Archives for category: Media

The only Democrat on the board of the FCC (Federal Communications Corporation) wants to know why two of the major sources of news in the U.S.–CBS and CNN–are likely to have major investors from foreign sources.

Status, a first-rate site for coverage of media, describes the situation;

Ellison’s Sovereign Scrutiny: The lone Democrat on the FCC is pushing back on what looks like a fast-tracked blessing for one of the biggest media deals in history.

Commissioner Anna Gomez on Tuesday demanded a rigorous national security review of the foreign money flowing into David Ellison’s takeover of Warner Bros. Discovery, a merger that would reshape Hollywood and fuse CBS News with CNN. Paramount recently revealed that 49.5% of the combined company will be owned by foreign investors—including Saudi Arabia, Qatar, and Abu Dhabi—if the deal gets a green light. 

► “The American public deserves to know who owns the airwaves that carry their news,” Gomez said. “I am alarmed by what appears to be an effort to rubber stamp a financial structure that places nearly half of one of America’s largest broadcast and media companies into the hands of foreign governments with documented records of press suppression and a troubling willingness to silence journalists.”

In this post, Dr. Jeremy Faust interviews Dr. Joe Sachs, executive producer of the popular television series “The Pitt.” Both Dr. Faust and Dr. Sachs are emergency room physicians.

The show is an hour-by-hour depiction of life in an emergency room in Pittsburgh. Every hour brings new emergencies, new crises. The viewer sees doctors teaching resident doctors and making crucial decisions in an instant. If they make a mistake, the patient may die. Not every story has a happy ending.

As a viewer, you see patients who worry how they can afford the medical care; you see patients die; you see ICE agents bring in a woman who is injured, but whose very presence terrifies patients and staff. you see patients who are cooperative but also patients who are drunk and aggressive.

You see the staff acting and reacting in a situation that is always stressful. Some thrive on the stress. Others don’t.

This interview is really wonderful as an inside view about how the show was made. Many doctors and nurses are on set to make sure that their acting counterparts are doing what they would do. Every word in the script is reviewed by doctors.

Because I enjoy the program, I enjoyed the interview. I think you will too.

Imagine this: The multi-billionaire Ellison family, which recently bought CBS, is currently the winner of a bidding war for Warner Brothers Discovery, which includes CNN and other news and entertainment outlets. The total deal is worth $111 billion. The Ellisons won’t buy Warner Brothers Discovery on their own. Some $24 billion of the $111 billion deal will be advanced by three Middle Eastern states: Saudi Arabia, Qatar, and Abu Dhabi. Saudi Arabia is putting up $10 billion of the $24 billion.

The Ellisons say that these investors will have no role in corporate governance or policymakers. It’s possible, but can you imagine CBS or CNN airing a Frank documentary on women’s rights in Arabic nations?

Ellison’s Middle Eastern Money: It’s happening: David Ellison is set to take $24 billion in Middle Eastern money to fund his acquisition of Warner Bros. Discovery, raising a mountain of ethical and regulatory questions. The WSJ’s Jessica Toonkel and Lauren Thomas reported that about $10 billion will come from Saudi Arabia, an anti-free speech country with a long list of human rights abuses, including cracking down on independent journalism. Now the country will be part-owner of a giant U.S. media conglomerate with not only tremendous cultural influence, but which will own and control two newsrooms, CNN and CBS News. 

The funding, of course, has already raised concerns on Capitol Hill, where Democrats have demanded the Treasury Department conduct a thorough review of the transaction. Of course, given that the Treasury Department is under Donald Trump’s control, that is unlikely. But if Democrats win in November, they could drag Ellison in to testify—and Ellison will still need approval from the states and the European Union.

This afternoon, a federal judge in Washington, D.C., stopped work on Trump’s ballroom, saying it needs Congressional approval.

Federal Judge Richard Leon ruled against the ballroom, saying Trump’s lawyers made “brazen” claims. Among them, that completing the ballroom was a matter of national security. If completed, the ballroom will be more than double the size of the White House.

The New York Times wrote:

A federal judge ordered a halt to construction of President Donald Trump’s White House ballroom, ruling that Trump lacks authority to fund the estimated $400 million project through private donations.

U.S. District Judge Richard Leon disagreed with the Trump administration’s argument that the president has broad authority to make changes to the White House, including on the scale of a $400 million, 90,000-square-foot ballroom.

“The President of the United States is the steward of the White House for future generations of First Families. He is not, however, the owner!” Leon wrote in a 35-page ruling issued Tuesday afternoon. He said that “no statute comes close to giving the President the authority he claims to have.”

Leon also wrote that Trump must identify a law that allowed him to demolish the White House’s East Wing annex last year without congressional approval.

Judge Leon was appointed by President George W. Bush in 2002.

In a 35-page opinion, Judge Leon wrote that Mr. Trump likely did not have the authority to act on his own, without consulting Congress, to replace entire sections of the White House — changes that could endure for generations.

He also reiterated concerns he had raised for months in court: that from the start, the administration has provided shifting and questionable accounts of who was in charge of the project and under what authority private donations could be accepted to fund it.

“Unless and until Congress blesses this project through statutory authorization, construction has to stop!” he wrote. “But here is the good news. It is not too late for Congress to authorize the continued construction of the ballroom project.”

Judge Leon wrote that if the White House sought congressional approval, the legislature would “retain its authority over the nation’s property and its oversight over the government’s spending.”

“The National Trust’s interests in a constitutional and lawful process will be vindicated,” he added. “And the American people will benefit from the branches of Government exercising their constitutionally prescribed roles.”

“Not a bad outcome, that!” he concluded.

The decision suggested that Judge Leon was satisfied that the National Trust for Historic Preservation, a nonprofit chartered by Congress to guard America’s historic buildings which had sued over the project, had put together a workable challenge following several misfires.

In another federal court, the Trump administration’s executive order canceling the funding for NPR and PBS were ruled unconstitutional by federal judge Randolph Moss, who was appointed by President Barack Obama in 2014.

The New York Times reported:

A federal judge ruled on Tuesday that President Trump’s executive order barring the federal funding of NPR and PBS violated the First Amendment.

Randolph Moss, a judge in the U.S. District Court for the District of Columbia, said in his ruling that Mr. Trump’s order, signed last May, was unlawful because it instructed federal agencies to refrain from funding NPR and PBS because the president believed their news coverage had a liberal viewpoint.

“The message is clear: NPR and PBS need not apply for any federal benefit because the President disapproves of their ‘left-wing’ coverage of the news,” Judge Moss wrote. But the First Amendment, he said, “does not tolerate viewpoint discrimination and retaliation of this type.”

The ruling will likely have minimal effect on the federal funding of public media. Two months after the executive order, Congress voted to claw back roughly $500 million in annual funding for the Corporation for Public Broadcasting, the organization that distributes federal money to NPR and PBS. The Corporation for Public Broadcasting has since shut down, and public radio and TV stations across the country have sought alternate forms of revenue…

In his opinion, Judge Moss wrote that the executive order and other public statements from the White House criticizing NPR reporting, including about Russia’s attempt to interfere in the 2016 U.S. presidential election, “targets a disfavored viewpoint.”

“It is difficult to conceive of clearer evidence that a government action is targeted at viewpoints that the president does not like and seeks to squelch,” Judge Moss wrote

If I read this correctly, the money is gone. It probably was shifted to the military, where it is a drop in the bucket.

The Trump FCC has no objection to media consolidation under rightwing auspices. But it does not like media where critical thinking and debate are encouraged.

Senator Bernie Sanders of Vermont posted this message on social media:

@BernieSanders •

One family, the right-wing Trump-aligned Ellisons, will soon control:

TikTok

CBS

CNN

HBO

Discovery Channel

BET

Cartoon Network

Comedy Central

DC Studios

Fandango

Miramax

MTV

Nickelodeon

Paramount

Pluto TV

Showtime

TBS

The CW

TNT

Warner Bros.

And more

This is oligarchy.

•

The Pitt is an award-winning series on cable about daily life in an emergency room in Pittsburgh. Each episode represents the traumas and rhythm of one hour in one day. It’s gripping and sometimes so gory in its realism that I divert my eyes.

Two articles recently gave the program the highest praise. One, which appeared in Fortune, said that The Pitt exemplifies DEI in action and demonstrates how it saves lives. Patients in extremis often need someone who looks like them to communicate candidly.

But race, color, ethnicity, gender are beside the point. What matters most is saving lives, expressing empathy for people who are in pain and often terrified.

The cast is white, Black, Indian, Hispanic, Filipino, Christian, Jewish, Muslim, male, female, and even includes a staff member in a wheelchair. It is the quintessence of DEI, and none of it is frivolous. It’s just who they are: trained doctors, nurses, psychologists, social workers: people who have chosen to work in a high-pressure emergency room.

The article in Fortune by Robert Raben reminds us of why DEI is valuable.

As diversity, equity, and inclusion programs are under relentless attack, HBO’s medical drama The Pitt offers a masterclass in what DEI truly looks like when these values are woven into the fabric of an institution and put into practice. And how DEI benefits all of us.

There is nothing artificial about “The Pitt.” It is a gripping drama of everyday life in an urban emergency room.

Frank Bruni writes in The New York Times that The Pitt is the most patriotic show on television.

“It’s an empathy exam. It’s a civics lesson. Above all, it’s a study of people under intense pressure — as they are when a pulse is fading, or when a nation is fraying — and the importance of muddling through and making things better, no matter the odds, no matter the obstacles…”

It makes an argument for diversity that’s smart and true, looking beyond the usual dividing lines — race, religion, gender — to less politically charged differences. A brand-new doctor who grew up on a farm in rural America draws on a sensibility that peers lack. A medical student suggests a way to lessen an uninsured patient’s financial distress that her co-workers didn’t think of. It occurred to her not because she’s Asian American but because she grew up in a family with limited means and daunting medical bills, so she was schooled in impediments and options…

There’s a war in America between erudition and improvisation, science and superstition, head and heart. The Pitt might be expected to come down unconditionally on the side of expertise. But it doesn’t, not exactly. While it routinely and rightly exalts medicine’s wondrous advances, it also suggests that experts can be hidebound, timid. And it understands that the wiring of people and of societies demands room for both proper procedure and imagination. 

One of the great things about The Pitt is that the executive producer–Dr. Joe Sachs– is an emergency room doctor who also has a degree in cinema. Every episode is overseen by medical specialists and expert nurses. Every word, every procedure is medically accurate.

One of the shocking actions of Trump’s first year of his second term was his decision to shutter the widely respected Voice of America. Not only were almost all employees laid off, but the leadership of the government agency was put in the hands of MAGA zealot Kari Lake. Lake ran for governor and senator in Arizona, losing both races.

Scott Nover of The Washington Post reported:

Voice of America employees have spent a full year on paid administrative leave while President Donald Trump’s administration has tried to shrink the international broadcaster to its “statutory minimum.” That extended absence is coming to an end.

A federal judge ruled Tuesday that the wind-down of operations at the U.S. Agency for Global Media, VOA’s parent, is unlawful and ordered the agency to bring more than 1,000 employees back to work.

U.S. District Judge Royce C. Lamberth ruled that the near-total shutdown of USAGM, which oversees VOA and funds several international broadcasters such as Radio Free Asia, violated federal administrative law. He ordered the full-time employees to return to work by March 23 and told the agency to resume international broadcasting, which it has mostly abandoned during the past year — save for some airing in languages such as Farsi.

Lamberth, a Ronald Reagan appointee, criticized the government’s “flagrant and nearly year-long refusal” to uphold statutory requirements set by Congress and lambasted Kari Lake, the Trump official who oversaw the dismantling of the agency. Lamberth recently ruled that Lake has been running the agency illegally. “The defendants’ persistent omission and withholding of key information in this case has been a Hallmark production in bad faith,” he wrote of Lake and the government in a footnote.

Brendan Carr, selected as chairman of the Federal Communications Conmission, threatened to revoke the licenses of stations that were too negative in their coverage of the war in Iran.

Ann Telnaes was an editorial cartoonist for The Washington Post. She drew a cartoon showing billionaires bowing down to Trump. One of them was Jeff Bezos, owner of the Post. Her editor wouldn’t publish her cartoon. She resigned.

She now has her own blog on Substack where she is never censored.

It’s not the public interest Carr cares about

The FCC Chairman wants to make the boss happy

ANN TELNAES

Trump wants propaganda, not news coverage of his war and FCC Chairman Brendan Carr is making threats to get it. 

One of Trump’s most puzzling decisions last year was shutting down the Voice of America. It had 360 million listeners every week around the world and was widely respected as a source of news, not propaganda.

Trump put Kari Lake in charge of VOA’s parent agency, the U.S. Agency for Global Media, will appeal the decision. Her assignment was to close down VOA and turn whatever remained open into a Trump propaganda machine. Lake is an election denier and failed candidate from Arizona.

Judge Royce Lamberth, a Reagan appointee, said that she was serving illegally because she had never been confirmed by the U.S. Senate and voided her decisions.

Some 1,000 journalists and staff are expected to return to their jobs if she loses on appeal.

The shutdown of VOA was the first salvo in Trump’s ongoing efforts to gain control of the media.

The New York Times reported:

In his ruling, Judge Lamberth called Mr. Trump’s decision to have Ms. Lake lead the global media agency without Senate confirmation or appropriate procedures required for an acting head “violence to the statutory and constitutional scheme.”

The judge found that Ms. Lake’s appointment violated the law that determines who can serve as an acting head of an agency whose permanent leader would require Senate confirmation. The law, the Vacancies Act, requires that an acting head must be the second senior officer of an agency, be appointed by the president with the Senate’s consent or be a senior officer who had been at the agency before a vacancy arose.

Judge Lamberth found that Ms. Lake did not satisfy those conditions.

Ms. Lake claimed that she had not assumed the official title of the acting chief executive of the media agency, but rather, that the authority of its chief executive position had been delegated to her. That allowed her to exercise sweeping power over layoffs, funding cuts and contract terminations at the news agency, she said.

But the judge rejected her argument, writing that “allowing the president to circumvent Congress’s carefully crafted limitations” through delegations would violate the spirit of the Constitution.

A very interesting blog called Status covers the media. It usually has the inside scoop on what’s going on behind the scenes, which journalists are seeing or leaving, what’s happening inside the major corporations.

In this post, Status explains how difficult it is to cover the war in Iran. The regime does not admit journalists. CNN is trying to provide coverage, as is The New York Times, but its reporters are not in Iran. The Washington Post is suffering from self/-influcted wounds because just a few weeks ago, Jeff Bezos eliminated his foreign correspondents in a cost-cutting move. Really smart for a guy with a net worth of $250 billion.

Natalie Korach wrote for Status:

As U.S. and Israeli forces launch deadly strikes on Iran, the inherent challenges of covering the country are exacerbated by recent newsroom cuts, social media distortion, and a White House prone to telling lies. When the U.S. invaded Iraq in 2003, Americans watched the war unfold through footage captured by journalists embedded with troops across the region. Two decades later, when Russia invaded Ukraine, foreign correspondents from U.S.-based networks raced to Kyiv and other areas of conflict, broadcasting live as missiles struck Ukrainian territory. But when the United States and Israellaunched strikes on Iran over the weekend, there were few, if any, Western journalists in the country to document the damage firsthand. 

In a nation largely closed to Western media and with broadly limited internet access, the conflict is unfolding as something of an information black box, forcing news organizations to cover one of the most consequential military escalations in years largely from the outside. Adding to the challenge: Whether they can trust pronouncements coming from a Trump administration that has exhibited few compunctions about lying, from the president on down; and the degradation of social media, especially X, which is no longer a reliable source of information in breaking news situations. 

Major television news networks and newspapers tasked with covering the war are having to piece together events from government statements, grainy videos circulating online, and reports from Iranian state media. In an era where many news organizations have been forced to scale back foreign bureaus and reporting resources—most notably the recent and devastating cuts at The Washington Post—the conflict is quickly becoming a test for media, exacerbated by the fact that Iran remains one of the most difficult places on earth for journalists to operate safely. 

The geographic spread of the reporting team at CNN, the U.S. network with arguably the most foreign reporting resources, illustrates the challenge. The network has reporters fanned out across the region—Erin Burnett, Nick Paton Walsh, and Jeremy Diamond in Tel Aviv, Nic Robertson in Riyadh, Becky Anderson in Abu Dhabi, Paula Hancocks in Dubai, and Clarissa Ward reporting from Erbil in northern Iraq. Elsewhere across cable news, Fox News had Trey Yingst reporting live from Tel Aviv, Nate Foy on the ground in Cyprus, and Lucas Tomlinson in Istanbul. But none appeared to be inside Iran as of Sunday afternoon. 

The New York Times is similarly mobilizing its global newsroom to cover the unfolding conflict. A spokesperson for the paper told Status that “hundreds of journalists from across The Times’ global newsroom–in New York, Washington, London, Seoul and a large and growing reporting team on the ground in the region–have been coming together to produce comprehensive coverage of every aspect of this military action.” 

But few news organizations still possess the global infrastructure to support half a dozen or more reporters monitoring the situation on the ground in neighboring countries. Years of budget cuts have thinned the ranks of foreign correspondents in the region across the industry. At The Post, recent layoffs hit international coverage particularly hard, with the paper’s entire Middle East desk laid off. In January, Post reporter Yeganeh Torbati, who had been covering Iran, publicly appealed to owner Jeff Bezos on social media alongside colleagues, noting that she had spent months covering developments inside the country and wanted to continue the work. The appeals to Bezos to save the foreign reporting staff went unheeded. 

“If I were The Washington Post right now, I’d still want international journalists,” Ian Bremmer wrote on social media, where many experts called attention to the terrible timing of The Post’s retrenchment during this moment of crisis abroad. Spokespersons for The Post did not respond to requests for comment, but the paper’s rolling coverage of the conflict dominated its homepage all weekend.