Archives for category: Arts Education

This is a story written by teacher Jane K. Marsh. It teaches a lesson about the redemptive power of the arts.

The Artful Anastasia

In the eyes of most people, Anastasia was a compliant, dutiful twelve-year-old — a respectful daughter and a model student. Yet, she had another, subversive side that found its way into her art. When she entered the world of creation, she dreamed of worlds as yet undiscovered – beautiful places where all of the earth’s inhabitants were listened to – even children. Of course, many who viewed her work failed to recognize the underlying message. Her paintings were seen as whimsical – those pictures of kittens and birds sharing a drink of water in a dish formed by a peculiar confluence of fallen leaves. Her renderings of foxes and chicks dancing in the moonlight, too, simply were regarded as a pleasant diversion. But Anastasia knew better. Her paintings represented the opening salvos of a battle for the hearts and minds of her community.

Early on, Anastasia had witnessed the all-too-usual, negative behavior of people who did not listen. Unfortunately, her family members were often troubled, and they expressed sorrow and frustration in the usual way – by yelling, accusing and so forth. Sometimes the adults found solace in alcohol which of course led to more yelling, accusing, etc. Her brothers also reflected a combative gene that seemed to rule their waking hours. Even their games involved competition and the outsmarting of one another. Anastasia vowed to live in another way.

At first, she retreated to her own place of peace and creation. When she was upset with the atmosphere of her home life, she created an alternative world in her art – losing herself in her imagination. This activity formed the groundwork from whence her later subversion would take hold. Her paintings also provided others with images of peace that, at least for a moment, appeared to affect them subliminally. That is, the shouting momentarily ceased when others viewed her work.

During one particular painful, parental argument, Anastasia thought to herself, as she had so many times before, “Why can’t they listen to one another? Tell each other calmly and honestly exactly how they feel and why?” Then she decided to create heart-shaped, post-it notes that read: “Ask her how she feels” and “Ask him how he feels.” These she placed in strategic places for her parents to find. Once again, her imagination provided momentary relief for her family. You see, her mum and dad were then aware of the feelings and thoughts of their then ten-year-old daughter, and there was talk of “out of the mouths of babes” and so forth. Anastasia suspected that she had not so easily solved the dilemma of her parents’ relationship, but the “cease-fire” was a start. When tempers flared once more, she would post signs that read “Listen” throughout the house.

Unfortunately, the listen-sign campaign backfired. “I don’t appreciate being scolded by a ten-year-old. You don’t understand everything.” Anastasia knew this to be true. Yet, she had tried, anyway – and would keep on trying – though maybe not at home for a while. Anastasia saved the heart-shaped, post-it notes for another situation that she found troubling.

You see, her school had lately seemed more like a prison. Gone were the days of laughter, conversation and discovery. Rigor and testing had become the norm. There was only one class where Anastasia felt really free to express her inner-most thoughts – and that was art class. The rest seemed like endless preparations for tests that would determine her future. Students were advised to practice self-discipline, to listen intently to their teachers so as to reach potential – that is the next step as determined by tests. Competition became the order of the day. Everyone was trying to outdo the other, and all were vying for the same prize. Then it occurred to Anastasia that the adults who expected to be carefully listened to, had very little time for the thoughts of students. As a result, students ceased to come up with their own ideas. What was the point? No one would hear. Anastasia decided that the focus on testing was the real problem. These big state tests, especially, made everyone nervous and unhappy – and unwilling to listen.

Anastasia would once again use her heart-shaped, post-it notes to send a message – this time to the teachers and students at her school. When no one was looking she placed these notes with the message “The Real Test!” in various places in the school. This anonymous, and somewhat unclear to many, signage, created a discussion in her school, for young and old wanted to know who was behind the message as well as what it meant exactly. Anastasia was pleased to overhear at least one person claim that the signs had to do with love being more important than tests. After a week or so had passed and the furor over the post-it notes had died down, Anastasia followed up with additional post-it notes that were decorated with flowers and simply stated: “Listen.”

As it turned out, this latest admonition largely went over the heads of the population of the school. She had been trying to say that when people take the time to listen to one another, something beautiful grows, but somehow that message was not received in a meaningful way. “Perhaps, it was too vague,” Anastasia thought. She also felt that the message was really aimed at those teachers who had forgotten how to listen to their students. Anastasia decided to paint a picture that would clearly state her concern. So, she drew a comic-strip-type illustration of a teacher and a student poring over a test-preparation booklet in the first frame. In the next frame the student asks the teacher: “Will you listen to me?” The final frame shows student and teacher looking at one another rather than at the test booklet, and the teacher responding: “Yes, I will.”

Maybe it was Anastasia’s imagination, but for a while it seemed to her that teachers were listening better. However, the testing continued all the same. Anastasia was disappointed that her messages and picture had not changed the feeling of the school in a big way.

However, when she admitted to her art teacher that she had been the one behind the mysterious post-it notes and larger illustration, her teacher listened very carefully to Anastasia’s explanation. She also said that it had made a difference because, for a moment in time, Anastasia had encouraged her community to question the road they were taking. The teacher said, “Big change doesn’t happen overnight. However, the artist can at least point the way and start a conversation. And remember, Anastasia, art endures – perhaps because it goes beyond simply stating (or yelling) a concern. Art enables people to stop for a moment – and to think their own thoughts in response. Good work!”

Anastasia felt much better after this conversation. Maybe she couldn’t change the world – nor even a small part of it such as a family or a school – but she could voice her opinions in interesting ways that caused people to listen, though perhaps only momentarily. And she remembered, too, the other purpose in creating art. It made her feel better when she was frustrated, angry or sad – even when she tried and failed to convince others with her views. Art meant healing herself through the illustration of a better world and remaining open to the most exciting part of herself, her imagination.

Nancy Bailey knows that the high priority given to test scores has driven many important activities out of elementary schools. Some have cut back on recess, or eliminated it. Some have cut back on the arts. Some no longer can spare the time to stage a play. When the school lines by the credo of “no excuses,” dramatics goes the way of the dinosaur.

She bemoans the lost pleasure and learning that comes from putting on a play.

She provides a list of the positive benefits that derive from participating in a play, such as socialization, self-confidence, and self-discipline.

In years ahead, what will you remember? The play you brought to life or your test scores?

This is a beautiful and inspiring 4-minute video about the iconic singer Tony Bennett and his wife Susan Benedetto,who generously support the arts in public schools.

It is a magnificent testimony to the arts, to public schools, to diversity, and to the way that the arts bring hope to the world.

They may never know about it, but I gladly add Tony Bennett and Susan Benedetto to the blog’s Honor Roll for their love of the arts and for their recognition of the transformative power of the arts in the lives of young people.

As this article explains, there is a new kind of neuroscience that examines how the experience of art affects your brain.

https://apple.news/ApKmwwmY7TRiq_MqhOMSkdw

It’s all good.

“There is something about being in a group that stimulates your reactions. There’s something about the performance that heightens your senses.

“If you think about it, having a great time at the theater defies logic in many ways. We’re surrounded by strangers, bombarded with unusual images and often faced with a wordless language of symbols. Yet, on a good night, we generally laugh more, cry more and enjoy ourselves more at a live performance than when we’re watching TV at home. We may even lose ourselves and feel connected to something larger. How does this happen?…

“Social connection is one of the strengths of our species — it’s how we learn from others by imitation. We’re keenly attuned to the emotions and actions of people around us, because our brains are designed for this.

“If, for example, you’ve ever gone to an experimental performance-art piece where there’s hardly anyone in the audience but you, and you’ve felt a little exposed and awkward, this is why. We crave social connection. And the cues we get from those around us help our brains make sense of our surroundings. This starts from the moment we walk into a crowd….

“It helps us make sense of human behavior, a large part of which is evaluating movement and emotion within us and around us. Our brains like to share emotions with others. This is just one reason that seeing a live performance — a concert, play, opera, etc. — is a neural rush. With our brain’s capacity for emotion and empathy, even in the wordless art of dance we can begin to discover meaning — and a story.”

Open the link to see performances and understand how we react to art.

We need the arts. We need to see them, perform them, experience them, enjoy them. They are part of what makes us human.

Looking for innovation? Check out your public schools, where the entire district can collaborate to develop new ideas and sustain them, and where districts can exchange and incubate good ideas and practices.

On June 5, the Southold Independent School District honored high school students engaged in broadcast journalism. Representatives of schools from across Long Island gathered for the inaugural Broadcast Awards for Senior High, or B.A.S.H. It is believed to be the first event of its kind, recognizing students for their achievements in broadcasting.

Thirty-eight videos made by students were judged by a panel of experts from the broadcasting industry.

“A special lifetime achievement award [was] presented to the students and staff at Great Neck South Middle School in recognition of their longstanding commitment to such programs, which began at their school 65 years ago; Great Neck South Middle School is believed to have been the very first public school to offer a professional broadcasting program for students, circa 1952.”

Awards were given in categories such as “Best Opening Segment,” “Best Anchor Team,” “Best Sports Package,” “Most Entertaining Package,” “Best School News Package,” “Best Public Service Announcement,” and “Best Broadcast.”

The format of the event was akin to the Emmy Awards, with a red carpet and celebrity guests.

Superintendent David Gamberg said:

“In a society that grapples with how to teach young people to be responsible digital citizens, navigating the news and entertainment landscape is an important challenge faced by schools and communities throughout the United States. This program helps to recognize and celebrate how students can learn this important civic responsibility, as well as recognize various skills involved in media, journalism and the broader field of communications.”

Thomas Ultican teaches physics and mathematics to high school students in San Diego.

In this post, he describes a wonderful day at the home of one of the nation’s greatest oceanographers, where middle school students performed scenes from Shakespeare.

The event was sponsored by the San Diego Shakespeare Society to raise funds for middle and high schools.

You will enjoy his account of a very wonderful day in a fabulous setting.

This is one of many events sponsored by the San Diego Shakespeare Society. Inspired by the idea “Teach a child Shakespeare at an early age and they can learn anything,” the Society sponsors many events for K-12 students. Amongst the largest of these is the annual event held on the various stages in Balboa Park’s Prado area at which about 500 students perform 10-minute scenes.

Ultican concludes his post by noting the virtue of philanthropy motivated by civic spirit:

It was such a pleasure to see how great people share their largess. After years of watching pseudo philanthropy harm public schools, it was refreshing to see genuine public spirit on display.

Can you imagine how wonderful it would be if Bill Gates, Eli Broad, Reed Hastings, Michael Bloomberg, the Walton Family, Doris Fisher (the Gap), John Arnold, Michael Dell, and the other billionaires spent their millions enriching the lives of students and teachers, instead of trying to privatize their public schools. I recently saw Bette Midler in “Hello, Dolly” on Broadway (wow wow wow–she was fantastic!), and learned in the program notes that she (though not a billionaire) raises money for a program called “Stages for Success,” which renovates public school auditoriums so that students have a performance space. Now, that’s philanthropy!

Larry Lee, blogger and education activist in Alabama, posted this moving account by a teacher of the difference that art makes in the life of a child.

This is a story told by veteran elementary educator Wendy Lang about one of her students.

It begins like this:

He was small for his age. He was immature and yet showed signs of struggles of which only adults are aware. Skinny with two constantly skinned knees, academics didn’t come easy to him; neither did the ability to sit still. His pale complexion only accented the dirt crusted on his face and hands each day. He often wore shorts in the dead of winter and his shirts were always torn and tattered. He was in desperate need of a ‘touch,’ yet I was unaware of just what I could do to give him the encouragement that he needed to establish the self-confidence necessary to find one brief, rare ray of light in the darkened tunnel of his life.

At five, he appeared to have already given up. There were times when I felt the same.

He couldn’t write his first name, couldn’t count to ten or recognize the letters of the alphabet. A severe speech impediment kept him from being easily understood. Lunch was the only subject where he seemed to excel but that was because he appeared hungry and I wonder if it ever crossed his mind just where his next meal might come from.
He did enjoy his art class when it was available. Our school shared an art teacher with two other schools and he looked forward to his time with Mrs. Young. During the spring, students were chosen to participate in an art contest at the Carnegie Visual Art Center. Every school in Decatur and Morgan County was represented by their stellar art students.

It was quite the honor.

But his mother didn’t want to go to the art show where the child’s work would be featured. She didn’t think it was all that important.

Read on to see what happened next.

Darren Walker is president of the Ford Foundation. He was recently honored at the Kennedy Center in Washington, D.C., and used the occasion to explain how his exposure to the arts changed his life.

He said,

“As a little boy, I lived with my mother and sister in a little shotgun house—in an African-American community in rural Liberty County, Texas. My grandmother worked as a maid in the home of a wealthy Houston family. And every month, she would bring me old art magazines and programs from arts events the family attended.

“I remember, vividly, feeling transfixed by the magic I saw on those pages—by images of worlds to which I had no other exposure. I remember flipping through those magazines and programs, and falling in love, swiftly and deeply. Those pages unlocked my capacity to imagine a world beyond my own—and to imagine my place in it.

“Simply put, the arts changed my life. They imbued me with the power to imagine, the power to dream, and the power to know I could express myself with dignity, and beauty, and grace.

“But here’s the thing: I was lucky.

“I was lucky to have the right grandmother. Lucky that she worked as a maid in the right house. Lucky that house was inhabited by the right wealthy family, who subscribed to the right magazines, and had diverse interests in the arts. Lucky that family showed their love by giving me their discarded magazines and programs.”

He then goes on to explain how important the arts are to the nation, not only as cultural enrichment but as a thriving economy. But the arts cannot be measured or valued by dollars alone.

“You see, all of us here tonight: We are all the lucky ones. Because there are children across the country growing up in circumstances not unlike those of my childhood—children who, day after day, experience in their lives the most terrible manifestations of inequality.

“For them, exposure to the arts, to imagination and ambition, remains a matter of chance or circumstance. But it shouldn’t be. It can’t be. Not in a democracy like ours.

“Everyone deserves to experience the arts. No child should need a permission slip to dream.

“Art is not a privilege. Art is the soul of our civilization; the beating heart of our humanity; a miracle to which we all should bear witness, over and over again, in every home—from the most modest and humble to the grandest and well-fashioned.

“And tonight—in this place, our national cathedral to the arts, and in this moment, these perilous and challenging times in our nation’s history—I would argue that we need the arts and humanities more than ever before.”

As an aside, I was reminded of a line attributed to Winston Churchill. Allegedly, someone said during World War 2 that the government had to spend less on the arts and more on the military. He is said to have replied, “If we don’t have the arts, then what are we fighting for?” My googling indicated that the quote is apocryphal, but it is good nonetheless.

Superintendent David Gamberg leads the schools of two adjoining school districts on Long Island, Greenport and Southold on Long Island. Gamberg has a holistic view of education. He believes in the full development of young children as happy, healthy, well-rounded people. He thinks that the arts are far more important than test scores. He wants the children to explore their talents. His schools have a garden, where the children raise vegetables and share them. Southold schools have an amazing array of musical activities, including an orchestra, a choir, and a jazz band. It also has an award-winning robotics team. And its rate of opting out from state tests is one of the highest in the state.

Superintendent Gamberg invited Mary and me to attend the major school production of the school year: “Les Miserables.”

We had seen it many years ago in both London and New York. It is a big, ambitious production, with a huge cast and demanding musical numbers. I couldn’t imagine how students could pull off this sprawling and complicated musical.

The event was held in the high school auditorium, which holds about 700 people. Lucky we had reserved seats because the house was packed, as were all the other performances. Parents, grandparents, siblings, and local community members from every walk of life.

The music was supplied by the school’s 16-piece orchestra, and it was fabulous. The show was spectacular.

We were blown away by the acting, the singing, and the staging. The student talent was amazing. Some of the kids had acted in school productions for four, five, or six years. There must have been fifty students in the cast, maybe more, and many more working behind the scenes. The story of Jean Val Jean and Inspector Javert was presented with zest, passion, and the energy of youth.

It was really, really funny to see these beautiful children standing on the barricades and singing about the revolution and waving a big red flag in a community that voted by a small margin for Trump.

We loved the show and so did the rest of the audience. The cast and orchestra received a standing ovation and cheers that rocked the room.

We looked at each other and said, “Now we know why we pay taxes, and it is money well spent.”

An event like this performance is what makes a public school a community school. You can bet that the next bond issue will easily pass. Not just because of this production, but because of the vision that produces an education that unifies the community and gives all children a chance to shine.

America has many thousands of communities like this one. The public schools are the cement of the community.

Betsy DeVos doesn’t understand that. She never will. Sad.

Teachers organizations from across the state of California have formed an alliance to fight for genuine School reform.

CALIFORNIA: 8 Teacher Union Locals Unite Against the Trump/DeVos Agenda, Fight for Public Schools through Collective Bargaining, Community Power

United around common struggles and a shared vision, The California Alliance for Community Schools is a groundbreaking coalition of educator unions from 8 of the largest cities in California, representing more than 50,000 educators. The alliance officially launches tomorrow, Thursday March 23 and includes: Anaheim Secondary Teachers Association, Oakland Education Association, San Bernardino Teachers Association, San Jose Teachers Association, San Diego Education Association, United Educators of San Francisco, United Teachers Los Angeles and United Teachers Richmond.

All 8 unions are uniting around statewide demands, through local bargaining as well as legislation, for more resources in schools, charter school accountability, lower class sizes and other critical improvements. Most of the locals are in contract bargaining or are interested in organizing around these key issues. The alliance plans to expand to include other labor and community partners.

As California faces a statewide teacher shortage, school districts issued more than 1,750 pink slips for educators last week. Trump released his proposed federal budget, which slashes funds for disadvantaged children, afterschool programs, teacher trainings and other vital services. Trump wants to spend $1.4 billion to expand vouchers, including private schools, and would pay for it from deep cuts to public schools. Voters in California have twice rejected voucher plans.

“We are reaching a state of emergency when it comes to our public schools,” said Hilda Rodriguez-Guzman, an Alliance of Californians for Community Empowerment member and charter school parent since 1994. “We must support and reinvest in public education. I join educators in the fight for well-resourced, transparent, accountable, and democratically run schools, at the bargaining table and beyond.”

All 8 unions will use the power of bargaining and statewide organizing to fight for:

Lower class sizes

Resources for high-needs schools and students

Shared decision-making at local school sites, critical to student success

Charter school accountability

Safe and supportive school environments

The first significant step is the launch of the bargaining platform and petition, which includes statewide demands and specific contract demands for each local union. The petition reads:

“As educators in large urban school districts across California we face many of the same challenges. We are particularly concerned about disinvestment in schools and communities, especially those with the greatest needs; educational policies that discourage authentic teaching and learning; and the rapid expansion of privately managed and unregulated charter schools at the expense of our neighborhood schools.”

We applaud the work of these unions, who are fighting back the Trump/DeVos agenda and standing together with their students and communities to reinvest in public education.

To find out more, contact each union for more information:

Anaheim: Grant Schuster, CTA State Council Representative on ASTA Executive Board, schusters3@charter.net, (562) 810-4035

Los Angeles: Anna Bakalis, UTLA Communications Director mailto:abakalis@utla.net, (213)305-9654

Oakland: Trish Gorham, OEA President, oaklandeapresident@yahoo.com, (510) 763-4020,

San Diego: Jonathon Mello, mello_j@sdea.net, (619) 200-0010

San Francisco: Mathew Hardy, Communications Director, mhardy@uesf.org, (415) 513-3179

Richmond: Demetrio Gonzalez, UTR President, president@unitedteachersofrichmond.com, (760) 500-7044

San Jose: Jennifer Thomas, SJTA President, jthomas@sanjoseta.org, (408) 694-7393

San Bernardino: Ashley Alcalá, SBTA President, ashleysbta@gmail.com, (909) 881-6755
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THE CALIFORNIA ALLIANCE FOR COMMUNITY SCHOOLS
We are a coalition of California parents, community, educators, and students united in our commitment to transforming public education in ways that contribute to a more just, equitable, and participatory society.

Together, we are fighting for well-resourced, community-centered, publicly funded and democratically run schools that prepare our students with the intellectual, social, and emotional skills necessary for success in a changing and often turbulent world.

Our Platform for The Schools All Our Students Deserve

1. Low Class Sizes: Quality instruction for all our students depends on limiting the number of students in a class. Lowering class sizes improves teaching and learning conditions leading to growth in student achievement and positive social interactions.

2. Adequate Resources for All Schools with Additional Resources for Our High Needs Schools and Students: All schools and students deserve adequate levels of funding and support, including but not limited to quality early childhood education programs, lower class size, lower Special Education caseloads, additional educators, after-school tutoring, counselors, nurses, certificated librarians, and other resources to address our students’ academic, emotional, and social needs. Schools and students with the highest need should receive additional funding and support. Site based governing bodies consisting of democratically selected staff, parents, students, and community partners should be responsible for deciding how such additional supports are to be used.

3. Shared Decision-Making at Our Local Schools: The needs of a school are best addressed by the members of the school community. Site based governance by democratically selected stakeholder representatives is a critical component for school and student success. Districts and unions should provide joint trainings to fully empower these bodies.

4. Charter Schools Accountable to Our Communities: All schools receiving public money must be held accountable and be locally and publicly controlled. Unfortunately, many privately run, under-regulated charter schools drain needed resources from neighborhood schools, are not fully transparent in their operations, and fail to provide equal access to all students. Common sense standards and adequate oversight are necessary. New charter schools should not be approved without ensuring accountability and transparency and without a comprehensive assessment of the economic and educational impact on existing public schools.

5. Safe and Supportive School Environments: All students at publicly funded schools, regardless of ethnicity, gender, economic status, religion, sexual orientation, and immigration status, have a right to an academically stimulating, emotionally and socially nurturing, and culturally responsive environment that recognizes and addresses the many stresses that affect student performance and behavior. Adequate trainings and supports for restorative justice programs must be provided as an alternative to punitive disciplinary programs.