The protest against repression in Iran continued, with a dramatic gesture. The photographs are striking. If you can open the link in The Washington Post, I think you will agree.
As Iranian protests sparked by the death of a woman in police custody continued, several Tehran fountains on Friday appeared as if filled with blood, according to photos and a video — verified by Storyful — that were shared widely on social media. The Persian-language Twitter account 1500tasvir, which has been monitoring the state crackdown that has killed dozens, credited the red liquid in the fountains’ basins to an anonymous artist/activist, referring to it as a protest artwork whose title roughly translates to “Tehran sinking in blood.”
The affected fountains are in culturally significant locations, including one in Daneshjoo Park, near the City Theater, which has been the subject of government censorship, and another in front of the Iranian Artists Forum, an interdisciplinary arts space founded during the reform-oriented presidency of Mohammad Khatami.
According to the Voice of America, citing the BBC’s Persian service, the fountains have since been drained. But for a moment, the ephemeral work served as a visceral reminder of the sacrifices made in the name of women’s rights.
Iran’s weeks-long protests began in mid-September, after Mahsa Amini, 22, was arrested by the “morality police” for allegedly wearing a hijab incorrectly, and died in custody. The death has fueled sprawling protests. Schoolgirls have removed their head coverings and raised middle fingers. Women have burned their hijabs and cut their hair. People have flooded the streets chanting, “Women, life, freedom” and “Death to dictator,” a reference to Iran’s supreme leader, Ayatollah Ali Khamenei.

So in India they protest to be able to wear the hijab and in Iran the opposite (although there are obviously larger issues behind both protests). When and why do we accept or reject authoritarian mandates ? I think there is a college seminar (or two) someplace that tackles these questions. Boy, would I like to audit it!
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It’s not that complicated, speduktr. People should be free to make their own choices. Those who want to wear a hijab should be free to do it. Those who don’t should not be forced to do it. It’s called freedom of religion.
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Amen to this.
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It’s called freedom. It’s fundamental, not categorical.
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And yet we still struggle with what that means.
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“When and why do we accept or reject authoritarian mandates?”
My question is not about freedom of religion in particular although I use it as an example. My question is much broader.
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When and why: one example. Have you been in an airport lately. There are legal and understood authoritarian mandates at every turn. Gate agents who require you to be nice at all times or else, groping TSA agents, to flight attendants who are skittish about the most minor behavior. It requires a code of conduct of shutting one’s mouth and smiling throughout the process, no matter how miserable it is. Even when you see worse being done to other people. Going through an American airport is a lot like living in the former East Germany.
Can you tell that I’ve been flying lately?
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The young often push against the tide. Who knows this better than teachers? I have had kids that pushed back by wearing their hair funny, by wearing weird clothes, even by studying.
These protesters follow the other youthful protesters who have changed the world. I think of the youth movement in the American Civil Rights movement. When David Halberstam wrote The Children, a book about the people who were involved in the Nashville, Tennessee part of the movement, he chose the most obvious title. They were all young.
We need young people. Great civilizations have ways the young become a part of the culture. Failing cultures try to hold back the sea.
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Good point. My own children are probably more liberal than I am (although not always more tolerant). The young push the envelope; it’s part of growing up.
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Beautifully said, Roy!
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Sometimes it can go the other way, though. Highly recommended: Orhan Pamuk’s novel Snow, which deals in part with young pro-Islamicists in secular Türkiye.
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