Jack Hassard, retired science educator at Georgia State University, writes that authoritarians can’t tolerate jokes directed at them. They are thin-skinned. They hate being ridiculed. In Russia, one of Putin’s first targets when he took power in 2000 was a puppet show.

Hassard wrote a book about Trump after his first term, called The Trump Files. No doubt he believed that we had seen the last of Trump. Now he blogs about science, politics, and education.

In one of his latest posts, Hassard wrote:

WHY AUTHORITARIANS FEAR LAUGHTER.

[He added: “They also fear teachers.” That is an amusing echo of the title of Randi Weingarten’s first book, which was just published. Its title: Why Fascists Fear Teachers.]

It is telling that satire, of all genres, is under assault. Authoritarian leaders understand that ridicule delegitimizes power more efficiently than argument. A chart or a speech can be rebutted. A joke that makes the president look ridiculous can’t. That is why Soviet authorities censored jokes. Autocrats in Hungary and Turkey sued comedians. Despots everywhere fear being laughed at. When the United States begins punishing its comedians, it signals a shift. The shift is from democracy confident enough to tolerate ridicule. It progresses to illiberalism that can’t bear mockery….

CONSEQUENCES BEYOND COMEDY

The silencing of late-night satire does not stand alone. It echoes what we have already seen on university campuses, where professors face funding freezes and political monitors in classrooms. It mirrors attempts to pressure journalists with access threats and selective prosecutions. Step by step, the Trump administration is narrowing the arenas in which dissent can be voiced. Censoring satire matters because it collapses one of the last mass-audience platforms for critique. Millions never read a legal opinion. They never attend a lecture. Still, they still meet politics through Colbert’s monologues or Kimmel’s opening jokes. Shut those down, and you have not just silenced comedians — you have muted a public square…

The legal challenges will come. Networks sue. Civil liberties groups will file briefs. Courts eventually reaffirm that the First Amendment forbids retaliation against political speech. But lawsuits take years, and the damage happens now. In the meantime, networks will err on the side of silence. That chilling effect is harder to measure than a canceled show, but it is more corrosive. A student who stops asking questions means a small silence. A professor who drops a reading does too. A comedian who trims a monologue is also a small silence. Collectively, they create a democracy that speaks less, laughs less, and thinks less freely.

NAMING THE PATTERN

If there is one lesson from history, it is this: censorship rarely arrives all at once. It arrives as a series of “exceptions,” each one justified as minor, situational, or deserved. It started on January 20, 2025 with Trump’s first set of Executive orders, and continued for months. Today it is Colbert and Kimmel. Tomorrow it is a journalist, a novelist, a professor, or a teacher. The pattern is clear: when power fears ridicule, it begins by silencing the jesters. The canceling of a late-night joke seems trivial against the backdrop of global crises. But in a democracy, humor is not trivial. Humor is a form of truth-telling. And when the government cancels the joke, it is really trying to cancel the truth.