Archives for category: Freedom of the Press

Jennifer Rubin explains why she gave up her column at The Washington Post, previously one of the most prestigious positions in American journalism. Billionaire Jeff Bezos, one of the richest men in the world, with assets exceeding $200 billion, has bent his knee to kiss the ring of Trump. To stay in Trump’s good graces, he has censored the editorial board, even an editorial cartoonist. The Post is hemorrhaging great journalists. Bezos bought one of the nation’s greatest newspapers and is destroying it.

She writes today:

Corporate and billionaire owners of major media outlets have betrayed their audiences’ loyalty and sabotaged journalism’s sacred mission — defending, protecting and advancing democracy.

The Washington Post’s billionaire owner and enlisted management are among the offenders. They have undercut the values central to The Post’s mission and that of all journalism: integrity, courage, and independence. I cannot justify remaining at The Post. Jeff Bezos and his fellow billionaires accommodate and enable the most acute threat to American democracy—Donald Trump—at a time when a vibrant free press is more essential than ever to our democracy’s survival and capacity to thrive.

I therefore have resigned from The Post, effective today. In doing so, I join a throng of veteran journalists so distressed over The Post’s management they felt compelled to resign.

The decay and compromised principles of corporate and billionaire-owned media underscore the urgent need for alternatives. Americans are eager for innovative and independent journalism that offers lively, unflinching coverage free from cant, conflicts of interest and moral equivocation.

Which is why I am so thrilled to simultaneously announce this new outlet, The Contrarian: Not Owned by Anybody. The Contrarian will offer daily columns, weekly features, podcasts and social media from me and fellow pro-democracy contrarians, many of whom have decamped from corporate media, others who were never a part of it. I am launching this endeavor with my cofounder, Norm Eisen. Founding contributors will include Joyce Vance, Andy Borowitz, Laurence Tribe, Katie Phang, George Conway, Olivia Julianna, Harry Litman (who recently resigned from the LA Times for reasons similar to mine for leaving the Post), and Asha Rangappa, among many other brilliant voices. We will provide fearless and distinctive reported opinion and cultural commentary without phony balance, euphemisms or gamified political punditry.

The need for upstart outlets has never been more acute. The contradiction between, on the one hand, the journalistic obligation to hold the powerful accountable and, on the other, the financial interests of billionaire moguls and corporate conglomerates could not be starker.

The Post’s own headline last month warned: “Trump signals plans to use all levers of power against the media; Press freedom advocates say they fear that the second Trump administration will ramp up pressure on journalists, in keeping with the president-elect’s combative rhetoric.” And yet The Post’s owner quashed a presidential endorsement for Trump’s opponent, forked over $1M for Trump’s inauguration through Amazon, and publicly lauded Trump’s agenda.

None of us could imagine Katharine Graham sending LBJ or Nixon a $1M check. It would have been, as it is now, a fundamental betrayal of a great American newspaper. Defense of the First Amendment is incompatible with funding or cheerleading for the very person who seeks to “drastically undermine the institutions tasked with reporting on his coming administration.”

The Post’s downfall is hardly unique. ABC, Mark Zuckerberg’s Meta and corporate-owned cable TV networks (which have scrambled to enlist Trump-friendly voices) are catering to powerful interests, and have profound corporate conflicts. Instead of guarding their independence, they join financial leaders, politicians and other public figures currying favor with Trump and his orbit.

Through classic anticipatory obedience—a dangerous but all too familiar pattern—they normalize the authoritarian menace. If Trump has taken “attacks on the press to an entirely new level, softening the ground for an erosion of robust press freedom,” as The Post reported, it is because he finds insufficient resistance. Instead, owners whose outlets he targets quite literally rewarded him.

In closing, I want to reiterate that I have been honored to work for over fourteen years alongside the finest writers and editors in journalism. Above all, I was blessed to work for The Post under the Graham Family ownership and Fred Hiatt’s leadership of the editorial section. My admiration for their collective integrity, dedication to craft, courage, patriotism, and decency is boundless. But when new leaders sully the reputation of institutions entrusted to them and the fate of democracy is in the balance, we all must reevaluate our careers and our obligations to the world’s most essential nation.

History calls us all.

I treasure the readers who have stuck with me over the years. I invite them and all those interested in defeating authoritarianism as well as writers and content creators to join this exciting new venture in defense of democracy. Forward!

David Shipley, editor of the Washington Post editorial page, took responsibility for spiking the cartoon by Ann Telnaes, an act that touched off a firestorm of controversy.

The cartoon showed several billionaires, including Jeff Bezos, paying homage to Trump.

Shipley stopped publication because, he said, the cartoon was repetitious of articles on the same subject.

Telnaes announced her resignation in a sharply worded piece on Substack.

Shipley sent the following letter to staff at the Post. By now, they must be deeply demoralized, given Bezos’ intervention to block the editorial board’s endorsement of Kamala Harris., his gift of $1 million to Trump for his inauguration, and the Amazon payment of $40 million to Trump for the license to the life story of Melania, produced by Melania. Bezos owns Amazon.

Shipley wrote:

Dear DOO,

It’s been nearly a week since Ann Telnaes resigned. I’ve been gathering my thoughts in that time and there are a few things I’d like to share. Given the depth of the response, and some of the assumptions that have been made, I hope you’ll read to the end.

Let me start with the basics.

Our owner, in his own words, is a “complexifier.” Jeff supports a news organization while having significant interests (and work) elsewhere. His support allows The Post to exist and produce excellent, independent journalism; it also means that editorial decisions can be viewed by the outside world through the prism of his ownership.

My decision not to run a cartoon by Ann in which Jeff was depicted is being viewed through this prism. I believe I made a sound editorial decision. Ann felt otherwise. She offered her interpretation. I’d like to offer mine.

First, I decided not to run the cartoon because it was repetitive. When I learned of Ann’s piece, we had just published a column on billionaire visits to Trump (with a clear mention of our owner) and we had a satire piece on the same topic underway (also with a clear reference to our owner). Yet another piece in the span of a few days struck me as overkill.

This is a subjective judgment, but it is a subjective judgment in sync with a longstanding approach. In my time here, we have focused on reducing the number of articles we publish on a given topic and from the same point of view within a given time frame – all as a way to improve the overall quality and variety of our report.

To that same end, I did not feel the cartoon was strong. Could it have been made better? Possibly. In fact, we’d recently worked with Ann on a cartoon that had gone through edits and was published after she and editors had finished working together.

In this regard, I regret that we did not have the opportunity to revisit this possibility. In what (unfortunately) turned out to be my final conversation with Ann last Friday afternoon, it was my understanding that she and I had agreed to take the weekend to consider options and that we would speak on Monday. I respect Ann’s work and was actively considering her suggestions bar one – the idea that we add language to her contract restricting editing – when she put out her Substack on Friday night, closing the door on any possibility of further discussion.

The decisions on redundancy and quality were both judgments on my part. I stand by them. At no point did I discuss any of this with Will Lewis or Jeff Bezos. This was my call.

Now let me share a couple broader thoughts. Do I pay extra attention if Jeff is in a column or a cartoon or the subject of a story? Of course I do. Does this prevent us from commenting on him? No. Look at the record. The two other pieces we ran – pieces I saw and was aware of – should dispel that bit of mythology. Do we allow dissent? Yes. Erik Wemple published a chat taking issue with my actions. Letters to the editor will do the same. If you have additional doubts, look at our published response to the decision not to run a presidential endorsement. If the work is good, if it is relevant, if it advances the story, we’ll publish it. This is my prism.

My job is a balancing act. Was I extra careful here? Sure. It’s obviously true that we have published other pieces that are redundant and duplicative. We have also published things that others judged strong and effective, and I did not. So, yes, scrutiny is on high when it comes to our owner.

But this extra scrutiny has a purpose. I am trying to ensure the overall independence of our report. Though we have a “complexifying” owner, I will not use that as a reason to exempt him from the evenhandedness we ought to extend to any public figure (an evenhandedness other news organizations extend to their owners). Nor will coverage of him be an exception to our strategic turn toward heightened curation and diminished repetition. By exercising care, we preserve the ability to do what we are in business to do: To speak forthrightly and without fear about things that matter.

I know many of you are concerned that we might be wavering in this regard. I get that concern, but I don’t think it’s true. I believe that The Post’s business success depends on its integrity and its independence. These things cannot be separated. If you don’t have them, you don’t have a business – nor are you adhering to the mission that this newspaper has always held dear. As the person responsible for this department, I am guided by this belief. And if I believe we can’t act on it any longer, I will share that feeling with you and act accordingly. But that’s not what’s happening now.

America and the world are entering a complicated moment. It’s one in which honesty, clarity of thought, fair-mindedness and courage will be required. These are the values that will guide our coverage – and my judgments. This is who we are, and it’s my belief that our work shows it.

D.

P.S. Many of you have already shared your (varied) views on the situation; please know that my door is always open to discuss decisions. I want to hear your thoughts about how we do what we do.

Dan Rather, the fearless reporter for “60 Mibutes,” now retired, writes about Jeff Bezos’ ham-handed interference with the editorial independence of The Washington Post. The moral of the story is that newspapers should not be owned by billionaires with other financial interests, especially those who need a good relationship with the President, like Bezos. Why should Bezos cut staff because the Post is losing money? His net worth is more than $200 billion. Why destroy one of the nation’s greatest newspapers to recoup $77 million in losses? That’s chump change for Bezos.

When a journalistic institution is the one making headlines, it’s rarely good news. Such is the case for a revered American newspaper, The Washington Post. A mothership of American journalism, whose reporters helped topple an American president and inspired generations of young reporters, is listing and taking on water.

As Donald Trump and his army of “alternate” truth-tellers get ready to take the reins of government again, the country desperately needs the best and brightest journalists watching and reporting on their every move. And yet we wake to news that the Post is expected to lay off dozens more staffers the very month Trump returns to power.

The 147-year-old newspaper is apparently bleeding money, a problem of its own making. When billionaire Post owner Jeff Bezos pulled the newspaper’s endorsement of Kamala Harris just days before the election, a reported 250,000 readers cancelled their subscriptions in protest. That accounts for 10% of the paper’s online audience.

“I just cancelled my Washington Post subscription. The web site asked why, and the closest option was ‘concern with the content.’ There was no option about surrendering to fascism, but that’s the real reason,” a former subscriber posted on X.

For Bezos, founder of Amazon, the Post’s financial losses are peanuts considering his $200 billion plus net worth. But his love of the paper and his passion for quality journalism seem to be shrinking.

Back in 2013, when Bezos bought the Post from the family of venerated publisher Katharine Graham, he said he wanted to transform it from a regional newspaper to a global one. He provided money — big money — to expand the newsroom and encouraged reporters to extend their reach by embracing the “gifts of the internet.”

Over the ensuing decade, his interest in the paper ebbed and flowed, but he mostly stayed out of the editorial decision-making. Then he pulled the Harris endorsement causing an exodus of top editors, opinion writers, and reporters.

But Bezos wasn’t done burnishing his rep with the former president. After the election, he pledged $1 million to help pay for Trump’s inauguration and agreed to stream it live on Amazon Prime (an additional $1 million in-kind contribution). Just before Christmas, he was seen at Mar-a-Lago, kissing the ring with fellow super-rich guy Elon Musk. And he has green-lit a documentary about Melania Trump to air on Prime. I’m guessing it will be what’s known in the trade as a “sweetheart profile.”

While it isn’t great that the owner of one of the most important papers in the country is cozying up to an incoming president who says he will be a dictator on “day one,” Bezos’s actions aren’t surprising. He didn’t become a billionaire by being selfless.

But on Friday, things took another turn at the Post. Pulitzer Prize-winning editorial cartoonist Ann Telnaes quit in protest after a cartoon of hers was killed.

In a piece she published on Substack, Telnaes explained that “there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press…”

Since 2005, a third of newspapers in the United States have folded, and two-thirds of newspaper reporters are gone. On an Axios podcast, Victor Pickard, a professor of media policy and political economy at the University of Pennsylvania, explained that “We no longer have a commercial market that can support the levels of journalism that democracy requires.”

Another model needs to be found, and fast. We’ve learned the hard way that benevolent billionaires aren’t going to rescue American journalism. Smarter people than I are working on ways to do just that … an important topic for another Steady down the road.

In the meantime, fingers crossed. As I have said over the years and repeat now for emphasis: A free and independent — fiercely independent when necessary — press is the red beating heart of democracy.

Another editorial cartoonist, Darrin Bell, weighed in to compare the difference between the fearless media of the 1970s and the careful media today. And just as important, he compares how social media has changed the expectations of readers.

Bell writes:

Ann Telnaes is a brilliant, Pulitzer Prize-winning editorial cartoonist for the Washington Post, and I’m proud to know her. Yesterday, she posted to her Substack that after The Post rejected this rough sketch, she resigned in protest:

I’ve spoken on a couple panels about editorial cartooning alongside Ann Telnaes. The first one was at a 2017 (or was it 2016?) convention in Columbus Ohio. The second was years later at the University of Virginia. 

In 2017, I told that audience how I broke into the industry through perseverance, by making myself stand out, and by proving myself to opinion page editors and to the newspaper syndicates. I felt such pride in recounting that story. But in 2023, it hit differently. As I opened my mouth to speak to students who don’t remember a time before social media, suddenly I felt that this generation was more likely to interpret my “inspirational” tale as one of how I groveled for years before gatekeepers. 

The obsolete origin story

Instead, I told the UVA students that my origin story was now obsolete. It’s not a road map they should follow anymore. I advised them to avoid newspapers altogether and reach readers directly through services such as Substack. I surprised myself. I wasn’t sure why I said that.

So I kept talking, and discovered why as I spoke. I’d been harboring frustration that, until then, I’d managed to suppress. 

Before I was born, the Washington Post’s reporters (and their cartoonist, Herblock) led the coverage that brought down Richard Nixon. That’s when the right wing began playing a long game, with the goal of neutering the Media. By 2023, they’d convinced most Americans that pretty much any media not owned by right wing ideologues were just cogs in a liberal conspiracy machine. 

The press is the only industry the Constitution specifically protects. But when I spoke to those UVA students, I could not tell them that newspapers were fulfilling the function the Founders had intended them to fulfill. The Founders had a lot of lousy ideas, but enshrining the press as the main line of defense against creeping authoritarianism wasn’t one of them.

I’d won a Pulitzer a few years earlier for work attacking police brutality, Trump’s malevolence, and systemic racism. But by 2023, those themes had become a tough sell – even to newspapers that had kept a running tally of Donald Trump’s lies throughout his wretched presidency. Papers seemed to want something less strident. Something less opinionated, on the Opinionpages.

I didn’t know whether to consider that a function of fear, or to chalk it up to editors simply being tired of all the existential dread, who just wanted to lighten things up. I’m not sure the distinction matters, to me. All the President’s Men was my first inkling of what journalism was supposed to be. Paul Conrad’s LA Times editorial cartoons were brutal and brilliant, especially to a kid like me in the 1980s. 

David Shipley’s response

David Shipley, the Post’s editorial pages editor, disagreed with Ann’s interpretation of events. He told the New York Times “Not every editorial judgment is a reflection of a malign force…” and “My decision was guided by the fact that we had just published a column on the same topic as the cartoon and had already scheduled another column — this one a satire — for publication. The only bias was against repetition.”

I’ve seen my work run alongside columns that dealt with the same issues before. It’s common. And a satirical column is not a replacement for an editorial cartoon. I don’t believe David Shipley considered something I’ve always found to be the case: different readers read different things.Some stick to earnest columns. Some dive straight into satirical columns. But others – especially young people like I was in the 1980s – only open the opinion page for the editorial cartoons. Editorial cartoons are an introduction to journalism, for young people and for those whose eyes gloss over when they see paragraph after paragraph of prose. Covering the same matter with three different types of journalism is not redundant, it’s reach-out.

Open the link to finish reading this provocative essay.

Ann Tolnaes is a brilliant cartoonist who resigned from The Washington Post when her latest cartoon was cancelled. It depicted the media and tech oligarchs bowing and scraping to Trump, including the owner of The Washington Post, Jeff Bezos.

The editor of the opinion section said he killed the cartoon because the paper had run a story on the same topic, and the cartoon was repetitious. I found that hard to believe because cartoons typically comment on stories in the news; they don’t break news.

He also said she had been invited to return. We will see what happens. The whole episode was widely publicized and is a stain on the newspaper’s reputation, especially since Jeff Bezos intervened and canceled the paper’s endorsement of Kamala Harris in the closing days of the campaign.

For another telling of this important story, read the article by Mike Peterson in The Daily Cartoonist about the controversy and about Ann Tolnaes’s importance. He reprints several of her cartoons, explains how to order a book of her cartoons (bypassing Amazon), and suggests we show our support by subscribing to her Substack blog. I just subscribed.

Thanks to reader John Ogozalek for directing me to this insightful commentary.

Ann Telnaes, editorial cartoonist for the Washington Post since 2008, quit her job after one of her cartoons was censored by higher-ups. The cartoon at issue depicted tech and media billionaires paying obeisance and money to Donald Trump. The cartoon included portrayals of Mark Zuckerberg (META), Sam Altman (AI), Patrick Soon-Shiong (Los Angeles Times), and Jeff Bezos, owner of the Washington Post. And, of course, Disney, which settled with Trump for $15 million rather than defend George Stephanopoulos in court. Each has given Trump $1 million or more to underwrite his inauguration. If Telnaes had waited a day, she would have added Tim Cook, CEO of Apple, to her list of suck-ups and sycophants.

The motto of the Washington Post is: “Democracy dies in darkness.” Conservative (but anti-Trump) lawyer George Conway wrote on BlueSky:

I guess the new slogan for the Washington Post ought to be:

“Newspapers die in cowardice.”

Ann Telnaes’ resignation is an act of courage that should inspire all of us to stand by our principles.

Telnaes wrote about her decision to resign on her Substack blog:

I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump. There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner. 

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press.

(rough of cartoon killed)

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism. 

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this.

Dr. Patrick Soon-Shiong, the billionaire publisher of the Los Angeles Times, recently revealed that the newspaper would employ a technology that will tell “both sides” of every story. Journalists are outraged by the implication that their stories are biased. After the publisher’s decision to prohibit an endorsement in the Presidential race, the chief editor of the editorial board resigned, followed by others.

At that time, the published defended

The New York Times reported:

Dr. Patrick Soon-Shiong, the billionaire owner of The Los Angeles Times, said on Thursday that he planned to introduce a “bias meter” next to the paper’s news and opinion coverage as part of his campaign to overhaul the publication.

Dr. Soon-Shiong, who in October quashed a planned presidential endorsement for Vice President Kamala Harris from The Los Angeles Times’s editorial board, said in an interview that aired on Scott Jennings’s podcast “Flyover Country” that he had begun to see his newspaper as “an echo chamber and not a trusted source.”

He previously said he planned to remake the paper’s editorial board and add more conservative voices. He has asked Mr. Jennings, a CNN political commentator and a Republican strategist, to join it.

Dr. Soon-Shiong, who bought The Times in 2018, said on the podcast that he had been working with a team to create the so-called bias meter using technology he had been building in his health care businesses.

On news and opinion articles, “you have a bias meter so somebody could understand, as a reader, that the source of the article has some level of bias,” he explained in the interview. “And what we need to do is not have what we call confirmation bias, and then that story automatically — the reader can press a button and get both sides of that exact same story based on that story, and then give comments.”

He said he planned to introduce the tool in January.

Dr. Soon-Shiong’s latest comments set off immediate pushback from the L.A. Times Guild, which represents journalists at the paper.

“Recently, the newspaper’s owner has publicly suggested his staff harbors bias, without offering evidence or examples,” the union’s leadership said in a statement on Thursday. The union said all Times staff members abided by ethics guidelines that call for “fairness, precision, transparency, vigilance against bias and an earnest search to understand all sides of an issue.”

In the comments that followed the article, many ridiculed the idea of the “bias meter.” One imagined an article that reported on an earthquake rated 9.5, which said that people feared that the earthquake would cause massive destruction of lives and property; those seeking a different perspective would press the bias meter to read an article saying that most people were not afraid of a 9.5 earthquake and say it’s no big deal.

Margaret Sullivan is a veteran journalist who served as the last ombudsman for the New York Times. Her blog American Crisis is valuable for its support of a free press and for its criticism of newspapers that sanewash and normalize Trump.

She writes:

Many of Donald Trump’s choices for Cabinet posts and other positions in his new administration have appalled me. To hit some lowlights: RFK Jr. with his dangerous ideas about vaccines and his history of wildly inappropriate behavior; Tulsi Gabbard, whom Russian state TV is referring to as “girlfriend”; Brendan Carr, one of the authors of the authoritarian playbook known as Project 2025; pure loyalist Pam Bondi, as attorney general, replacing the even more inappropriate Matt Gaetz.

But none have shaken me as much quite as much as Kash Patel, whom Trump wants to name the director of the FBI. Before the election, I wrote in the Guardian about the high stakes for press rights. After reviewing what a foe of the press Trump was the first time around, I sounded the alarm, with a particular focus on Patel:

There is nothing to suggest that Trump would soften his approach in a second term. If anything, we can expect even more aggression. Consider what one of Trump’s most loyal lieutenants, Kash Patel, has said.

We’re going to come after the people in the media who lied about American citizens, who helped Joe Biden rig presidential elections,” Patel threatened during a podcast with Steve Bannon. “Whether it’s criminally or civilly, we’ll figure that out.”

If named FBI chief, Patel is sure to help bring Project 2025 into action. Again from the Guardian column: 

Under Project 2025, seizing journalists’ emails and phone records would get easier. The editorial independence of Voice of America would be sharply curtailed; in fact, the global organization might be shut down altogether. Former officials who talk to reporters would be punished. Funding for NPR, PBS and public broadcasting would dry up.

“A pretty grim picture,” was the conclusion of Joshua Benton of Harvard University after analyzing Project 2025 from the perspective of press rights. “The first time around, there was at least a modicum of uncertainty about what a Trump administration would actually do,” Benton wrote in Nieman Lab. “The second time, voters knew better, and they rejected it. The third time? Well, no one can say it’ll come as a surprise.”

Kash Patel at a rally for Donald Trump in Arizona on Oct. 13, 2024. Patel, Trump’s pick for the FBI, has expressed an alarming intent to go after the press / Getty Images

Remember, in his first term, Trump wanted then-FBI director James Comey to bring him a “head on a pike” when government insiders leaked to journalists — often providing information that was important for the American public to know. Patel, no doubt, will be eager to do this. And if raids and imprisonment of journalists follow, it’ll be exactly what the boss has wanted all along.

As many have pointed out, when would-be authoritarians take power, one of the first things they want to do is stamp out independent journalism. We can’t let that happen.

So, how can our most important journalism institutions react? With big doses of courage, a refusal to obey in advance and insistence on standing their ground. I hope that top newsroom leaders — the decision-makers at the New York Times, the Washington Post, CNN, Wall Street Journal, the broadcast networks and others — are clearly communicating to their staffs that they’re not going to knuckle under.


American Crisis is a community-supported project where I explore how journalism can help save democracy. Please consider joining us!

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For inspiration, they ought to read a post by journalist Paul Horvitz (he worked at the late, great International Herald Tribune, among other papers), who wrote to me last week to share his manifesto. Here’s a section, and you can read the rest on his Substack:

In the United States of Donald Trump, American journalism faces a defining test.

Will it be the sleepwalking servant of a propaganda machine? Or will it reclaim its role as public servant, tenacious watchdog, and guardian of democracy?

Because we are not in normal times, these are not rhetorical questions. The coming year may well see the Department of Homeland Security offer journalists stage-managed tours of migrant jails to create a facade of humane treatment. Should the press participate?

The Trump regime will surely sanitize the language it uses to describe these camps, whose legal basis is questionable. Will a compliant press blindly repeat the euphemism “detention centers?” In 1930s Germany, millions of “asocials” were taken into “protective custody” or “preventive custody.” Words matter.

When an angry U.S. President phones the executive editor of The Washington Post or its billionaire owner to complain about “negative” coverage, will the attempt to intimidate be revealed only years later in a book or immediately placed on the front page?

Our alarming situation — we are on a path to American fascism — demands a far more assertive, scrappy, and resolute press. Some news organizations aren’t ready to be aggressive because they don’t accept their broader responsibility in a free society. They have been fact purveyors, always mindful of their own commercial viability. These news companies will continue to be enablers, justifying their behavior by championing strict impartiality, rigorous objectivity, and fast facts.

Horvitz nails it. 

Meanwhile, I’m collecting examples of sanewashing, false equivalence and pussyfooting around the harsh reality of another Trump administration. Here’s a headline that even the satirical social media account New York Times Pitchbot said he couldn’t compete with; it appeared over a prominent Times staff columnist’s offering last week: “Thomas Friedman: Trump’s Path to a Nobel Peace Prize?” 

Also in the Times, this euphemistic headline: “Trump’s Choices for Health Agencies Suggest a Shake-up Is Coming.” The sub-headline mentioned “ideas that are outside the medical mainstream.” Y’think? Author and scholar Ruth Ben-Ghiat expressed her objection: “Shake-up is hardly appropriate for the engineering of mass sickness by withholding vaccines and reducing insurance coverage so few can get medical help.” Language needs to be much stronger and more direct, especially in headlines and news alerts since that’s as far as many people ever get.

At the same time, I’ve noticed a lot of strong, important reporting in the Times, which remains essential. Here’s a gift link to one such story.

Thanks so much to all subscribers to American Crisis. I truly appreciate your interest and support. The paywall remains down so all may read these posts in full and may participate in the comments. The discussion has been robust and I’m grateful for the thoughtful contributions.

One last item: Greg Sargent of The New Republic invited me on his podcast last week to talk about Trump and the press. We covered everything from why The Times got rid of its public editor role (and why I predict it’s never coming back) to whether the mass cancellations at the Washington Post may motivate decision-makers to recommit to their mission. We also talked about the risk that news organizations may self-censor, given Trump’s threats of retribution against the press — and what to do about it. 

Here’s the podcast recording and a transcript, if (like me) you prefer to read than listen. 

Happy Thanksgivjng to you and your family and your friends!

For many of us who had hoped to elect Kamala Harris as President, this is not the best of Thanksgivings.

But we must be thankful for our blessings, count them, and rededicate ourselves to improving our society and the lives of others.

Never forget: We are not going back!

We want a better world, not the fictional world of the past. We want progress, not regress.

I am thankful for all those who dedicate their lives to progress, opportunity, kindness, compassion, justice, education, enlightenment, and equity.

I am thankful for our nation’s teachers. They have devoted themselves to building a better world, one student at a time. They have not been thanked enough.

I am thankful for my family.

I am thankful for health.

Be thankful. Be kind. Be strong. Be good to yourself.

Last week, the House of Representatives passed a dangerous bill–HR 9495– that would allow the Treasury Department to shut down nonprofit organizations that it believes are funding terrorism. Initially, it had strong bipartisan support, but after Trump won the election, most Democrats turned against the bill, realizing that Trump could use it to silence his critics. In a recent vote, 15 Democrats voted for it.

Trump could use this authority to shut down the ACLU or any other organization that criticizes him.

Please contact your Senators and urge them to oppose this horrible bill!

The Intercept wrote about it:

A BILL THAT would give President-elect Donald Trump broad powers to target his political foes has passed a major hurdle toward becoming law.

The House of Representatives on Thursday passed the Stop Terror-Financing and Tax Penalties on American Hostages Act in a 219-184 vote largely along party lines, with 15 Democrats joining the Republican majority.

The bill, also known as H.R. 9495, would empower the Treasury secretary to unilaterally designate any nonprofit as a “terrorist supporting organization” and revoke its tax-exempt status, effectively killing the group. Critics say the proposal would give presidential administrations a tool to crack down on organizations for political ends

The provision previously enjoyed bipartisan backing but steadily lost Democratic support in the aftermath of Trump’s election earlier this month. On Thursday, a stream of Democrats stood up to argue against the bill in a heated debate with its Republican supporters.

“Authoritarianism is not born overnight — it creeps in,” Rep. Lloyd Doggett, D-Texas, said Thursday on the House floor. “A tyrant tightens his grip not just by seizing power, but when he demands new powers and when those who can stop him willingly cede and bend to his will….”

A previous bill with the provision was initially introduced in November 2023, in the early days of Israel’s U.S.-funded devastation of Gaza, with the ostensible goal of blocking U.S.-based nonprofits from supporting terrorist groups like Hamas. Rep. Claudia Tenney, R-N.Y., and other supporters of the bill touted it as a tool to crack down on pro-Palestine groups they claim exploit tax laws to bolster Hamas and fuel antisemitism…

It is already illegal for nonprofits or anyone else in the U.S. to provide material support to terrorist groups, and the federal government has means to enforce it, including prosecution and sanctions. Tenney’s bill, however, would sidestep due process. 

The bill includes some guardrails to ensure due process, but much of the language is vague on specifics, and critics fear that even if a group were to successfully appeal their designation, few nonprofit organizations would survive the legal costs and the black mark on their reputation.

Democratic Flips

While a previous version of the bill enjoyed broad bipartisan support and passed 382-11 in a House vote in April, many Democrats have withdrawn their support, citing a fear that the incoming Trump administration could weaponize the bill.

“The road to fascism is paved with a million little votes that slowly erode our democracy and make it easier to go after anyone who disagrees with the government,” said Rep. Jim McGovern, D-Mass., on the House floor Tuesday. “Donald Trump says you’re a terrorist, so you’re a terrorist. My friends on the other side of the aisle know it’s nuts, even if they don’t want to admit it.”

The GOP majority in the House made an initial attempt to pass the bill last week under a suspension of the rules, a parliamentary procedure that requires a two-thirds supermajority to pass. That effort foundered on November 12, when 144 Democrats and one Republican came out against the bill, just barely meeting the threshold to block it

Despite a majority of Democrats coming out against it in last week’s vote, the bill still received the support of 52 Democrats on November 12. On Thursday, that number dwindled to 15, as Democrats flipped in opposition, including Reps. Angie Craig, D-Minn., and Gabe Vasquez, D-N.M., both of whom cited Trump’s increasingly unhinged cabinet selections in their statements prior to the vote.