Archives for category: Joy

Amanda Koonlaba teaches kindergarten students in Mississippi. This post is part of the series on art in school that appears on Anthony Cody’s blog “Living in Dialogue.”

 

Koonlaba writes:

 

I believe arts education is the antithesis of the corporate reform and privatization regime. I believe arts education is the best tool that schools have to reach all learners. I believe the arts belong in every school because they are important to our humanity. I believe all students deserve access to high-quality arts instruction. I also believe that the arts should be integrated with the traditional subjects of math, science, reading, etc.

 

You don’t have to take my word for it though. There is more than enough meritable research to back up my arts belief system. In fact, my school partners with the Whole Schools Initiative (WSI), which is a special project of the Mississippi Arts Commission (MAC). The MAC has conducted more than one research study that shows the significant role the arts play in closing achievement gaps and creating a school culture that is most conducive to meeting the needs of the whole child.

 

This partnership began three years ago. I was asked by my administrators to write a grant to the Mississippi Arts Commission to fund the start of this partnership and to serve as the coordinator of the program. I was thrilled to do this. I had previously taught at two Model Schools for arts integration (both public schools) as a third and first grade teacher. Now, as the visual art teacher at my current school, I was so proud to be able to bring such an amazing opportunity to my new students.

 

So, the teachers at my school began attending professional development workshops on the arts and how to integrate the arts into instruction. These weren’t the typical, mundane workshops that come to mind when you think about CCSS and data analysis. These were fun workshops where teachers were able to participate in artistic processes and learn how to use those to integrate their instruction. They were engaging and worthwhile. The same as what we want for the instruction of our students.

 

We put a very concentrated effort into using this new partnership to change the image of our school within our community. Over time, our school began getting positive press which had been lacking for many years. The staff led students and the community in painting murals, revamping outdoor spaces, and hosting events to get all stakeholders into our school. This speaks to the cultural change we are experiencing as a result of our efforts.

 

I certainly feel happier at my job than I ever have in eleven years of teaching. Yes, we still have to test and we still have data conversations. It is still stressful, but we are combatting that for ourselves and our students with the arts. On the days a teacher is able to integrate an art project into their instruction, both the teacher and students enjoy being at school….

 

 

Last year, a fourth grader asked me if I realized they had been doing art in their math class. I said, “Of course, I helped your teacher get those materials for you guys.” He was surprised. He said he hadn’t realized you could do art and math at the same time. He went on to say, “I needed that. I only get to come to your class once a week. I need art more than once a week. It helps me forget about all the bad things.” I know that student very well. I have been his visual art teacher for three years, and I know what he is referring to when he mentions “bad things.” I know what his home life is like, and I know he was being so sincere.

 

 

Clyde Gaw is a veteran art teacher, K-12, in Indiana. In this post, part of Anthony Cody’s series on the importance of art, Gaw describes the teaching and learning of art and how it brings out interest, motivation, and passion in students. They become invested in their work. They want to do it; they want to finish it.

 

Here is a small part of a thoughtful and provocative post:

 

 

At the end of the day, I ask myself, if art experiences optimize developmental pathways and provide learning experiences that allow students to make sense of content, why are fine arts programs not fully funded and supported by federal and state policy makers whose mantra is “We should do what’s best for children?” President Barack Obama, whose presidential theme of “change” propelled him to the White House in 2008, defaulted on that promise with RTTT, an initiative resulting in the de-emphasis of arts learning and new emphasis on testing and data collection. Despite happy talk from politicians about arts education, federal and state lawmakers should know if schools and educators are going to be penalized for low standardized test scores, a school’s curricula structure is going to emphasize test-taking skills in a myriad of ways including increased time spent on tasks and subjects preparing for tests.Screen Shot 2015-12-01 at 10.58.35 PM

 

In the classroom, I look at my watch. “Children, it’s clean-up time. The next class has arrived and they are waiting outside for their turn in the art room.” “Tell them to wait,” chirps Frank, “We don’t want to go!” After clean up, Frank’s class lines up at the door and reluctantly waves good-bye while the next class moves in for another 40-minute art experience. This sequence is repeated 37-39 times a week, for 36 weeks. My thoughts race back to a comment a student made to me a two years earlier, “Art should be….like the whole school!” What would happen if students spent most of their day learning through creative experience?

 

What would that look like?

 

At the end of the day, I review photo-documentation of student art-making activities in our studio where child initiated ideas to build, paint, draw, sculpt, act, sew, write or develop other trans-disciplinary ideas are honored. Democratic education is emergent and means children have a voice and co-collaborate in the design of the curricula experiences they participate in.

 

After decades observing children in studio settings devoted to self-expression in art, there is much evidence to conclude the mind is a biologically unique organ. Howard Gardner’s theory of mind, which states human beings are biologically endowed with unique intellectual and creative capacities, is perfectly illustrated in our art program. Children are not homogeneously constructed.

 

Children thrive in fine arts settings because art, music, theatre and dance are the first language of humans. It is not by accident that educational experience is optimal when integrated through multi-sensory learning experience. There is a biological basis for memory formation and it has everything to do with multi-sensory experience. Research in physiology by 2000 Nobel Laureate, Eric Kandel reveals neural networks are strengthened and expanded when learners engage in sensory-based learning experience. From this educator’s perspective, Kandel’s research means fine arts experiences are critical, foundational experiences in the development of mind.

Michelle Gunderson teaches first grade in Chicago. She teaches poetry to her students. They love it. They read poems and they write poems.

 

We read tons of poems, made lists of what we noticed, tried different techniques, and learned the mechanics of poetry. But at the end of the unit we read Whitman, Hughes, Dickinson, and Rosetti. We decided to add to our list of poetry features that poems can be about something important.

 

Writing a poem when you are six, and experiencing yourself as a poet is extraordinary.

 

Poetry is the natural language of childhood – we hear it in nursery rhymes, playground games, and jump rope songs. Yet, writing poetry is not part of the Common Core standards in the early grades. There are several reasons to be troubled by this. First of all, when we eliminate a genre of literature that is natural to children, we also restrict the love of language necessary to draw young readers into the process. I have contended in other writings and presentations that the Common Core standards do not take into consideration child development and natural inclinations of young children. This is yet another example.

 

It becomes more troubling when we recognize that poetry and song are the elements of resistance and movements. These are the ways that people fully express who they are and speak out against oppression. And finally, poetry is an art, and it is part of being fully human.

Anthony Cody has been running a series of articles about the importance of art in school on his blog “Living in Dialogue.”

 

I will post each of the series.

 

This is number one. 

 

It contains a beautiful statement by Susan Dufresne, kindergarten teacher and artist:

 

Art is healing and meditative for children and teachers. It is inspiring and allows a different kind of space for free and creative expression. Art builds self-confidence in a way that children need. It develops listening skills and an ability to work from part-to-whole. It develops trust in one’s teacher.

 

Art develops executive functioning skills, impulse control, delayed gratification skills, planning and organizing skills, fine motor skills, and visual spatial skills. Art develops meta-cognition skills, problem-solving and critical thinking skills. Art increases experiences of joy in all children and during the process of a shared joyful Art experience, our immune systems get the same kind of boost as a hug provides. Shared Art experience creates a strong sense of community. Art creates a sense of peace and satisfaction. Art creates children who think outside the box and can help students stand up for themselves and others. Art develops empathy. Art helps us learn about our world sometimes in a way nothing else could replace. Art can be full-on play! Art can create wonder and Art can answer wonderings. Art can be fiction or non-fiction. Art can come from within or from a power outside of oneself. #Art can incite emotion. Art can be visual music with rhythm and a melody of pattern. Art can engage all of our senses. Art can be science. Art is math. Art is visual poetry. Art can be social studies. Art can incite social justice! Art can be dangerous to the elite! Art can disrupt and disturb oppression. Art can heal depression and trauma. Art is worth doing for the sake of Art alone, but Art does all these things!

 

Can you VAM an art teacher? No! Can a multiple-choice test grade children’s imagination and creativity? No! Why do we measure and care about the wrong things?

 

 

 

 

 

Nancy Carlsson-Paige, professor emerita at Lesley College and eminent defender of childhood, recently was honored with the Deborah Meier award by Fairtest. She is a founding member of Defending the Early Years, which commissions research about early childhood education and advocates for sane, kind, loving policies for young children.

 

It may be superfluous, but I would like to take this opportunity to name Nancy as a hero of American education for her fearlessness, integrity, and deep understanding of children.

 

Nancy was honored along with Lani Guinier, professor if law at Harvard Law School.

 

This is Nancy’s speech, accepting the award:

 

“Thank you FairTest for this Deborah Meier Hero in Education Award. FairTest does such great advocacy and education around fair and just testing practices. This award carries the name of one of my heroes in education, Deborah Meier—she’s a force for justice and democracy in education. I hope that every time this award is given, it will allow us to once again pay tribute to Deb. Also, I feel privileged to be accepting this honor alongside Lani Guinier.

 

“When I was invited to be here tonight, I thought about the many people who work for justice and equity in education who could also be standing here. So I am thinking of all of them now and I accept this award on their behalf—all the educators dedicated to children and what’s fair and best for them.

 

“It’s wonderful to see all of you here—so many family and friends, comrades in this struggle to reclaim excellent public education for all– not just some–of our children.

 

“I have loved my life’s work– teaching teachers about how young children think, how they learn, how they develop socially, emotionally, morally. I’ve been fascinated with the theories and science of my field and seeing it expressed in the actions and the play of children.

 

“So never in my wildest dreams could I have foreseen the situation we find ourselves in today.

 

“Where education policies that do not reflect what we know about how young children learn could be mandated and followed. We have decades of research in child development and neuroscience that tell us that young children learn actively—they have to move, use their senses, get their hands on things, interact with other kids and teachers, create, invent. But in this twisted time, young children starting public Pre-K at the age of four are expected to learn through “rigorous instruction.”

 

“And never in my wildest dreams could I have imagined that we would have to defend children’s right to play.

 

“Play is the primary engine of human growth; it’s universal–as much as walking and talking. Play is the way children build ideas and how they make sense of their experience and feel safe. Just look at all the math concepts at work in the intricate buildings of kindergartners. Or watch a 4-year old put on a cape and pretend to be a superhero after witnessing some scary event.

 

“But play is disappearing from classrooms. Even though we know play is learning for young kids, we are seeing it shoved aside to make room for academic instruction and “rigor.”

 

“I could not have foreseen in my wildest dreams that we would have to fight for classrooms for young kids that are developmentally appropriate. Instead of active, hands-on learning, children now sit in chairs for far too much time getting drilled on letters and numbers. Stress levels are up among young kids. Parents and teachers tell me: children worry that they don’t know the right answers; they have nightmares, they pull out their eyelashes, they cry because they don’t want to go to school. Some people call this child abuse and I can’t disagree.

 

“I could not have foreseen in my wildest dreams that we would be up against pressure to test and assess young kids throughout the year often in great excess—often administering multiple tests to children in kindergarten and even Pre-K. Now, when young children start school, they often spend their first days not getting to know their classroom and making friends. They spend their first days getting tested. Here are words from one mother as this school year began:

 

“My daughter’s first day of kindergarten — her very first introduction to elementary school — consisted almost entirely of assessment. She was due at school at 9:30, and I picked her up at 11:45. In between, she was assessed by five different teachers, each a stranger, asking her to perform some task.

 

“By the time I picked her up, she did not want to talk about what she had done in school, but she did say that she did not want to go back. She did not know the teachers’ names. She did not make any friends. Later that afternoon, as she played with her animals in her room, I overheard her drilling them on their numbers and letters.

 

“The most important competencies in young children can’t be tested—we all know this. Naming letters and numbers is superficial and almost irrelevant in relation to the capacities we want to help children develop: self-regulation, problem solving ability, social and emotional competence, imagination, initiative, curiosity, original thinking—these capacities make or break success in school and life and they can’t be reduced to numbers.

 

“Yet these days, all the money and resources, the time dedicated to professional development, they go to tooling teachers up to use the required assessments. Somehow the data gleaned from these tests is supposed to be more valid than a teacher’s own ability to observe children and understand their skills in the context of their whole development in the classroom.

 

“The first time I saw for myself what was becoming of many of the nation’s early childhood classrooms was when I visited a program in a low income community in north Miami. Most of the children were on free and reduced lunch.

 

“There were ten classrooms–kindergarten and Pre-K. The program’s funding depended on test scores, so—no surprise—teachers taught to the test. Kids who got low scores, I was told, got extra drills in reading and math and didn’t get to go to art. They used a computer program to teach 4 and 5 year olds how to Bubble. One teacher complained to me that some children go outside the lines.

 

“In one of the kindergartens I visited, the walls were barren and so was the whole room. The teacher was testing one little boy at a computer at the side of the room. There was no classroom aide. The other children were sitting at tables copying words from the chalk board. The words were: “No talking. Sit in your seat. Hands to Yourself.”

 

“The teacher kept shouting at them from her testing corner: Be quiet! No talking!

 

“Most of the children looked scared or disengaged, and one little boy was sitting alone. He was quietly crying. I will never forget how these children looked or how it felt to watch them, I would say, suffering in this context that was such a profound mismatch with their needs.

 

“It’s in low-income, under-resourced communities like this one where children are most subjected to heavy doses of teacher-led drills and tests. Not like in wealthier suburbs where kids have the opportunity to go to early childhood programs that have play, the arts, and project-based learning. It’s poverty—the elephant in the room—that is the root cause of this disparity.

 

“A few months ago, I was alarmed to read a report from the Department of Education Office for Civil Rights showing that more than 8,000 children from public preschools across the country were suspended at least once in a school year, many more than once. First of all, who suspends a preschooler? Why and for what? The very concept is bizarre and awful. But 8,000? And then to keep reading the report to see that a disproportionate number of those suspended preschoolers were low income, black boys.

 

“There is a connection, I know, between these suspensions and ed reform policies: Children in low income communities are enduring play deficient classrooms where they get heavy doses of direct teaching and testing. They have to sit still, be quiet in their seats and comply. Many young children can’t do this and none should have to.

 

“I came home from that visit to the classrooms in North Miami in despair. But fortunately, the despair turned quickly to organizing. With other educators we started our nonprofit Defending the Early Years. We have terrific early childhood leaders with us (some are here tonight: Deb Meier, Geralyn McLaughlin, Diane Levin and Ayla Gavins). We speak in a unified voice for young children.

 

“We publish reports, write op eds, make videos and send them out on YouTube, we speak and do interviews every chance we get.

 

“We’ve done it all on a shoestring. It’s almost comical: The Gates Foundation has spent more than $200 million dollars just to promote the Common Core. Our budget at Defending the Early Years is .006% of that.

 

“We collaborate with other organizations. FairTest has been so helpful to us. And we also collaborate with –Network for Public Education, United Opt Out, many parent groups, Citizens for Public Schools, Bad Ass Teachers, Busted Pencils Radio, Save Our Schools, Alliance for Childhood and ECE PolicyWorks —There’s a powerful network out there– of educators, parents and students—and we see the difference we are making.

 

“We all share a common vision: Education is a human right and every child deserves one. An excellent, free education where learning is meaningful– with arts, play, engaging projects, and the chance to learn citizenship skills so that children can one day participate—actively and consciously–in this increasingly fragile democracy.

 

Jamaal Bowman, principal of Cornerstone Academy of Social Action in Néw York City, was a major speaker at a conference “A Call for Educational Justice.” You may have read about Jamaal in this earlier post.

You will enjoy watching this six minute video, created by film-maker Michael Elliott.

Jamaal Bowman has earned a fine reputation as an educator who believes in children and in public schools. He knows there are no quick fixes when children have so many burdens and obstacles in their young lives. Where to begin, he asks? Start with love. Recognize the brilliance in every child. Prepare them to live in a different world and to change the world they live in.

Jamaal Bowman is principal of Cornerstone Academy for Social Action in the Bronx, a borough of Néw York City. Knowing that Eva Moskowitz’s Success Academy was planning a mass rally today, he wrote an article saying that schools need to focus on the whole child not just test scores.

Bowman describes the harsh disciplinary policies at Success Academy schools to the supportive environment at his school. Unlike SA schools, school has very little teacher turnover, very minor student attrition, and low suspension rates.

He writes:

“During a recent conversation with a sixth grader who attends a Success Academy charter school, she referred to her learning environment as “torturous.” “They don’t let us be kids,” she told me, “and they monitor every breath we take.”

Although praised by many for its test scores, the draconian policies at Success are well documented. Students must walk silently in synchronized lines.

In classrooms, boys and girls must sit with their hands folded and feet firmly on the ground, and must raise their hands in a specific way to request a bathroom break.

DE BLASIO SEEKS 80% GRADUATION IN 10-YEAR EDUCATION PLAN

Most disturbingly, during test prep sessions, it has been reported that students have wet their pants because of the high levels of stress, and because, simulating actual test-taking, they’re not permitted to use the restroom except during breaks.

Regarding the praise for Success Academy’s test results, we must be mindful of overstating the quality of an education based on test score evidence alone….

“As reported by Juan Gonzalez in the Daily News, the first Success Academy opened in 2006 with 73 first graders. By 2014, only 32 of the 73 had graduated from the school.

“What happened to most of that student cohort? Did they leave willingly just because their families were moving? Did they leave for other schools because Success Academy wasn’t right for them? Were they pushed out?

“Further, school suspensions and teacher turnover at Success are disproportionately higher than district schools. Said one teacher in a recent New York Times article, “I dreaded going into work.” Another teacher, when requesting to leave work at 4:55 p.m. to tend to her sick and vomiting child, was told, “it’s not 5 o’clock yet.”

At Bowman’s school, 99% of the students are black or Hispanic.

He writes:

“Although 90% of our students enter sixth grade below grade level, we’ve had success on the state standardized tests, ranking number one in New York City in combined math and English Language Arts test growth score average in 2015.

“But testing is not how we measure success.

“Our mission is to create a learning environment anchored in multiple intelligences. Student voice and passion are embedded into the curriculum. In addition to traditional courses like mathematics and humanities, S.T.E.A.M. (Science, Technology, Engineering, Art of Architecture, Mathematics), computer science, the arts, leadership and physical education provide a rich and robust learning environment.

“A favorite course of both the staff and students of C.A.S.A. is “Genius Hour.” Borrowing from the 20% time concept of Google, Apple and Facebook, we give students two 60-minute blocks per week to work on “passion projects.” Using design thinking, students explore issues within their community that frustrate them and conduct research into how to create solutions to identified problems.

“Finally, at C.A.S.A., during the 2014-15 school year, only 2.3% of our students received a suspension. Our teacher turnover rate is 1.5% annually. We also have an average of less than a 1% student attrition rate annually over a six-year period.

“Parents and students of Success Academy schools will rally Wednesday against Mayor de Blasio’s agenda of investing in public schools to turn them into community schools and otherwise improve their learning environments. Their goal instead is presumably to turn ever more schools into privately run charter schools — though it’s unlikely Moskowitz would agree to take over any struggling schools if she had to keep the student body intact.

“Our city needs more public schools that serve the whole child without an obsessive focus on tests. Only then will our children truly feel at home. This is a cause worth rallying for.”

Reader Susan Schwartz sent this fabulous video to me.

 

Filmed by wildlife photographer Dylan Winter, it shows the “murmurations” of starlings.

 

“At dusk on a winter evening in southern England a flock of 200,000 European starlings congregate to soar in breathtaking formations before roosting for the night. These incredible displays of aerial precision and biological engineering are captured in this memorable sequence from FLIGHT: THE GENIUS OF BIRDS.”

 

Watch and enjoy.

Rachel Wolfe made this wonderful 30-minute documentary called “Losing Ourselves.”

Losing Ourselves

Rachel is an intern at The Future Project, an education non-profit focused on bringing passion and purpose to the lives of young people, and a sophomore in Northwestern’s School of Education and Social Policy. She graduated a year ago from Scarsdale High School.

She writes about her film:

I’ve been reading (and loving) your blog, and I thought you might be interested in a like-minded documentary I created during my junior and senior years of high school. The documentary is called Losing Ourselves and explores how an expectation for perfection and a status-driven definition of success undermines students’ love of learning and creativity and gets in the way of our ability to use high school as an opportunity to figure out what we love and who we are. The last chapter portrays how a fifth grade classroom in which creativity is encouraged and failure is praised creates kids who are intrinsically motivated, incredibly passionate, and terrified to have their creativity educated out of them.

It is a universal truth, well known, that when budget cuts are imposed by the state, teachers of the arts are the first to go. I recently met with a leader of the arts community in Houston who told me that she wanted to make a gift of art supplies but could not few elementary schools with art teachers.

Some advocates for the arts–music education, especially, claim that the study of music increases test scores.

Peter Greene says: Don’t do that! See here too.

There so many important reasons to treasure music, and the pursuit of higher test scores is not one of them.

“Music is universal. It’s a gabillion dollar industry, and it is omnipresent. How many hours in a row do you ever go without listening to music? Everywhere you go, everything you watch– music. Always music. We are surrounded in it, bathe in it, soak in it. Why would we not want to know more about something constantly present in our lives? Would you want to live in a world without music? Then why would you want to have a school without music?
Listening to music is profoundly human. It lets us touch and understand some of our most complicated feelings. It helps us know who we are, what we want, how to be ourselves in the world. And because we live in an age of vast musical riches from both past and present, we all have access to exactly the music that suits our personality and mood. Music makes the fingers we can use to reach into our own hearts.
Making music is even more so. With all that music can do just for us as listeners, why would we not want to unlock the secrets of expressing ourselves through it? We human beings are driven to make music as surely as we are driven to speak, to touch, to come closer to other humans. Why would we not want to give students the chance to learn how to express themselves in this manner?….

“In music, everyone’s a winner. In sports, when two teams try their hardest and give everything they’ve got, there’s just one winner. When a group of bands or choirs give their all, everybody wins. Regrettably, the growth of musical “competitions” has led to many programs that have forgotten this — but music is the opposite of a zero-sum game. The better some folks do, the better everybody does. In music, you can pursue excellence and awesomeness without having to worry that you might get beat or defeated or humiliated. Everybody can be awesome….

“Do not defend a music program because it’s good for other things. That’s like defending kissing because it gives you stronger lip muscles for eating soup neatly. Defend it because music is awesome in ways that no other field is awesome. Defend it because it is music, and that’s all the reason it needs. As Emerson wrote, “Beauty is its own excuse for being.” A school without music is less whole, less human, less valuable, less complete. Stand up for music as itself, and stop making excuses.”