Gerri K. Songer maintains that the Common Core standards misunderstands how students learn to read. In a previous post, she demonstrated that the reading levels of PARCC were set so high and were so unrealistic that they would cause a very high failure rate.
New Research on Text Complexity – CCSS vs. Sound Educational Practice
By: Gerri K. Songer, Education Chair – Illinois Township High School District 214
Appendix A of the Common Core State Standards (CCSS) offers a review of research asserting that it is important for students to read complex text in order to be successful in meeting college and career challenges. CCSS argues, “The research shows that while the complexity of reading demands for college, career, and citizenship have held steady or risen over the past half century, the complexity of texts students are exposed to has steadily decreased in that same interval. In order to address this gap, the CCSS emphasize increasing the complexity of texts students read as a key element in improving reading comprehension.”
The study in Appendix A evaluates six different computer programs:
ATOS by Renaissance Learning
Degrees of Reading Power (DRP) by Questar Assessment, Inc.
Flesch-Kincaid
The Lexile Framework for Reading by MetaMetrics
Reading Maturity by Pearson Education
SourceRater by Educational Testing Service
Easability Indicator by Coh-Metrix
The different qualitative dimensions include:
1. STRUCTURE – Texts of low complexity tend to have simple, well-marked, and conventional structures, whereas texts of high complexity tend to have complex, implicit, and (in literary texts) unconventional structures.
Translation: CCSS finds it more desirable for students to read text that does not follow standard convention rules (i.e. text without an identifiable pattern).
2. LANGUAGE CONVENTIONALITY AND CLARITY – Text that rely on literal, clear, contemporary, and conversational language tend to be easier to read than texts that rely on figurative, ironic, ambiguous, purposefully misleading, archaic, or otherwise unfamiliar language (such as general academic and domain-specific vocabulary).
Translation: CCSS finds it more desirable for students to read text that is unclear, misleading, old, unfamiliar, ironic, and figurative (text that doesn’t say what it means).
3. KNOWLEDGE DEMANDS – Texts that make few assumptions about the extent of readers’ life experiences and the depth of their cultural/literary and content/discipline knowledge are generally less complex than are texts that make many assumptions in one or more of those areas.
Translation: CCSS finds it more desirable for students to read text with which few people can identify in terms of life experience.
4. LEVELS OF MEANING (literary texts) OR PURPOSE (informational texts) – Literary texts with a single level of meaning tend to be easier to read than literary texts with multiple levels of meaning (such as satires, in which the author’s literal message is intentionally at odds with his or her underlying message). Similarly, informational texts with an explicitly stated purpose are generally easier to comprehend than informational texts with an implicit, hidden, or obscure purpose.
Translation: CCSS finds it more desirable for students to read text that has multiple meanings with information that is implied, hidden, or obscure.
SUMMARY: CCSS advocates utilizing text for educational purposes that follows no pattern, that is unclear and misleading, that few people can identify with, and that has multiple meanings.
REALLY? This must go against every best practice strategy in existence! Perhaps this explains why politicians seem to be clueless.
In the quotation above, therefore, CCSS must be demonstrating the following skills:
“The research shows that while the complexity of reading demands for college, career, and citizenship have held steady or risen over the past half century . . . “
Purposely Mislead the Reader (PMR): It has most likely stayed the same over the past half century.
” . . . the complexity of texts students are exposed to has steadily decreased in that same interval.”
Obscure Information Using Multiple Meanings (OIMM): What type of complexity was actually analyzed in the research? From what study was this information taken?
Conclusions Based on Lack of Experience (CBLE): It is obvious CCSS has very little to no experience in helping students become better at reading because they would never advocate for text that follows no pattern, that is unclear and misleading, that few people can identify with, and that has multiple meanings as a means for improving comprehension.
“In order to address this gap . . . “
Figurative Language Lacking Patternization (FLLP): This must be figurative language because all educators know this is not actually happening. The inferred meaning is, “in order to steal public funding and confound future generations of America.” There is no pattern to support a gap actually exists, let alone that CCSS can bridge it. (If truth be told, I made up the term ‘patternization’ as it applies to text complexity. If CCSS advocates misleading, confusing, calling something something that it isn’t, and implying misinformation, I thought I’d give it a shot.)
“. . . increasing the complexity of texts students read as a key element in improving reading comprehension.”
Satiristic Assertion (SA): I have to call this one satiristic assertion because it’s really funny, yet hysterically tragic. Reading comprehension will not be increased by increasing the complexity of text in the manner proposed by CCSS. (I made up Satiristic Assertion too; although, I don’t think CCSS gives bonus points for creativity.)
Reading comprehension is a skill; it is just like learning to throw a football, make a basket, or hit a baseball. Athletes become good at their sport because they consistently practice individual skills.
Recall the first time you learned to ride a bike, throw a ball, or swim. Imagine how, in the beginning, someone demonstrated these activities. Yet, you could only learn so much from watching someone else; eventually, you had to give it a try yourself. With repetition and time, you became proficient in these activities, and perhaps, you may have ultimately excelled at and enjoyed them.
Apply these activities to reading. In the beginning, reading is modeled and taught. But, students can only learn so much from observing others read. At some point, students need to read for themselves. If they practice, they will become proficient, and in the end, they can excel and even enjoy this skill.
In order for students to read, they must practice reading consistently (a minimum of several 20 minute intervals each day) using text that has a vocabulary they understand and a level of complexity they are cognitively able to manipulate. I advocate that students read material they connect with and enjoy, so they are motivated to read rather than turned off by it. As time goes by and students demonstrate mastery of comprehension skills (finding the main idea; identifying supporting details; recognizing sequential, comparative, and cause-effect relationships; understanding the meaning of words; and making generalizations and conclusions) the complexity of text increases, as does vocabulary. I’m not against increasing text complexity, I am against increasing it in a manner aligned with the study produced by CCSS.
As a side note, sequence is a difficult skill for students with learning disabilities to master since most neurologically-based academic deficits include a processing deficit in the area of short-term (working) memory. Sequence is a skill that requires short-term memory; therefore, students with an academic deficit in the area of reading benefit from scaffolded instruction when practicing this skill.
As an English teacher, I would define text complexity in terms of the conventions used to produce the text at sound level and word level(decoding), and at the paragraph level, multi-paragraph level, single text level, and multi-text level (comprehension). These steps apply to all types of literature, including fiction, non-fiction, and informational text.
1. A simple sound would consist of one letter: | f |.
2. A complex sound increases in complexity based on the number of letters blended together: | ph | is more complex than | f |.
3. A simple word would be one syllable: cat.
4. A complex word increases in complexity as it increases in syllables: feline is a more complex word than cat.
5. A simple sentence is one that contains a subject and a verb, and it expresses a complete thought.
6. A compound sentence contains two independent clauses joined by a coordinator.
7. A complex sentence has an independent clause joined by one or more dependent clauses. A complex sentence always has a subordinator such asbecause, since, after, although, or when (and many others) or a relative pronoun such as that, who, or which.
8. A simple paragraph would consist of applying comprehension strategies exclusively to one paragraph.
9. Multi-paragraph complexity would increase as the number of paragraphs increase.
10. Simple text would consist of applying comprehension strategies to a text promoting a single point of view.
11. Multi-text complexity would increase as the number of differing viewpoints, either within a single text or within multiple texts, increase.
An error I find that is commonly made in reading instruction is based on the lack of understanding behind how fluency should be used. I have observed that mega-corporations producing reading materials often promote fluency when soliciting comprehension materials.
Fluency is a skill needed for students who are reading at the level of decoding. When these students begin to put together sounds and to form words, fluency is important so students can hear the sounds put together to form a word. At this level, they also need to read more fluently in order to process, or manipulate, the information they read. Sounds become words, words become sentences, and sentences become paragraphs.
Yet there is a grey area between decoding and comprehension where fluency is no longer the objective, comprehension is. No teacher would tell a student struggling with comprehension to, “read faster” (fluency). It is at this point where students actually benefit from slowing down and interacting with text using strategies such as annotation and materials such as graphic organizers related to individual comprehension skills as listed above.
Once students get to this level, it is purely a matter of consistent practice and raising the level of text complexity (as I identified it above) upon mastery of individual comprehension skills, while also increasing their vocabulary. This is similar to how a judo player would advance from one level to the next, for example. Of course, teachers will also have to deal with issues such as student motivation, attendance, the availability of appropriate materials, the number of students in a class, administrative decision-making, and etc. Those issues are beyond the scope of this article. It’s my intent to merely identify the components of solid reading instruction.
As you can clearly see, in contrast to CCSS, this follows a pattern. As demonstrated in the publication, ‘Learning About Numbers With Patterns,’ best practice maintains that children learn better when they can identify patterns. Although this study cites an example related to mathematics, its example can be applied to any discipline. Students learn better when they can see patterns, connect patterns, and build on patterns. This is a complete negation of the educational information CCSS is soliciting to the public.

My favorite part of Michelle Rhee’s weirdly disjointed word salad of an editorial defending standardized testing is the now-obligatory ed reformer trashing of a public school and a public school teacher:
“As a parent, I understand that problem. My daughter came home from public school one day and said class was a breeze now that “the test” was over. And I thought, “Geez, what are we communicating to our kids if they think the test is the most important thing — and once it’s over, learning ends?”
Lazy, lazy teachers and low-achieving public schools! It’s like they can’t help it. The objective is to drive a wedge between parents and teachers. Parents and reformers on one side and public schools on the other.
Michelle Rhee cares more about your child than his or her public school teacher! She does!
It’s both a nakedly transparent political tactic and absolutely repulsive. How dumb does she think public school parents are? I know most of us attended the public schools she loathes, but, wow. You’d have to be a real dope to believe this media celebrity and lobbyist knows more about your individual kid than their actual teacher does. Michelle Rhee couldn’t pick my kid out of a line up, yet here she is delivering another stern lecture to parents. The hubris is incredible.
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I do not recall how I learned to read, but the underemphasized point is the connection between speaking and reading and the role of life experience in discerning meaning. I watched a short video demonstrating a program called discussions4learning. The teacher models conversations that focus on works of art and stock photos selected to create images in mind for terms well above conventional view of vocabulary for very young children. They recall the word enormous several weeks after it is introduced as a word to describe the hairstyle of women in a photo. They are walking along a road in a rural setting. The second image is. Painting dominated by an enormous and richly patterned quilt. You have to look long and hard to discover that itis draped over a person. In the discussion students are doing all of the great things that build a peer culture of learning together ,speaking clearly, asking questionsand so on. one soft he adulterating coaches is shown crying as she on the moment when students recalled the world enormous .i believe this is an example of building referential competence thatf favors compression as well as fluency. In any case this program is seems to be specially helpfull to students who are learning English and who are easily distracted during so many of the drills that mark current instruction. Some reading experts were also tracking the results. I have nov sets interest in the program. I love the decision tointroduce young children to imagery from around the world andart works, with dwell time to discern details and discuss them.
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New iPad sorry for all the typos.
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Where would you put Shakespeare in the four categories?
It seems to me that 1) his writing does not follow conventional, 2) his writing is old, unfamiliar, ironic, and figurative (text that doesn’t say what it means), 3) few can identify with his writing in terms of life experience, and 4) his writing has multiple meanings with information that is implied, hidden, or obscure.
I am surprised that english teachers would find it undesirable for students to read such work.
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Shakespeare is probably very difficult reading not only for most children but for most adults as well. It’s probably safe to say that very few native speakers of English have read very much of Shakespeare and even fewer have enjoyed it.
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Wow… Alaskan 5th graders, with very low literacy, can understand it quite well when read to them. Perhaps you are not fluent in reading. Shakespeare Camp in Alaska is a time honored tradition.
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I wonder how many native English speakers have read “Paradise Lost”? One in a million? How mamy have even heard of him?
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I should have said “of Milton.” instead of “of him.”
I suspect getting children interested in English poetry of the past is probably a lost cause but Pope and Dryden are probably more accessible than Shakespeare or Milton.
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I do not think we need to go as far back as Milton and Shakespeare to find examples. Among my youngest son’s favorite books are Moby Dick and For Whom The Bell Tolls. It seems to me that both would fail the four point test given above but reasonable people might find it desirable that students are able to read that literature.
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I didn’t really like “For Whom the Bell Tolls” when I read it long ago ( my parents had a copy of it ) and I have forgotten most of it. I read “Moby Dick” when I was a boy travelling in a ship accross the Pacific Ocean. I found a copy of it in the ship library and I read it sitting on the deck and watching whales spouting off toward the horizon. I loved it, however the whole book is very long and I suspect a little slow-paced for most modern children used to the rapid pace of TV and electronic media. That’s probably also a problem with Conrad and Mann both of whom I also enjoyed as a child.
I was probably too young when I read “For Whom the Bell Tolls” to really apprerciate it.
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Conrad has a lot of hidden or any rate obscure meanings in his books. When I read “Lord Jim” as a child I didn’t have any idea that the name of the ship that Jim abandons, “Patna” means “fatherland” in Polish.
Later when I read a biography of Conrad it became obvious that James Wait in “The Nigger of the Narcissus” is Joseph Conrad or Konrad Korzenioski or whoever he really was.
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Jim is wrong about the popularity of Shakespeare. Every year in the United States, there are thousands of productions of plays by Shakespeare that are well attended.
Some suggestions about approaching Shakespeare with high-school kids, in no particular order:
Don’t use the texts in the basal textbooks. These have been VERY HEAVILY censored. The Romeo and Juliet texts in the 9th-grade basals have, for the most part, had a fifth of the play expunged for being too racy. The deletions do extreme violence to the texts. Romeo and Juliet is ABOUT romantic love being too extreme for kids to handle. That is the very issue to be confronted. Confront it. Fourteen year olds will find that topic, and that framing, fascinating. The play is about people just like them, confronting things that many of them are confronting.
Understand that few people can read this stuff cold. The language IS difficult at first, very difficult. However, you can take advantage of the fact that ability to decode spoken language FAR SURPASSES ability to decode text alone. Long before kids ever read any Shakespeare, they should see good productions, live and filmed, and SHOULD PERFORM SCENES, THEMSELVES, scenes that have been carefully selected and framed. Introduce students to the recasting of Shakespeare into modern settings and idioms, and give them opportunities to do that themselves, in teams, with short selections, again, properly framed.
Have kids memorize bits and pieces. Doing so will harness their innate mechanisms for intuiting, without their even being aware of it, the grammatical structures of the language.
First introduce Shakespeare in the context of study of language change generally. It’s very easy to hook kids on the study of language change by beginning with examination of how clueless their elders are about the kids’ own language. Kids tend to be proud of the fact that they have their own idiom not shared by those clueless adults.
Bring actors into your classes to do scenes for kids and to talk about those scenes.
Set the stage for kids. Show them how Shakespearean theater was like a contemporary rock concert. Introduce them to the raucous crowd, to the physical setting, to the sorts of characters who would attend these plays. Build a model of the Globe in class. Explain how the authorities kept busting the theaters and closing them down. Make sure that they understand how DANGEROUS and SCANDALOUS the authorities thought the theater to be. Arouse their curiosity about what freaked out the authorities so much that they would ban theaters or force them to set up outside the city limits.
Provide kids with lists of phrases in the language that come from Shakespeare. It’s amazing how extensive and familiar these are, how much this guy influenced our speech.
Do LOTS of project work in connection with the Shakespeare. Make this fun.
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Of course, it goes without saying that you must be very careful in approaching in class that explosive material in Romeo and Juliet. Kids getting themselves in way over their heads through what romantic involvements at early ages is epidemic in our overly sexualized consumer culture. This play is ABOUT what can go wrong there, about a couple of kids carried away by their passions into waters too furious for them to swim in.
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I think the point is that you wouldn’t give Shakespeare to a student who reads at a fourth grade level, and you shouldn’t hold all fourth grade students accountable for reading text that is beyond what most at that grade level can read. The author made the statement, ” I’m not against increasing text complexity, I am against increasing it in a manner aligned with the study produced by CCSS.”
Also, reading Shakespeare does not make a person smart. There are different types of intelligences. Is a student less intelligent who can read a manual, take a car engine apart, and then put it back together? Or are the only intelligent people those who can figure out the thematic relevance of identity in Romeo and Juliet?
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amen to that!
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But that’s exactly what we had to do in the college prep English Lit classes at the high school where I taught that had more than 70% of its students on free or reduced breakfast or lunch in a community riddled by poverty with streets dominated by violent street gangs.
Because we were forced to do away with tracking—placing kids in English classes as groups that fit their literacy level—we were teaching kids in the same class reading from 2nd grade to college level literacy out of grade level lit textbooks that included Shakespeare as part of the mandated curriculum and state standards. California had standards decades ago that are not that different from the standards of today but without the Draconian tests used to fire teachers and close schools.
How do you teach a class with that wide spread of literacy skills out of a grade appropriate lit text?
You use every media/tool and teaching method possible. Act by act and chapter by chapter, you use lively class discussions, cooperative learning groups, group projects that are presented to the class, in class reading while the kids listen at the same time to the same text on an audio tape, essays with prompts that help the kids see the similarities between their world and the world Shakespeare paints with his words. The last exercise was to watch the film, for instance, Romeo & Juliet followed by another discussion and essay—always essays with original teacher generated prompts that linked the plot to their real world.
By the time a class finished, even if a kid doesn’t understand the archaic language of Shakespeare, they know the story, the characters, the drama the tragedy, the facts, the conflicts and the major themes and how it all connects to their own world. Even the kid who refused to read, refused to do the work, refused to take part in the discussions still has ears and hears what’s going on around them.
This is something that Bill Gates education software scheme will never achieve.
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Exactly. The foundations of reading at the elementary level are crucial for building reading fluency, comprehension, and stamina so that by high school, students are able to tackle more difficult text like Shakespeare.
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Spent yesterday with granddaughter who was recovering from the extraction of 4 wisdom teeth; her independent school week included reading Hamlet before watching the play on DVD. It was such a joy to read the original, the Spark translation (great series), and discuss together the Bard’s humor, wisdom, empathy, and life itself–in short his genius. Sure, it required time and effort, but it was such a joy to share this experience. And, perhaps this is the key; The joy of reading must be shared from the beginning of a child’s literary experience.
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“2. LANGUAGE CONVENTIONALITY AND CLARITY – Text that rely on literal, clear, contemporary, and conversational language tend to be easier to read than texts that rely on figurative, ironic, ambiguous, purposefully misleading, archaic, or otherwise unfamiliar language (such as general academic and domain-specific vocabulary).
Translation: CCSS finds it more desirable for students to read text that is unclear, misleading, old, unfamiliar, ironic, and figurative (text that doesn’t say what it means).”
Ah ha! The raison d’être for the Federalist Paper No. 10!
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Chiara Duggan while I enjoyed your post I don’t see how it relates to Gerri K. Singer’s post on Common Core.
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The Common Core as it is being implemented indicates that there was an assumption that kids all learn at the same pace similar to how a car is assembled on an assembly line and at the end of the assembly line, in the same block of time for each car, a final product will roll off the line ready to be sold to a consumer and do what the car was engineered to do.
If human children were robots, this theory might work.
This begs a question: Are the engineers behind the creation of the Common Core robots who are not human?
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IMO, text is only as good as the reader can relate to it. Also, text complexity can be explored further on text that is at an independent level for the reader. in other words, text doesn’t need to be “complex” to have higher level comprehension discussions. Kids WILL NOT enjoy reading if text is complex in structure and/or the topic or theme is not relevant to their lives. You also can’t judge a student who has poor fluency therefore, will have poor comprehension skills. I have 2 ESLs who comprehend perfect, but don’t read fluent, because their errors don’t effect meaning.
CCS are conceived by people who are overthinking what reading should be. We should be looking at who are our students and their interest, their prior/background knowledge, their reading levels determined by diagnostic reading inventories, and their miscues to help them become better readers. When we predetermine that kids are going to college, we tend to jump the gun and force them to do things prematurely that they aren’t capable of at the present.
We are better off sticking to the original reading components of phonemic awareness, phonics, fluency, vocabulary, comprehension, and writing in response to reading. We also need professional development in how to teach struggling readers, lots of variety of books at every level, and volunteers to read with kids. CCS will destroy the joy of reading, because it doesn’t support the readers’ emotions and developmental stages of reading.
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Regarding kids not enjoying reading that is not relevant to their lives. When I was a child I enjoyed reading Poe, Stevenson, the tales of Sherlock Holmes, Mark Twain and a lot of other stuff like “Nostromo” that wasn’t particularly relevant to my rather mundane middle-class life.
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I was speaking more about struggling readers whom I find enjoy books by Eve Bunting and Palacco. You probably connected to the authors you mentioned because you could relate it to. In that case, it is relevant to your life or connections to characters.
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Reblogged this on the KSS Learning Commons and commented:
“…“The research shows that while the complexity of reading demands for college, career, and citizenship have held steady or risen over the past half century, the complexity of texts students are exposed to has steadily decreased in that same interval. In order to address this gap, the CCSS emphasize increasing the complexity of texts students read as a key element in improving reading comprehension.”
———————READING———-
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I encourage people to read the actual Appendix A. Mrs. Songer either purposely mangled her summary or has troubles with reading comprehension herself.
I found this article poorly written, especially for an English teacher. Why did she list the computer programs, but not discuss them at all or the quantitative aspects they attempt to measure. In fact, she mentions them and then immediately delves into a discussion of qualitative aspects. Does she know the difference between quantitative and qualitative? She questions which studies conclusions were based on even though they were mentioned, then follows up with a completely unsubstantiated claim herself. (“It has most likely stayed the same over the past half century.”) I felt like I was reading someone’s scattered notes that they had yet to combine into an informative, readable essay.
She summarizes: “CCSS advocates utilizing text for educational purposes that follows no pattern, that is unclear and misleading, that few people can identify with, and that has multiple meanings.” In other words, CCCS advocates teaching literature, What Appendix A does is assume literature will be taught and talks about a variety of factors
considered to determine when a text is appropriate. For example, “The Grapes of Wrath” is a simple text to read, but contains themes and meanings that put it at the 9th-10th grade level. What is wrong with that?
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Didn’t that “unsubstantiated claim” begin with “most likely” and wasn’t it based on “Common Core” rationale?
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Do you know what “unsubstantiated” means? It has nothing to do with likely or not likely. Because she did not *substantiate* her claim, I have no idea what it is based on.
If this post made sense to you, you obviously did not read Appendix A and are only looking for soundbites to support something you already believe. Those of us who are still trying to form an opinion have a right to be frustrated when we turn to a site supposedly as respectable as this one and find a post full of misrepresentations, misinformation, and outright lies.
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It’s wonderful to see teachers doing a “close reading” of the Common [sic] Core [sic] in ELA. When I read this document, what I see is a toxic cocktail of ignorance and arrogance.
One of the first things I noticed when I first read through the Common [sic] Core [sic] in draft version was the call for “foundational texts” in American literature in Grades 11 AND IN GRADE 12 (one of the very few nods to content in the document). To many who, like me, write textbooks for kids at these grades, the immediate reaction was incredulity, then suspicion. Were the people who wrote these “standards” aware that almost all high schools in the U.S. have an American literature survey course in Grade 11 and either a British literature or world literature survey course in Grade 12? Were the authors of the “standards” so out of touch with what actually goes on in U.S. classrooms that they didn’t even know this? Are teachers of the British lit survey course in Grade 12 supposed to pause during their unit on British Romantic literature to do lessons on the Federalist Papers and The Virginia Statute for Religious Freedom?
Could the authors of the “standards” be that clueless?
The more I studied the “standards,” the more closely I read them, the more clear the answer became. Yes, the authors of these “standards” could be, and they were, that clueless. The CC$$ for ELA are shot through with misconceptions, unexamined assumptions, untenable progressions, random/arbitrary prescriptions, prescientific folk notions about how grammar and vocabulary are learned, extraordinarily amateurish ideas, amounting to caricature, about the teaching of writing and thinking.
So, more of what Ms. Singer has done in this piece–more close reading of the CC$$ bullet list.
Here’s what used to happen with state “standards”: They were equally terrible, for the most part, but people took them with a BIG grain of salt, as vague guidelines hacked together via groupthink processes by well-meaning but commonly confused state-level bureaucrats. And then they would base their actual practice on their better own better judgment, adhering to the spirit but not the broken letter of the state bullet list. But in the age of the ratcheting up of Ed Deform numerology and high stakes, administrators and the managers of curriculum developers are putting great pressure on their employees to stick to the script provided by the “standards,” and so issues with the standards become more important.
I work with these “standards” every day. Every day I see, in applying them, how poorly they were constructed, how badly thought through, what the practitioner sees that the amateur standards-writer, working a priori, didn’t. And every day I hear from editors who tell me that it makes no difference that this or that standard was poorly formulated, it is now the LAW, and violators–anyone who thinks for himself or herself–will be prosecuted.
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cx: Ms. Songer, not Singer
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Apparently I was supposed to work Hamlet in while I was reading those US foundational documents, too.
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That works, you can do your unit on Hamlet and the Federalist Papers
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Exactly, kimmah
The people who hacked these “standards” together were complete amateurs–clueless, really, about what they were doing
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By Ms. Songer’s rules “angst” is a simple word (one syllable) but “bunny” is a complex word. My 2 year old would disagree.
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Now you are talking about usage, which is different than complexity. Although angst is a less complex word than bunny, your 2-year old has probably heard bunny used more.
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No, I’m talking about complexity. “Angst” is an abstract word describing a complicated emotion. My 2 year old understands “bunny” because it means a small animal with long ears – I’m pretty sure that even if we used the word “angst” all the time around the kid, she still wouldn’t understand it.
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It appears the author is commenting on the structural components of grammar, and I believe that you are trying to apply other elements of linguistics to an argument that isn’t about them. This piece, when taken wholistically, seems to be making the simple point that, for example, if a ELL student reads at the 4th grade level, don’t give him Shakespeare, and don’t make him feel stupid because he can’t read it yet at his developmental stage of reading. If kids can read at the 12+ level, give them 12+ text. If they can’t, don’t. Common Core seems to think everyone needs to read Shakespeare – there are many students in America who can survive without Shakespeare. It may have been a nice, cultural experience, but for some students, that may have been a luxury compared to their individual educational needs and priorities.
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An enormous part of the reading equation that is typically missed by people coming from backgrounds in which they have studied Reading in an education school is the internalized grammar of the language. And here I am using “grammar” in the Chomskyan sense to refer to the entire body of innate and learned implicit but not explicitly known rules for syntax, morphology, semantics, and phonetic structure that make up spoken competence in Language generally and in a specific language in particular. Fluency is completely dependent upon that competence, and that competence is precursor and prerequisite both to fluency and to comprehension, and this is very little appreciated among Reading Specialists. So, for example, a child who has no internalized model for the syntax of so-called bare infinitives will not be able to read a sentence fluently or to comprehend a sentence containing such a construction, and that child can gain such competence only through exposure to language containing such constructions. We had a whole national push under Reading First that atomized the various competencies in Reading but that left this out entirely. Which is BREATHTAKING, really.
I am continually amazed at the disconnect between Reading instruction as taught in Education schools and language acquisition generally as understood by linguists and cognitive psychologists. These separate fiefdoms need to start talking to one another more than they do.
Another essential, of course, for comprehension is knowledge of whatever it is that the writer takes for granted that the reader already knows. The background knowledge activities in Reading textbooks that have kids simply talking about what they already know about a topic do not address this. Every text assumes existing knowledge on the part of the reader. If the reader doesn’t have that knowledge, the text will be opaque. And that knowledge is not only knowledge about the topic that the writer assumes that the reader already has. It also includes knowledge of aspects of the conventions, the genre, the social context of the piece, etc., on which the referential meaning and significance are dependent. These are all essential to comprehension but are all too often skipped over.
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the child his built to gain that competence through exposure to syntactically, semantically, and morphologically rich, complex spoken language
This is not generally understood, and it’s very, very important. If it were properly understood, that understanding could mean a revolution in reading instruction, or, rather, in the creation of environments for acquisition prerequisite to reading.
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“the child his built to gain that competence through exposure to syntactically, semantically, and morphologically rich, complex spoken language”
~ I am merely a parent, but the relationship between reading comprehension and spoken language seems very much underestimated by education “reformers” as of late. I have asserted in the past that she(or he) who reads the most wins. But of course that is only part of it. I am not certain of the validity of the Thirty Million Word Gap, http://centerforeducation.rice.edu/slc/LS/30MillionWordGap.html, but I believe that children need this rich and constantly repeated exposure in order to hear and know and understand all the nuances, the complexities, and the beauty of English (or their native language), and it is absolutely vital that children have this experience if they are to become successful readers.
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Thanks, Dorothy. And the interesting thing is how early that competence starts developing (or not). There is solid linguistics research showing that it begins happening even before birth. If we are going to make major headway with regard to reading in very low SES areas, then we are going to have to create compensatory rich spoken linguistic environments at very early ages. Wrap-around services have to include those–great, free daycare with lots of rich verbal activity going on. All about fun and social interaction, but with this very important educational function that is NOT understood by most. The 30-million-word gap is real, and it’s serious.
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It’s important to recognize that we are not just talking about vocabulary here. We are talking about the building of internal functional grammatical models (again, using the word “grammatical” in the widest sense).
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