Annie Paul Murphy writes about neuroscience. In this article in the New York Times in 2012, she says that neuroscientists have documented how fiction helps brains develop. Reading fiction enlarges our understanding and imagination. It teaches us about a wide range of social situations that we may have never encountered. As others have written in the past, fiction is a magic carpet that allows us to enter into other worlds and other places, to walk in the shoes of people we might never meet or people that are purely imaginary. (I actually have some trouble, philosophically, with the idea that we must find a utilitarian justification for engaging with art, whether literature or music or other imaginative expression, like those who say that listening to Mozart increases your math scores, or similar claims of the connection between test scores [i.e., the Holy Grail of education] and activities whose purpose is to give people a sense of joy, to stimulate their imagination, to deepen our humanity.
This relates to a discussion on the blog a few days ago about how Common Core appears to be causing a decline in the teaching and reading of fiction in fourth and eighth grades, which are tested by the National Assessment of Education Progress. Brookings scholar Tom Loveless pointed out what appears to be a direct connection between the introduction of Common Core and the decline in reading fiction.
The Common Core standards direct that teachers in the grades K-8 spend 50 percent of instructional time on fiction and 50% on non-fiction. In the high school, teachers are supposed to spend 30 percent on fiction and 70 percent on non-fiction. This directive has no basis in research, experience, or reason. Why cut back on fiction?
Apparently, the drafting committee decided that the best way to prepare students to do well on the National Assessment of Educational Progress–federal tests that are given every two years to samples of students in every district across the nation–would be to incorporate the NAEP instructions to assessment developers. NAEP recommends that the developers allocate 50 percent of the test questions on the reading exams in fourth grade to fiction and 50 percent to non-fiction, and that the proportions shift in high school to 30 percent fiction and 70 percent informational text. For some unknown, unexplained reason the CCSS writing committee decided this must be the way that reading is taught in American schools, with a declining emphasis on fiction.
This is not only arbitrary, it is senseless. No other nation tells teachers how to allocate time between fiction and non-fiction. Both are worthy. Teachers should make their own decisions about what they think is best in their classroom.
When criticism of this arbitrary allocation became widely known, there was a public outcry that the Common Core was anti-literature. The advocates for the Common Core responded that the allocation applied to all subjects–including mathematics, sciences, physical education, social studies, and so on–and thus left English teachers free to teach fiction if they chose, to the extent they chose.
But neither textbook publishers nor teachers saw it that way. If the purpose of the 50-50, 30-70 divisions was to leave reading teachers free to choose their own assignments, what was the point of embedding the allocations in the standards? If they had no purpose other than to tell math teachers and science teachers not to assign fiction, did the allocation make any sense? Obviously not. It doesn’t take a high level of sophistication to see that the purpose of the allocation was to diminish the amount of time devoted to fiction.
I know of no research that says that children who read fiction are less well prepared to understand informational text than children who read informational text. The most important determinants of reading fluency and skill are not the genre read, but the students’ vocabulary, background knowledge, and interest. Government regulations are “informational text” and O. Henry short stories are fiction. Which is more likely to contribute to a students’ ability to read?
I am not making a case here for fiction over non-fiction. I write non-fiction, and I read non-fiction. But I would never claim that anything I write is worthier than poetry by William Blake or novels by John Steinbeck. Yes, I think students should read classic literature, including classic speeches (“the Gettysburg Address,” Martin Luther King Jr.’s speeches) and classic essays (like George Orwell’s “Politics and the English Language”). Students should be exposed to both great literature and great speeches and essays (otherwise known as “informational text.”)
But I fail to see why any committee anywhere should have the right to tell English teachers whether to teach fiction or “informational text.” That is a decision that belongs to teachers.
I listened to this not. Fiction lives well in my classroom.
Mark Bauerlein and Sandra Stotsky do a pretty good job of explaining the problems with the CC ELA standards here: http://www.schoolimprovement.com/docs/PioneerInstitute_CoreELARecommendations.pdf
I suspect the a big part of the reason for the 70/30 split is simply that David Coleman is suspicious of fiction. It isn’t “objective” (and thus annoying to assess), it doesn’t directly prepare students for “college and career readiness,” it talks about old stuff that isn’t relevant to the 21st century…
“. . . it talks about old stuff that isn’t relevant to the 21st century…”
Don’t know if this “old stuff” is fiction or non-fiction, the latter I guess but it sure seems relevant for today:
“The mass of men [and women] serves the state [education powers that be] thus, not as men mainly, but as machines, with their bodies. They are the standing army, and the militia, jailors, constables, posse comitatus, [administrators and teachers], etc. In most cases there is no free exercise whatever of the judgment or of the moral sense; but they put themselves on a level with wood and earth and stones; and wooden men can perhaps be manufactured that will serve the purpose as well. Such command no more respect than men of straw or a lump of dirt.”- Henry David Thoreau (1817-1862), American author and philosopher [my additions]
Take it from there KrazyTA!!
Diane, I very much relate to your parenthetical remarks that begin “I actually have some trouble, philosophically, with the idea that we must find a utilitarian justification for engaging with art…”
I get so tired of the “aha so what we already knew may actually be true!” tone of mainstream articles covering scientific studies. As though centuries of human knowledge and wisdom may be ignored unless and until we find the physical footprint under a microscope.
Why anyone listens (to say nothing of actually believes!) a single word David Coleman says is a mystery buried in an enigma.
“The 70-30 Common Core Split”
Thirty is the percent
Of brain that folks were using
When Common Core was sent
To schools for their abusing
Yes
Time to revive and circulate again the absurd recommendations of David Coleman regarding the Common Core. Now CEO of the College Board, he likes snippets from great books and thinks it possible to discern the artist’s “intent” by repeated looking at the same masterwork over and over and over and over again…same as close reading of text, presumable same for snippets of music, plays, dance performances.
And then , if you plan to be an artist, you copy those techniques you have discerned in the work and practice, and practice, and practice those techniques…19th century art academy triage system. This may explain why the arts (other than ELA) are dumped into the category of “Science and technical subjects” considered essential for grades 6-12.
Guiding Principles for the Arts Grades K–12 – New York State … usny.nysed.gov/rttt/docs/guidingprinciples-arts.pdf
Friends, I love fiction, and poetry too, and essays. I write essays for part of my living. You might say I’m writing one now. But I also know you can’t read a textbook or an academic paper from front to back looking for characters and relationships and beginnings and middles and ends, sensitive to metaphor and simile but not to the way the author has intentionally, conventionally, structured the text to deliver specific information. You’re at a loss if you’re unaware how chapter summaries work…that informational texts are rarely linear…that you save yourself and your brain wear and tear if you know how to navigate tables of contents and chapter headings and concluding paragraphs…that you can _look for_ what you’re looking for, not just hope somehow to trip across it by means of good fortune if you simply plow straight through. And I know that too many kids find themselves in 4th and 5th and 6th and 11th grade baffled when they’re assigned dozens and hundreds of pages to read, chapters and articles and whole books and multiple websites, not for the pleasure and enlightenment of reading, but to find some one thing out. It wasn’t until high school that I was fortunate enough to meet a teacher who opened my eyes to the secret codes of text organization, to the different ways different kinds of texts are intentionally assembled. Why would any teacher deny that to kids _while_ they are learning to read…not clue them in to the secret that just because it’s letters on a page doesn’t mean it’s all the same, compositionally? How is denying kids that knowledge any different, or any more humane, than throwing a storybook in front of a kid and saying, read it, it’s so interesting you’ll figure it out, without teaching her the letters?
I hold no brief for CC and I don’t care a fig for its arbitrary percentages. And as I’ve mentioned here before, I entirely reject “brain science” hoohah –even when a New York Times opinion piece (itself informational text!) claims neuroimaging can justify art. Art is its own justification. But neither can I accept that it’s teachers’ personal prerogative whether they want to keep kids ill-equipped to read (or write) the way most of us have to read (and write) every single day outside our precious leisure time. School needn’t be wholly utilitarian. But if you’re going to make someone spend 6 hours there 5 days a week for 13 years, a little utility can’t hurt.
Annie Murray Paul has written on multiple occasions about “The Neuroscience of Your Brain on Fiction” reporting that reading fiction, “is an exercise that hones our real-life social skills, another body of research suggests. She has cited research “that individuals who frequently read fiction seem to be better able to understand other people, empathize with them and see the world from their perspective.” To summarize, the data using neuroscience proves that reading fiction is good for you.
When I taught literature, my students made connections to the real word (“Macbeth” to Afghan Warlords; “Frankenstein” to the science of cloning). Literature helped my students make sense of the world; they did not need to suffer under a despot, but they could experience a corrupt political system in Orwell’s “Animal Farm”. They did not need to crash on a deserted island to understand how quickly very civilized young people can tun into savages when they read William Golding’s “Lord of the Flies”. They contemplated a precious relationship based in decency and humanity between a father and son without having to survive an apocalyptic nightmare as in Cormac McCarthy’s “The Road”. They could better understand the historical context of Jim Crow laws from Harper Lee’s “To Kill a Mockingbird” and in Kathryn Stockett’s more recent novel “The Help”.
And they also learned about the utilitarian movement in England during the Industrial Revolution, the rise of the middle class, the frightening system of government-run workhouses, and the dangers of child labor in Dickens’s novel, “Oliver Twist”. Dickens’s literature demonstrates the power of fiction as a means of providing background information.
So, try and read a textbook of facts and statistics explaining the Industrial Revolution, and then read “Oliver Twist”. Which version will you vividly remember?
FULL Post @ http://usedbooksinclass.com/2012/08/23/english-teachers-need-to-defend-literature-from-myths-of-the-common-core/