with an uncertain future.

John W. Miller of The Daily Yonder writes about a phenomenal troupe of actors who are devoted to bringing Shakespeare to rural America, not as “cultural saviors,” but as people who love the works of the Bard. Remember that Shakespeare’s plays were meant to be performed. In 19th century America, actors brought Shakespeare plays and scenes to small towns, and sometimes performed in local taverns to enthusiastic audiences who knew the plays well enough to throw tomatoes when the actors messed up their lines. In his important study of Shakespeare and American popular culture, historian Lawrence W. Levine reminds us of the two rogues in Mark Twain’s Huckleberry Finn who “pass themselves off as a duke and a king,” and plan to raise money by performing scenes from Romeo and Juliet and Richard III. The troupe described here are not rogues and they do know their lines.

Miller writes:

Jason Young, co-founder of West Virginia’s only touring Shakespeare troupe, rejects the notion that his group, the Rustic Mechanicals, might be playing the role of savior bringing culture to small-town rubes. 

In his view, the Bard already belongs to rural America, because he, as a small-town West Virginian, belongs to rural America. 

“We do this because we are the hicks who happen to know Shakespeare, and we’re making an investment in our home,” he said.

Reports of Rust Belt decline often focus on the shrinking paycheck, but the dispossession is also cultural. When a factory closes, a town loses a thousand people who could pay ten bucks to see a concert or show. Art follows the money. It’s a kind of poverty that most journalism about economic and economic geography struggles to capture. 

That’s why Young’s work is so important. The Bridgeport, West Virginia-based director and actor is busy rehearsing and in 2022 will lead his troupe of 10 or so actors on a 60-date tour of West Virginia and surrounding states. Starting in April, they’ll perform — incredibly — five different plays: Much Ado About Nothing, Macbeth, Midsummer Night’s Dream, Romeo and Juliet, and Love Labor’s Lost. The venture is funded by fees from schools and theaters, and grant money.

The troupe is still organizing bookings and ironing out their schedule, and all details will be available on their Facebook page. 

Each play will be cut down to 90 minutes and performed with simple costumes and modern music. 

Young founded the troupe, named after rambling actors in A Midsummer Night’s Dream, with West Virginia actor Celi Oliveto in 2014. Young, who was born in West Virginia’s southern coalfields, where his dad worked as a mine health and safety inspector, had been teaching high school drama for six years and was tired, he told me, of “churning out musicals so parents could clap for their kid while he’s dressed as a Dalmatian.”

The new gang started in 2014 with a seven-person production of A Midsummer Night’s Dream that toured four venues, including an amphitheater attached to a Baptist church. 

A former student who all’s him/herself “ArtTeacher” left the following moving tribute to our beloved friend and frequent contributor Dr. Laura Chapman. I wonder if she knew how many lives she influenced, how admired and respected she was? I learned from everything she wrote here.

ArtTeacher wrote:

I was an art education student of Dr. Chapman and her life partner, Patricia Renick from 1974-78 at the University of Cincinnati. We called Patricia “Pat,” and she was vivacious, loving, and upbeat. Her nickname was “Mother Art.” Even as adults, my classmates and I had difficulty dropping the “Dr.” because we held Laura in such high esteem.

I was the first Art Education major to graduate summa cum laude from the school of Design, Architecture and Art, and I still have her letter of recommendation that described me as one of the “brightest and best.” I felt as if I had failed them both when I quit teaching after being RIFed from 2 schools in 3 years.

In 2000 when I became an art teacher again, NCLB was in full force in Ohio, and I boldly phoned her to meet and catch up on current education trends. She laughed when I told her how she struck fear in our undergraduate hearts if we showed up unprepared for her class. She was interested in hearing that two of my 8th graders filled in their scan-tron sheets to create a smiley face and a penis. When I asked what on earth they were doing, one of them said that he was only there so he could attend the dance that Friday. “I happen to know this test doesn’t affect my GPA,” he told me, pointing a finger at my face, “It affects YOU, and I don’t care about you. You can make me come to school, but you can’t make me try.” I told Laura that surely the principals and superintendents would protest the obvious flaws in forcing a school in a rural, low-income area to improve scores on such a test each year, when students’ home lives were such a struggle. The next year I was hired by a surburban elementary school to teach art to over 600 fourth graders, many of whom became physically ill on testing days because they wanted so much to do well, the opposite of the other school.

In 2012 she sent an email asking me to describe how I’m evaluated, how many students I taught, budget, schedules, etc. for a research paper. She said, “The evaluation of teachers by standardized test scores and principal observations is going in the direction that hit the teacher at Oyler (a public school in a low-income area near U.C.). In fact, more standardized tests are in the works and scheduled for administration in 2014, grades 3-12, as a condition for schools receiving federal funds from the ESEA. New state mandates are getting on the books regardless of the governor’s political affiliation. Since 2009, Bill Gates who thinks he is qualified as an expert on education, had been funding many projects that converge on more data gathering and sruveillance of teachers and the overall performance of schools.” So you can see that even as a retired professor, Laura was right on top of everything that was happening, who was doing it, and why.

I started meeting her for breakfast every month or so, to fill her in on what was new at school, and she explained the agenda behind it all, and warn me about was was coming next. I used to awaken in the wee hours with the chlling thought that it was like the plot of a bad sci fi movie, where there seemed no way to effectively fight the evil forces that had taken over. I joined BATs about a month after it began, full of hope that all we had to do was reveal what we knew was going on, and our communities (and unions) would shut it right down. I had even greater hope listening live to the first NPE convention from my home as I prepared art lessons. I remember our union presidents promising Diane to stop accepting Gates’ money, then reneging on that promise three days later.

In 2014 Laura gave a lengthy slide presentation at the Ohio Art Education convention that was titled “The Circular Reasoning Theory of School Reform: Why it is Wrong,” explaining in part why SLOs and VAM were invalid measurements of learning. It was, as you can imagine, annotated like a Master’s Thesis. Her voice was weak because was suffering from COPD and recovering from a cold, but her presentation had an enormous impact. Immeditately afterward we art teachers attended a workshop by the Ohio Dept. of Education intended to train us to write SLOs for our K-12 art students. We nearly rioted. Yet, the following school year, I had to give a test to my fourth graders the first day of school over a list of art vocabulary words I was certain they would not already know. At the end of the year, I tested them on the same 15 words, and nearly every one of 850 students passed with flying colors. Yet most were upset to see their low scores from the beginning of the year. “I can’t believe I was that stupid,” one girl said. I told her that I had to show that she learned something from me, so she was supposed to fail the test the first time. “WHY would you DO that to us?” she gasped. Now we have opted for shared attribution, where 50% of my evaluattion as an art teacher is based on 4th grade math and reading scores.

My students look forward to art class, and I have lost no enthusiasm for teaching them. This is my 20th year at my school, and every year I have something new to try, something marvelous to experience with my students. I rarely miss a single day of teaching. My way of fighting back is to absolutely refuse to let anything dampen my love for teaching art. I actually feel lucky to be an insider during these years, to see and know that even with the most misguided of mandates, my colleagues and I show up every day for the children who come through our doors.

The last time I saw Laura was in late February 2020 when it was becoming obvious that teaching in a building with 2400 fourth, fifth and sixth grade students was putting me at risk for contracting COVID, and that our Saturday breakfasts must stop to protect Laura’s health. I held my breath and hugged her. My school shut down mid-March, and I was allowed to teach online from home last year — to about 900 students in grades 1-4. I sent long emails describing what that was like, and she was fascinated by my reports. She said she was picking up groceries, staying in her condo, and of course, continuing her research and advocacy. In the spring I asked if we could get together again, and although she didn’t say no, she closed by wishing me and my famliy good health and happy lives. I knew that it was her way of saying good-bye.

Laura H. Chapman was a devoted supporter of public education, the Network for Public Education, and this blog. I was honored to post her carefully researched and well documented comments on this blog. Although her health clearly was in decline, she faithfully attended every annual meeting of NPE.

Laura was a distinguished arts educator. Please read her obituary in The Cincinnati Enquirer. We have lost a treasured friend.

Laura shared my dislike of billionaire reformers who didn’t know much about education but imagined they could solve its problems with Big Data. She was opposed to privatization of public funds. She opposed the substitution of technology for real teachers. She was a fierce and eloquent supporter of a rounded liberal arts education. she never failed to inspire me with her wisdom.

Robin Lithgow was in charge of arts in the public schools of Los Angeles. She writes frequently about the arts in schools.

She writes:

Pleased to announce!

Now that the pandemic is subsiding and schools are reopening, I’m moving forward with the publication of my book. The working title now is Learning the Way Shakespeare Learned: Classroom Dramatics, Physical Rhetoric, and a Generation of Genius. I’m working with Susan Shankin, the publisher of Precocity Press, and the book will be illustrated by my brother. We hope to have it out by the fall.

In the meantime, I’d like to feature some of the truly amazing drama teachers I’ve worked with over the course of my career. I have a deep and abiding love for them all. They teach so much more than drama. Just as drama is an art form that incorporates all other art forms, teachers of drama incorporate everything that every student brings to the class.

To get us going, here is “Jenny, Drama Teacher” from Zadie Smith’s IntimationsThe book is her profound and insightful reflection on the pandemic, definitely worth the read in its entirety, but what I want to share here is from her appendix: “Debts and Lessons.” There she credits 26 individuals with escorting her on her voyage into wisdom, with a brief and lovely homage to each one.

(I’ve loved reading Zadie Smith ever since my mom handed me a copy of White Teeth some twenty-five years ago and I read a book that exploded in my mind. I couldn’t fathom that an author so young could produce such an epic! Presumably her experience with Jenny was a spark for her genius.)

13. Jenny, Drama Teacher

A task is in front of you. It is not as glorious as you had imagined or hoped. (In this case, it is not the West End, it is not Broadway, it is a small black box stapled to an ugly comprehensive school.) But it is a task in front of you. Delight in it. The more absurd and tiny it is, the more care and dedication it deserves. Large, sensible projects require far less belief. People who dedicate themselves to unimportant things will sometimes be blind to the formal borders that are placed around the important world. They might see teenagers as people. They will make themselves absurd to the important world. Mistakes will be made. Appropriate measures will be pursued. The border between the important and the unimportant will be painfully reestablished. But the magic to be found in the black box will never be forgotten by any who entered it.