Archives for category: Arts Education

Trump has promised to add more than $50 billion to the military budget, which will be paid for by budget cuts. Among the federal agencies on the chopping block for total elimination are the National Endowment for the Arts, the National Endowment for the Humanities, and the Corporation for Public Broadcasting.

These three small agencies underwrite programs like Ken Burns’ history of the Civil War, public television, museums, and public radio. These three agencies combined cost the taxpayers $745 million.

Watch this video to learn what that $745 million can buy for the military.

Ask yourself: would you trade all federal funding of the arts and humanities and public broadcasting for that?

Tomorrow, I will be speaking at the annual meeting of the National Art Education Association in New York City. I will be in discussion with our beloved reader and frequent commenter Laura Chapman, who has devoted her life to art education. If you happen to be in New York City, we will be in the Grand Ballroom of the New York Hilton at noon.

Make no mistake. Federal support for the arts, humanities, culture, and education are under assault. The president wants to boost spending on the military and make deep cuts everywhere else. We know where the cuts will hurt most, even though the savings will be minuscule: the arts, the humanities, culture, and education.

Here is a statement issued by Lincoln Center and its partner institutions. I am aware of many families and foundations in New York and across the nation that generously fund the arts as a treasure for all. I am not aware of the Trump family name as a sponsor of any of them. He could change that negative impression by increasing funding for the National Endowments for the Arts and the Humanities.


PRESS CONTACT
Mary Caraccioli / 212.875.5100 / mcaraccioli@lincolncenter.org
From our stages and screens at Lincoln Center in New York City—which draw more than six million people to the largest performing arts center in the world—to theaters, concert halls, and galleries across America, the arts inspire and delight people from every walk of life, at every stage of life.

A child’s early introduction to ballet teaches strength and discipline. A veteran’s exposure to art therapy brings healing and hope. A student’s participation in music class improves math scores and critical thinking skills. Art shapes achievement, with profound and practical effects.

Still more, art anchors communities. In American cities and towns, arts institutions and districts are breathing life into neighborhoods—attracting investment, spurring development, fueling innovation, and creating jobs. Arts and culture help power the U.S. economy at the astounding level of $704.2 billion each year.

Beyond our shores, American arts institutions are the envy of the world. In a unique public-private model, private sources provide the vast majority of funding for our artists and arts organizations. Government helps in targeted ways at pivotal moments, for example, by providing early funding to get projects off the ground or helping to create or expand promising initiatives to achieve greater reach and impact.

Underlying all of this is the National Endowment for the Arts.

For more than 50 years, the NEA has provided leadership in the public arts arena. Yet today it faces an uncertain future as its federal funding is considered for elimination. The total cost of the NEA is less than one dollar a year for every American. But because it is so successful and its imprimatur so prestigious, every dollar the NEA contributes leads to nine additional dollars being donated from other sources.

A great America needs that kind of return.

We hold close the words of Lincoln Center’s inaugural president, John D. Rockefeller III, who said, “The arts are not for the privileged few, but for the many. Their place is not on the periphery of daily life, but at its center. They should function not merely as another form of entertainment but, rather, should contribute significantly to our well-being and happiness.”

To preserve the human and economic benefits of the arts, we urge continued federal support for the National Endowment for the Arts.

The Chamber Music Society of Lincoln Center
Suzanne Davidson, Executive Director

Film Society of Lincoln Center
Lesli Klainberg, Executive Director

Jazz at Lincoln Center
Greg Scholl, Executive Director

The Juilliard School
Joseph W. Polisi, President

Lincoln Center Theater
André Bishop, Producing Artistic Director

The Metropolitan Opera
Peter Gelb, General Manager

New York City Ballet
Katherine E. Brown, Executive Director

New York Philharmonic
Matthew VanBesien, President

The New York Public Library for the Performing Arts
Jacqueline Z. Davis, Barbara G. & Lawrence A. Fleischman Executive Director

School of American Ballet
Marjorie Van Dercook, Executive Director

Lincoln Center for the Performing Arts
Liza Parker, Chief Operating Officer

Justin Paul and his team won the Academy Award for the best song, “City of Stars,” in the movie “La-La Land.”

Justin gave a wonderful shout out to public education, where he said that “arts and culture were valued” and resourced, and he thanked his teachers.

He and his group are also responsible for the Broadway hit, “Dear Evan Hansen.”

Justin is a graduate of the University of Michigan School of Music, which is very proud of him.

http://music.umich.edu/about/news.php?id=565

 

 

Meryl Streep won the Golden Globes Lifetime Achievement Award last night. Her acceptance speech was powerful. (Please note that she emphasizes the fact that she went to the public schools of New Jersey.)

 

She said:

 

Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year, so I have to read.

 

Thank you, Hollywood Foreign Press. Just to pick up on what Hugh Laurie said: You and all of us in this room really belong to the most vilified segments in American society right now. Think about it: Hollywood, foreigners and the press.

 

But who are we, and what is Hollywood anyway? It’s just a bunch of people from other places. I was born and raised and educated in the public schools of New Jersey. Viola was born in a sharecropper’s cabin in South Carolina, came up in Central Falls, Rhode Island; Sarah Paulson was born in Florida, raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids in Ohio. Amy Adams was born in Vicenza, Italy. And Natalie Portman was born in Jerusalem. Where are their birth certificates? And the beautiful Ruth Negga was born in Addis Ababa, Ethiopia, raised in London — no, in Ireland I do believe, and she’s here nominated for playing a girl in small-town Virginia.

 

Ryan Gosling, like all of the nicest people, is Canadian, and Dev Patel was born in Kenya, raised in London, and is here playing an Indian raised in Tasmania. So Hollywood is crawling with outsiders and foreigners. And if we kick them all out you’ll have nothing to watch but football and mixed martial arts, which are not the arts.

 

They gave me three seconds to say this, so: An actor’s only job is to enter the lives of people who are different from us, and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that. Breathtaking, compassionate work.

 

But there was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good; there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh, and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter. Someone he outranked in privilege, power and the capacity to fight back. It kind of broke my heart when I saw it, and I still can’t get it out of my head, because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kinda gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others we all lose. O.K., go on with it.

 

O.K., this brings me to the press. We need the principled press to hold power to account, to call him on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in the Constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the Committee to Protect Journalists, because we’re gonna need them going forward, and they’ll need us to safeguard the truth.

 

One more thing: Once, when I was standing around on the set one day, whining about something — you know we were gonna work through supper or the long hours or whatever, Tommy Lee Jones said to me, “Isn’t it such a privilege, Meryl, just to be an actor?” Yeah, it is, and we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be proud of the work Hollywood honors here tonight.

 

As my friend, the dear departed Princess Leia, said to me once, take your broken heart, make it into art.

 

 

As I have mentioned many times, the highly successful schools of Finland emphasize play, the arts, and creativity. They don’t begin teaching reading until children are in first or second grade. The Finns want school to be a stress free, joyful experience for children. And it works. The schools have been described by international organizations as the best in the world.

Stuart Egan, high school teacher in North Carolina, warns that the state is threatening to cut the arts and physical education from the elementary schools. This is crazy. Is the General Assembly’s goal to make school boring? To ruin young bodies by lack of movement?

He writes:

“A long long time ago
I can still remember how
That music used to make me smile
And I knew if I had my chance
That I could make those people dance
And maybe they’d be happy for a while
But February made me shiver
With every paper I’d deliver
Bad news on the doorstep
I couldn’t take one more step
I can’t remember if I cried
When I read about his widowed bride
Something touched me deep inside
The day the music died.”

Don McLean’s famous song “American Pie” has been the subject of tremendous amounts of explication. Websites devoted to explaining all of the lyrics and all of the rumored allusions can take a day or two to just peruse, but McLean himself has identified the “day the music died” as that day in Feb. of 1959 when a plane carrying Buddy Holly (“That’ll Be The Day”), Richie Valens (“La Bamba”), and J.P. Richardson (aka. The Big Bopper) crashed killing all three rock icons.

McLean’s song highlighted our culture’s need for music, expression, and how important it is to cultivate our sense of being by developing not just the logical left side of the brain, but the creative right side as well.

What followed in the next 15 years was possibly one of the most turbulent times in American history: the Civil Rights Movement, Vietnam, Watergate, Women’s Rights, ongoing Cold War, etc. And the music and the rest of its artistic siblings helped us to capture, reflect, express, communicate, and heal from those scars received.

And now with the current political climate on this global terrain, we may need to rely on our artistic expressions to help cope and grow from what we will experience in the near future.

How ironic that in such turbulent times our own leaders are searching for ways to quash our children’s opportunities to develop the very creative and physical skills that study after study shows make us more complete, well-rounded, and prepared for life’s situations.

A Nov. 14th report on NC Policy Watch by Billy Ball (“New rules to lower class sizes force stark choices, threatening the arts, music and P.E”) states,

“North Carolina public school leaders say a legislative mandate to decrease class sizes in the early grades may have a devastating impact on school systems across the state, forcing districts to spend millions more hiring teachers or cut scores of positions for those teaching “specialty” subjects such as arts, music and physical education” (http://www.ncpolicywatch.com/2016/11/14/new-rules-lower-class-sizes-force-stark-choices-threatening-tas-specialty-education-positions/).

First, I would make the argument that arts, music, and physical education are not “specialties” but “necessities.” In a nation that is spending more on health problems caused by obesity, the need to get kids moving and away from the television might be just as important as core subject material. Secondly, it shows a glaring contradiction to the religious platforms that many in our state government have been using to maintain office and their potential actions to eliminate part of children’s curriculum.

The predominant spiritual path in the United States, Judeo-Christianity, talks much of the need for music, dance, movement, song, and expression. I think of all of the hymns and musicals my own Southern Baptist church produced, most complete with choreography, which is odd considering that many joke about Baptists’ aversion to dancing.

Even the Bible commands “Sing to the LORD a new song; Sing to the LORD, all the earth” (Psalms 96:1), and “Praise Him with timbrel and dancing; Praise Him with stringed instruments and pipe” (Psalm 150:4).

Furthermore, the Bible often talks of the body as being a “temple of the Holy Spirit” and even commands Christians to stay physically fit. “Or do you not know that your body is a temple of the Holy Spirit within you, whom you have from God? You are not your own, for you were bought with a price. So glorify God in your body” (1 Corinthians 6:19-20).

Yet, some of our GOP stalwarts who are cheering about a budget surplus are planning to “ force districts into stark choices about how to allocate their resources.” Ball continues,

“In some districts, it may mean spending millions more in local dollars to hire additional teachers. Or in other districts, officials say, leaders may be forced to eliminate specialty education positions or draw cash from other pools, such as funding for teaching assistants.”

That’s egregious. That’s backwards. That’s forcing school districts to make decisions about whether to educate the whole child or part of the child in order to make student/teacher ratios look favorable.

That’s like going out of your way to get plastic surgery, liposuction, and body sculpting to create a new look while ignoring the actual health of your body. Without proper nutrition, sleep, exercise, mental health, and emotional support, we open doors to maladies.

When the Bible talks about a temple, it talks about the insides, not just the outsides.

Interestingly enough, many of the private schools and charter schools that receive public money through Opportunity Grants have plentiful art programs and physical education opportunities.

Wow.

What our history has shown us time and time again is that we needed music, dance, arts, and physical education to cope and grow as people and we needed them to become better students. To force the removal of these vital areas of learning would be making our students more one-dimensional. It would make them less prepared.

Don McLean released “American Pie” in 1971. It is widely considered one of the top ten songs of the entire twentieth century. Fifty-five years later, it still has relevance.

The last verse (or “outro”) is actually a tad bit haunting.

“I met a girl who sang the blues
And I asked her for some happy news
But she just smiled and turned away
I went down to the sacred store
Where I’d heard the music years before
But the man there said the music wouldn’t play

And in the streets, the children screamed
The lovers cried and the poets dreamed
But not a word was spoken
The church bells all were broken

And the three men I admire most
The Father, Son and the Holy Ghost
They caught the last train for the coast
The day the music died.”

When we elect our public servants to serve, we give them the keys to the vehicle that drives our state, a purple colored divided state that has HB2, vouchers, redistricting, Voter ID laws, underfunded public schools, and poverty.

Now imagine that vehicle being a Chevy. We don’t need to go to a dry levee.

We need to keep the music and the other “necessities.”

The World Economic Forum is based in Davos, Switzerland. Ten years ago, I had the pleasure of attending. The forum was filled with heads of state and potentates, politicians, business magnates, even Brad and Angelina and Bono. WEF ranks states according to progress on whatever measures it chooses. It just decided that the schools of Finland are the best in the world.

This just-released World Economic Forum Global Competitiveness Report 2016-2017 names Finland’s primary schools, health and national institutions as #1 globally (p. 46):

https://www.weforum.org/reports/the-global-competitiveness-report-2016-2017-1/

What’s their education secret? According to Fulbright Scholar and part-time Finland resident, university lecturer and public school dad William Doyle, it’s not just Finland’s culture, or its size and demographics, which are similar to some two thirds of American states. Says Doyle, “Finland has the most professionalized, the most evidence-based, and the most child-centered primary school system in the world.” Those three foundations, says Doyle, can inspire and be adapted by any school system in the world. He adds, “Until the United States decides to respect and train its teachers like Finland does (a highly selective masters degree program specializing in research and classroom practice, with two years of in-class training and maximum autonomy once they graduate), we have little hope of improving our schools.”

Please note that Finland has no charters, no vouchers, no Teach for Finland, and very low levels of child poverty. Grades K-9 are free of standardized testing. Children have recess after every class. Academic studies do not begin until age 7. Before then, play is the curriculum.

Finnish scholar Pasi Sahlberg often says that Finland got its best ideas by borrowing from the United States.

Pasi Sahlberg will speak at Wellesley College on October 13 at 7 pm in Alumnae Hall. His topic: “The Inconvenient Truth about American Education.” Pasi taught at the Harvard Graduate School of Education as a guest scholar for the past two years. He is the author of the award-winning “Finnish Lessons.” The lecture is second in a series I endowed called the Diane Silvers Ravitch 1960 Lecture. Pasi will be introduced by Howard Gardner. Come one, come all.

If you are not in the area, the event will be videotaped and later made available.

Is it possible to measure creativity? Is it possible to measure artistic talent? Is it possible to assign a grade to students in the arts based on a measure or on multiple measures?

Those are the questions posed in this article, which describes the efforts by states to develop metrics for the arts. https://m.artsy.net/article/artsy-editorial-forget-the-sat-this-new-standardized-test-measures-artistic-ability

I am assuming that the title of the article is a mistake. It is not about a “standardized test” for the arts but rather a replacement for standardized tests.

I instinctively recoil at the idea of measuring creativity or artistic talent. There is something inherently subjective about any such judgments. These days, who can say what is art and what is not.

Please, teachers of the arts, help me here. I can see grading students for participation, persistence, and engagement. But how can you grade them for talent and creativity?

I don’t usually get involved in contests, but this is a special one. It is an essay contest, open to public elementary school teachers. The big prize is an all-expense paid trip to NYC for you and a friend.

The sponsor is the LilySarahGrace Foundation. The foundation was created by their father Matthew Badger. Lily, Sarah, and Grace were sisters who were tragically killed in a Christmas day fire in 2011. Their father wanted to honor their memory by encouraging the arts in schools, because his daughters were inspired to learn through their love of the arts.

At the time of the fire, I was horrified by the terrible event. Having lost a child, I grieve when any parent suffers this pain. But three children! Unbearable.

This past spring, I met Matthew and saw how he was turning this tragedy into passion to help children across the country, and I wanted to help.

To see the details, click here

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I wrote before that I would support the nominee of the Democratic Party. Hillary Clinton won a decisive victory in California last night, and she will be the nominee, opposing the execrable Donald Trump.

I will vote for her.

Readers will say that she is too close to the people who are promoting charters, high-stakes testing, and the destructive policies of the Bush-Obama administrations. That is true. I have fought with all my strength against these terrible policies. I will continue to do so, with redoubled effort. I will do my best to get a one-on-one meeting with Hillary Clinton and to convey what we are fighting for: the improvement of public schools, not their privatization or monetization. The strengthening of the teaching profession, not its elimination. We want for all children what we want for our own.

Which is another way of saying what John Dewey said: “What the best and wisest parent wants for his child, that must we want for all the children of the community. Anything less is unlovely, and left unchecked, destroys our democracy.”

Hillary Clinton wants the best for her grandchildren: a well-equipped school in a beautiful building; experienced and caring teachers and principals (not amateurs who took a course in leadership); arts classes; daily physical education; the possibility of a life where there is food security, health security, home security, and physical security. That is what we want for our children. That is what we want for everyone’s children. I think she will understand that. Not schools run by for-profit corporations; not schools where children are not allowed to laugh or play; not schools where testing steals time from instruction; not inexperienced teachers who are padding their resumes. That is what I want to tell her. I think she will understand. If she does, she will change the current federal education policies, which are mean-spirited, demoralizing to teachers, and contemptuous of the needs of children.

Now we must turn our energies to fighting together to make clear that we are united, we are strong, and we are not going away. We will stand together, raise our voices, and fight for public education, for our educators, and for the millions of children that they serve. And we will never, never, never give up.

I am grateful to Bernie Sanders for pushing the Clinton campaign to endorse the issues of income inequality and economic fairness. I am glad that he made the privilege of the 1% a national issue. I am glad that he will continue the struggle to really make this country just and fair for all. Bernie has made a historic contribution. He has organized millions of people, enabling them to express their hopes and fears for our nation and our future.

We must work together to harness that energy to save our schools. We must remind the Clinton campaign that every one of the policies promoted by the privatization movement, ALEC, and the whole panoply of right-wingers and misguided Democrats have been a massive failure. They have destroyed communities, especially black and Hispanic communities. They have hurt children, especially children of color. They are destroying public education itself, which is a bedrock of our democracy. We can’t let this happen.

Our task is clear. We must organize as never before. We must push back as never before.

Start by joining the SOS March on July 8 at the Lincoln Memorial.

I will be on a <a href="http://“>webinar tonight at 8 pm to discuss the SOS March and the issues we now face. The timing is perfect to plan for the future.

Please join us at 8 pm EST. We need you. We need your energy and your voice.

https://attendee.gotowebinar.com/register/8824328855840974852&#8221;

Michael Elliot is a film-maker who gives generously of his time to help parents organize against high-stakes testing. He has made numerous superb videos that express the views of parents about public schools, teachers, children, and testing.

 

In this video (and article), Elliott explains why he is so passionate about teachers. His life was changed for the better by two high school teachers of theater arts. He describes himself as a lost teenager, with low test scores and little ambition. He happened into the school theater, and one of the teachers invited him to pitch in. She said, “Pick up a broom and start sweeping.” The arts and his teachers literally saved him.

 

Here are some of the videos that Michael has made for parent groups. See here and here and here.