Archives for category: Media

Sarah Mondale and Vera Aronow announce that their long-awaited film “Backpack Full of Cash” has been completed, and they are now taking it to film festivals and community screenings. This is the film that tells the story of the dangers of public school privatization and the undermining of public education in many districts.

Dear BACKPACK Friends and Supporters,

We want to share some good news. BACKPACK FULL OF CASH––a documentary film narrated by Matt Damon, that explores the impact of privatizing public schools––is now finished, updated and complete with a new Epilogue. With the appointment of U.S. Secretary of Education Betsy DeVos––a longtime advocate of charter schools, vouchers and online schools, there is a pressing need for public awareness of these issues. BACKPACK seems to be striking a nerve with audiences.

We just showed BACKPACK to sold-out crowds at film festivals in Nashville and Washington, DC where the film won Runner Up–Audience Award, Best Documentary. We are getting many requests for screenings from around the country–and the world! If you or someone you know would like to host a screening, please visit our website. You can also make a donation––now urgently needed––to help us launch the outreach/ distribution campaign for the film.

We have been invited to show BACKPACK FULL OF CASH in Seattle, WA and Alberta, Canada in May/June. If you know anyone in these areas who would be interested, please help us spread the word. Here is the schedule and ticket info:

BACKPACK FULL OF CASH SCREENINGS

SEATTLE INTERNATIONAL FILM FESTIVAL
(filmmakers in attendance at June screenings only)
Friday, 5/19 at 3:30pm at SIFF Cinema Uptown
Tuesday, 6/6 at 7:00pm at AMC Pacific Place
Wednesday, 6/7 at 4:30pm at AMC Pacific Place Click here for tickets.

ALBERTA, CANADA
presented by Support Our Students Alberta,
sponsored by Alberta Federation of Labour
(filmmakers in attendance in Calgary only)

Thursday, 5/25 at 7:00pm in CALGARY, Globe Cinema
Saturday, 5/27 at 7:00pm EDMONTON, Art Gallery of Alberta, Ledcor Theater
Tuesday, 5/30 at 7:00pm in LETHBRIDGE, City of Lethbridge Sterndale Bennett Theater
Thursday, 6/1 at 7:00pm in RED DEER, Red Deer College, Welikoland Cinema
Click here for tickets.

Thanks again for your support.

Sarah Mondale, Vera Aronow, and the BACKPACK Film Team

It is very instructive to scan the long list of organizations that are funded by the Walton Family Foundation. Some will surprise you. Some will not. Here is what we know about this foundation. The Walton Family (beneficiaries of Walmart) is the richest family in America. There are many billionaires in the family. Like Betsy DeVos, they don’t like public education. They don’t like regulation. They love the free market. They don’t like unions. Individual family members have spent millions on political campaigns to support charters and vouchers. The Foundation also supports charters and school choice.

In 2015, the Walton Family Foundation spent $179 million on K-12 education grants. They are in the midst of a pledge to spend $1 billion to open more charters, and they have targeted certain cities for their beneficence (Atlanta, Boston, Camden, Denver, Houston, Indianapolis, Los Angeles, Memphis, New Orleans, New York, Oakland, San Antonio and Washington, D.C.) Their goal is to undermine public education by creating a competitive marketplace of choices. They and DeVos are on the same page.

I suggest you scan the list to see which organizations have their hand out for funding from one of the nation’s most anti-public school, anti-union, rightwing foundations.

Here are a few of their grantees:

Black Alliance for Education Options (BAEO), run by Howard Fuller to spread the gospel of school choice: $2.78 million

Brookings Institution (no doubt, to buy the annual report that grades cities on school choice): $242,000

California Charter Schools Association: $5 million

Center for American Progress (theoretically a “centrist Democratic” think tank): $500,000

Charter Fund, Inc. (never heard of this one): $14 million

Chiefs for Change (Jeb Bush’s group): $500,000

College Board (to push Common Core?): $225,000

Colorado League of Charter Schools: $1,050,000

Editorial Projects in Education (Education Week): $70,000

Education Reform Now: $4.2 million

Education Trust, Inc. (supposed a “left-leaning advocacy group”): $359,000

Education Writers Association: $175,000

Educators for Excellence (anti-union teachers, usually from TFA): $925,000

Families for Excellent Schools (hedge fund managers who lobby for charter schools in New York City and Massachusetts): $6.4 million

Foundation for Excellence in Education (Jeb Bush’s organization): $3 million

High Tech High Graduate School of Education (this one stumped me; how can a high school run a graduate school of education?): $780,000

KIPP Foundation: $6.9 million

Leadership for Education Equity Foundation (this is TFA’s political organization that trains TFA to run for office): $5 million

Massachusetts Charter Public School Association (this funding preceded the referendum where the citizens of Massachusetts voted “no mas” to new charters): $850,000

National Public Radio: $1.1 million

National Urban League: $300,000

Pahara Institute: $832,000

Parent Revolution: $500,000

Relay Graduate School of Education (that pseudo-grad school with no professors, just charter teachers): $1 million

Schools That Can Milwaukee (Tough luck, the Working Families Party just swept the school board): $1.6 million

StudentsFirst Institute: $2.8 million

Teach for America (to supply scabs): $8 million

The New York Times: $350,000

Thomas B. Fordham Institute: $700,000

Urban Institute (supposedly an independent think tank in D.C.): $350,000

To be fair, in another part of the grants report, called Special Projects, the Walton Family Foundation donated $112,404 to the Bentonville Public Schools and $25,000 to the Bentonville Public Schools Foundation, in the town where the Waltons are located. Compare that to the $179 million for charters and choice, and you get the picture of what matters most.

Campbell Brown made her reputation calling public school teachers “perverts” and attacking teachers’ unions for “protecting” any member accused of a crime (even if the accusation was false). She then went on to attack teachers’ rights to due process in the courts of two states. She is a close friend of Betsy DeVos, who funds Campbell Brown’s “The 74.” Brown is contemptuous of public schools and advocates for privatization via charters and vouchers. Like DeVos, she never attended a public school and never sent her children to one.

After collecting $12 million from the Billionaire Boys Club to start the pro-privatization website “The 74,” Brown was hired by Facebook to manage its partnerships with other news organizations.

Now get this. CUNY Graduate Center is creating a “News Integrity Initiative” to protect the integrity of journalism. Brown is the Facebook representative.

The Initiative could begin with The 74, which was created to slime a democratic institution–the nation’s public schools–which enroll nearly 90% of the children in this country and which is a foundational part of our democratic society, welcoming all children, including those with profound disabilities and children who don’t speak English.

After I posted the story about the forthcoming PBS Series called School Inc., which promotes privatization, reflecting the views of the privatization movement, I shared the story with investigative journalist David Sirota. He recalled the time that his journalism compelled PBS to return millions of dollars to billionaire financier John Arnold for a program he funded about “the pension crisis.” Arnold has a passion for eliminating pensions for public employees.

He also pointed out a story about Bill Gates’ generous support for PBS programs like The Teaching Channel and for programs advocating for the Common Core.

Now, we understand that PBS and its affiliates need to raise money, but the public expects that whatever they feature will be fair and balanced, not an advertorial.

And we certainly don’t expect PBS to align its programming with the whims of rich individuals who seek to undermine and/or privatize and/or control public education.

I would certainly be shocked to see a program on PBS funded by billionaire Robert Mercer on why the nation does not need public television. Yet PBS has shockingly committed to airing a four-part series attacking public schools and praising the virtues of privatization.

When does the public interest get equal time?

Please call 703-739-5000 to register your protest.

Be sure to ask when they will give equal time to expose the corporate attack on our public schools.

I posted this article a few days ago with the warning that I could not vouch for the source. I have since checked out the website–WhoWhatWhy–and conclude that it is a highly reputable source for honest investigative journalism.

I think if you scan the website, see who writes for it, who edits it, who is on the board of directors, you will agree this is not fake news.

Here is the mission statement:

WhoWhatWhy embodies a form of investigative reporting that is rigorous, relentless and scientific — we call it forensic journalism.

Forensic journalism requires skepticism towards power and credentialed expertise; a determination to unearth the facts interested parties want to keep hidden; and an unflinching commitment to follow the trail wherever it leads. We are truth seeking-not quote seeking.

We take on controversial topics others will not touch and dig deep to uncover and name the institutions and persons shaping our world. Our organization is neither partisan nor ideological and only provides accounts based on extensive research and thorough sourcing.

In addition to producing rigorous investigative reporting, we seek to further the long-term survival and betterment of the news industry as a whole.

The story with which I began is about the possible connection between Trump and the Russian mafia. This story has enormous implications for our democracy and for future elections.

It begins:

The Federal Bureau of Investigation cannot tell us what we need to know about Donald Trump’s contacts with Russia. Why? Because doing so would jeopardize a long-running, ultra-sensitive operation targeting mobsters tied to Russian President Vladimir Putin — and to Trump.

But the Feds’ stonewalling risks something far more dangerous: Failing to resolve a crisis of trust in America’s president. WhoWhatWhy provides the details of a two-month investigation in this 6,500-word exposé.

The FBI apparently knew, directly or indirectly, based upon available facts, that prior to Election Day, Trump and his campaign had personal and business dealings with certain individuals and entities linked to criminal elements — including reputed Russian gangsters — connected to Putin.

The same facts suggest that the FBI knew or should have known enough prior to the election to justify informing the public about its ongoing investigation of potentially compromising relationships between Trump, Putin, and Russian mobsters — even if it meant losing or exposing a valued informant.

***

It will take an agency independent of the Federal Bureau of Investigation (FBI) to expose Donald Trump’s true relationship with Moscow and the role Russia may have played in getting him elected.

Director James Comey recently revealed in a congressional hearing for the first time that the FBI “is investigating … the nature of any links between individuals associated with the Trump campaign and the Russian government and whether there was any coordination between the campaign and Russia’s efforts.”

However, a two-month WhoWhatWhy investigation has revealed an important reason the Bureau may be facing undisclosed obstacles to revealing what it knows to the public or to lawmakers.

Our investigation also may explain why the FBI, which was very public about its probe of Hillary Clinton’s emails, never disclosed its investigation of the Trump campaign prior to the election, even though we now know that it commenced last July.

The website Chalkbeat posted an article about the sunny side of Secretary DeVos.

http://www.chalkbeat.org/posts/us/2017/03/28/rave-reviews-here-are-the-states-schools-and-programs-that-have-gotten-betsy-devoss-seal-of-approval/

She likes really good programs!

Like Florida’s tax credit programs for vouchers! (Which sucks tax dollars away from public schools)

Like Milwaukee’s school choice programs! (Which have produced no positive results for students in 26 years)

Like Nevada’s Achievement School District (which does not yet exist and is modeled on Tennessee’s failed Achievement School District; unmentioned: most of Nevada’s charters are failing schools by the state’s metrics–Nevada needs an Achievement School District for failing charters)

She is cheerleader-in-chief for school choice. Given her deep-seated antagonism for the democratically-controlled community public schools that 90% of our nation’s children attend, we should expect a change of heart.

By we should expect unsentimental, critical reporting.

Buzzfeed reports that an internal quarrel has broken out between the news room and the opinion pages of the New York Times about an article featured on the editorial opinion page by journalist Louise Mensch. (I posted Mensch’s article).

A civil war between news and opinion has broken out at the New York Times.

In a Times op-ed posted online Friday, Louise Mensch, a writer and former member of the UK Parliament, gives her suggestion for what questions the House Intelligence Committee should ask as it holds hearings on Russia’s influence in the US election. Mensch offers Times readers reason to trust her expertise: “In November, I broke the story that a Foreign Intelligence Surveillance Act court had issued a warrant that enabled the F.B.I. to examine communications between ‘U.S. persons’ in the Trump campaign relating to Russia-linked banks,” she writes.

On Twitter, Times reporters lashed out.

“Please note that the NYT newsroom disagrees,” national security reporter Charlie Savage tweeted. Savage highlighted from his report this month knocking down the FISA claim: “To date, reporters for The New York Times with demonstrated sources in that world have been unable to corroborate that the court issued any such order.”

The core of the dispute is whether the FISA court granted a warrant, which the Times and Washington Post have not reported, though the BBC and McClatchy have. The Guardian reported about a June FISA request but stopped short at confirming the supposed October one was granted.

If the Congressional hearings are thorough, we should learn the answer to the issue in dispute. Chalk another round of the Trump Chaos Presidency.

Media experts warned that the elimination of the Corporation for Public Broadcasting will bring an end to public media in small and rural communities. The giants in large markets like New York City will survive, but not the smaller markets.

“Public radio and television broadcasters are girding for battle after the Trump administration proposed a drastic cutback that they have long dreaded: the defunding of the Corporation for Public Broadcasting.

“The potential elimination of about $445 million in annual funding, which helps local TV and radio stations subscribe to NPR and Public Broadcasting Service programming, could be devastating for affiliates in smaller markets that already operate on a shoestring budget.

“Patricia Harrison, the corporation’s president, warned in a statement on Thursday that the Trump budget proposal, if enacted, could cause “the collapse of the public media system itself.”

“But the power players in public broadcasting — big-city staples like WNYC in New York City — would be well-equipped to weather any cuts. Major stations typically receive only a sliver of their annual budget from the federal government, thanks to listener contributions and corporate underwriters. Podcasts and other digital offshoots have also become significant sources of revenue.

“Rural affiliates, however, rely more heavily on congressional largess, which can make up as much as 35 percent of their budgets. Mark Vogelzang, president of Maine Public, called the Trump proposal “the most serious threat to our federal funding” since he started in public broadcasting 37 years ago.

“We’re always living on the edge in this ecosystem of public broadcasting,” Mr. Vogelzang said in an interview.
The Corporation for Public Broadcasting supports about 1,500 stations that carry a range of educational, journalistic and arts-related programming. The corporation dates to the administration of President Lyndon Johnson. Its funding, while a minuscule part of the federal budget, has been under regular peril since the 1970s from conservative lawmakers, who often denounce what they view as the liberal bent of public media.”

Trump has proven himself to be a true barbarian by proposing to eliminate the modest federal funding for the National Endowments for the Arts and the Humanities and the Corporation for Public Broadcasting.

Why should there be a partisan divide over the funding of public programming for the arts, history, drama, museums, and public media? Don’t Republicans visit museums and listen to history programs on radio and television? Do they enjoy music and dance? Don’t they appreciate art as much as Democrats?

A deep fear came to pass for many artists, museums, and cultural organizations nationwide early Thursday morning when President Trump, in his first federal budget plan, proposed eliminating the National Endowment for the Arts and the National Endowment for the Humanities.

President Trump also proposed scrapping the Corporation for Public Broadcasting, a key revenue source for PBS and National Public Radio stations, as well as the Woodrow Wilson International Center for Scholars.

It was the first time a president has called for ending the endowments. They were created in 1965 when President Lyndon B. Johnson signed legislation declaring that any “advanced civilization” must fully value the arts, the humanities, and cultural activity.

While the combined annual budgets of both endowments — about $300 million — are a tiny fraction of the $1.1 trillion of total annual discretionary spending, grants from these agencies have been deeply valued financial lifelines and highly coveted honors for artists, musicians, writers and scholars for decades.

Nothing will change for the endowments or other agencies immediately. Congress writes the federal budget, not the president, and White House budget plans are largely political documents that telegraph a president’s priorities.

Yet never before have Republicans, who have proposed eliminating the endowments in the past, controlled both Congress and the White House and were so well-positioned to close the agencies. Reagan administration officials wanted to slash the endowments at one point, for instance, but they faced a Democratic majority in Congress (as well as Reagan friends from Hollywood who favored the endowments).

As for 2017, it is unclear whether Republicans who are friendly to the endowments will fight their own party’s president on their behalf. Mr. Trump went ahead with the proposal even though his daughter Ivanka is a longtime supporter of the arts, and Karen Pence, the wife of Vice President Mike Pence, has been a staunch advocate for art therapy for years, being a painter herself.

Peter Greene reports on an NPR program explaining charter schools. Perhaps you thought the program would give equal time to charter advocates and charter critics. Perhaps you thought you thought the program might explain why charters are controversial. Perhaps you thought that NPR–supposedly a bastion of liberalism–might explain why Trump, DeVos, the Koch brothers, the Waltons, and every red-state governor–loves them. Or why blue-state Massachusetts voted overwhelmingly not to allow more of them.

http://curmudgucation.blogspot.com/2017/03/npr-explains-charter-schools.html?spref=tw

If you thought that, you guessed by now that none of those things happened.

Claudio Sanchez of NPR interviewed three charter cheerleaders and tossed them softball questions.

Maybe this is what NPR had to do to justify the subsidy it gets from the Walton Family Foundation.

For shame.